Apart from the noise and stir of life, Bacon more sedulously bent his

mind to the cultivation of philosophy, his true field of labour. With

the exception of his Reign of Henry the Seventh, and a tract written

against the match between Prince Charles and the Infanta of Spain, the

five last years of his life were spent in making philosophical

experiments, and in moulding his works to a more perfect form. It was

his great wish that what he had written should be translated into the

general language of learning, Latin; consequently much of his time

during this period was employed in translating himself, or revising the

translations of his friends. His chief labour, however, was the

reduction of his Instauration to a most highly finished state of

aphorisms. He took incredible pains with this great performance. His

biographer and editor, Dr. Rawley, declares that this work was revised

and corrected, almost re-written, at least ten times, and finally left

_unfinished_: for a book which taught what was known in the world, and

wherein that knowledge was defective or pretended; which professed to

teach a new system, by which general laws should be made for the

foundation of true science; and which pointed out what remained to be

known, was indeed rather the undertaking of many lives of manhood, than

a few years of one suffering under a load of debt, disgrace, infirmity,

and age. The peculiarity of Bacon’s philosophical doctrine may be

expressed in few words. He found that the beliefs of learned men (apart

from religious beliefs) rested upon the authority of one unquestionably

great intelligence, Aristotle, who had invented laws of science,

unfounded except in the speculations of his own mind, and many of them

misunderstood by his idolizers. These laws were given or made, and facts

were supposed to follow from them necessarily and without question. But

Bacon proposed to found his general laws on actual experiments. So that

when by a multitude of facts arising from this course of proceeding,

laws should be produced which fairly accounted for phenomena, the

application of such laws might farther become the confirmation of fresh

and, it may be, more difficult, combinations. It is curious that Bacon’s

own experiments should, for the most part, be so signally frivolous and

inconclusive. This may be accounted for, in some measure, by the novelty

of the method,—his own defence, for he was aware of the fact, is, “that

he did not like to throw away any experiment, however seeming foolish,

in case that some spark of truth should be contained in it, or suggested

by it.” But he certainly did not possess the power of applying his own

principles to practice, and far better examples of the inductive powers

may be found, even in the labours of his predecessors, than any which

his own writings afford.

After having spent five years in this labour for posterity, on the 9th

of April, 1626, Bacon died at the age of 66, at the house of Lord

Arundel, in Highgate, on his way to London. A week’s acute illness

carried him to his grave. He was buried at Old Verulam, and for a long

time no “stone told where he lay,” till the affection of an old servant

erected a marble monument to the memory of his noble master. His name

was well known among the continental nations, and he himself was

understood and appreciated by them, to a far greater extent than by his

fellow-countrymen. Some allusion to this is found in his will, in which,

after having commended his soul to God, and his body to the dust, he

proceeds, prophetically, to “bequeath his name and fame to foreign

nations, and to his own countrymen after some time be passed over.”

The character of Bacon has been held up as an extraordinary anomaly, as

containing the extremes of strength and weakness. Pope was pleased to

call him

“The greatest, wisest, meanest of mankind,”

probably for the sake of the powerful contrast presented in the line.

That his great strength lay in his intellectual powers there is no

doubt, but that his moral power was slight enough for him to deserve the

character of “meanest of mankind,” is not to be believed. The wrong he

did to Essex is perhaps the strongest stain that remains on his memory.

The charge of bribery is not so heinous in him as it appears to be at

first sight. He says (and though it be a sophism yet it has some

weight,) “that he never sold injustice,” nor did he: his decrees were

pronounced without regard to the parties concerned, and were none of

them reversed; moreover, judicial bribery was not thought so vicious

then as it is now; in France, it was open and daily. Of the twenty-two

charges brought against him, five only were really for bribery, that is,

while the suit was pending. The rest were presents. He had lived in want

for the greater portion of his life, and becoming suddenly rich, and

full of various business, he was naturally careless of expenses, and

left a great deal more than he ought to have done in the hands of his

servants; who lived upon him so extravagantly, that on passing through

his hall (when they rose at his presence) he said, “Sit down, my

masters, your rise hath been my fall.” There is also every reason to

believe that he was induced to suppress his defence by the intrigues of

James, and his favourite Buckingham; to whose escape he had the weakness

to let himself be made a sacrifice. He has been accused of cringing to

this powerful favourite in less important particulars; but his letters

are no more than a type of the usual style of an inferior to a superior

in the Court in which he lived. He fell upon hard times, first the

courtier of a princess whose thirst of praise and requisition of

humility was unbounded, then the courtier and servant of a king who all

but believed himself to be a god. The most marvellous fact of Bacon’s

character is, that he who knew men so well, and whose insight into their

feelings and motives was so clear, should have been so blind as to

remain totally ignorant, as is apparent from all his letters and

writings, of that youthful spirit of freedom which in the subsequent

reign sprung into such vigorous manhood. But he seems to have been “the

king’s true chancellor,” and to have believed most firmly in that Divine

right for which James argued and his son died.

Bacon’s private character was generous and humane almost to a fault. His

manners were exceedingly winning, and his method of drawing from all

sorts of men the information belonging to their separate callings was

wonderful. He was constitutionally timid, and was always in weak health.

His person was slightly above the common height, his countenance most

dignified, and intellectually commanding.

[Illustration: [Statue of Lord Bacon in St. Michael’s Church, St.

Alban’s.]]

[Illustration:

_Engraved by W. Holl._

SIR WALTER SCOTT.

_From a Bust by Chantrey._

Under the Superintendance of the Society for the Diffusion of Useful

Knowledge.

_London, Published by Charles Knight & C^o. Ludgate Street._

]

[Illustration]

SIR W. SCOTT.

Walter Scott was born in the Old Town of Edinburgh, April 15, 1771, in a

house at the head of the College Wynd, which has been pulled down to

make way for the new buildings of the University. His father was a

writer to the signet, his grandfather a farmer resident in

Roxburghshire, who traced his descent to the ancient Border family of

Scott of Harden. His infancy gave no promise of the robust manhood which

he attained: and in addition to general weakness of constitution, his

right foot received an early injury, which rendered him lame through

life. This delicacy of health induced his parents to send him, when

almost an infant, to his grandfather’s farm at Sandyknow in

Roxburghshire, adjoining the Border fortress called Smailholm Tower, in

the heart of that romantic pastoral district whose scenery and legends

he has rendered famous. [5]“His residence at this secluded spot, which

after early boyhood was, we believe, occasionally renewed during the

summer vacations of the High School and College, was undoubtedly fraught

with many advantages, physical and mental. It was here that his feeble

constitution was, by the aid of free air and exercise, gradually

strengthened into robustness; and though he never got rid of his

lameness, it was so far overcome as to be in after life rather a

deformity than an inconvenience. It was here that his love of ballad

lore and border story was fostered into a passion; and it was here

doubtless, and at the house of one of his uncles, Mr. Thomas Scott, of

Woolee, also a Roxburghshire farmer, that he early acquired that

intimate acquaintance with the manners, character, and language of the

Scottish peasantry, which he afterwards turned to such admirable account

in his novels.”

Footnote 5:

This, and the other passages marked with inverted commas, except those

taken from Scott’s Autobiography, are derived from a memoir of Sir

Walter Scott published in the Penny Magazine, No. 37, and written by

Scott’s countryman and acquaintance, the late Mr. Pringle.

In October, 1779, he entered the High School of Edinburgh, which he

attended during four years. He there acquired the character of being “a

remarkably active and dauntless boy, full of all manner of fun, and

ready for all manner of mischief;” and so far from being timid or quiet

on account of his lameness, that very defect, (as he himself remarked to

be usually the case in similar circumstances with boys of enterprising

disposition) prompted him to take the lead among all the stirring boys

in the street where he lived, or the school which he attended. In Greek

and Latin he made little progress, and obtained little credit for talent

or industry from his masters; but he has invoked his surviving

school-fellows, in the Introduction to the last edition of the Waverley

Novels, “to bear witness that I had a distinguished character for talent

as a tale-teller, at a time when the applause of my companions was the

recompense for the disgraces and punishments which the future

romance-writer incurred for being idle himself, and keeping others idle,

during hours of the day that should have been employed upon our tasks.”

He entered the University of Edinburgh in October, 1783; but his

attendance there was only for two sessions. About the age of fifteen the

rupture of a blood-vessel again reduced him to a very weak state, and

during the space of two years bodily and mental exertion were forbidden.

He had recourse for amusement to a circulating library, “rich,” he says,

“in works of fiction, from the romances of chivalry, and the ponderous

folios of Cyrus and Cassandra, down to the most approved works of later

times. I was plunged into this great ocean of reading without compass or

pilot, and unless when some one had the charity to play at chess with me

I was allowed to do nothing, save read, from morning to night.... I

believe I read almost all the old romances, old plays, and epic poetry

in that formidable collection, and no doubt was unconsciously amassing

materials for the task in which it has been my lot to be so much

employed. At the same time I did not in all respects abuse the license

permitted me. Familiar acquaintance with the specious miracles of

fiction brought with it some degree of satiety, and I began by degrees

to seek in histories, memoirs, voyages and travels, and the like, events

nearly as wonderful as those which were the work of the imagination,

with the additional advantage that they were at least in a great measure

true. The lapse of two years, during which I was left to the service of

my own free will, was followed by a temporary residence in the country,

where I was again very lonely but for the amusement which I derived from

a good though old-fashioned library. The vague and wild use which I made

of this advantage I cannot describe better than by referring my reader

to the desultory studies of Waverley in a similar situation; the

passages concerning whose reading were imitated from recollections of my

own.”

After recovering from this illness his constitution changed, and he

became unusually robust, and capable of enduring great bodily and mental

fatigue; even his lameness occasioning no serious inconvenience. He then

applied himself in earnest to the study of law, and, to acquire a

thorough knowledge of its technicalities, went through the duties of a

clerk in his father’s office. He completed the usual course of legal

education, and was called to the bar in July, 1792. He seemed however

little anxious for business; and as usual, business unsought came

slowly: in his legal capacity he acquired neither wealth nor

distinction. But, in amends for this, in those days of volunteer corps,

he made an admirable quarter-master to the Edinburgh Light Dragoons; and

his zeal and skill, and the popularity which his high powers of social

entertainment procured, recommended him to the friendship of the Duke of

Buccleugh, by whose interest he obtained, in December, 1799, the

appointment of Sheriff of Selkirkshire, with a salary of 300_l._ He had

married in 1797 Miss Carpenter, a lady of foreign birth but English

parentage, possessed of fortune sufficient, when added to the salary of

his office, and his own patrimonial inheritance, to release him from the

necessity of labouring at the bar for a livelihood. This was a step on

which his mind had been some time bent. “My profession and I,” he says,

“came to stand nearly on the footing which honest Slender consoled

himself on having established with Mistress Anne Page—‘There was no

great love between us at the beginning, and it pleased Heaven to

decrease it on farther acquaintance.’ I became sensible that the time

was come when I must either buckle myself resolutely to ‘the toil by

day, the lamp by night,’ renouncing all the Dalilahs of my imagination,

or bid adieu to the profession of the law, and hold another course.”

Scott was not a premature writer; he had reached his twenty-fifth year

before he tried his strength in composition, excepting a few trivial

attempts in childhood; and his name was still unknown to the public,

when he resolved to devote his powers to literature. His first essays

were made about 1796, when his attention was caught by the Leonora, and

other poems of Bürger, which he translated and published anonymously.

“The adventure,” he says, “proved a dead loss, and a great part of this

edition was condemned to the service of the trunk-maker.” His next

performance was a translation of Goethe’s drama, Goetz of Berlichingen,

published in 1799. But he continued his devotion to ballad poetry, and

as his confidence rose, essayed his strength in Glenfinlas, and the Eve

of St. John, his first original compositions. At Lasswade on the banks

of the Esk, about five miles from Edinburgh, where he spent several

summers after his marriage, he prosecuted with increased zeal and

success his favourite inquiries into the antiquities and legendary song

of his country, and commenced the work which gave him a name in

literature, the Minstrelsy of the Scottish Border. “The materials for

this work were collected during various excursions, or _raids_, as Sir

Walter was wont to call them, through the most remote recesses of the

border glens, made by the poetical compiler in person, assisted by one

or two other enthusiasts in ballad lore. Pre-eminent among his

coadjutors in this undertaking was Dr. John Leyden, an enthusiastic

borderer and ballad-monger like himself, and to whom he has gratefully

acknowledged his obligations both in verse and prose.”

“Some amusing anecdotes have been printed, and others are still extant

in oral tradition among the border hills, of the circumstances attending

the collection of these ballads. The old women, who were almost the only

remaining depositories of ancient song and tradition, though proud of

being solicited to recite them by ‘so grand a man’ as an Edinburgh

Advocate, could not repress their astonishment that ‘a man o’ sense and

lair’ should spend his time in writing into a book ‘auld ballads and

stories of the bluidy Border wars, and paipish times....’ The Minstrelsy

was printed at Kelso, in 1802, at first in two volumes, to which a third

was added in the second edition. Two years subsequently Scott published

the romance of Sir Tristram, a Scottish metrical tale of the thirteenth

century, which he showed, in a learned disquisition, to have been

composed by Thomas of Ercildown, commonly called the Rhymer.”

“These works, especially the Border Minstrelsy, were favourably received

by the public, and established Scott’s reputation on a very respectable

footing, as an excellent poetical antiquary, and as a writer of

considerable power and promise, both in verse and prose. As yet,

however, he had produced no composition of originality and importance

sufficient to secure that high and permanent rank in literature, to

which his secret ambition led him to aspire. But he had now a subject in

hand which was destined to attain for him a popularity far beyond what

his most sanguine hopes could have ventured to anticipate.”

“The Lay of the Last Minstrel appeared in 1805. The structure of the

verse was suggested, as the author states, by the Christabel of

Coleridge; a part of which had been repeated to him about the year 1800.

The originality, wildness, poetical beauty, and descriptive powers of

Scott’s Border romance produced an effect on the public mind, only to be

equalled perhaps by some of the earlier works of Byron.”

“In the spring of 1806 Sir Walter obtained an appointment, which, he

says, completely met his moderate wishes as to preferment. This was the

office of a principal Clerk of Session, of which the duties are by no

means heavy, though personal attendance during the sitting of the courts

is required. Mr. Pitt, under whose administration the appointment had

been granted, having died before it was officially completed, the

succeeding Whig ministry had the satisfaction of confirming it. The

emoluments of this office were about 1200_l._ a year; but Scott received

no part of the salary till 1812, the appointment being a reversionary

one.”

His reputation and his fortune seemed now to be completely established.

Marmion, published in 1808, and the Lady of the Lake, in 1810, were

received each with greater favour than its predecessor. Don Roderick,

1811, was not successful; Rokeby, 1813, and The Lord of the Isles, 1814,

were generally thought inferior in merit to his earlier works. This

might arise, in part, from the extraordinary rapidity of their

composition: for Rokeby was commenced September 15, and finished

December 31, 1812; and the Lord of the Isles was written in the

following autumn, with equal rapidity, but under circumstances which

rendered the task a burden, and damped the fire of his muse. Still

these, like their predecessors, commanded very large sales, and brought

in large sums to the author, and large profits to the publishers. His

popularity, however, was on the ebb, and it was the general impression

that Scott had nearly written himself out. At the time when this was

said, he had already published one anonymous poem, the Bridal of

Triermain, 1810, as if ashamed of his prolific pen. Afterwards, in 1817,

he published Harold the Dauntless, in the same way. The censure,

however, was not unfounded; and the two last acknowledged poems of Scott

were inferior in interest and execution to his earlier productions.

Another reason for the decrease of Scott’s popularity he has himself

assigned, in the rapid growth of Lord Byron’s.

It was about the end of 1813 that accident threw in his way the mislaid

manuscript of the beginning of Waverley, seven chapters of which he had

composed in 1805, and had thrown aside, in deference to the unfavourable

opinion of a critical friend. At different times he had been inclined to

resume this work, but had been prevented by the loss of the manuscript:

which he now applied himself in earnest to complete. Waverley was

published in the summer of 1814; and obtained success beyond the

author’s fondest expectations. The history of this wonderful series of

works of fiction, and the author’s reasons for adopting and retaining

his incognito, are familiar to the public, through his own account in

the Introduction to the Waverley Novels. The manner in which the secret

was kept is a remarkable anecdote in literary history: for, whatever

conclusions might be drawn from internal evidence by Scott’s intimate

friends, and from putting things together by the public, not a particle

of external evidence was produced to fasten it upon him, until the

failure of Constable’s house in 1826 led to Scott’s public avowal of the

authorship in 1827. Perhaps this mystery tended to keep alive the public

interest: perhaps also Scott had a keener relish of the homage paid to

the Great Unknown, than if it had been offered to him in his own person.

Scott’s metrical romances, as they were composed with unexampled

rapidity, commanded also unexampled prices from the booksellers. And at

the same time he found leisure for a variety of laborious works in

criticism, biography, and miscellaneous literature, which added

considerably both to his funds and his reputation. Among these were new

editions of the works of Dryden and Swift, with biographical accounts;

Sadler’s State Papers; Somers’s Tracts; Lives of the Novelists; besides

numerous contributions to encyclopædias, reviews, and other periodical

publications. His scheme of devoting himself to literature had borne

fruit of fame and profit beyond his brightest anticipations. His certain

income (we presume after the year 1812) is said by Mr. Pringle to have

exceeded 2000_l._: and he was supposed to double that sum by the

exuberant harvest of his brain.

“Amidst all this labour Scott found abundant leisure not only for his

official avocations, but for social enjoyment and rural recreation.

While the Court of Session was sitting, he lived in Edinburgh, in a good

substantial house in North Castle Street. During the vacations he

resided in the country, and appeared to enter with ardour into the

ordinary occupations and amusements of country gentlemen. After he was

appointed Sheriff of Selkirk he hired for his summer residence the house

and farm of Ashiesteil, on the banks of the Tweed; and here many of his

poetical works were written. But with the increase of his resources grew

the desire to possess landed property of his own, where he might indulge

his tastes for building, planting, and gardening. Commencing with

moderation, he purchased a small farm of about one hundred acres, lying

on the south bank of the Tweed, three miles above Melrose, and in the

very centre of that romantic and legendary country which his first great

poem has made familiar to every reader. This spot, then called Cartly

Hole, had a northern exposure, and at that time a somewhat bleak and

uninviting aspect: the only habitable house upon it was a small and

inconvenient farm-house. Such was the nucleus of the mansion and estate

of Abbotsford. By degrees, as his resources increased, he added farm

after farm to his domain, and reared his chateau, turret after turret,

till he completed what a French tourist not inaptly terms ‘a romance of

stone and lime,’ clothing meanwhile the hills behind, and embowering the

lawns before, with flourishing woods of his own planting. The

embellishment of his house and grounds, and the enlargement of his

landed property, became, after the establishment of his literary

reputation, the objects, apparently, of Scott’s most engrossing

interest; and whatever may be the intrinsic value of the estate as a

heritage to his posterity, he has at least succeeded in erecting a scene

altogether of no ordinary attractions, and worthy of being associated

with his distinguished name.”

“During the greater part of the summer and autumn he kept house at

Abbotsford like a wealthy country gentleman, receiving with a cordial,

yet courtly, hospitality, the many distinguished persons, both from

England and the Continent, who found means to obtain an introduction to

his enchanted castle. Anything more delightful than a visit to

Abbotsford, when Sir Walter was in the full enjoyment of his health and

spirits, can scarcely be imagined. After his morning labours, which,

even when busiest, were seldom protracted beyond mid-day, (his time for

composition being usually from seven to eleven or twelve o’clock,) he

devoted himself to the entertainment of his guests with so much

unaffected cordiality, such hilarity of spirits, and such homely

kindliness of manner, and above all with such an entire absence of

literary pretension, that the shyest stranger found himself at once on

terms of the easiest familiarity with the most illustrious man in

Europe.”

In the spring of 1820, Scott was created a baronet by George IV., as a

testimony of personal regard; and on the King’s visit to Scotland in

1822, he was appointed to superintend the arrangements for his Majesty’s

reception; an office gratifying to his national feelings and antiquarian

tastes, as well as to his aristocratical predilections.

The Gallery of Portraits: with Memoirs. Volume 7 (of 7) · 第 19 / 20 段