CHAPTER XVII.

DRESS OF MEN.

Luxury in dress—Material used—Popular colours—Everyday

dress—Various garments—Belts of silver and gold—Cloaks—Trailing

gowns—Shoes—Plaids—Gloves—Hats—Moustaches and beards—Hair worn

long—Fashions—Splendour of chiefs’ accoutrements.

The finds as well as the Sagas, which are confirmed by the Bayeux

tapestry, show that from a very early period the people of the North

dressed with great luxury; but, with the exception of the complete

garments of the bog finds, only fragments of wearing apparel belonging

to the iron age have been discovered, which in most instances are

thoroughly discoloured.

In the Sagas we have only partial descriptions of the dress worn by men

and women, and though many names of pieces of clothing are mentioned,

very little light is otherwise thrown upon the subject.

The material used for clothing seems to have been the same for both

sexes—linen, wool, silk, skins, and furs. Among the costly materials

mentioned is “_pell_” which is supposed to be like velvet. The materials

were sometimes seamed with gold and silver thread, or embroidered. It

was the custom to have a border on many of the clothes called _hlad_,

which was either a band, ribbon, or a kind of lace.

Blue, red, green, scarlet, and purple, were the colours most in favour;

grey was the colour for everyday use, and white _vadmal_, a coarse or

thick woollen stuff, was the distinctive clothing for slaves.

The trousers were worn at a very early time, as we have seen from the

Bog finds, and were kept in their proper place by a belt round the

waist, and had the socks knitted on to them, over which were shoes. Over

the linen and woollen shirts was the coat of mail. Over the shoulders a

cloak was worn, resembling that of the Romans or Greeks, with a fringe

or border at the sides. These cloaks were fastened by fibulæ. The

costumes of the Bayeux tapestry agree with the descriptions of the

Sagas.

The everyday dress of Geirmund is thus described:—

“He usually dressed thus. He wore a red scarlet kirtle, and over it a

grey cloak (feld), and on his head a bearskin cap (húfa). He wore in his

hand a large sword. It was not adorned with silver, and its blade was

keen and broad and no rust on it. He called the sword Fótbít

(foot-cutter), and never let it go out of his hand” (Laxdæla, c. 29).

[Illustration:

Fig. 1144.—Cloth with representation of lion or leopard. ⅓ real

size.—Mammen find.

]

Vigaskúta saw “that a large man in a green cloak rode from Thverá (a

farm), and knew that it was Glúm. He alighted from his horse. He had on

a cloak of two colours, black and white” (Viga Glum’s Saga, c. 16).

“Hrút started up in a shirt and linen breeches, and threw over himself a

grey cloak, and had in his hand a halberd adorned with gold, which King

Harald had given him” (Laxdæla, c. 37).

“The king had on a red cloak (möttul)[205] with bands, and a spear in

his hand. He twisted the cloak-pin off, and leaned upon the blade of his

spear. When Heming came down he took hold of the king’s cloak, but the

king bowed down his head, and let go the cloak, so that Heming flew down

off the rock” (Flateyjarbok, iii. 409).

[Illustration:

Fig. 1145.—Piece of cloth found in Bjerringhoi mound at Mammen, near

Viborg.—⅓ real size.

]

[Illustration:

Fig. 1146.—Fragment of woollen cloth, ornamented with hands and human

faces. ⅓ real size.—Mammen find.

]

Helgi, a Norwegian trader, was invited to stay with Gudmund the

powerful, on Mödruvellir, a whole winter. When he left he said to him:—

“‘Now, herra, look at this payment for quarters, though it is less than

you deserve.’ It was a cloak, the fur of which was lined with pell, with

a golden band on the neck-strap, a most costly thing. Gudmund said: ‘I

thank thee for it, I have never received a better gift.’ They parted

good friends” (Ljosvetninga Saga, c. 13).

“Ögmund put on a cloak (feld) of two colours, ornamented with bands

beneath the shoulder; it was very costly” (Fornmanna Sögur, ii.).

[Illustration:

Fig. 1147.—Well preserved bracelet of silk, knitted with gold threads,

found in Bjerringhoi mound at Mammen, near Viborg. Real size.

]

[Illustration:

Fig. 1148.—Piece of woven woollen cloth, brownish colour.

]

[Illustration:

Fig. 1149.—Remnant of brown woollen cloth of thin threads and very

loose weaving.

]

“He (Thormód) had covered himself with a double-furred cloak which he

owned. It was black on one side, and white on the other” (Fóstbrædra

Saga, c. 32).

The different garments were:—

_Skyrta_, or _serk_, the name given to the shirt worn next the body,

which was put on by means of a small opening[206] for the head called

_hofudsmátt_.

[Illustration:

Fig. 1150.—Border of fine woven red silk cloth (1½ inches broad), with

gold and silver threads woven into it, and four-cornered pattern

with representation of Svastica, found in the mound.

]

[Illustration:

Fig. 1151.—Piece of cloth with two lions or leopards facing each

other. ⅓ real size.—Mammen find.

]

The _kyrtil_ shaped like a shirt with sleeves, and put over it. Blue,

red, and brown seem to have been the favourite colours for this

garment.[207] Sometimes the kirtle is called _skyrta_, or shirt; so both

must have been alike in shape. A sleeveless kirtle is mentioned as

uncommon.[208]

The _hjúp_ which seems to have been a short kirtle without sleeves,

sometimes lined with furs, worn sometimes over the coat of mail.[209]

“Sigurd went up on the island. He wore a red kirtle, and a blue cloak

with straps on his shoulders; he was girt with a sword, and had a helmet

on his head” (Fœreyinga Saga, c. 57).

_Linbrækr_ (linen drawers) which seem to have been often worn, and were

kept on at night.

_Breeches_ seems to have been of two kinds:—

_Brækr_ (the more common) were held up round the waist by a belt,

fastened with a buckle, which was usually wide, but considered more

showy when it was narrow.

[Illustration:

Fig. 1152.—Fragment of woollen stuff, ⅔ real size, found in a tumulus

with fragments of a sword, spear points, two axes, a shield boss of

iron, and a large number of pieces of stuffs of different qualities,

pieces of the skin of a horse still having hair adhering to

it.—Norway.

]

“He had strange clothes made—hairy breeches (brækr) and cloak, and he

had them put into boiling pitch and hardened” (Ragnar Lodbrók, c. 2).

_Hosur_[210] were a showier kind of breeches; they seem also to have

covered the feet, and to have been tight, like high stockings. They were

of cloth or skin, and resembled high boots: spurs were often attached to

them. Sometimes the breeches were worn outside the kirtle, and a man was

then said to be “girt in breeches,” the waistband serving as a belt.

“A crowd of men had come to the bœr. Some of these had walked up to

Gaulardal. It happened that a broad-shouldered man walked past them; he

wore a cloak and white hose, and was alone” (Fornmanna Sögur, v.).

_Leistabrækr_ were breeches and stockings in one, and seem to have been

tight-fitting, somewhat similar to those found in the Thorsberg bog,

which were of great antiquity. On the relief ornamentation on a superb

silver vase of Greek workmanship found at Kertch, representing the

capture of wild horses, and the different phases of taming them, the men

are represented as wearing such breeches.

_Hökulbrækr._ Of these there is no description.

[Illustration:

Fig. 1153.

]

[Illustration:

Fig. 1154.

]

Bronze plates found, Björnhofda, parish of Thorslunda, showing man’s

trousers, &c.

_Sokkar_ (socks) were also used.

Thórodd had been wounded in a fight, and his breeches were all wet from

the blood.

“The servant of Snorri was to pull off the breeches, and when he pulled

he could not get them off. Then he said: ‘It is not a lie about you, the

sons of Thorbrand, that you are very showy, as you wear such tight

clothes that they cannot be pulled off.’ Thórodd answered: ‘You do not

pull hard enough.’ Then the man put his feet against the bedside and

pulled with all his strength, and the breeches did not come down. Then

Snorri godi came and touched the leg all over, and found that a spear

was standing through the foot between the tendon and the leg, and had

pierced the foot and the breeches” (Eyrbyggja, c. 45).

The belts worn round the waist were often very costly, and of silver and

gold.

“Thjóf (= Fridthjóf) threw off his cloak; he had on a dark blue kirtle

under it, and wore the good ring on his hand (or arm). He wore a broad

silver belt round his waist, and a large bag with pure silver money in

it, and a sword at his side. He had on his head a large hood made of

skin, for he had weak eyes and was hairy all over his face” (Fridthjóf’s

Saga, c. 11).

These cloaks were the most costly part of their dress; they were made of

materials called _gudvef_, _pell_, and _baldakin_.[211] Among the many

kinds of cloaks mentioned were—

The _Kapa_, or hood-cloak, the usual colour of which for everyday use

was grey; for feasts, scarlet; sometimes lined with fur.

The _Feld_, identical with the Kapa, both sides of which were sometimes

of different colours.

There were also rain or dust cloaks, and cloaks made of reindeer-skin.

The finest were the _skikkja_[212] and _möttul_, which were only worn by

the high-born chiefs, being a characteristic of birth, just like the

paludamentum or military cloak of the Romans, or the chlamys of the

Greeks, which were of scarlet bordered with purple. The cloaks and

mantles (möttul) were fastened round the neck or held up by bands or

straps, which were so long that they could be put on the head.

The cloak seems to have been long enough for a sword to be carried under

it without being seen.

“Then Thorólf put off his strap-mantle (_seilamöttul_), which was of

scarlet, lined with grey fur. He laid it over Thorstein, but it did not

reach lower down than his waist when he rose. He then took it off and

told him to wear it himself, and give him another garment, though it

might not be as fine. Thorólf then fetched a hairy cloak (lod-kápa), and

told him to put it on. He threw it over him, and it was neither too long

nor too short” (Svarfdæla Saga).

“He (Sigurd) wore blue breeches, a shirt, and a mantle (_möttul_) with

straps (_tygil_) for over-garment. He looked down and kept the

mantle-straps in his hands, and by turns put them on and off his head.

When they had passed the cape they had got merry and drunk, rowed hard

and kept little guard. Sigurd rose and went to the gunwale, and his two

guards did the same, and both took his mantle and held it up as was the

custom to do with highborn men” (Magnus Blind, c. 16).

“Halldór had on a cloak on which were long brooches[213] as was then

customary” (Laxdæla, ch. 75).[214]

The Slœdur was a trailing gown of costly stuff embroidered with gold and

ornamented with bands.

In the time of Olaf Kyrri (the Quiet, 1066–93) the men’s gowns had

trains, laced on the side, with sleeves 10 feet long, so tight that they

had to be pulled on with a leather thong, and jerked up to the shoulder.

These gowns were soon considered old-fashioned: it was also customary to

wear gold rings round the legs.

“In the days of King Olaf Kyrri, drinking at the inns and parting-bouts

began in the trading-towns, and the people became fond of show; they

wore costly breeches laced tight to the leg, and some fastened gold

rings round their legs; the men wore trailing gowns (drag-kyrtil), laced

on the sides, with sleeves ten feet in length, and so narrow that they

had to be put on with a running-string and laced tight up to the

shoulder; the shoes were high, sewed with silk, and some of them

ornamented with gold. There was much other display at this time” (Olaf

Kyrri, c. 2).

This sort of sleeve belonged to the old-fashioned kind of clothing.

“He (Arinbjörn) gave Egil as Yule-gift a gown (_slœdur_) of silk,

largely embroidered with gold, and set with gold-buttons all the way

down the front; he had this made so as to fit Egil. Arinbjörn also gave

him a new cut suit of clothes, of many-coloured English cloth” (Egil’s

Saga, 70).

Erling jarl was tall and brawny, somewhat high-shouldered, with a long

and thin face and light complexion; he was very grey-haired, and carried

his head on one side. He was amiable and high-minded, and wore

old-fashioned clothes, high-necked and long-sleeved, kirtles and shirts,

and foreign cloaks (valaskikkja)[215] and high shoes. Thus also he

dressed King Magnus while he was young, but as soon as he had his own

way he dressed very showily (Magnus Erlingsson’s Saga, c. 37).

Shoes made of leather or skins were used, and made fast by strings,

sometimes adorned with fringes: silk strings were wrapped round the leg

to the knees, and sometimes very high shoes were worn, often seamed with

silk and partly covered with gold, but they were old-fashioned.

“It is told about his (Sigurd’s) dress, that he wore a blue kirtle and

blue hose, high shoes laced round his legs, a grey cloak (kápa) and a

grey broad-brimmed hat and a hood over his face, a staff in his hand

with a gilt silver-mounting at the upper end, from which a silver ring

hung” (St. Olaf’s Saga,[216] c. 31).

“Sigurd jarl had a brown kirtle and a red cloak, the skirts of which

were folded up; he wore shoes made of the skin of sheep’s legs; he had a

shield and the sword called Bastard” (Magnus Erlingsson’s Saga, c. 13).

“The king (St. Olaf) and his men went into the bath and laid their

clothes on the ground, and a tent was pitched over it. At that time it

was common to wear silk strings like garters, which were wound round the

leg from the shoe to the knee; the first and high-born men always wore

them, and the king and Björn had the same.... Björn always had these

thongs around his legs while he lived, and was buried with them”

(Bjarnar Saga Hitdælakappa).

Magnus Barefoot (1093–1103) adopted the Scotch custom (then also used in

Ireland) of having _bare legs_ and _plaids_, but this fashion was

antiquated a hundred years later.

“It is told that when Magnus came from _Vestrviking_ (warfare in the

west), he and many of his men adopted the customs in dress that were

common in the western lands (Scotland and Ireland). They walked

bare-legged in the streets, and wore short kirtles and over-garments”

(Magnus Barefoot, c. 18).

On the hands gloves (_glófar_) of skin, especially hart’s-skin,

sometimes stitched with gold, were worn; occasionally they were lined

with down. In the hand a staff was generally carried, with or without an

axe.

“Bard sat in a high-seat; he was bald and dressed in scarlet clothes,

and wore gloves of hart-skin” (Fornmanna Sögur, ii. 148).

On the head a _hött_ (hat) was worn. _Skálhatt_ (a hat formed like a

bowl) is mentioned, also black, grey, and white hats. Another

head-covering mentioned is a silken cap ornamented with lace; those from

Gardariki seem to have been most appreciated.

After a battle at sea between King Ingi and Sigurd Slembidjákn, a

pretender to the crown of Norway, in which Ingi got the victory, Sigurd

jumped overboard and took off his coat-of-mail while swimming under his

shield. The king’s men nevertheless found him.

“Thjóstólf Alason went to him (Sigurd) where he sat and struck off his

head a silk cap ornamented with lace bands.”[217]

“Thorkel Sursson had on his head a hat from Gardariki, a grey fur cloak,

with a gold buckle on the shoulder, and a sword in his hand” (Gisli

Súrsson, p. 55).

Karl and Leif saw a man approaching, “who had in his hand a cudgel

(_refdi_), wore a broad-brimmed hat, and a green woollen cloak; he was

barefooted, but had linen breeches tied (with a band) round his legs”

(St. Olaf’s Saga, c. 153).

“The everyday dress of Án was a white fur-coat, so long that it touched

his heels; a grey short fur-coat over it reached down to the middle of

the calf of his leg; over it was a red kirtle, which reached below the

knee. Over this was a common trading cloth blouse (stakk), which reached

to the middle of his thigh. He had a hat on his head, and a chopping-axe

in his hand” (An Bogsveigi’s Saga, c. 5).

The wearing of moustaches by warriors seems to have been very common

from the earliest time; this is seen from the bracteates and antiquities

belonging to the earlier and later iron age. The custom, which continued

to the end of the Pagan era, and which is also well illustrated in the

Bayeux tapestry, was so common that it is but seldom mentioned in the

Sagas.

Laughed then Jormunrek,

Put his hand on his moustaches;

He did not want tumult,

Was drunk with wine;

Shook his brown hair,

Looked on his white shield;

Let the golden cup

Turn in his hand.

(Hamdismál, 20.)

After the burning of Njal, Skarphedin, his son, was found dead.

“He had been standing at the gable, and the greater part of his legs

were burnt up to his knees, but the rest of his body was not burnt; his

eyes were open and not swollen; he had bitten his moustache, and had

struck with the axe so fast into the gable that its blade went in as far

as its middle, and therefore it was not softened” (Njala, c. 132).

[Illustration:

Fig. 1155.—Man with moustache; reverse of silver coin with ship.

]

A peculiar story is related of Ögmund Eythjófsbani, a famous Viking,

full of witchcraft and devilry, who often fought against Örvarodd.

“When Ögmund left Odd he went into Austrveg (eastern lands) and married

the daughter of Geirröd the Jötun, and made all the kings in Austrveg

pay tax to him; every twelve months they were to send him their lower

and upper moustache. From these Ögmund had a fur cloak made” (Orvar

Odd’s Saga, c. 23).

The men wore their hair long, hanging over their neck; their foreheads

were ornamented with a gold band like a diadem, and from the finds we

learn that they parted their hair in the middle.

“Kjartan, Olaf’s son, grew up at Hjardarholt; he was the handsomest of

men born in Iceland. He had fine and marked features in his face, with

most beautiful eyes and fair complexion; he had much hair as fine as

silk, which fell down in locks. He was large and strong as his mother’s

father Egil (Skallagrimsson), or Thorolf had been. He was better shaped

than any man, so that all wondered who saw him; he also fought better

than most other men; he was a good smith, and swam better than any other

man; he surpassed others greatly in all idrottir; he was better liked

and more humble than any other man, so that every child loved him; he

was merry and open-handed. Olaf (the Irish) loved him most of all his

children” (Laxdæla Saga, ch. 38).

“He (Hakon jarl) was the most handsome man that men had seen, with long

hair, fine as silk, and a gold band on his head” (Fornmanna Sögur, iv.).

“Odd was dressed every day in a scarlet kirtle, and had a _gullhlad_

(gold band) tied round his head” (Orvar Odd, c. 1).

[Illustration:

Fig. 1156.—Fragments of the upper part of a bronze kettle (the eyes

had probably been adorned with stones), showing how men parted their

hair.—Bog find, Fyen.

]

[Illustration:

Fig. 1157.—Ornaments inside the kettle on another plate of bronze.

]

“He (Gunnar of Hlídarendi) looked handsome, and had a light complexion,

a straight nose, slightly turned up, blue and keen eyes, and red cheeks.

His hair was long, thick, and yellow, and sat well” (Njala, c. 19).

Chiefs seem to have often set the fashions.

“One summer a seagoing ship owned by Icelanders came from Iceland. It

was loaded with trade-cloaks (_varar-feld_), and they went with it to

Hardangr, for they heard that many people were there. When they began to

sell none wanted to buy the cloaks. The steersman went to King Harald,

for he had spoken to him before, and told him this difficulty. Harald

said he would come down, and did so. He was a condescending and very

merry man. He came on a fully-manned skúta. He looked at the goods, and

said to the steersman: ‘Wilt thou give me one of the grey cloaks?’

‘Willingly,’ answered the steersman: ‘more than one.’ Harald took one

cloak and put it on, and then went down into the skúta. Before they

rowed away every one of his men had bought a cloak. A few days after

there came so many who all wanted to buy cloaks that not half of them

got any. Thereafter the king was called Harald gráfeld (grey cloak)”

(Harald Gráfeld’s Saga, c. 7).

The fashion in the time of King Sverri is thus described:—

“Thou shalt always choose brown cloth for hose; it is not wrong to use

black skin for hose or other kinds of cloth except scarlet. Thou shalt

also have a brown or green or red kirtle of good and beseeming cloth.

Thy linen clothes thou shalt have made of good linen, but not much of

it; have thy shirt short and all thy linen-clothes light. Always have

thy shirt a good deal shorter than thy kirtle, for no good-mannered man

can make himself look well with flax or hemp. Thy beard and hair thou

shalt have well prepared before thou comest before the king, after the

customs prevailing at the time in the hird.[218] When I was in the hird

it was customary to cut the hair shorter than the lobes of the ears, and

comb it so that each hair would lie flat, and a short lock of hair be

over the eyebrows. It was customary to cut the beard and the moustaches

short and have whiskers like the German custom; it is not likely that

there will be any better or more becoming fashion for warriors” (Konungs

Skuggsjá, p. 66).

[Illustration:

Fig. 1158.

]

[Illustration:

Fig. 1159.

]

Iron tweezers, ⅔ real size, found in a quadrangular stone setting,

with a bent sword, a bent spear head, both of iron, and burnt

bones.—Öland.

From the earlier Edda and the Sagas we find that kings or warriors were

easily recognised by the splendour of their accoutrements. They wore

gilt spurs.

“When the king (St. Olaf) had said this, he sat down and let his shoes

and stockings be pulled off, put cordovan hose on his feet and put on

gilt spurs. Then he took off his cloak and kirtle and dressed himself in

clothes of pell, and over these a scarlet cloak. He girded himself with

an ornamented sword, put a gilt helmet on his head, and mounted his

horse” (St. Olaf’s Saga, c. 32).

“King Hakon was easily recognized before all others; his helmet

glittered when the sun shone upon it” (Hakon the Good’s Saga, c. 31).

“Kjartan Olafsson took up the scarlet clothes which King Olaf

(Tryggvason) gave him at their parting and dressed himself

magnificently; he girt himself with the sword which was the king’s gift;

he wore on his head a gilt helmet, and had a red shield at his side with

the holy cross marked thereon in gold, and in his hand a spear with a

gilt handle. All his men were in coloured clothes; they were more than

twenty” (Laxdæla, c. 44).

“The king (Hakon) put on his dress of war; he wore a coat of ring-mail,

and was girt with the sword _Kvernbit_; he had on a gilt helmet, a spear

in his hand, and a shield at his side. Then he arrayed in ranks his hird

and the bœndr, and raised his standard” (Fornmanna Sögur, vol. i., pp.

42, 43).

“One day Gilli and Leif (kinsmen) went from their booths to a hill,

which was on the island, and there talked together; they saw many men on

the headland on the eastern side of the island ... there glittered in

the sunshine fine shields and magnificent helmets, axes and spears, and

the men looked very valiant; they saw that a man, tall and bold-looking,

went in front of the rest in a red kirtle, with a shield half blue and

half yellow, a helmet on his head, and a long cutting spear in his hand;

they thought they recognized in him Sigurd Thorlaksson. Next to him

walked a stout man in a red kirtle, who had a red shield; they thought

they recognized him with certainty as Thórd Lági (the low); the third

man had a red shield, with a man’s face painted on it, and a large axe

in his hand; this was Gaut the red” (Færeyinga Saga, c. 48).

While King Olaf was at Stiklastadir a man came to him who was not like

other men.

“He was so tall that no other man reached higher than to his shoulders;

he was very handsome, and fair-haired. He was well armed; he had a very

fine helmet, a coat of mail, and a red shield; he was girt with an

ornamented sword and had a large spear inlaid with gold, whose handle

was so thick that it could scarcely be grasped with the hand” (St.

Olaf’s Saga, c. 22).

It was the custom for those who attended the Thing to put on their best

clothes.

“The champion Gunnar came to the Althing, so finely dressed that none

were dressed as well, and the people came out of every booth to admire

him. He had on the scarlet state[219] clothes which King Harald Gormsson

(Denmark) gave him, and a gold ring on his hand from Hakon jarl” (Njala,

c. 33).

-----

Footnote 205:

Here the word _möttul_ = mantle, the same garment which elsewhere is

called _skikkja_.

Footnote 206:

Laxdæla, 46.

Footnote 207:

Fornmanna Sögur; Harald Hardradi.

Footnote 208:

Magn. Baref., 8.

Footnote 209:

Flateyjarbok, i. 481.

Footnote 210:

In the time of Olaf Kyrri, before 1100, very tight _hosur_ were used.

Blue trousers and blue and grey hosur are mentioned.

Footnote 211:

Baldakin, stuff or skin from Bagdad.

Footnote 212:

It seems to have been the custom to fold up the edges of the skikkja

(Magnus Erlingson, ch. 13, 37; Magnus Barefoot, 8; Flateyjarbók,

iii.).

Footnote 213:

Brooches = fibulæ.

Footnote 214:

Cf. also for cloaks.—Egil’s Saga, c. 77; Eyrbyggja, c. 37; Vigaglum’s

Saga, c. 6; Ljosvetninga Saga, c. 17.

Footnote 215:

Valaskikkja = Welsh (foreign) cloak.

Footnote 216:

Cf. also Eyrbyggja Saga, c. 43.

Footnote 217:

Cf. Svarfdæla Saga, c. 5, and Magnus Barefoot, c. 8.

Footnote 218:

The _hird_ or hirdmen were so called because they guarded their lord

or king; the word being derived from _hirda_, to guard or preserve.

The hird of a king was often very considerable: King Harald Fairhair

sometimes had a hird of 400 men.

Footnote 219:

Fignarklœdi = dignity-clothes; clothes of highborn men.

The Viking Age. Volume 2 (of 2) The early history, manners, and customs of the ancestors of the English-speaking nations · 第 17 / 34 章