I said I was.

"Have you ever edited an agricultural paper before?"

"No," I said; "this is my first attempt."

"Very likely. Have you had any experience in agriculture

practically?"

"No; I believe I have not."

"Some instinct told me so," said the old gentleman, putting on his

spectacles, and looking over them at me with asperity, while he

folded his paper into a convenient shape. "I wish to read you what

must have made me have that instinct. It was this editorial.

Listen, and see if it was you that wrote it:

"Turnips should never be pulled, it injures them. It is much

better to send a boy up and let him shake the tree."

"Now, what do you think of that--for I really suppose you wrote

it?"

"Think of it? Why, I think it is good. I think it is sense. I have

no doubt that every year millions and millions of bushels of

turnips are spoiled in this township alone by being pulled in a

half-ripe condition, when, if they had sent a boy up to shake the

tree--"

"Shake your grandmother! Turnips don't grow on trees!"

"Oh, they don't, don't they! Well, who said they did? The language

was intended to be figurative, wholly figurative. Anybody that

knows anything will know that I meant that the boy should shake the

vine."

Then this old person got up and tore his paper all into small

shreds, and stamped on them, and broke several things with his

cane, and said I did not know as much as a cow; and then went out

and banged the door after him, and, in short, acted in such a way

that I fancied he was displeased about something. But not knowing

what the trouble was, I could not be any help to him.

Pretty soon after this a long cadaverous creature, with lanky

locks hanging down to his shoulders, and a week's stubble bristling

from the hills and valleys of his face, darted within the door, and

halted, motionless, with finger on lip, and head and body bent in

listening attitude. No sound was heard. Still he listened. No

sound. Then he turned the key in the door, and came elaborately

tiptoeing towards me till he was within long reaching distance of

me, when he stopped and, after scanning my face with intense

interest for a while, drew a folded copy of our paper from his

bosom, and said:

"There, you wrote that. Read it to me--quick! Relieve me. I

suffer."

[Illustration: "A LONG CADAVEROUS CREATURE"]

I read as follows; and as the sentences fell from my lips I could see

the relief come, I could see the drawn muscles relax, and the anxiety

go out of the face, and rest and peace steal over the features like

the merciful moonlight over a desolate landscape:

"The guano is a fine bird, but great care is necessary in rearing

it. It should not be imported earlier than June or later than

September. In the winter it should be kept in a warm place, where

it can hatch out its young.

"It is evident that we are to have a backward season for grain.

Therefore it will be well for the farmer to begin setting out his

corn-stalks and planting his buckwheat-cakes in July instead of

August.

"Concerning the pumpkin.--This berry is a favorite with the

natives of the interior of New England, who prefer it to the

gooseberry for the making of fruit-cake, and who likewise give it

the preference over the raspberry for feeding cows, as being more

filling and fully as satisfying. The pumpkin is the only esculent

of the orange family that will thrive in the North, except the

gourd and one or two varieties of the squash. But the custom of

planting it in the front yard with the shrubbery is fast going

out of vogue, for it is now generally conceded that the pumpkin

as a shade tree is a failure.

"Now, as the warm weather approaches, and the ganders begin to

spawn"--

The excited listener sprang towards me to shake hands, and said:

"There, there--that will do. I know I am all right now, because

you have read it just as I did, word for word. But, stranger, when

I first read it this morning, I said to myself, I never, never

believed it before, notwithstanding my friends kept me under watch

so strict, but now I believe I _am_ crazy; and with that I fetched

a howl that you might have heard two miles, and started out to kill

somebody--because, you know, I knew it would come to that sooner or

later, and so I might as well begin. I read one of them paragraphs

over again, so as to be certain, and then I burned my house down

and started. I have crippled several people, and have got one

fellow up a tree, where I can get him if I want him. But I thought

I would call in here as I passed along and make the thing perfectly

certain; and now it _is_ certain, and I tell you it is lucky for

the chap that is in the tree. I should have killed him sure, as I

went back. Good-bye, sir, good-bye; you have taken a great load off

my mind. My reason has stood the strain of one of your agricultural

articles, and I know that nothing can ever unseat it now.

_Good_-bye, sir."

I felt a little uncomfortable about the cripplings and arsons this

person had been entertaining himself with, for I could not help

feeling remotely accessory to them. But these thoughts were quickly

banished, for the regular editor walked in! [I thought to myself,

Now if you had gone to Egypt, as I recommended you to, I might have

had a chance to get my hand in; but you wouldn't do it, and here

you are. I sort of expected you.]

The editor was looking sad and perplexed and dejected.

He surveyed the wreck which that old rioter and these two young

farmers had made, and then said: "This is a sad business--a very

sad business. There is the mucilage-bottle broken, and six panes of

glass, and a spittoon, and two candlesticks. But that is not the

worst. The reputation of the paper is injured--and permanently, I

fear. True, there never was such a call for the paper before, and

it never sold such a large edition or soared to such celebrity; but

does one want to be famous for lunacy, and prosper upon the

infirmities of his mind? My friend, as I am an honest man, the

street out here is full of people, and others are roosting on the

fences, waiting to get a glimpse of you, because they think you are

crazy. And well they might after reading your editorials. They are

a disgrace to journalism. Why, what put it into your head that you

could edit a paper of this nature? You do not seem to know the first

rudiments of agriculture. You speak of a furrow and a harrow as being

the same thing; you talk of the moulting season for cows; and you

recommend the domestication of the polecat on account of its

playfulness and its excellence as a ratter! Your remark that clams

will lie quiet if music be played to them was superfluous--entirely

superfluous. Nothing disturbs clams. Clams _always_ lie quiet. Clams

care nothing whatever about music. Ah, heavens and earth, friend! if

you had made the acquiring of ignorance the study of your life, you

could not have graduated with higher honor than you could to-day. I

never saw anything like it. Your observation that the horse-chestnut

as an article of commerce is steadily gaining in favor, is simply

calculated to destroy this journal. I want you to throw up your

situation and go. I want no more holiday--I could not enjoy it if I

had it. Certainly not with you in my chair. I would always stand in

dread of what you might be going to recommend next. It makes me lose

all patience every time I think of your discussing oyster-beds under

the head of 'Landscape Gardening.' I want you to go. Nothing on earth

could persuade me to take another holiday. Oh! why didn't you _tell_

me you didn't know anything about agriculture?"

"_Tell_ you, you cornstalk, you cabbage, you son of a

cauliflower? It's the first time I ever heard such an unfeeling

remark. I tell you I have been in the editorial business going on

fourteen years, and it is the first time I ever heard of a man's

having to know anything in order to edit a newspaper. You turnip!

Who write the dramatic critiques for the second-rate papers? Why, a

parcel of promoted shoemakers and apprentice apothecaries, who know

just as much about good acting as I do about good farming and no

more. Who review the books? People who never wrote one. Who do up

the heavy leaders on finance? Parties who have had the largest

opportunities for knowing nothing about it. Who criticise the

Indian campaigns? Gentlemen who do not know a warwhoop from a

wigwam, and who never have had to run a foot-race with a tomahawk,

or pluck arrows out of the several members of their families to

build the evening campfire with. Who write the temperance appeals,

and clamor about the flowing bowl? Folks who will never draw

another sober breath till they do it in the grave. Who edit the

agricultural papers, you--yam? Men, as a general thing, who fail in

the poetry line, yellow-colored novel line, sensation-drama line,

city-editor line, and finally fall back on agriculture as a

temporary reprieve from the poor-house. _You_ try to tell _me_

anything about the newspaper business! Sir, I have been through it

from Alpha to Omaha, and I tell you that the less a man knows the

bigger the noise he makes and the higher the salary he commands.

Heaven knows if I had but been ignorant instead of cultivated, and

impudent instead of diffident, I could have made a name for myself

in this cold selfish world. I take my leave, sir. Since I have been

treated as you have treated me, I am perfectly willing to go. But I

have done my duty. I have fulfilled my contract as far as I was

permitted to do it. I said I could make your paper of interest to

all classes--and I have. I said I could run your circulation up to

twenty thousand copies, and if I had had two more weeks I'd have

done it. And I'd have given you the best class of readers that ever

an agricultural paper had--not a farmer in it, nor a solitary

individual who could tell a watermelon-tree from a peach-vine to

save his life. _You_ are the loser by this rupture, not me,

Pie-plant. Adios."

Editorial Wild Oats · 第 20 / 23 题