Stubbes, a morose puritan in the days of Elizabeth, denominates the lord

of misrule “a grand captaine of mischiefe,” and has preserved a minute

description of all his wild doings in the country, of which the

following is a summary. He says that the lord of misrule on being

selected, takes twenty to sixty others, “lyke hymself,” to act as his

guard, who are decorated with ribbands and scarfs and bells on their

legs. Thus, all things set in order, they have their hobby-horses, their

dragons, and other antiques, together with the gaudie pipers and

thunderyng drummers, and strike up the devill’s dance withal. So they

march to the church, invading it, even though service be performing,

with such a confused noyse that no man can hear his own voice. Then they

adjourn to the churchyard, where booths are set up, and the rest of the

day spent in dancing and drinking. The followers of “My Lord” go about

to collect money for this, giving in return “badges and cognizances” to

wear in the hat: and do not scruple to insult, or even duck, such as

will not contribute. But, adds Stubbes, another sort of fantasticall

fooles are well pleased to bring all sorts of food and drink to furnish

out the feast.--See Disraeli, _Curiosities of Literature_, 1858, vol.

ii. p. 262; and Strutt’s _Sports and Pastimes of the People of England_,

p. 254.

_Mummers._--These were amusements derived from the Saturnalia, and so

called from the Danish _Mumme_, or Dutch _Momme_, disguise in a mask.

Christmas was the grand scene of mumming, and some mummers were

disguised like bears, others like unicorns, bringing presents. Those who

could not procure masks rubbed their faces with soot, or painted them.

In the Christmas mummeries the chief aim was to surprise by the oddity

of the masques and singularity and splendour of the dresses. Everything

was out of nature and propriety. They were often attended with an

exhibition of gorgeous machinery.--Fosbroke’s _Encylopædia of

Antiquities_, 1840, p. 669; see Strutt’s _Sports and Pastimes_, 1801,

pp. 124, 189, 190; also _N. & Q. 2nd S._ vol. x. pp. 464, 465, vol. xi.

p. 271, vol. xii. p. 407; _3rd S._ vol. i. p. 66, vol. iv. p. 486.

_Pantomime._--The Christmas pantomime or harlequinade is, in its present

shape, essentially a British entertainment, and was first introduced

into this country by a dancing master of Shrewsbury named Weaver in

1702. One of his pantomimes, entitled _The Loves of Mars and Venus_,

met with great success. The arrival, in the year 1717, in London of a

troupe of French pantomimists with performing dogs, gave an impetus to

this kind of drama, which was further developed in 1758 by the arrival

of the Grimaldi family, the head of which was a posture-master and

dentist. Under the auspices of this family the art of producing

pantomimes was greatly cultivated, and the entertainment much relished.

Joseph Grimaldi, the son of the dentist, was clever at inventing tricks

and devising machinery, and _Mother Goose_, and others of his

harlequinades, had an extended run. At that time the wit of the clown

was the great feature, but, by-and-by, as good clowns became scarce,

other adjuncts were supplied, such as panoramas or dioramic views; and

now the chief reliance of the manager is on scenic effects, large sums

of money being lavished on the _mise en scène_. This is particularly the

case as regards the transformation scene--i.e., the scene where the

characters are changed into clown, harlequin, &c., as much as 1000_l._

being frequently spent on this one effort. In London alone a sum of

40,000_l._ is annually expended at Christmas time on pantomimes. The

_King of the Peacocks_, a pantomime produced at the London Lyceum

Theatre during the management of Madame Vestris, cost upwards of £3000.

Even provincial theatres, such as those of Manchester or Edinburgh,

consider it right to go to considerable expense in the production of

their Christmas pantomime.--Chambers’ _Encyclopædia_, 1874, vol. vii. p.

237; see Disraeli’s _Curiosities of Literature_, 1858, pp. 116-130; _N.

& Q. 4th S._ vol. v. pp. 193-95.

_Plum-Porridge._--This, says Misson, was a “sort of soup with plumbs,

which is not at all inferior to the pye.” Dr. Rimbault says, was not

this the same as _plum-pudding_? Pudding was formerly used in the sense

of stuffing or force-meat, as we now say black-puddings. Porridge, on

the other hand, was used in the sense of our pudding. Thus Shakspeare

talks of “porridge after meat,” meaning _pudding_ after meat.--_N. & Q.

2nd S._ vol. xii. p. 489.

_Snapdragon._--A very favourite pastime at this season. Although so

prevalent in England, it is almost unknown in Scotland.--See _Book of

Days_, vol. ii. p. 738.

A writer in the _Pantalogia_ (1813, vol. x.) thus describes this

sport:--It is a kind of play, in which brandy is set on fire, and

raisins thrown into it, which those who are unused to the sport are

afraid to take out, but which may be safely snatched by a quick motion

and put blazing into the mouth, which being closed, the fire is at once

extinguished. A correspondent of _N. & Q._ (_2nd S._ vol. vii. p. 277)

suggests as a derivation the German _schnapps_, spirit, and _drache_,

dragon, and that it is equivalent to spirit-fire. The game has also been

called _flap-_ and _slap-dragon_ at different times. Shakspeare, for

example, in the second part of _Henry IV._ act ii. sc. 4, makes Falstaff

answer:

“And drinks off candles’ ends for _flap-dragons_.”

And in _Love’s Labours Lost_, act v. sc. 1:

“Thou art easier swallowed than a _flap-dragon_.”

See also the _Tatler_, No. 85.

_Christmas Sports._--Among the various games and sports of an olden

Christmas, says Dr. Rimbault, were card-playing, chess, and draughts,

jack-pudding in the hall; fiddlers and musicians, who were regaled with

a black-jack of beer and a Christmas pie; also singing the wassail,

scrambling for nuts, cakes, and apples; dancing round standards

decorated with evergreens in the streets; the famous old hobby-horse,

hunting owls and squirrels, the fool plough, hot cockles, and the game

of hoodman-blind.--_N. & Q. 2nd S._ vol. xii. p. 489.

_Christmas Tree._--Various suggestions have been made as to the origin

of the Christmas tree. Mr. Timbs, in his _Something for Everybody_

(1861, p. 127), suggests its being traceable to the ancient Egyptians

and their palm-tree, which produces a branch every month, and therefore

held to be emblematical of the year. The Germans may be said to claim it

as peculiar to themselves, as being indicative of their attachment to

Christianity; they identify it with the apostolic labours of St.

Maternus, one of the earliest, if not the very first, of the preachers

of the Gospel among them. They have a legend of his sleeping under a

fir-tree, and of a miracle that occurred on that occasion. Mr. MacCabe

(_N. & Q. 3rd S._ vol. viii. p. 489), however, thinks the Christmas tree

is traceable to the Roman Saturnalia, and was not improbably first

imported into Germany with the conquering legions of Drusus. The

Christmas tree, such as we now see it, with its pendent toys and

mannikins, is distinctly portrayed in a single line of Virgil (Georg.

ii. 389):

“Oscilla ex alta suspendunt mollia pinu.”

Consult Smith’s _Dictionary of Greek and Roman Antiquities_ (1849, 2nd

ed. p. 846, in verb. “oscillum”), where there is given an engraving

“from an ancient gem (Maffei, Gem. Ant. iii. 64) representing a tree

with four oscilla hung upon its branches.” Any one looking into that

valuable work will see at once that it is an exact picture of a

Christmas tree.

A correspondent of _Book of Days_ (vol. ii. p. 787) says, within the

last twenty years, and apparently since the marriage of Queen Victoria

with Prince Albert, previous to which time it was almost unknown in this

country, the Christmas tree has been introduced into England with the

greatest success.

_The Vessel-Cup._--There is a very pretty custom, now nearly obsolete,

of bearing the “vessel,” or, more properly the wassail-cup, at

Christmas. This consists of a box containing two dolls, dressed up to

represent the Virgin and the Infant Christ, decorated with ribbons and

surrounded by flowers and apples; the box has usually a glass lid, is

covered over by a white napkin, and carried from door to door on the

arms of a woman; on the top, or in the box, a china bason is placed, and

the bearer on reaching a house, uncovered the box and sung the carol

known as the “Seven Joys of the Virgin.”

The carrying of the “vessel-cup” is a fortuitous speculation, as it is

considered so unlucky to send any one away unrequited, that few can be

found whose temerity is so great as to deter them from giving some

halfpence to the singer.

In Yorkshire, formerly, only one image used to be carried about--that of

the Saviour, which was placed in a box surrounded by evergreens, and

such flowers as could be procured at the season. The party to whose

house the figure was carried were at liberty to take from the

decorations of the image a leaf or a flower, which was carefully

preserved and regarded as a sovereign remedy for the toothache.--_Jour.

of Arch. Assoc._ 1853, vol. viii. p. 38; _Book of Days_, 1864, vol. ii.

p. 725; Brand, _Pop. Antiq._ vol. i. p. 454.

_Turkey._--The turkey has graced the Christmas table from the date of

its introduction into England, about the year 1524. Tusser mentions the

bird as forming part of the Christmas fare in 1587:

“Beefe, mutton, and porke, shred pies of the best;

Pig, veale, goose, and capon, and turkie well drest.”

_Waits._--Musicians who play by night for two or three weeks before

Christmas, terminating their performances generally on Christmas Eve. It

is uncertain, says a correspondent of _Book of Days_ (vol ii. p. 742),

whether the term _Waits_ denoted originally musical instruments, a

particular kind of music, or the persons who played under certain

special circumstances. There is evidence in support of all these views.

At one time the name of waits was given to minstrels attached to the

king’s court, whose duty it was to guard the streets at night and

proclaim the hour, something in the same manner as the watchmen were

wont to do in London before the establishment of the metropolitan

police. Down to the year 1820, perhaps later, says the same writer (p.

743), the waits had a certain degree of official recognition in the

cities of London and Westminster. In London, the post was purchased; in

Westminster, it was an appointment under the control of the high

constable and the court of burgesses. A police inquiry about Christmas

time in that year brought the matter in a singular way under public

notice. Mr. Clay had been the official leader of the waits for

Westminster, and, on his death, Mr. Monro obtained the post. Having

employed a number of persons in different parts of the city and

liberties of Westminster to serenade the inhabitants, trusting to their

liberality at Christmas as a remuneration, he was surprised to find that

other persons were, unauthorized, assuming the right of playing at

night, and making applications to the inhabitants for Christmas boxes.

Sir R. Baker, the police magistrate, promised to aid Mr. Munro in the

assertion of his claims, and the result, in several cases, showed that

there really was this “vested right” to charm the ears of the citizens

with nocturnal music. At present, however, there is nothing to prevent

any number of such itinerant minstrels from plying their midnight

calling. See two interesting articles on the subject by Mr. Chappell in

_N. & Q. 3rd S._ vol. vi. pp. 489, 509.

_Yule-clog or Yule-log._--This was generally lighted on Christmas Eve,

and was, says Soane, as large as the hearth would admit of, or the means

of the rejoicers could supply; and, in some of the northern counties of

England, so long as the log lasted, the servants were entitled to ale at

their meals. At one time custom prescribed that it should be lighted

with a brand of the last year’s block, which had been carefully put by

and preserved for that purpose, as we find it recorded by Herrick:

“Come bring with a noise,

My merrie, merrie boys,

The Christmas log to the firing;

While my good dame, she

Bids ye all be free,

And drink to your heart’s desiring.

With the last year’s brand

Light the new block, and

For good success in his spending,

On your psalteries play

That sweet luck may

Come while the log is a tiending.”[91]

[91] To _Teend_ is to kindle, or to _burn_, from the Anglo-Saxon

_Tendan_ to set on fire.

It is also requisite that the maidens who blow a fire, should come to

the task with clean hands:

“Wash your hands, or else the fire

Will not tiend to your desire;

Unwash’d hands, ye maidens, know,

Dead the fire though ye blow.”

BERKSHIRE.

At Cumnor the parishioners, who paid vicarial tithes, claimed a custom

of being entertained at the vicarage, on the afternoon of Christmas Day,

with four bushels of malt brewed into ale and beer, two bushels of wheat

made into bread, and half a hundred weight of cheese. The remainder was

given to the poor the next morning after divine service.--Lysons’ _Magna

Britannia_, 1813, vol. i. pt. ii. p. 271.

BUCKINGHAMSHIRE.

By the will of John Popple, dated the 12th of March, 1830, 4_l._ yearly

is to be paid unto the vicar, churchwardens, and overseers of the poor

of the parish of Burnham, to provide for the poor people who should be

residing in the poorhouse, a dinner, with a proper quantity of good ale

and likewise with tobacco and snuff.--_Old English Customs and

Charities_, 1842, p. 4.

Up to about 1813, a bull and boar, a sack of wheat, and a sack of malt

were given away to the poor by the lord of the manor of Prince’s

Risborough about six o’clock every Christmas morning. This practice was

then discontinued, and for about five or six years after the

discontinuance, beef and mutton were distributed to the poor about

Christmas in lieu of the above articles.--_Ibid._ p. 66.

The following extract is taken from the _Gent. Mag._ (1753, vol. xxiii.

p. 49):--At Quainton, above two thousand people went, with lanterns and

candles, to view a blackthorn in that neighbourhood, and which was

remembered to be a slip from the famous Glastonbury thorn, and that it

always budded on the 24th, was full blown the next day, and went all off

at night. The people finding no appearance of a bud, it was agreed by

all that December 25th (New Style) could not be the right Christmas Day,

and accordingly refused going to church, and treating their friends on

that day as usual. At length the affair became so serious, that the

ministers of the neighbouring villages, in order to appease them,

thought it prudent to give notice that the _Old_ Christmas Day should be

kept holy as before.

This famous hawthorn was supposed to be sprung from the staff of Joseph

of Arimathea, who having fixed it in the ground with his own hand on

Christmas Day, it took root immediately, put forth leaves, and the next

day was covered with milk-white blossoms.[92]--See Hearne’s _History and

Antiquities of Glastonbury_, 1722.

[92] Collinson, in his _History of Somersetshire_ (1791), alludes to

the miraculous walnut-tree, which grew in the Abbey churchyard of

Glastonbury, and never budded forth before the feast of St. Barnabas,

viz., 11th June, and on that very day shot forth leaves, and

flourished.

CAMBRIDGESHIRE.

At Clare Hall, in Cambridge, a collar of brawn is always provided for

the Fellows’ table on Christmas Day, which comes up every day during the

twelve days and then makes another and last appearance on Candlemas Day.

A sprig of ivy with berries is stuck in the centre of the top; the

berries are first dipped in flour, probably to represent the hoar

frost.--_Time’s Telescope_, 1863, p. 338.

CORNWALL.

Hitchins, in his _History of Cornwall_ (1824, vol. i. p. 718), gives the

following account of the Christmas plays, which at one time were

performed in this county at Christmas. He says, the lads who engage in

these theatrical representations appear fantastically dressed, decorated

with ribbons and painted paper, with wooden swords, and all the equipage

necessary to support the several characters they assume. To entertain

their auditors, they learn to repeat a barbarous jargon, in the form of

a drama, which has been handed down from distant generations. War and

love are the general topics, and St. George and the Dragon are always

the most prominent characters. Interludes, expostulations, debate,

battle, and death, are sure to find a place among the mimicry; but a

physician who is always at hand immediately restores the dead to life.

It is generally understood that these Christmas plays derived their

origin from the ancient crusades, and hence the feats of chivalry and

the romantic extravagance of knight-errantry that are still preserved in

all the varied pretensions and exploits.--See _Every Day Book_, 1827,

vol. ii. p. 122.

It was customary at one time in Cornwall on the last Thursday that was

one clear week before Christmas Day, which was anciently called

_jeu-nhydn_, or White Thursday, for the tinners to claim a holiday,

because, according to tradition, on this day black tin or ore was first

melted or turned into white tin or metal in these parts.--Hitchins,

_History of Cornwall_, 1824, vol. i. p. 725.

CUMBERLAND.

In this county, and in all the great towns in the North of England,

about a week before Christmas, what are called _Honey-Fairs_ are held,

in which dancing forms the leading amusement.--_Time’s Telescope_, 1824,

p. 297.

DERBYSHIRE.

Christmas festivities are well observed in Derbyshire; mummers or

guisers go from house to house, and perform a play of St. George. They

are dressed up in character and decorated with ribbands, tinsel, and

other finery, and on being admitted into the house commence their

performance by St. George announcing himself by beginning his oration:

“I am St. George, the noble champion bold,

And with my glittering sword

I’ve won three crowns of gold;

It’s I who fought the fiery dragon,

And brought it to the slaughter;

And so I won fair Sabra,

The king of Egypt’s daughter.

--Seven have I won, but married none,

And bear my glory all alone,

--With _my_ Sword in my hand,

Who dare against me stand?

I swear I’ll cut him down

With my victorious brand.”

A champion is soon found in the person of Slasher, who accepts the

challenge. St. George then replies in a neat speech, when they sing,

shake hands, and fight with their wooden swords, and Slasher is slain.

The King then enters, saying:--“I am the King of England, the greatest

man alive,” and after walking round the dead body, calls for, “Sir Guy,

one of the chiefest men in the world’s wonder,” who shows his wonderful

courage and prowess in calling for a doctor. The doctor, on making his

appearance, gives a long and quaint account of his birth, parentage,

education, and travels, whilst perambulating around the fallen Slasher,

and ends his oration by saying:

“Here take a little out of my bottle,

And put it down thy throttle.”

The dead man is thus cured, and having received the advice of, “Rise,

Jack, and fight again, the play is ended.”--_Jour. of the Arch. Assoc._

1852, vol. vii. p. 206.

DORSETSHIRE.

It appears that in some parts of this county the mummers still go round

at Christmas-tide, performing a species of play.--See _N. & Q. 5th S._

vol. ii. p. 505.

ESSEX.

On Christmas day at Hornchurch the lessee of the tithes, which belong to

New College, Oxford, supplies, says Hone, (_Every Day Book_, 1827, vol.

ii. p. 1649), a boar’s head dressed and garnished with bayleaves, &c. In

the afternoon it is carried in procession into the mill-field adjoining

the churchyard, where it is wrestled for and afterwards feasted upon at

one of the public-houses by the rustic conqueror and his friends with

all the merriment peculiar to the season.

The following appeared in the _Daily News_ of January 5th, 1852:--By

ancient charter or usage in Hornchurch a boar’s head is wrestled for in

a field adjoining the church, a boar, the property of the parish, having

been slaughtered for the purpose. The boar’s head, elevated on a pole

and decorated with ribbons, was brought into the ring where the

competitors entered, and the prize was awarded.--See Morant, _History of

Essex_, 1768, vol. i. p. 74.

GLOUCESTERSHIRE.

It was formerly the custom of the city of Gloucester to present to the

Sovereign at Christmas a lamprey-pie with a raised crust. The custom is

of great antiquity, and as Henry I., of lamprey-loving celebrity,

frequently held his Court during Christmas at Gloucester, it may have

originated in his time. In 1530 the Prior of Lanthony at Gloucester sent

“cheese, carp, and baked lampreys” to Henry VIII. at Windsor, for which

the bearer received twenty shillings.--Tighe and Davis, _Annals of

Windsor_, p. 562.

During the Commonwealth it appears from the following entry in the

corporation minutes that the pie was sent to the members for the city:--

“_Item._--Paid to Thomas Suffield, cook, for lamprey-pies sent to our

Parliament men, £08 00_s._ 00_d._”

In 1752 it appears to have been the custom to present a lamprey-pie to

the Prince of Wales, as appears by Mr. Jesse’s book, _George Selwyn and

his Contemporaries_ (vol. i. p. 153), where is printed the following

letter from Mr. Alderman Harris to George Selwyn, then M.P. for

Gloucester:--

“_Gloucester, 15th January, 1752._

“SIR,--At the request of Mr. Mayor, whose extraordinary hurry of

business will not afford him leisure to direct himself, I am desired

to acquaint you that by the Gloucester waggon this week is sent the

usual present of a lamprey-pie from this Corporation to His Royal

Highness the Prince of Wales. It is directed to you; and I am further

to request the favour of you to have the same presented with the

compliments of this body, as your late worthy father used to do.

“Sir, your most obedient humble servant,

“GAB. HARRIS.

“P.S.--The waggoner’s inn is the King’s Head, in the Old

Change.”[93]--_N. & Q. 2nd S._ vol. ix. p. 184.

[93] Another correspondent of _N. & Q._ (_2nd S._ vol. ix. p. 185)

says that it was formerly the custom to send to the King the first

lamprey caught in the river at the commencement of the season; it was

stewed, that being the best way of cooking this fish.

HEREFORDSHIRE.

In this county, and also in Worcestershire, it is considered very

unlucky for new shoes or tanned leather to be received into the house

during the Christmas week or on New Year’s Day.--See _N. & Q. 5th S._

vol. iii. p. 7.

KENT.

At one time the festivities of Christmas were commenced at Ramsgate by a

curious musical procession. The following account is taken from Busby’s

_Concert Room and Orchestra Anecdotes_ (1825, vol. i. p. 73):--

A party of young people procure the head of a dead horse, which is

affixed to a pole about four feet in length, a string is tied to the

lower jaw, a horsecloth is then attached to the whole, under which one

of the party gets, and by frequently pulling the string keeps up a loud

snapping noise, and is accompanied by the rest of the party grotesquely

habited and ringing hand-bells. They thus proceed from house to house,

sounding their bells and singing carols and songs. They are commonly

gratified with beer and cake, or perhaps with money. This is

provincially called a _hodening_; and the figure above described a

“hoden,” or wooden horse.

This curious ceremony is also observed in the Isle of Thanet on

Christmas Eve, and is supposed to be an ancient relic of a festival

ordained to commemorate our Saxon ancestors’ landing in that island.

LANCASHIRE.

The following description of primitive manners in the houses of the

gentry at Christmas is extracted by Baines (_Hist. of Lancashire_, vol.

iii. p. 294) from a family manuscript of the Cunliffes, of Wycoller, in

Lancashire, and refers to an age antecedent to the wars of the

Parliament:--“At Wycoller-Hall the family usually kept open house the

twelve days at Christmas. Their entertainment was a large hall of

curious ashler wood, a long table, plenty of _furmerty_, like new milk,

in a morning, made of husked wheat boiled, roasted beef with fat goose

and a pudding, with plenty of good beer for dinner. A roundabout

fire-place, surrounded with stone benches, where the young folks sat and

cracked nuts, and diverted themselves; and in this manner the sons and

daughters got matching without going much from home.”--See _Med. Ævi

Kalend._ vol. i. p. 91.

ISLE OF MAN.

Train, in his _History of the Isle of Man_ (1845, vol. ii. p. 127),

says:--The Christmas festival is introduced by young persons

perambulating the various towns and villages in the evenings,

fantastically dressed, and armed with swords, calling as they proceed,

“Who wants to see the White Boys act?” When their services are engaged

they, like the Scotch _guisards_ or _Quhite boys of Yule_, perform a

rude drama, in which St. George, Prince Valentine, King of Egypt, Sambo,

and the Doctor are the _dramatis personæ_.

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