CCLXXVII. “IS SHAKESPEARE DEAD?”

I set out on my long journey with much reluctance. However, a series of

guests with various diversions had been planned, and it seemed a

good time to go. Clemens gave me letters of introduction, and bade me

Godspeed. It would be near the end of April before I should see him

again.

Now and then on the ship, and in the course of my travels, I remembered

the great news I was to hear concerning Shakespeare. In Cairo, at

Shepheard's, I looked eagerly through English newspapers, expecting any

moment to come upon great head-lines; but I was always disappointed.

Even on the return voyage there was no one I could find who had heard

any particular Shakespeare news.

Arriving in New York, I found that Clemens himself had published his

Shakespeare dictations in a little volume of his own, entitled, 'Is

Shakespeare Dead?' The title certainly suggested spiritistic matters,

and I got a volume at Harpers', and read it going up on the train,

hoping to find somewhere in it a solution of the great mystery. But it

was only matter I had already known; the secret was still unrevealed.

At Redding I lost not much time in getting up to Stormfield. There had

been changes in my absence. Clara Clemens had returned from her travels,

and Jean, whose health seemed improved, was coming home to be her

father's secretary. He was greatly pleased with these things, and

declared he was going to have a home once more with his children about

him.

He was quite alone that day, and we walked up and down the great

living-room for an hour, perhaps, while he discussed his new plans. For

one thing, he had incorporated his pen-name, Mark Twain, in order

that the protection of his copyrights and the conduct of his literary

business in general should not require his personal attention. He seemed

to find a relief in this, as he always did in dismissing any kind of

responsibility. When we went in for billiards I spoke of his book, which

I had read on the way up, and of the great Shakespearian secret which

was to astonish the world. Then he told me that the matter had been

delayed, but that he was no longer required to suppress it; that the

revelation was in the form of a book--a book which revealed conclusively

to any one who would take the trouble to follow the directions that the

acrostic name of Francis Bacon in a great variety of forms ran through

many--probably through all of the so-called Shakespeare plays. He said

it was far and away beyond anything of the kind ever published; that

Ignatius Donnelly and others had merely glimpsed the truth, but that the

author of this book, William Stone Booth, had demonstrated, beyond any

doubt or question, that the Bacon signatures were there. The book would

be issued in a few days, he said. He had seen a set of proofs of it, and

while it had not been published in the best way to clearly demonstrate

its great revelation, it must settle the matter with every reasoning

mind. He confessed that his faculties had been more or less defeated in,

attempting to follow the ciphers, and he complained bitterly that the

evidence had not been set forth so that he who merely skims a book might

grasp it.

He had failed on the acrostics at first; but more recently he had

understood the rule, and had been able to work out several Bacon

signatures. He complimented me by saying that he felt sure that when the

book came I would have no trouble with it.

Without going further with this matter, I may say here that the book

arrived presently, and between us we did work out a considerable number

of the claimed acrostics by following the rules laid down. It was

certainly an interesting if not wholly convincing occupation, and it

would be a difficult task for any one to prove that the ciphers are not

there. Just why this pretentious volume created so little agitation it

would be hard to say. Certainly it did not cause any great upheaval in

the literary world, and the name of William Shakespeare still continues

to be printed on the title-page of those marvelous dramas so long

associated with his name.

Mark Twain's own book on the subject--'Is Shakespeare Dead?'--found a

wide acceptance, and probably convinced as many readers. It contained

no new arguments; but it gave a convincing touch to the old ones, and

it was certainly readable.--[Mark Twain had the fullest conviction as

to the Bacon authorship of the Shakespeare plays. One evening, with

Mr. Edward Loomis, we attended a fine performance of “Romeo and Juliet”

given by Sothern and Marlowe. At the close of one splendid scene he

said, quite earnestly, “That is about the best play that Lord Bacon ever

wrote.”]

Among the visitors who had come to Stormfield was Howells. Clemens had

called a meeting of the Human Race Club, but only Howells was able to

attend. We will let him tell of his visit:

We got on very well without the absentees, after finding them in the

wrong, as usual, and the visit was like those I used to have with

him so many years before in Hartford, but there was not the old

ferment of subjects. Many things had been discussed and put away

for good, but we had our old fondness for nature and for each other,

who were so differently parts of it. He showed his absolute content

with his house, and that was the greater pleasure for me because it

was my son who designed it. The architect had been so fortunate as

to be able to plan it where a natural avenue of savins, the close-

knit, slender, cypress-like cedars of New England, led away from the

rear of the villa to the little level of a pergola, meant some day

to be wreathed and roofed with vines. But in the early spring days

all the landscape was in the beautiful nakedness of the Northern

winter. It opened in the surpassing loveliness of wooded and

meadowed uplands, under skies that were the first days blue, and the

last gray over a rainy and then a snowy floor. We walked up and

down, up and down, between the villa terrace and the pergola, and

talked with the melancholy amusement, the sad tolerance of age for

the sort of men and things that used to excite us or enrage us; now

we were far past turbulence or anger. Once we took a walk together

across the yellow pastures to a chasmal creek on his grounds, where

the ice still knit the clayey banks together like crystal mosses;

and the stream far down clashed through and over the stones and the

shards of ice. Clemens pointed out the scenery he had bought to

give himself elbowroom, and showed me the lot he was going to have

me build on. The next day we came again with the geologist he had

asked up to Stormfield to analyze its rocks. Truly he loved the

place....

My visit at Stormfield came to an end with tender relucting on his

part and on mine. Every morning before I dressed I heard him

sounding my name through the house for the fun of it and I know for

the fondness, and if I looked out of my door there he was in his

long nightgown swaying up and down the corridor, and wagging his

great white head like a boy that leaves his bed and comes out in the

hope of frolic with some one. The last morning a soft sugar-snow

had fallen and was falling, and I drove through it down to the

station in the carriage which had been given him by his wife's

father when they were first married, and had been kept all those

intervening years in honorable retirement for this final use.--[This

carriage--a finely built coup--had been presented to Mrs. Crane when

the Hartford house was closed. When Stormfield was built she

returned it to its original owner.]--Its springs had not grown

yielding with time, it had rather the stiffness and severity of age;

but for him it must have swung low like the sweet chariot of the

negro “spiritual” which I heard him sing with such fervor when those

wonderful hymns of the slaves began to make their way northward.

Howells's visit resulted in a new inspiration. Clemens started to write

him one night when he could not sleep, and had been reading the volume

of letters of James Russell Lowell. Then, next morning, he was seized

with the notion of writing a series of letters to such friends as

Howells, Twichell, and Rogers--letters not to be mailed, but to be laid

away for some future public. He wrote two of these immediately--to

Howells and to Twichell. The Howells letter (or letters, for it was

really double) is both pathetic and amusing. The first part ran:

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