I was willing to concede something, and offered a compromise.

“Perhaps,” I said, “Shakespeare was the Belasoo of that day--the

managerial genius, unable to write plays himself, but with the supreme

gift of making effective drama from the plays of others. In that case it

is not unlikely that the plays would be known as Shakespeare's. Even

in this day John Luther Long's 'Madam Butterfly' is sometimes called

Belasco's play; though it is doubtful if Belasco ever wrote a line of

it.”

He considered this view, but not very favorably. The Booth book was at

this time a secret, and he had not told me anything concerning it;

but he had it in his mind when he said, with an air of the greatest

conviction:

“I know that Shakespeare did not write those plays, and I have reason to

believe he did not touch the text in any way.”

“How can you be so positive?” I asked.

He replied:

“I have private knowledge from a source that cannot be questioned.”

I now suspected that he was joking, and asked if he had been consulting

a spiritual medium; but he was clearly in earnest.

“It is the great discovery of the age,” he said, quite seriously. “The

world will soon ring with it. I wish I could tell you about it, but I

have passed my word. You will not have long to wait.”

I was going to sail for the Mediterranean in February, and I asked if it

would be likely that I would know this great secret before I sailed. He

thought not; but he said that more than likely the startling news would

be given to the world while I was on the water, and it might come to me

on the ship by wireless. I confess I was amazed and intensely curious by

this time. I conjectured the discovery of some document--some Bacon

or Shakespeare private paper which dispelled all the mystery of the

authorship. I hinted that he might write me a letter which I could open

on the ship; but he was firm in his refusal. He had passed his word, he

repeated, and the news might not be given out as soon as that; but he

assured me more than once that wherever I might be, in whatever remote

locality, it would come by cable, and the world would quake with it. I

was tempted to give up my trip, to be with him at Stormfield at the time

of the upheaval.

Naturally the Shakespeare theme was uppermost during the remaining days

that we were together. He had engaged another stenographer, and was now

dictating, forenoons, his own views on the subject--views coordinated

with those of Mr. Greenwood, whom he liberally quoted, but embellished

and decorated in his own gay manner. These were chapters for his

autobiography, he said, and I think he had then no intention of making

a book of them. I could not quite see why he should take all this

argumentary trouble if he had, as he said, positive evidence that Bacon,

and not Shakespeare, had written the plays. I thought the whole matter

very curious.

The Shakespeare interest had diverging by-paths. One evening, when we

were alone at dinner, he said:

“There is only one other illustrious man in history about whom there is

so little known,” and he added, “Jesus Christ.”

He reviewed the statements of the Gospels concerning Christ, though he

declared them to be mainly traditional and of no value. I agreed that

they contained confusing statements, and inflicted more or less with

justice and reason; but I said I thought there was truth in them, too.

“Why do you think so?” he asked.

“Because they contain matters that are self-evident--things eternally

and essentially just.”

“Then you make your own Bible?”

“Yes, from those materials combined with human reason.”

“Then it does not matter where the truth, as you call it, comes from?”

I admitted that the source did not matter; that truth from Shakespeare,

Epictetus, or Aristotle was quite as valuable as from the Scriptures. We

were on common ground now. He mentioned Marcus Aurelius, the Stoics, and

their blameless lives. I, still pursuing the thought of Jesus, asked:

“Do you not think it strange that in that day when Christ came,

admitting that there was a Christ, such a character could have come

at all--in the time of the Pharisees and the Sadducees, when all was

ceremony and unbelief?”

“I remember,” he said, “the Sadducees didn't believe in hell. He brought

them one.”

“Nor the resurrection. He brought them that, also.”

He did not admit that there had been a Christ with the character and

mission related by the Gospels.

“It is all a myth,” he said. “There have been Saviours in every age of

the world. It is all just a fairy tale, like the idea of Santa Claus.”

“But,” I argued, “even the spirit of Christmas is real when it is

genuine. Suppose that we admit there was no physical Saviour--that it is

only an idea--a spiritual embodiment which humanity has made for

itself and is willing to improve upon as its own spirituality improves,

wouldn't that make it worthy?”

“But then the fairy story of the atonement dissolves, and with it

crumbles the very foundations of any established church. You can create

your own Testament, your own Scripture, and your own Christ, but you've

got to give up your atonement.”

“As related to the crucifixion, yes, and good riddance to it; but the

death of the old order and the growth of spirituality comes to a sort of

atonement, doesn't it?”

He said:

“A conclusion like that has about as much to do with the Gospels and

Christianity as Shakespeare had to do with Bacon's plays. You are

preaching a doctrine that would have sent a man to the stake a few

centuries ago. I have preached that in my own Gospel.”

I remembered then, and realized that, by my own clumsy ladder, I had

merely mounted from dogma, and superstition to his platform of training

the ideals to a higher contentment of soul.

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