Then we have the giving without return.[458]

Then we find the pilot-simile as illustration for the relation of soul

to body,[459] although in Numenius it appears of the Logos and the

world.

We find the animal divided in two souls, the irrational and the

rational,[460] which reminds us of Numenius's division into two

souls.[461]

The soul consists of a peculiar kind of motion, which however is

entirely different from that of other bodies, which is its own

life.[462] This reminds us of Numenius's still-standing of the Supreme,

which however is simultaneously innate motion.[463]

Referring to the problem, discussed elsewhere, that these Plotinic

works of the latest or Eustochian period, are the most Numenian, which

we would be most likely to attribute to his early or formative stage,

rather than to the last or perfected period, it is interesting to

notice that these works seem to imply other works of the Amelian or

Porphyrian periods, by the words,[464] "It has been said," or treated

of, referring evidently to several passages.[465] Still this need not

necessarily refer to this later work, it may even refer to Plato, or

even to Numenius's allegory of the Cave of the Nymphs,[470] where the

descent of the souls is most definitely studied. Or it might even refer

to Num. 35a, where birth or genesis is referred to as the wetting of

the souls in the matter of bodies.

Moreover, they contain an acknowledgment, and a study of positive evil,

something which would be very unlikely after his elaborate explaining

away of evil in his treatise against the Gnostics, of the Porphyrian

period, and his last treatment of Matter, where he is even willing to

grant the possibility of matter possessing Being. The natural process

for any thinker must ever be to begin with comparative imitation of his

master, and then to progress to independent treatment of the subject.

But for the process to be reversed is hardly likely.

Moreover, when we examine these Eustochian works in detail, they

hardly seem to be such as would be the expressions of the last years

of an ecstatic, suffering intense agony at times, his interest already

directed heavenwards. The discussion of astrology must date from the

earliest association with Gnostics, in Alexandria, who also might have

inspired or demanded a special treatment of the nature of evil, which

later he consistently denied. Then there is an amateurish treatment of

anthropology in general, which the cumulatively-arranging Porphyry puts

at the very beginning of the First Book. The treatise on the First Good

and Happiness, is not unlike a beginner's first attempt at writing out

his body of divinity, as George Herbert said, and Porphyry also puts it

at the beginning. The Eros-article is only an amplification of Platonic

myths, indeed making subtler distinctions, still not rising to the

heights of pure, subjective speculation.

These general considerations may be supplemented by a few more definite

indications. It is in the Eros-article that we find the Platonic

myth of Poros and Penia. Yet these reappear in the earliest Amelian

treatment of matter (ii. 4), as a sort of echo, mentioned only by the

way, as if they had been earlier thoroughly threshed out. Here also we

find only a stray, incidental use of the term "hypostasis," whereas the

Stoic language in other Amelian and Porphyrian treatises has already

been pointed out.

We are therefore driven to the following, very human and natural

conclusion. Plotinos's first attempts at philosophical writing had

consisted of chiefly Numenian disquisitions, which would be natural in

Alexandria, where Numenius had probably resided, and had left friends

and successors among the Gnostics. When Plotinos went to Rome, he

took these writings with him, but was too absorbed in new original

Amelian treatises to resurrect his youthful Numenian attempts, which he

probably did not value highly, as being the least original, and because

they taught doctrines he had left behind in his Aristotelian and Stoic

progress. He laid them aside. Only when Porphyry had left him, and he

felt the increasing feebleness due to old age and Stoic austerities,

did his attendant Eustochius urge him to preserve these early works.

Plotinos was willing, and sent them to Sicily where Porphyry had

retired. And so it happened with Plotinos, as it has happened with many

another writer, that the last things became first, and the first became

last.

* * * * *

The idea of classifying the works of Plotinos chronologically,

therefore, has so much external proof, as well as internal indications,

to support it, that, no doubt, in the future no reference will be

made to Plotinos without specifying to which period it refers; and we

may expect that future editions of his works will undo the grievous

confusion introduced by Porphyry, and thus render Plotinos's works

comparatively accessible to rational study.

There are besides many other minor proofs of the chronological order

of the writings of Plotinos, most of which are noticed at the heading

of each succeeding book; but the most startling human references are

those to Amelius's departure as a false friend;[466] to Porphyry's

desire to suicide at his departure,[467] and to his own impending

dissolution,[468] each of these occurring at the exact time of the

event chronologically, but certainly not according to the traditional

order.

Plotinos: Complete Works, v. 4 In Chronological Order, Grouped in Four Periods · 第 308 / 382 题