respect disappointed in America, and are
assured beforehand that the expression of your
disappointment will give offence to any class,
why do you write at all?' My answer is, that I
went there expecting greater things than I
found, and resolved as far as in me lay to do
justice to the country, at the expense of any
(in my view) mistaken or prejudiced statements
that might have been made to its disparagement.
Coming home with a corrected and sobered
judgment, I consider myself no less bound to do
justice to what, according to my best means of
judgment, I found to be the truth."
Of the book for whose opening page this matter introductory was written,
it will be enough merely to add that it appeared on the 18th of October;
that before the close of the year four large editions had been sold;
and that in my opinion it thoroughly deserved the estimate formed of it
by one connected with America by the strongest social affections, and
otherwise in all respects an honourable, high-minded, upright judge.
"You have been very tender," wrote Lord Jeffrey, "to our sensitive
friends beyond sea, and my whole heart goes along with every word you
have written. I think that you have perfectly accomplished all that you
profess or undertake to do, and that the world has never yet seen a more
faithful, graphic, amusing, kind-hearted narrative."
* * * * *
I permit myself so far to anticipate a later page as to print here a
brief extract from one of the letters of the last American visit.
Without impairing the interest with which the narrative of that time
will be read in its proper place, I shall thus indicate the extent to
which present impressions were modified by the experience of twenty-six
years later. He is writing from Philadelphia on the fourteenth of
January, 1868.
"I see _great changes_ for the better, socially. Politically, no.
England governed by the Marylebone vestry and the penny papers, and
England as she would be after years of such governing; is what I make of
_that_. Socially, the change in manners is remarkable. There is much
greater politeness and forbearance in all ways. . . . On the other hand
there are still provincial oddities wonderfully quizzical; and the
newspapers are constantly expressing the popular amazement at 'Mr.
Dickens's extraordinary composure.' They seem to take it ill that I
don't stagger on to the platform overpowered by the spectacle before me,
and the national greatness. They are all so accustomed to do public
things with a flourish of trumpets, that the notion of my coming in to
read without somebody first flying up and delivering an 'Oration' about
me, and flying down again and leading me in, is so very unaccountable to
them, that sometimes they have no idea until I open my lips that it can
possibly be Charles Dickens."
FOOTNOTES:
[63] "Cant as we may, and as we shall to the end of all things, it is
very much harder for the poor to be virtuous than it is for the rich;
and the good that is in them, shines the brighter for it. In many a
noble mansion lives a man, the best of husbands and of fathers, whose
private worth in both capacities is justly lauded to the skies. But
bring him here, upon this crowded deck. Strip from his fair young wife
her silken dress and jewels, unbind her braided hair, stamp early
wrinkles on her brow, pinch her pale cheek with care and much privation,
array her faded form in coarsely patched attire, let there be nothing
but his love to set her forth or deck her out, and you shall put it to
the proof indeed. So change his station in the world that he shall see,
in those young things who climb about his knee, not records of his
wealth and name, but little wrestlers with him for his daily bread; so
many poachers on his scanty meal; so many units to divide his every sum
of comfort, and farther to reduce its small amount. In lieu of the
endearments of childhood in its sweetest aspect, heap upon him all its
pains and wants, its sicknesses and ills, its fretfulness, caprice, and
querulous endurance: let its prattle be, not of engaging infant fancies,
but of cold, and thirst, and hunger: and if his fatherly affection
outlive all this, and he be patient, watchful, tender; careful of his
children's lives, and mindful always of their joys and sorrows; then
send him back to parliament, and pulpit, and to quarter sessions, and
when he hears fine talk of the depravity of those who live from hand to
mouth, and labour hard to do it, let him speak up, as one who knows, and
tell those holders-forth that they, by parallel with such a class,
should be high angels in their daily lives, and lay but humble siege to
heaven at last. . . . Which of us shall say what he would be, if such
realities, with small relief or change all through his days, were his!
Looking round upon these people: far from home, houseless, indigent,
wandering, weary with travel and hard living: and seeing how patiently
they nursed and tended their young children: how they consulted ever
their wants first, then half supplied their own; what gentle ministers
of hope and faith the women were; how the men profited by their example;
and how very, very seldom even a moment's petulance or harsh complaint
broke out among them: I felt a stronger love and honour of my kind come
glowing on my heart, and wished to God there had been many atheists in
the better part of human nature there, to read this simple lesson in the
book of life."
CHAPTER II.
FIRST YEAR OF MARTIN CHUZZLEWIT.
1843.
A Sunset at Land's-end--Description of the
Cornish Tour--Letter from Maclise--Maclise to
J. F.--Names first given to _Chuzzlewit_--First
Number of _Chuzzlewit_--Prologue to a Play--A
Tragedy by Browning--Accompaniments of
Work--Miss Georgina Hogarth--American
Controversy--Cottage at Finchley--Origin of
Mrs. Gamp--Change of Editorship at
_Chronicle_--Macready bound for America--Works
of Charity and Mercy--Visit to
Broadstairs--Sea-side Life in Ordinary--Speech
at Opening of the Manchester
Athenaeum--Dickens's Interest in Ragged
Schools--His Sympathy with the Church of
England--Origin of his _Christmas Carol_--Third
Son born.
THE Cornish trip had come off, meanwhile, with such unexpected and
continued attraction for us that we were well into the third week of
absence before we turned our faces homeward. Railways helped us then not
much; but where the roads were inaccessible to post-horses, we walked.
Tintagel was visited, and no part of mountain or sea consecrated by the
legends of Arthur was left unexplored. We ascended to the cradle of the
highest tower of Mount St. Michael, and descended into several mines.
Land and sea yielded each its marvels to us; but of all the impressions
brought away, of which some afterwards took forms as lasting as they
could receive from the most delightful art, I doubt if any were the
source of such deep emotion to us all as a sunset we saw at Land's-end.
Stanfield knew the wonders of the Continent, the glories of Ireland
were native to Maclise, I was familiar from boyhood with border and
Scottish scenery, and Dickens was fresh from Niagara; but there was
something in the sinking of the sun behind the Atlantic that autumn
afternoon, as we viewed it together from the top of the rock projecting
farthest into the sea, which each in his turn declared to have no
parallel in memory.
But with the varied and overflowing gladness of those three memorable
weeks it would be unworthy now to associate only the saddened
recollection of the sole survivor. "Blessed star of morning!" wrote
Dickens to Felton while yet the glow of its enjoyment was upon him.
"Such a trip as we had into Cornwall just after Longfellow went away! . . .
Sometimes we travelled all night, sometimes all day, sometimes both. . . .
Heavens! If you could have seen the necks of bottles, distracting in
their immense varieties of shape, peering out of the carriage pockets!
If you could have witnessed the deep devotion of the post-boys, the wild
attachment of the hostlers, the maniac glee of the waiters! If you could
have followed us into the earthy old churches we visited, and into the
strange caverns on the gloomy sea-shore, and down into the depths of
mines, and up to the tops of giddy heights where the unspeakable green
water was roaring, I don't know how many hundred feet below! If you
could have seen but one gleam of the bright fires by which we sat in the
big rooms of ancient inns at night, until long after the small hours had
come and gone. . . . I never laughed in my life as I did on this journey.
It would have done you good to hear me. I was choking and gasping and
bursting the buckle off the back of my stock, all the way. And Stanfield
got into such apoplectic entanglements that we were often obliged to
beat him on the back with portmanteaus before we could recover him.
Seriously, I do believe there never was such a trip. And they made such
sketches, those two men, in the most romantic of our halting-places,
that you would have sworn we had the Spirit of Beauty with us, as well
as the Spirit of Fun."[64]
The Logan Stone, by Stanfield, was one of them; and it laughingly
sketched both the charm of what was seen and the mirth of what was done,
for it perched me on the top of the stone. It is historical, however,
the ascent having been made; and of this and other examples of
steadiness at heights which deterred the rest, as well as of a subject
suggested for a painting of which Dickens became the unknown purchaser,
Maclise reminded me in some pleasant allusions many years later, which,
notwithstanding their tribute to my athletic achievements, the
good-natured reader must forgive my printing. They complete the little
picture of our trip. Something I had written to him of recent travel
among the mountain scenery of the wilder coasts of Donegal had touched
the chord of these old remembrances. "As to your clambering," he
replied, "don't I know what happened of old? Don't I still see the Logan
Stone, and you perched on the giddy top, while we, rocking it on its
pivot, shrank from all that lay concealed below! Should I ever have
blundered on the waterfall of St. Wighton, if you had not piloted the
way? And when we got to Land's-end, with the green sea far under us
lapping into solitary rocky nooks where the mermaids live, who but you
only had the courage to stretch over, to see those diamond jets of
brightness that I swore then, and believe still, were the flappings of
their tails! And don't I recall you again, sitting on the tip-top stone
of the cradle-turret over the highest battlement of the castle of St.
Michael's Mount, with not a ledge or coigne of vantage 'twixt you and
the fathomless ocean under you, distant three thousand feet? Last, do I
forget you clambering up the goat-path to King Arthur's castle of
Tintagel, when, in my vain wish to follow, I grovelled and clung to the
soil like a Caliban, and you, in the manner of a tricksy spirit and
stout Ariel, actually danced up and down before me!"
The waterfall I led him to was among the records of the famous holiday,
celebrated also by Thackeray in one of his pen-and-ink pleasantries,
which were sent by both painters to the next year's Academy; and so
eager was Dickens to possess this landscape by Maclise which included
the likeness of a member of his family, yet so anxious that our friend
should be spared the sacrifice which he knew would follow an avowal of
his wish, that he bought it under a feigned name before the Academy
opened, and steadily refused to take back the money which on discovery
of the artifice Maclise pressed upon him.[65] Our friend, who already
had munificently given him a charming drawing of his four eldest
children to accompany him and his wife to America, had his generous way
nevertheless; and as a voluntary offering four years later, painted Mrs.
Dickens on a canvas of the same size as the picture of her husband in
1839.
"Behold finally the title of the new book," was the first note I had
from Dickens (12th of November) after our return; "don't lose it, for I
have no copy." Title and even story had been undetermined while we
travelled, from the lingering wish he still had to begin it among those
Cornish scenes; but this intention had now been finally abandoned, and
the reader lost nothing by his substitution for the lighthouse or mine
in Cornwall, of the Wiltshire-village forge on the windy autumn evening
which opens the tale of _Martin Chuzzlewit_. Into that name he finally
settled, but only after much deliberation, as a mention of his changes
will show. Martin was the prefix to all, but the surname varied from its
first form of Sweezleden, Sweezleback, and Sweezlewag, to those of
Chuzzletoe, Chuzzleboy, Chubblewig, and Chuzzlewig; nor was Chuzzlewit
chosen at last until after more hesitation and discussion. What he had
sent me in his letter as finally adopted, ran thus: "The Life and
Adventures of Martin Chuzzlewig, his family, friends, and enemies.
Comprising all his wills and his ways. With an historical record of what
he did and what he didn't. The whole forming a complete key to the house
of Chuzzlewig." All which latter portion of the title was of course
dropped as the work became modified, in its progress, by changes at
first not contemplated; but as early as the third number he sent me the
plan of "old Martin's plot to degrade and punish Pecksniff," and the
difficulties he encountered in departing from other portions of his
scheme were such as to render him, in his subsequent stories, more bent
upon constructive care at the outset, and adherence as far as might be
to any design he had formed.
The first number, which appeared in January 1843, had not been quite
finished when he wrote to me on the 8th of December: "The Chuzzlewit
copy makes so much more than I supposed, that the number is nearly done.
Thank God!" Beginning so hurriedly as at last he did, altering his
course at the opening and seeing little as yet of the main track of his
design, perhaps no story was ever begun by him with stronger heart or
confidence. Illness kept me to my rooms for some days, and he was so
eager to try the effect of Pecksniff and Pinch that he came down with
the ink hardly dry on the last slip to read the manuscript to me. Well
did Sydney Smith, in writing to say how very much the number had pleased
him, foresee the promise there was in those characters. "Pecksniff and
his daughters, and Pinch, are admirable--quite first-rate painting, such
as no one but yourself can execute!" And let me here at once remark that
the notion of taking Pecksniff for a type of character was really the
origin of the book; the design being to show, more or less by every
person introduced, the number and variety of humours and vices that have
their root in selfishness.
Another piece of his writing that claims mention at the close of 1842
was a prologue contributed to the _Patrician's Daughter_, Mr. Westland
Marston's first dramatic effort, which had attracted him by the beauty
of its composition less than by the courage with which its subject had
been chosen from the actual life of the time.
"Not light its import, and not poor its mien;
Yourselves the actors, and your homes the scene."
This was the date, too, of Mr. Browning's tragedy of the _Blot on the
'Scutcheon_, which I took upon myself, after reading it in the
manuscript, privately to impart to Dickens; and I was not mistaken in
the belief that it would profoundly touch him. "Browning's play," he
wrote (25th of November), "has thrown me into a perfect passion of
sorrow. To say that there is anything in its subject save what is
lovely, true, deeply affecting, full of the best emotion, the most
earnest feeling, and the most true and tender source of interest, is to
say that there is no light in the sun, and no heat in blood. It is full
of genius, natural and great thoughts, profound and yet simple and
beautiful in its vigour. I know nothing that is so affecting, nothing in
any book I have ever read, as Mildred's recurrence to that 'I was so
young--I had no mother.' I know no love like it, no passion like it, no
moulding of a splendid thing after its conception, like it. And I swear
it is a tragedy that MUST be played; and must be played, moreover, by
Macready. There are some things I would have changed if I could (they
are very slight, mostly broken lines); and I assuredly would have the
old servant _begin his tale upon the scene_; and be taken by the throat,
or drawn upon, by his master, in its commencement. But the tragedy I
never shall forget, or less vividly remember than I do now. And if you
tell Browning that I have seen it, tell him that I believe from my soul
there is no man living (and not many dead) who could produce such a
work.--Macready likes the altered prologue very much.". . . There will
come a more convenient time to speak of his general literary likings, or
special regard for contemporary books; but I will say now that nothing
interested him more than successes won honestly in his own field, and
that in his large and open nature there was no hiding-place for little
jealousies. An instance occurs to me which may be named at once, when,
many years after the present date, he called my attention very earnestly
to two tales then in course of publication in _Blackwood's Magazine_,
and afterwards collected under the title of _Scenes of Clerical Life_.
"Do read them," he wrote. "They are the best things I have seen since I
began my course."
Eighteen hundred and forty-three[66] opened with the most vigorous
prosecution of his _Chuzzlewit_ labour. "I hope the number will be very
good," he wrote to me of number two (8th of January). "I have been
hammering away, and at home all day. Ditto yesterday; except for two
hours in the afternoon, when I ploughed through snow half a foot deep,
round about the wilds of Willesden." For the present, however, I shall
glance only briefly from time to time at his progress with the earlier
portions of the story on which he was thus engaged until the midsummer
of 1844. Disappointments arose in connection with it, unexpected and
strange, which had important influence upon him: but, I reserve the
mention of these for awhile, that I may speak of the leading incidents
of 1843.
"I am in a difficulty," he wrote (12th of February), "and am coming down
to you some time to-day or to-night. I couldn't write a line yesterday;
not a word, though I really tried hard. In a kind of despair I started
off at half-past two with my pair of petticoats to Richmond; and dined
there!! Oh what a lovely day it was in those parts." His pair of
petticoats were Mrs. Dickens and her sister Georgina: the latter, since
his return from America, having become part of his household, of which
she remained a member until his death; and he had just reason to be
proud of the steadiness, depth, and devotion of her friendship. In a
note-book begun by him in January 1855, where, for the first time in his
life, he jotted down hints and fancies proposed to be made available in
future writings, I find a character sketched of which, if the whole was
not suggested by his sister-in-law, the most part was applicable to her.
"She--sacrificed to children, and sufficiently rewarded. From a child
herself, always 'the children' (of somebody else) to engross her. And so
it comes to pass that she is never married; never herself has a child;
is always devoted 'to the children' (of somebody else); and they love
her; and she has always youth dependent on her till her death--and dies
quite happily." Not many days after that holiday at Richmond, a slight
unstudied outline in pencil was made by Maclise of the three who formed
the party there, as we all sat together; and never did a touch so light
carry with it more truth of observation. The likenesses of all are
excellent; and I here preserve the drawing because nothing ever done of
Dickens himself has conveyed more vividly his look and bearing at this
yet youthful time. He is in his most pleasing aspect; flattered, if you
will; but nothing that is known to me gives a general impression so
life-like and true of the then frank, eager, handsome face.
It was a year of much illness with me, which had ever-helpful and active
sympathy from him. "Send me word how you are," he wrote, two days later.
"But not so much for that I now write, as to tell you, peremptorily,
that I insist on your wrapping yourself up and coming here in a
hackney-coach, with a big portmanteau, to-morrow. It surely is better to
be unwell with a Quick and Cheerful (and Co) in the neighbourhood, than
in the dreary vastness of Lincoln's-inn-fields. Here is the snuggest
tent-bedstead in the world, and there you are with the drawing-room for
your workshop, the Q and C for your pal, and 'every-think in a
concatenation accordingly.' I begin to have hopes of the regeneration of
mankind after the reception of Gregory last night, though I have none of
the _Chronicle_ for not denouncing the villain. Have you seen the note
touching my _Notes_ in the blue and yellow?"
The first of these closing allusions was to the editor of the infamous
_Satirist_ having been hissed from the Drury-lane stage, on which he had
presented himself in the character of Hamlet; and I remember with what
infinite pleasure I afterwards heard Chief Justice Tindal in court,
charging the jury in an action brought by this malefactor against a
publican of St. Giles's for having paid men to take part in the hissing
of him, avow the pride he felt in "living in the same parish with a man
of that humble station of life of the defendant's," who was capable of
paying money out of his own pocket to punish what he believed to be an
outrage to decency. The second allusion was to a statement of the
reviewer of the _American Notes_ in the _Edinburgh_ to the effect, that,
if he had been rightly informed, Dickens had gone to America as a kind
of missionary in the cause of international copyright; to which a prompt
contradiction had been given in the _Times_. "I deny it," wrote Dickens,
"wholly. He is wrongly informed; and reports, without enquiry, a piece
of information which I could only characterize by using one of the
shortest and strongest words in the language."
The disputes that had arisen out of the American book, I may add,
stretched over great part of the year. It will quite suffice, however,
to say here that the ground taken by him in his letters written on the
spot, and printed in my former volume, which in all the more material
statements his book invited public judgment upon and which he was moved
to reopen in _Chuzzlewit_, was so kept by him against all comers, that
none of the counter-statements or arguments dislodged him from a square
inch of it. But the controversy is dead now; and he took occasion, on
his later visit to America, to write its epitaph.
Though I did not, to revert to his February letter, obey its cordial
bidding by immediately taking up quarters with him, I soon after joined
him at a cottage he rented in Finchley; and here, walking and talking in
the green lanes as the midsummer months were coming on, his introduction
of Mrs. Gamp, and the uses to which he should apply that remarkable
personage, first occurred to him. In his preface to the book he speaks
of her as a fair representation, at the time it was published, of the
hired attendant on the poor in sickness: but he might have added that
the rich were no better off, for Mrs. Gamp's original was in reality a
person hired by a most distinguished friend of his own, a lady, to take
charge of an invalid very dear to her; and the common habit of this
nurse in the sick room, among other Gampish peculiarities, was to rub
her nose along the top of the tall fender. Whether or not, on that first
mention of her, I had any doubts whether such a character could be made
a central figure in his story, I do not now remember; but if there were
any at the time, they did not outlive the contents of the packet which
introduced her to me in the flesh a few weeks after our return. "Tell
me," he wrote from Yorkshire, where he had been meanwhile passing
pleasant holiday with a friend, "what you think of Mrs. Gamp? You'll not
find it easy to get through the hundreds of misprints in her
conversation, but I want your opinion at once. I think you know already
something of mine. I mean to make a mark with her." The same letter
enclosed me a clever and pointed little parable in verse which he had
written for an annual edited by Lady Blessington.[67]
Another allusion in the February letter reminds me of the interest which
his old work for the _Chronicle_ gave him in everything affecting its
credit, and that this was the year when Mr. John Black ceased to be its
editor, in circumstances reviving strongly all Dickens's sympathies. "I
am deeply grieved" (3rd of May, 1843) "about Black. Sorry from my
heart's core. If I could find him out, I would go and comfort him this
moment." He did find him out; and he and a certain number of us did also
comfort this excellent man after a fashion extremely English, by giving
him a Greenwich dinner on the 20th of May; when Dickens had arranged and
ordered all to perfection, and the dinner succeeded in its purpose, as
in other ways, quite wonderfully. Among the entertainers were Sheil and
Thackeray, Fonblanque and Charles Buller, Southwood Smith and William
Johnson Fox, Macready and Maclise, as well as myself and Dickens.
There followed another similar celebration, in which one of these
entertainers was the guest and which owed hardly less to Dickens's
exertions, when, at the Star-and-garter at Richmond in the autumn, we
wished Macready good-speed on his way to America. Dickens took the chair
at that dinner; and with Stanfield, Maclise, and myself, was in the
following week to have accompanied the great actor to Liverpool to say
good-bye to him on board the Cunard ship, and bring his wife back to
London after their leave-taking; when a word from our excellent friend
Captain Marryat, startling to all of us except Dickens himself, struck
him out of our party. Marryat thought that Macready might suffer in the
States by any public mention of his having been attended on his way by
the author of the _American Notes_ and _Martin Chuzzlewit_, and our
friend at once agreed with him. "Your main and foremost reason," he
wrote to me, "for doubting Marryat's judgment, I can at once destroy. It
has occurred to me many times; I have mentioned the thing to Kate more
than once; and I had intended _not_ to go on board, charging Radley to
let nothing be said of my being in his house. I have been prevented from
giving any expression to my fears by a misgiving that I should seem to
attach, if I did so, too much importance to my own doings. But now that
I have Marryat at my back, I have not the least hesitation in saying
that I am certain he is right. I have very great apprehensions that the
_Nickleby_ dedication will damage Macready. Marryat is wrong in
supposing it is not printed in the American editions, for I have myself
seen it in the shop windows of several cities. If I were to go on board
with him, I have not the least doubt that the fact would be placarded
all over New York, before he had shaved himself in Boston. And that
there are thousands of men in America who would pick a quarrel with him
on the mere statement of his being my friend, I have no more doubt than
I have of my existence. You have only doubted Marryat because it is
impossible for _any man_ to know what they are in their own country, who
has not seen them there."
This letter was written from Broadstairs, whither he had gone in August,
after such help as he only could give, and never took such delight as in
giving, to a work of practical humanity. Earlier in the year he had
presided at a dinner for the Printers' Pension-fund, which Thomas Hood,
Douglas Jerrold, and myself attended with him; and upon the terrible
summer-evening accident at sea by which Mr. Elton the actor lost his
life, it was mainly by Dickens's unremitting exertions, seconded
admirably by Mr. Serle and warmly taken up by Mr. Elton's own profession
(the most generous in the world), that ample provision was made for the
many children. At the close of August I had news of him from his
favourite watering-place, too characteristic to be omitted. The day
before had been a day of "terrific heat," yet this had not deterred him
from doing what he was too often suddenly prone to do in the midst of
his hardest work. "I performed an insane match against time of eighteen
miles by the milestones in four hours and a half, under a burning sun
the whole way. I could get" (he is writing next morning) "no sleep at
night, and really began to be afraid I was going to have a fever. You
may judge in what kind of authorship-training I am to-day. I could as
soon eat the cliff as write about anything." A few days later, however,
all was well again; and another sketch from himself, to his American
friend, will show his sea-side life in ordinary. "In a bay-window in a
one-pair sits, from nine o'clock to one, a gentleman with rather long
hair and no neckcloth, who writes and grins as if he thought he were
very funny indeed. At one he disappears, presently emerges from a
bathing-machine, and may be seen, a kind of salmon-coloured porpoise,
splashing about in the ocean. After that he may be viewed in another
bay-window on the ground floor, eating a strong lunch; and after that,
walking a dozen miles or so, or lying on his back in the sand reading a
book. Nobody bothers him unless they know he is disposed to be talked
to; and I am told he is very comfortable indeed. He's as brown as a
berry, and they _do_ say is a small fortune to the innkeeper who sells
beer and cold punch. But this is mere rumour. Sometimes he goes up to
London (eighty miles or so away), and then I'm told there is a sound in
Lincoln's-inn-fields at night, as of men laughing, together with a
clinking of knives and forks and wine-glasses."[68]
He returned to town "for good" on Monday the 2nd of October, and from
the Wednesday to the Friday of that week was at Manchester, presiding at
the opening of its great Athenaeum, when Mr. Cobden and Mr. Disraeli also
"assisted." Here he spoke mainly on a matter always nearest his heart,
the education of the very poor. He protested against the danger of
calling a little learning dangerous; declared his preference for the
very least of the little over none at all; proposed to substitute for
the old a new doggerel,
Though house and lands be never got,
Learning can give what they can _not_;
told his listeners of the real and paramount danger we had lately taken
Longfellow to see in the nightly refuges of London, "thousands of
immortal creatures condemned without alternative or choice to tread, not
what our great poet calls the primrose path to the everlasting bonfire,
but one of jagged flints and stones laid down by brutal ignorance;" and
contrasted this with the unspeakable consolation and blessings that a
little knowledge had shed on men of the lowest estate and most hopeless
means, "watching the stars with Ferguson the shepherd's boy, walking the
streets with Crabbe, a poor barber here in Lancashire with Arkwright, a
tallow-chandler's son with Franklin, shoemaking with Bloomfield in his
garret, following the plough with Burns, and, high above the noise of
loom and hammer, whispering courage in the ears of workers I could this
day name in Sheffield and in Manchester."
The same spirit impelled him to give eager welcome to the remarkable
institution of Ragged schools, which, begun by a shoemaker of
Southampton and a chimney-sweep of Windsor and carried on by a peer of
the realm, has had results of incalculable importance to society. The
year of which I am writing was its first, as this in which I write is
its last; and in the interval, out of three hundred thousand children to
whom it has given some sort of education, it is computed also to have
given to a third of that number the means of honest employment.[69] "I
sent Miss Coutts," he had written (24th of September), "a sledge hammer
account of the Ragged schools; and as I saw her name for two hundred
pounds in the clergy education subscription-list, took pains to show her
that religious mysteries and difficult creeds wouldn't do for such
pupils. I told her, too, that it was of immense importance they should
be _washed_. She writes back to know what the rent of some large airy
premises would be, and what the expense of erecting a regular bathing or
purifying place; touching which points I am in correspondence with the
authorities. I have no doubt she will do whatever I ask her in the
matter. She is a most excellent creature, I protest to God, and I have a
most perfect affection and respect for her."
One of the last things he did at the close of the year, in the like
spirit, was to offer to describe the Ragged schools for the _Edinburgh
Review_. "I have told Napier," he wrote to me, "I will give a
description of them in a paper on education, if the _Review_ is not
afraid to take ground against the church catechism and other mere
formularies and subtleties, in reference to the education of the young
and ignorant. I fear it is extremely improbable it will consent to
commit itself so far." His fears were well-founded; but the statements
then made by him give me opportunity to add that it was his impatience
of differences on this point with clergymen of the Established Church
that had led him, for the past year or two, to take sittings in the
Little Portland-street Unitarian chapel; for whose officiating minister,
Mr. Edward Tagart, he had a friendly regard which continued long after
he had ceased to be a member of his congregation. That he did so quit
it, after two or three years, I can distinctly state; and of the
frequent agitation of his mind and thoughts in connection with this
all-important theme, there will be other occasions to speak. But upon
essential points he had never any sympathy so strong as with the leading
doctrine and discipline of the Church of England; to these, as time went
on, he found himself able to accommodate all minor differences; and the
unswerving faith in Christianity itself, apart from sects and schisms,
which had never failed him at any period of his life, found expression
at its close in the language of his will. Twelve months before his
death, these words were written. "I direct that my name be inscribed in
plain English letters on my tomb . . . I conjure my friends on no account
to make me the subject of any monument, memorial, or testimonial
whatever. I rest my claim to the remembrance of my country on my
published works, and to the remembrance of my friends upon their
experience of me in addition thereto. I commit my soul to the mercy of
God, through our Lord and Saviour Jesus Christ; and I exhort my dear
children humbly to try to guide themselves by the teaching of the New
Testament in its broad spirit, and to put no faith in any man's narrow
construction of its letter here or there."
Active as he had been in the now ending year, and great as were its
varieties of employment; his genius in its highest mood, his energy
unwearied in good work, and his capacity for enjoyment without limit; he
was able to signalize its closing months by an achievement supremely
fortunate, which but for disappointments the year had also brought might
never have been thought of. He had not begun until a week after his
return from Manchester, where the fancy first occurred to him, and
before the end of November he had finished, his memorable _Christmas
Carol_. It was the work of such odd moments of leisure as were left him
out of the time taken up by two numbers of his _Chuzzlewit_; and though
begun with but the special design of adding something to the
_Chuzzlewit_ balance, I can testify to the accuracy of his own account
of what befell him in its composition, with what a strange mastery it
seized him for itself, how he wept over it, and laughed, and wept again,
and excited himself to an extraordinary degree, and how he walked
thinking of it fifteen and twenty miles about the black streets of
London, many and many a night after all sober folks had gone to bed. And
when it was done, as he told our friend Mr. Felton in America, he let
himself loose like a madman. "Forster is out again," he added, by way of
illustrating our practical comments on his celebration of the jovial
old season, "and if he don't go in again after the manner in which we
have been keeping Christmas, he must be very strong indeed. Such
dinings, such dancings, such conjurings, such blind-man's-buffings, such
theatre-goings, such kissings-out of old years and kissings-in of new
ones, never took place in these parts before."
Yet had it been to him, this closing year, a time also of much anxiety
and strange disappointments of which I am now to speak; and before, with
that view, we go back for a while to its earlier months, one step into
the new year may be taken for what marked it with interest and
importance to him. Eighteen hundred and forty-four was but fifteen days
old when a third son (his fifth child, which received the name of its
godfather Francis Jeffrey) was born; and here is an answer sent by him,
two days later, to an invitation from Maclise, Stanfield, and myself to
dine with us at Richmond. "DEVONSHIRE LODGE, _Seventeenth of January_,
1844. FELLOW COUNTRYMEN! The appeal with which you have honoured me,
awakens within my breast emotions that are more easily to be imagined
than described. Heaven bless you. I shall indeed be proud, my friends,
to respond to such a requisition. I had withdrawn from Public Life--I
fondly thought forever--to pass the evening of my days in hydropathical
pursuits, and the contemplation of virtue. For which latter purpose, I
had bought a looking-glass.--But, my friends, private feeling must ever
yield to a stern sense of public duty. The Man is lost in the Invited
Guest, and I comply. Nurses, wet and dry; apothecaries; mothers-in-law;
babbies; with all the sweet (and chaste) delights of private life;
these, my countrymen, are hard to leave. But you have called me forth,
and I will come. Fellow countrymen, your friend and faithful servant,
CHARLES DICKENS."
FOOTNOTES:
[64] Printed in the _Atlantic Monthly_ shortly after his death, and
since collected, by Mr. James T. Fields of Boston, with several of later
date addressed to himself, and much correspondence having reference to
other writers, into a pleasing volume entitled _Yesterdays with
Authors_.
[65] This is mentioned in Mr. O. Driscoll's agreeable little Memoir, but
supposed to refer to Maclise's portrait of Dickens.
[66] In one of the letters to his American friend Mr. Felton there is a
glimpse of Christmas sports which had escaped my memory, and for which a
corner may be found here, inasmuch as these gambols were characteristic
of him at the pleasant old season, and were frequently renewed in future
years. "The best of it is" (31 Dec. 1842) "that Forster and I have
purchased between us the entire stock-in-trade of a conjuror, the
practice and display whereof is entrusted to me. . . . In those tricks
which require a confederate I am assisted (by reason of his
imperturbable good humour) by Stanfield, who always does his part
exactly the wrong way, to the unspeakable delight of all beholders. We
come out on a small scale to-night, at Forster's, where we see the old
year out and the new one in." _Atlantic Monthly_, July 1871.
[67] "I have heard, as you have, from Lady Blessington, for whose behoof
I have this morning penned the lines I send you herewith. But I have
only done so to excuse myself, for I have not the least idea of their
suiting her; and I hope she will send them back to you for the _Ex._" C.
D. to J. F. July 1843. The lines are quite worth preserving.
A WORD IN SEASON.
They have a superstition in the East,
That Allah, written on a piece of paper,
Is better unction than can come of priest,
Of rolling incense, and of lighted taper:
Holding, that any scrap which bears that name
In any characters its front impress'd on,
Shall help the finder thro' the purging flame,
And give his toasted feet a place to rest on.
Accordingly, they make a mighty fuss
With every wretched tract and fierce oration,
And hoard the leaves--for they are not, like us
A highly civilized and thinking nation:
And, always stooping in the miry ways
To look for matter of this earthly leaven,
They seldom, in their dust-exploring days,
Have any leisure to look up to Heaven.
So have I known a country on the earth
Where darkness sat upon the living waters,
And brutal ignorance, and toil, and dearth
Were the hard portion of its sons and daughters:
And yet, where they who should have oped the door
Of charity and light, for all men's finding
Squabbled for words upon the altar-floor,
And rent The Book, in struggles for the binding.
The gentlest man among those pious Turks
God's living image ruthlessly defaces;
Their best High-Churchman, with no faith in works,
Bowstrings the Virtues in the market-places.
The Christian Pariah, whom both sects curse
(They curse all other men, and curse each other),
Walks thro' the world, not very much the worse,
Does all the good he can, and loves his brother.
[68] C. D. to Professor Felton (1st Sept. 1843), in _Atlantic Monthly_
for July 1871.
[69] "After a period of 27 years, from a single school of five small
infants, the work has grown into a cluster of some 300 schools, an
aggregate of nearly 30,000 children, and a body of 3000 voluntary
teachers, most of them the sons and daughters of toil. . . . Of more than
300,000 children which, on the most moderate calculation, we have a
right to conclude have passed through these schools since their
commencement, I venture to affirm that more than 100,000 of both sexes
have been placed out in various ways, in emigration, in the marine, in
trades, and in domestic service. For many consecutive years I have
contributed prizes to thousands of the scholars; and let no one omit to
call to mind what these children were, whence they came, and whither
they were going without this merciful intervention. They would have been
added to the perilous swarm of the wild, the lawless, the wretched, and
the ignorant, instead of being, as by God's blessing they are, decent
and comfortable, earning an honest livelihood, and adorning the
community to which they belong." _Letter of Lord Shaftesbury in the
Times of the 13th of November, 1871._
CHAPTER III.
CHUZZLEWIT DISAPPOINTMENTS AND CHRISTMAS CAROL.
1843-1844.
Sale of _Chuzzlewit_--Publishers and
Authors--Unlucky Clause in _Chuzzlewit_
Agreement--Resolve to have other Publishers--A
Plan for seeing Foreign Cities--Confidence in
Himself--Preparation of _Carol_--Turning-point
of his Career--Work and its
Interruptions--Superiority of _Martin
Chuzzlewit_ to former Books--News from
America--A Favourite Scene of
Thackeray's--Grand Purpose of the Satire of
_Chuzzlewit_--Publication of _Christmas
Carol_--Unrealized Hopes--Agreement with
Bradbury and Evans.
CHUZZLEWIT had fallen short of all the expectations formed of it in
regard to sale. By much the most masterly of his writings hitherto, the
public had rallied to it in far less numbers than to any of its
predecessors. The primary cause of this, there is little doubt, had been
the change to weekly issues in the form of publication of his last two
stories; for into everything in this world mere habit enters more
largely than we are apt to suppose. Nor had the temporary withdrawal to
America been favourable to an immediate resumption by his readers of
their old and intimate relations. This also is to be added, that the
excitement by which a popular reputation is kept up to the highest
selling mark, will always be subject to lulls too capricious for
explanation. But whatever the causes, here was the undeniable fact of a
grave depreciation of sale in his writings, unaccompanied by any falling
off either in themselves or in the writer's reputation. It was very
temporary; but it was present, and to be dealt with accordingly. The
forty and fifty thousand purchasers of _Pickwick_ and _Nickleby_, the
sixty and seventy thousand of the early numbers of the enterprize in
which the _Old Curiosity Shop_ and _Barnaby Rudge_ appeared, had fallen
to little over twenty thousand. They rose somewhat on Martin's ominous
announcement, at the end of the fourth number, that he'd _go to
America_; but though it was believed that this resolve, which Dickens
adopted as suddenly as his hero, might increase the number of his
readers, that reason influenced him less than the challenge to make good
his _Notes_ which every mail had been bringing him from unsparing
assailants beyond the Atlantic. The substantial effect of the American
episode upon the sale was yet by no means great. A couple of thousand
additional purchasers were added, but the highest number at any time
reached before the story closed was twenty-three thousand. Its sale,
since, has ranked next after _Pickwick_ and _Copperfield_.
We were now, however, to have a truth brought home to us which few that
have had real or varied experience in such matters can have failed to be
impressed by--that publishers are bitter bad judges of an author, and
are seldom safe persons to consult in regard to the fate or fortunes
that may probably await him. Describing the agreement for this book in
September 1841, I spoke of a provision against the improbable event of
its profits proving inadequate to certain necessary repayments. In this
unlikely case, which was to be ascertained by the proceeds of the first
five numbers, the publishers were to have power to appropriate fifty
pounds a month out of the two hundred pounds payable for authorship in
the expenses of each number; but though this had been introduced with my
knowledge, I knew also too much of the antecedent relations of the
parties to regard it as other than a mere form to satisfy the attorneys
in the case. The fifth number, which landed Martin and Mark in America,
and the sixth, which described their first experiences, were published;
and on the eve of the seventh, in which Mrs. Gamp was to make her first
appearance, I heard with infinite pain that from Mr. Hall, the younger
partner of the firm which had enriched itself by _Pickwick_ and
_Nickleby_, and a very kind well-disposed man, there had dropped an
inconsiderate hint to the writer of those books that it might be
desirable to put the clause in force. It had escaped him without his
thinking of all that it involved; certainly the senior partner, whatever
amount of as thoughtless sanction he had at the moment given to it,
always much regretted it, and made endeavours to exhibit his regret; but
the mischief was done, and for the time was irreparable.
"I am so irritated," Dickens wrote to me on the 28th of June, "so rubbed
in the tenderest part of my eyelids with bay-salt, by what I told you
yesterday, that a wrong kind of fire is burning in my head, and I don't
think I _can_ write. Nevertheless, I am trying. In case I should
succeed, and should not come down to you this morning, shall you be at
the club or elsewhere after dinner? I am bent on paying the money. And
before going into the matter with anybody I should like you to propound
from me the one preliminary question to Bradbury and Evans. It is more
than a year and a half since Clowes wrote to urge me to give him a
hearing, in case I should ever think of altering my plans. A printer is
better than a bookseller, and it is quite as much the interest of one
(if not more) to join me. But whoever it is, or whatever, I am bent upon
paying Chapman and Hall _down_. And when I have done that, Mr. Hall
shall have a piece of my mind."
What he meant by the proposed repayment will be understood by what
formerly was said of his arrangements with these gentlemen on the
repurchase of his early copyrights. Feeling no surprise at this
announcement, I yet prevailed with him to suspend proceedings until his
return from Broadstairs in October; and what then I had to say led to
memorable resolves. The communication he had desired me to make to his
printers had taken them too much by surprise to enable them to form a
clear judgment respecting it; and they replied by suggestions which were
in effect a confession of that want of confidence in themselves. They
enlarged upon the great results that would follow a reissue of his
writings in a cheap form; they strongly urged such an undertaking; and
they offered to invest to any desired amount in the establishment of a
magazine or other periodical to be edited by him. The possible dangers,
in short, incident to their assuming the position of publishers as well
as printers of new works from his pen, seemed at first to be so much
greater than on closer examination they were found to be, that at the
outset they shrank from encountering them. And hence the remarkable
letter I shall now quote (1st of November, 1843).
"Don't be startled by the novelty and extent of my project. Both
startled _me_ at first; but I am well assured of its wisdom and
necessity. I am afraid of a magazine--just now. I don't think the time a
good one, or the chances favourable. I am afraid of putting myself
before the town as writing tooth and nail for bread, headlong, after the
close of a book taking so much out of one as _Chuzzlewit_. I am afraid I
could not do it, with justice to myself. I know that whatever we may say
at first, a new magazine, or a new anything, would require so much
propping, that I should be _forced_ (as in the _Clock_) to put myself
into it, in my old shape. I am afraid of Bradbury and Evans's desire to
force on the cheap issue of my books, or any of them, prematurely. I am
sure if it took place yet awhile, it would damage me and damage the
property, _enormously_. It is very natural in them to want it; but,
since they do want it, I have no faith in their regarding me in any
other respect than they would regard any other man in a speculation. I
see that this is really your opinion as well; and I don't see what I
gain, in such a case, by leaving Chapman and Hall. If I had made money,
I should unquestionably fade away from the public eye for a year, and
enlarge my stock of description and observation by seeing countries new
to me; which it is most necessary to me that I should see, and which
with an increasing family I can scarcely hope to see at all, unless I
see them now. Already for some time I have had this hope and intention
before me; and though not having made money yet, I find or fancy that I
can put myself in the position to accomplish it. And this is the course
I have before me. At the close of _Chuzzlewit_ (by which time the debt
will have been materially reduced) I purpose drawing from Chapman and
Hall my share of the subscription--bills, or money, will do equally
well. I design to tell them that it is not likely I shall do anything
for a year; that, in the meantime, I make no arrangement whatever with
any one; and our business matters rest _in statu quo_. The same to
Bradbury and Evans. I shall let the house if I can; if not, leave it to
be let. I shall take all the family, and two servants--three at most--to
some place which I know beforehand to be CHEAP and in a delightful
climate, in Normandy or Brittany, to which I shall go over, first, and
where I shall rent some house for six or eight months. During that time,
I shall walk through Switzerland, cross the Alps, travel through France
and Italy; take Kate perhaps to Rome and Venice, but not elsewhere; and
in short see everything that is to be seen. I shall write my
descriptions to you from time to time, exactly as I did in America; and
you will be able to judge whether or not a new and attractive book may
not be made on such ground. At the same time I shall be able to turn
over the story I have in my mind, and which I have a strong notion might
be published with great advantage, _first in Paris_--but that's another
matter to be talked over. And of course I have not yet settled, either,
whether any book about the travel, or this, should be the first. 'All
very well,' you say, 'if you had money enough.' Well, but if I can see
my way to what would be necessary without binding myself in any form to
anything; without paying interest, or giving any security but one of my
Eagle five thousand pounds; you would give up that objection. And I
stand committed to no bookseller, printer, money-lender, banker, or
patron whatever; and decidedly strengthen my position with my readers,
instead of weakening it, drop by drop, as I otherwise must. Is it not
so? and is not the way before me, plainly this? I infer that in reality
you do yourself think, that what I first thought of is _not_ the way? I
have told you my scheme very badly, as I said I would. I see its great
points, against many prepossessions the other way--as, leaving England,
home, friends, everything I am fond of--but it seems to me, at a
critical time, _the_ step to set me right. A blessing on Mr. Mariotti my
Italian master, and his pupil!--If you have any breath left, tell
Topping how you are."
I had certainly not much after reading this letter, written amid all the
distractions of his work, with both the _Carol_ and _Chuzzlewit_ in
hand; but such insufficient breath as was left to me I spent against the
project, and in favour of far more consideration than he had given to
it, before anything should be settled. "I expected you," he wrote next
day (the 2nd of November), "to be startled. If I was startled myself,
when I first got this project of foreign travel into my head, MONTHS
AGO, how much more must you be, on whom it comes fresh: numbering only
hours! Still, I am very resolute upon it--very. I am convinced that my
expenses abroad would not be more than half of my expenses here; the
influence of change and nature upon me, enormous. You know, as well as
I, that I think _Chuzzlewit_ in a hundred points immeasurably the best
of my stories. That I feel my power now, more than I ever did. That I
have a greater confidence in myself than I ever had. That I _know_, if I
have health, I could sustain my place in the minds of thinking men,
though fifty writers started up to-morrow. But how many readers do _not_
think! How many take it upon trust from knaves and idiots, that one
writes too fast, or runs a thing to death! How coldly did this very book
go on for months, until it forced itself up in people's opinion, without
forcing itself up in sale! If I wrote for forty thousand Forsters, or
for forty thousand people who know I write because I can't help it, I
should have no need to leave the scene. But this very book warns me that
if I _can_ leave it for a time, I had better do so, and must do so.
Apart from that again, I feel that longer rest after this story would do
me good. You say two or three months, because you have been used to see
me for eight years never leaving off. But it is not rest enough. It is
impossible to go on working the brain to that extent for ever. The very
spirit of the thing, in doing it, leaves a horrible despondency behind,
when it is done; which must be prejudicial to the mind, so soon renewed,
and so seldom let alone. What would poor Scott have given to have gone
abroad, of his own free will, a young man, instead of creeping there, a
driveller, in his miserable decay! I said myself in my note to
you--anticipating what you put to me--that it was a question _what_ I
should come out with, first. The travel-book, if to be done at all,
would cost me very little trouble; and surely would go very far to pay
charges, whenever published. We have spoken of the baby, and of leaving
it here with Catherine's mother. Moving the children into France could
not, in any ordinary course of things, do them anything but good. And
the question is, what it would do to that by which they live: not what
it would do to them.--I had forgotten that point in the B. and E.
negociation; but they certainly suggested instant publication of the
reprints, or at all events of some of them; by which of course I know,
and as you point out, I could provide of myself what is wanted. I take
that as putting the thing distinctly as a matter of trade, and feeling
it so. And, as a matter of trade with them or anybody else, as a matter
of trade between me and the public, should I not be better off a year
hence, with the reputation of having seen so much in the meantime? The
reason which induces you to look upon this scheme with dislike--separation
for so long a time--surely has equal weight with me. I see very little
pleasure in it, beyond the natural desire to have been in those great
scenes; I anticipate no enjoyment at the time. I have come to look upon
it as a matter of policy and duty. I have a thousand other reasons, but
shall very soon myself be with you."
There were difficulties, still to be strongly urged, against taking any
present step to a final resolve; and he gave way a little. But the
pressure was soon renewed. "I have been," he wrote (10th of November),
"all day in _Chuzzlewit_ agonies--conceiving only. I hope to bring forth
to-morrow. Will you come here at six? I want to say a word or two about
the cover of the _Carol_ and the advertising, and to consult you on a
nice point in the tale. It will come wonderfully I think. Mac will call
here soon after, and we can then all three go to Bulwer's together. And
do, my dear fellow, do for God's sake turn over about Chapman and Hall,
and look upon my project as a _settled thing_. If you object to see
them, I must write to them." My reluctance as to the question affecting
his old publishers was connected with the little story, which, amid all
his perturbations and troubles and "_Chuzzlewit_ agonies," he was
steadily carrying to its close; and which remains a splendid proof of
how thoroughly he was borne out in the assertion just before made, of
the sense of his power felt by him, and his confidence that it had never
been greater than when his readers were thus falling off from him. He
had entrusted the _Carol_ for publication on his own account, under the
usual terms of commission, to the firm he had been so long associated
with; and at such a moment to tell them, short of absolute necessity,
his intention to quit them altogether, I thought a needless putting in
peril of the little book's chances. He yielded to this argument; but the
issue, as will be found, was less fortunate than I hoped.
Let disappointments or annoyances, however, beset him as they might,
once heartily in his work and all was forgotten. His temperament of
course coloured everything, cheerful or sad, and his present outlook was
disturbed by imaginary fears; but it was very certain that his labours
and successes thus far had enriched others more than himself, and while
he knew that his mode of living had been scrupulously governed by what
he believed to be his means, the first suspicion that these might be
inadequate made a change necessary to so upright a nature. It was the
turning-point of his career; and the issue, though not immediately,
ultimately justified him. Much of his present restlessness I was too
ready myself to ascribe to that love of change in him which was always
arising from his passionate desire to vary and extend his observation;
but even as to this the result showed him right in believing that he
should obtain decided intellectual advantage from the mere effects of
such farther travel. Here indeed he spoke from experience, for already
he had returned from America with wider views than when he started, and
with a larger maturity of mind. The money difficulties on which he dwelt
were also, it is now to be admitted, unquestionable. Beyond his own
domestic expenses necessarily increasing, there were many,
never-satisfied, constantly-recurring claims from family quarters, not
the more easily avoidable because unreasonable and unjust; and it was
after describing to me one such with great bitterness, a few days
following the letter last quoted, that he thus replied on the following
day (19th of November) to the comment I had made upon it. "I was most
horribly put out for a little while; for I had got up early to go at it,
and was full of interest in what I had to do. But having eased my mind
by that note to you, and taken a turn or two up and down the room, I
went at it again, and soon got so interested that I blazed away till 9
last night; only stopping ten minutes for dinner! I suppose I wrote
eight printed pages of _Chuzzlewit_ yesterday. The consequence is that I
_could_ finish to-day, but am taking it easy, and making myself laugh
very much." The very next day, unhappily, there came to himself a
repetition of precisely similar trouble in exaggerated form, and to me a
fresh reminder of what was gradually settling into a fixed resolve. "I
am quite serious and sober when I say, that I have very grave thoughts
of keeping my whole menagerie in Italy, three years."
* * * * *
Of the book which awoke such varied feelings and was the occasion of
such vicissitudes of fortune, some notice is now due; and this,
following still as yet my former rule, will be not so much critical as
biographical. He had left for Italy before the completed tale was
published, and its reception for a time was exactly what his just-quoted
letter prefigures. It had forced itself up in public opinion without
forcing itself up in sale. It was felt generally to be an advance upon
his previous stories, and his own opinion is not to be questioned that
it was in a hundred points immeasurably the best of them thus far; less
upon the surface, and going deeper into springs of character. Nor would
it be difficult to say, in a single word, where the excellence lay that
gave it this superiority. It had brought his highest faculty into play:
over and above other qualities it had given scope to his imagination;
and it first expressed the distinction in this respect between his
earlier and his later books. Apart wholly from this, too, his letters
will have confirmed a remark already made upon the degree to which his
mental power had been altogether deepened and enlarged by the effect of
his visit to America.
In construction and conduct of story _Martin Chuzzlewit_ is defective,
character and description constituting the chief part of its strength.
But what it lost as a story by the American episode it gained in the
other direction; young Martin, by happy use of a bitter experience,
casting off his slough of selfishness in the poisonous swamp of Eden.
Dickens often confessed, however, the difficulty it had been to him to
have to deal with this gap in the main course of his narrative; and I
will give an instance from a letter he wrote to me when engaged upon the
number in which Jonas brings his wife to her miserable home. "I write in
haste" (28th of July 1843), "for I have been at work all day; and, it
being against the grain with me to go back to America when my interest
is strong in the other parts of the tale, have got on but slowly. I have
a great notion to work out with Sydney's favourite,[70] and long to be
at him again." But obstructions of this kind with Dickens measured only
and always the degree of readiness and resource with which he rose to
meet them, and never had his handling of character been so masterly as
in _Chuzzlewit_. The persons delineated in former books had been more
agreeable, but never so interpenetrated with meanings brought out with a
grasp so large, easy, and firm. As well in this as in the passionate
vividness of its descriptions, the imaginative power makes itself felt.
The windy autumn night, with the mad desperation of the hunted leaves
and the roaring mirth of the blazing village forge; the market-day at
Salisbury; the winter walk, and the coach journey to London by night;
the ship voyage over the Atlantic; the stormy midnight travel before the
murder, the stealthy enterprise and cowardly return of the murderer;
these are all instances of first-rate description, original in the
design, imaginative in all the detail, and very complete in the
execution. But the higher power to which I direct attention is even
better discerned in the persons and dialogue. With nothing absent or
abated in its sharp impressions of reality, there are more of the subtle
requisites which satisfy reflection and thought. We have in this book
for the most part, not only observation but the outcome of it, the
knowledge as well as the fact. While we witness as vividly the life
immediately passing, we are more conscious of the permanent life above
and beyond it. Nothing nearly so effective therefore had yet been
achieved by him. He had scrutinised as truly and satirised as keenly;
but had never shown the imaginative insight with which he now sent his
humour and his art into the core of the vices of the time.
Sending me the second chapter of his eighth number on the 15th of
August, he gave me the latest tidings from America. "I gather from a
letter I have had this morning that Martin has made them all stark
staring raving mad across the water. I wish you would consider this.
Don't you think the time has come when I ought to state that such public
entertainments as I received in the States were either accepted before I
went out, or in the first week after my arrival there; and that as soon
as I began to have any acquaintance with the country, I set my face
against any public recognition whatever but that which was forced upon
me to the destruction of my peace and comfort--and made no secret of my
real sentiments." We did not agree as to this, and the notion was
abandoned; though his correspondent had not overstated the violence of
the outbreak in the States when those chapters exploded upon them. But
though an angry they are a good humoured and a very placable people;
and, as time moved on a little, the laughter on that side of the
Atlantic became quite as great as our amusement on this side, at the
astonishing fun and comicality of these scenes. With a little reflection
the Americans had doubtless begun to find out that the advantage was not
all with us, nor the laughter wholly against them.
They had no Pecksniff at any rate. Bred in a more poisonous swamp than
their Eden, of greatly older standing and much harder to be drained,
Pecksniff was all our own. The confession is not encouraging to national
pride, but this character is so far English, that though our countrymen
as a rule are by no means Pecksniffs, the ruling weakness is to
countenance and encourage the race. When people call the character
exaggerated, and protest that the lines are too broad to deceive any
one, they only refuse, naturally enough, to sanction in a book what half
their lives is passed in tolerating if not in worshipping. Dickens,
illustrating his never-failing experience of being obliged to subdue in
his books what he knew to be real for fear it should be deemed
impossible, had already made the remark in his preface to _Nickleby_,
that the world, which is so very credulous in what professes to be true,
is most incredulous in what professes to be imaginary. They agree to be
deceived in a reality, and reward themselves by refusing to be deceived
in a fiction. That a great many people who might have sat for Pecksniff,
should condemn him for a grotesque impossibility, as Dickens averred to
be the case, was no more than might be expected. A greater danger he has
exposed more usefully in showing the greater numbers, who, desiring
secretly to be thought better than they are, support eagerly pretensions
that keep their own in countenance, and, without being Pecksniffs,
render Pecksniffs possible. All impostures would have something too
suspicious or forbidding in their look if we were not prepared to meet
them half way.
There is one thing favourable to us however, even in this view, which a
French critic has lately suggested. Informing us that there are no
Pecksniffs to be found in France, Mr. Taine explains this by the fact
that his countrymen have ceased to affect virtue, and pretend only to
vice; that a charlatan setting up morality would have no sort of
following; that religion and the domestic virtues have gone so utterly
to rags as not to be worth putting on for a deceitful garment; and that,
no principles being left to parade, the only chance for the French
modern Tartuffe is to confess and exaggerate weaknesses. We seem to have
something of an advantage here. We require at least that the respectable
homage of vice to virtue should not be omitted. "Charity, my dear," says
our English Tartuffe, upon being bluntly called what he really is, "when
I take my chamber-candlestick to-night, remind me to be more than
usually particular in praying for Mr. Anthony Chuzzlewit, who has done
me an injustice." No amount of self-indulgence weakens or lowers his
pious and reflective tone. "Those are her daughters," he remarks, making
maudlin overtures to Mrs. Todgers in memory of his deceased wife. "Mercy
and Charity, Charity and Mercy, not unholy names I hope. She was
beautiful. She had a small property." When his condition has fallen into
something so much worse than maudlin that his friends have to put him to
bed, they have not had time to descend the staircase when he is seen to
be "fluttering" on the top landing, desiring to collect their sentiments
on the nature of human life. "Let us be moral. Let us contemplate
existence." He turns his old pupil out of doors in the attitude of
blessing him, and when he has discharged that social duty retires to
shed his personal tribute of a few tears in the back garden. No
conceivable position, action, or utterance finds him without the vice in
which his being is entirely steeped and saturated. Of such consummate
consistency is its practice with him, that in his own house with his
daughters he continues it to keep his hand in; and from the mere habit
of keeping up appearances, even to himself, falls into the trap of
Jonas. Thackeray used to say that there was nothing finer in rascaldom
than this ruin of Pecksniff by his son-in-law at the very moment when
the oily hypocrite believes himself to be achieving his masterpiece of
dissembling over the more vulgar avowed ruffian. "'Jonas!' cried Mr.
Pecksniff much affected, 'I am not a diplomatical character; my heart is
in my hand. By far the greater part of the inconsiderable savings I have
accumulated in the course of--I hope--a not dishonourable or useless
career, is already given, devised, or bequeathed (correct me, my dear
Jonas, if I am technically wrong), with expressions of confidence which
I will not repeat; and in securities which it is unnecessary to mention;
to a person whom I cannot, whom I will not, whom I need not, name.' Here
he gave the hand of his son-in-law a fervent squeeze, as if he would
have added, 'God bless you: be very careful of it when you get it!'"
Certainly Dickens thus far had done nothing of which, as in this novel,
the details were filled in with such minute and incomparable skill;
where the wealth of comic circumstance was lavished in such overflowing
abundance on single types of character; or where generally, as
throughout the story, the intensity of his observation of individual
humours and vices had taken so many varieties of imaginative form.
Everything in _Chuzzlewit_ indeed had grown under treatment, as will be
commonly the case in the handling of a man of genius, who never knows
where any given conception may lead him, out of the wealth of resource
in development and incident which it has itself created. "As to the
way," he wrote to me of its two most prominent figures, as soon as all
their capabilities were revealed to him, "As to the way in which these
characters have opened out, that is, to me, one of the most surprising
processes of the mind in this sort of invention. Given what one knows,
what one does not know springs up; and I am as absolutely certain of its
being true, as I am of the law of gravitation--if such a thing be
possible, more so." The remark displays exactly what in all his
important characters was the very process of creation with him.
Nor was it in the treatment only of his present fiction, but also in
its subject or design, that he had gone higher than in preceding
efforts. Broadly what he aimed at, he would have expressed on the
title-page if I had not dissuaded him, by printing there as its motto a
verse altered from that prologue of his own composition to which I have
formerly referred: "Your homes the scene. Yourselves, the actors, here!"
Debtors' prisons, parish Bumbledoms, Yorkshire schools, were vile
enough, but something much more pestiferous was now the aim of his
satire; and he had not before so decisively shown vigour, daring, or
discernment of what lay within reach of his art, as in taking such a
person as Pecksniff for the central figure in a tale of existing life.
Setting him up as the glass through which to view the groups around him,
we are not the less moved to a hearty detestation of the social vices
they exhibit, and pre-eminently of selfishness in all its forms, because
we see more plainly than ever that there is but one vice which is quite
irremediable. The elder Chuzzlewits are bad enough, but they bring their
self-inflicted punishments; the Jonases and Tigg Montagues are
execrable, but the law has its halter and its penal servitude; the
Moulds and Gamps have plague-bearing breaths, from which sanitary wisdom
may clear us; but from the sleek, smiling, crawling abomination of a
Pecksniff, there is no help but self-help. Every man's hand should be
against him, for his is against every man; and, as Mr. Taine very wisely
warns us, the virtues have most need to be careful that they do not make
themselves panders to his vice. It is an amiable weakness to put the
best face on the worst things, but there is none more dangerous. There
is nothing so common as the mistake of Tom Pinch, and nothing so rare
as his excuses.
The art with which that delightful character is placed at Mr.
Pecksniff's elbow at the beginning of the story, and the help he gives
to set fairly afloat the falsehood he innocently believes, contribute to
an excellent management of this part of the design; and the same
prodigal wealth of invention and circumstance which gives its higher
imaginative stamp to the book, appears as vividly in its lesser as in
its leading figures. There are wonderful touches of this suggestive kind
in the household of Mould the undertaker; and in the vivid picture
presented to us by one of Mrs. Gamp's recollections, we are transported
to the youthful games of his children. "The sweet creeturs! playing at
berryins down in the shop, and follerin' the order-book to its long home
in the iron safe!" The American scenes themselves are not more full of
life and fun and freshness, and do not contribute more to the general
hilarity, than the cockney group at Todgers's; which is itself a little
world of the qualities and humours that make up the interest of human
life, whether it be high or low, vulgar or fine, filled in with a
master's hand. Here, in a mere byestroke as it were, are the very finest
things of the earlier books superadded to the new and higher achievement
that distinguished the later productions. No part indeed of the
execution of this remarkable novel is inferior. Young Bailey and
Sweedlepipes are in the front rank of his humorous creations; and poor
Mrs. Todgers, worn but not depraved by the cares of gravy and
solicitudes of her establishment, with calculation shining out of one
eye but affection and goodheartedness still beaming in the other, is in
her way quite as perfect a picture as even the portentous Mrs. Gamp with
her grim grotesqueness, her filthy habits and foul enjoyments, her thick
and damp but most amazing utterances, her moist clammy functions, her
pattens, her bonnet, her bundle, and her umbrella. But such prodigious
claims must have a special mention.
This world-famous personage has passed into and become one with the
language, which her own parts of speech have certainly not exalted or
refined. To none even of Dickens's characters has there been such a run
of popularity; and she will remain among the everlasting triumphs of
fiction, a superb masterpiece of English humour. What Mr. Mould says of
her in his enthusiasm, that she's the sort of woman one would bury for
nothing, and do it neatly too, every one feels to be an appropriate
tribute; and this, by a most happy inspiration, is exactly what the
genius to whom she owes her existence did, when he called her into life,
to the foul original she was taken from. That which enduringly stamped
upon his page its most mirth-moving figure, had stamped out of English
life for ever one of its disgraces. The mortal Mrs. Gamp was handsomely
put into her grave, and only the immortal Mrs. Gamp survived. Age will
not wither this one, nor custom stale her variety. In the latter point
she has an advantage over even Mr. Pecksniff. She has a friend, an alter
ego, whose kind of service to her is expressed by her first utterance in
the story; and with this, which introduces her, we may leave her most
fitly. "'Mrs. Harris,' I says, at the very last case as ever I acted in,
which it was but a young person, 'Mrs. Harris,' I says, 'leave the
bottle on the chimley-piece, and don't ask me to take none, but let me
put my lips to it when I am so dispoged.' 'Mrs. Gamp,' she says in
answer, 'if ever there was a sober creetur to be got at eighteen pence a
day for working people, and three and six for gentlefolks--night
watching,' said Mrs. Gamp with emphasis, 'being a extra charge--you are
that inwallable person.' 'Mrs. Harris,' I says to her, 'don't name the
charge, for if I could afford to lay all my fellow-creeturs out for
nothink, I would gladly do it, sich is the love I bears 'em.'" To this
there is nothing to be added, except that in the person of that
astonishing friend every phase of fun and comedy in the character is
repeated, under fresh conditions of increased appreciation and
enjoyment. By the exuberance of comic invention which gives his
distinction to Mr. Pecksniff, Mrs. Gamp profits quite as much; the same
wealth of laughable incident which surrounds that worthy man is upon her
heaped to overflowing; but over and above this, by the additional
invention of Mrs. Harris, it is all reproduced, acted over with renewed
spirit, and doubled and quadrupled in her favour. This on the whole is
the happiest stroke of humorous art in all the writings of Dickens.
* * * * *
But this is a chapter of disappointments, and I have now to state, that
as _Martin Chuzzlewit's_ success was to seem to him at first only
distant and problematical, so even the prodigious immediate success of
the _Christmas Carol_ itself was not to be an unmitigated pleasure.
Never had a little book an outset so full of brilliancy of promise.
Published but a few days before Christmas, it was hailed on every side
with enthusiastic greeting. The first edition of six thousand copies was
sold the first day, and on the third of January 1844 he wrote to me that
"two thousand of the three printed for second and third editions are
already taken by the trade." But a very few weeks were to pass before
the darker side of the picture came. "Such a night as I have passed!" he
wrote to me on Saturday morning the 10th of February. "I really believed
I should never get up again, until I had passed through all the horrors
of a fever. I found the _Carol_ accounts awaiting me, and they were the
cause of it. The first six thousand copies show a profit of L230! And
the last four will yield as much more. I had set my heart and soul upon
a Thousand, clear. What a wonderful thing it is, that such a great
success should occasion me such intolerable anxiety and disappointment!
My year's bills, unpaid, are so terrific, that all the energy and
determination I can possibly exert will be required to clear me before I
go abroad; which, if next June come and find me alive, I shall do. Good
Heaven, if I had only taken heart a year ago! Do come soon, as I am very
anxious to talk with you. We can send round to Mac after you arrive, and
tell him to join us at Hampstead or elsewhere. I was so utterly knocked
down last night, that I came up to the contemplation of all these things
quite bold this morning. If I can let the house for this season, I will
be off to some seaside place as soon as a tenant offers. I am not
afraid, if I reduce my expenses; but if I do not, I shall be ruined past
all mortal hope of redemption."
The ultimate result was that his publishers were changed, and the
immediate result that his departure for Italy became a settled thing;
but a word may be said on these Carol accounts before mention is made of
his new publishing arrangements.[71] Want of judgment had been shown in
not adjusting the expenses of production with a more equable regard to
the selling price, but even as it was, before the close of the year, he
had received L726 from a sale of fifteen thousand copies; and the
difference between this and the amount realised by the same proportion
of the sale of the successor to the _Carol_, undoubtedly justified him
in the discontent now expressed. Of that second tale, as well as of the
third and fourth, more than double the numbers of the _Carol_ were at
once sold, and of course there was no complaint of any want of success:
but the truth really was, as to all the Christmas stories issued in this
form, that the price charged, while too large for the public addressed
by them, was too little to remunerate their outlay; and when in later
years he put forth similar fancies for Christmas, charging for them
fewer pence than the shillings required for these, he counted his
purchasers, with fairly corresponding gains to himself, not by tens but
by hundreds of thousands.[72]
It was necessary now that negotiations should be resumed with his
printers, but before any step was taken Messrs. Chapman and Hall were
informed of his intention not to open fresh publishing relations with
them after _Chuzzlewit_ should have closed. Then followed deliberations
and discussions, many and grave, which settled themselves at last into
the form of an agreement with Messrs. Bradbury and Evans executed on the
first of June 1844; by which, upon advance made to him of L2800, he
assigned to them a fourth share in whatever he might write during the
next ensuing eight years, to which the agreement was to be strictly
limited. There were the usual protecting clauses, but no interest was to
be paid, and no obligations were imposed as to what works should be
written, if any, or the form of them; the only farther stipulation
having reference to the event of a periodical being undertaken whereof
Dickens might be only partially editor or author, in which case his
proprietorship of copyright and profits was to be two thirds instead of
three fourths. There was an understanding, at the time this agreement
was signed, that a successor to the _Carol_ would be ready for the
Christmas of 1844; but no other promise was asked or made in regard to
any other book, nor had he himself decided what form to give to his
experiences of Italy, if he should even finally determine to publish
them at all.
Between this agreement and his journey six weeks elapsed, and there were
one or two characteristic incidents before his departure: but mention
must first be interposed of the success quite without alloy that also
attended the little book, and carried off in excitement and delight
every trace of doubt or misgiving.
"Blessings on your kind heart!" wrote Jeffrey to the author of the
_Carol_. "You should be happy yourself, for you may be sure you have
done more good by this little publication, fostered more kindly
feelings, and prompted more positive acts of beneficence, than can be
traced to all the pulpits and confessionals in Christendom since
Christmas 1842." "Who can listen," exclaimed Thackeray, "to objections
regarding such a book as this? It seems to me a national benefit, and to
every man or woman who reads it a personal kindness." Such praise
expressed what men of genius felt and said; but the small volume had
other tributes, less usual and not less genuine. There poured upon its
author daily, all through that Christmas time, letters from complete
strangers to him which I remember reading with a wonder of pleasure; not
literary at all, but of the simplest domestic kind; of which the general
burden was to tell him, amid many confidences about their homes, how the
_Carol_ had come to be read aloud there, and was to be kept upon a
little shelf by itself, and was to do them all no end of good. Anything
more to be said of it will not add much to this.
There was indeed nobody that had not some interest in the message of the
_Christmas Carol_. It told the selfish man to rid himself of
selfishness; the just man to make himself generous; and the good-natured
man to enlarge the sphere of his good nature. Its cheery voice of faith
and hope, ringing from one end of the island to the other, carried
pleasant warning alike to all, that if the duties of Christmas were
wanting no good could come of its outward observances; that it must
shine upon the cold hearth and warm it, and into the sorrowful heart and
comfort it; that it must be kindness, benevolence, charity, mercy, and
forbearance, or its plum pudding would turn to bile, and its roast beef
be indigestible.[73] Nor could any man have said it with the same
appropriateness as Dickens. What was marked in him to the last was
manifest now. He had identified himself with Christmas fancies. Its life
and spirits, its humour in riotous abundance, of right belonged to him.
Its imaginations as well as kindly thoughts were his; and its privilege
to light up with some sort of comfort the squalidest places, he had made
his own. Christmas Day was not more social or welcome: New Year's Day
not more new: Twelfth Night not more full of characters. The duty of
diffusing enjoyment had never been taught by a more abundant, mirthful,
thoughtful, ever-seasonable writer.
Something also is to be said of the spirit of the book, and of the
others that followed it, which will not anticipate special allusions to
be made hereafter. No one was more intensely fond than Dickens of old
nursery tales, and he had a secret delight in feeling that he was here
only giving them a higher form. The social and manly virtues he desired
to teach, were to him not less the charm of the ghost, the goblin, and
the fairy fancies of his childhood; however rudely set forth in those
earlier days. What now were to be conquered were the more formidable
dragons and giants which had their places at our own hearths, and the
weapons to be used were of a finer than the "ice-brook's temper." With
brave and strong restraints, what is evil in ourselves was to be
subdued; with warm and gentle sympathies, what is bad or unreclaimed in
others was to be redeemed; the Beauty was to embrace the Beast, as in
the divinest of all those fables; the star was to rise out of the ashes,
as in our much-loved Cinderella; and we were to play the Valentine with
our wilder brothers, and bring them back with brotherly care to
civilization and happiness. Nor is it to be doubted, I think, that, in
that largest sense of benefit, great public and private service was
done; positive, earnest, practical good; by the extraordinary
popularity, and nearly universal acceptance, which attended these little
holiday volumes. They carried to countless firesides, with new enjoyment
of the season, better apprehension of its claims and obligations; they
mingled grave with glad thoughts, much to the advantage of both; what
seemed almost too remote to meddle with they brought within reach of the
charities, and what was near they touched with a dearer tenderness; they
comforted the generous, rebuked the sordid, cured folly by kindly
ridicule and comic humour, and, saying to their readers _Thus you have
done, but it were better Thus_, may for some have realised the
philosopher's famous experience, and by a single fortunate thought
revised the whole manner of a life. Criticism here is a second-rate
thing, and the reader may be spared such discoveries as it might have
made in regard to the _Christmas Carol_.
FOOTNOTES:
[70] Chuffey. Sydney Smith had written to Dickens on the appearance of
his fourth number (early in April): "Chuffey is admirable. . . . I never
read a finer piece of writing: it is deeply pathetic and affecting."
[71] It may interest the reader, and be something of a curiosity of
literature, if I give the expenses of the first edition of 6000, and of
the 7000 more which constituted the five following editions, with the
profit of the remaining 2000 which completed the sale of fifteen
thousand:
CHRISTMAS CAROL.
1st Edition, 6000 No.
1843. L _s._ _d._
Dec. Printing 74 2 9
Paper 89 2 0
Drawings and Engravings 49 18 0
Two Steel Plates 1 4 0
Printing Plates 15 17 6
Paper for do 7 12 0
Colouring Plates 120 0 0
Binding 180 0 0
Incidents and Advertising 168 7 8
Commission 99 4 6
--------------
L805 8 5
==============
* * * * *
2nd to the 7th Edition, making 7000 Copies.
1844. L _s._ _d._
Jan. Printing 58 18 0
Paper 103 19 0
Printing Plates 17 10 0
Paper 8 17 4
Colouring Plates 140 0 0
Binding 199 18 2
Incidents and Advertising 83 5 8
Commission 107 18 10
-------------
L720 7 0
=============
* * * * *
Two thousand more, represented by the last item in the subjoined
balance, were sold before the close of the year, leaving a remainder of
70 copies.
1843. L _s._ _d._
Dec. Balance of a/c to Mr. Dickens's credit 186 16 7
1844.
Jan. to April. Do. Do. 349 12 0
May to Dec. Do. Do. 189 11 5
-------------
Amount of Profit on the Work L726 0 0
=============
[72] In November 1865 he wrote to me that the sale of his Christmas
fancy for that year (_Dr. Marigold's Prescriptions_) had gone up, in the
first week, to 250,000.
[73] A characteristic letter of this date, which will explain itself,
has been kindly sent to me by the gentleman it was written to, Mr. James
Verry Staples, of Bristol:--"Third of April, 1844. I have been very much
gratified by the receipt of your interesting letter, and I assure you
that it would have given me heartfelt satisfaction to have been in your
place when you read my little _Carol_ to the Poor in your neighbourhood.
I have great faith in the poor; to the best of my ability I always
endeavour to present them in a favourable light to the rich; and I shall
never cease, I hope, until I die, to advocate their being made as happy
and as wise as the circumstances of their condition, in its utmost
improvement, will admit of their becoming. I mention this to assure you
of two things. Firstly, that I try to deserve their attention; and
secondly, that any such marks of their approval and confidence as you
relate to me are most acceptable to my feelings, and go at once to my
heart."
CHAPTER IV.
YEAR OF DEPARTURE FOR ITALY.
1844.
Gore-house--Liverpool and Birmingham
Institutes--A Troublesome Cheque--Wrongs from
Piracy--Proceedings in Chancery--Result of
Chancery Experience--Reliefs to Work--M. Henri
Taine on Dickens--Writing in the
_Chronicle_--Preparations for Departure--In
Temporary Quarters--The Farewell
Dinner-party--"The Evenings of a
Working-man"--Greenwich Dinner.
AND now, before accompanying Dickens on his Italian travel, one or two
parting incidents will receive illustration from his letters. A
thoughtful little poem written during the past summer for Lady
Blessington has been quoted on a previous page: and it may remind me to
say here what warmth of regard he had for her, and for all the inmates
of Gore-house; how uninterruptedly joyous and pleasurable were his
associations with them; and what valued help they now gave in his
preparations for Italy. The poem, as we have seen, was written during a
visit made in Yorkshire to the house of Mr. Smithson, already named as
the partner of his early companion, Mr. Mitton; and this visit he
repeated in sadder circumstances during the present year, when (April
1844) he attended Mr. Smithson's funeral. With members or connections of
the family of this friend, his intercourse long continued.
In the previous February, on the 26th and 28th respectively, he had
taken the chair at two great meetings, in Liverpool of the Mechanics'
Institution, and in Birmingham of the Polytechnic Institution, to which
reference is made by him in a letter of the 21st. I quote the allusion
because it shows thus early the sensitive regard to his position as a
man of letters, and his scrupulous consideration for the feelings as
well as interest of the class, which he manifested in many various and
often greatly self-sacrificing ways all through his life. "Advise me on
the following point. And as I must write to-night, having already lost a
post, advise me by bearer. This Liverpool Institution, which is wealthy
and has a high grammar-school the masters of which receive in salaries
upwards of L2000 a year (indeed its extent horrifies me; I am struggling
through its papers this morning), writes me yesterday by its secretary a
business letter about the order of the proceedings on Monday; and it
begins thus. 'I beg to send you prefixed, with the best respects of our
committee, a bank order for twenty pounds in payment of the expenses
contingent on your visit to Liverpool.'--And there, sure enough, it is.
Now my impulse was, _and is_, decidedly to return it. Twenty pounds is
not of moment to me; and any sacrifice of independence is worth it
twenty times' twenty times told. But haggling in my mind is a doubt
whether that would be proper, and not boastful (in an inexplicable way);
and whether as an author, I have a right to put myself on a basis which
the professors of literature in other forms _connected with the
Institution_ cannot afford to occupy. Don't you see? But of course you
do. The case stands thus. The Manchester Institution, being in debt,
appeals to me as it were _in forma pauperis_, and makes no such
provision as I have named. The Birmingham Institution, just struggling
into life with great difficulty, applies to me on the same grounds. But
the Leeds people (thriving) write to me, making the expenses a distinct
matter of business; and the Liverpool, as a point of delicacy, say
nothing about it to the last minute, and then send the money. Now, what
in the name of goodness ought I to do?--I am as much puzzled with the
cheque as Colonel Jack was with his gold. If it would have settled the
matter to put it in the fire yesterday, I should certainly have done it.
Your opinion is requested. I think I shall have grounds for a very good
speech at Brummagem; but I am not sure about Liverpool: having
misgivings of over-gentility." My opinion was clearly for sending the
money back, which accordingly was done.
Both speeches, duly delivered to enthusiastic listeners at the places
named, were good, and both, with suitable variations, had the same
theme: telling his popular audience in Birmingham that the principle of
their institute, education comprehensive and unsectarian, was the only
safe one, for that without danger no society could go on punishing men
for preferring vice to virtue without giving them the means of knowing
what virtue was; and reminding his genteeler audience in Liverpool, that
if happily they had been themselves well taught, so much the more should
they seek to extend the benefit to all, since, whatever the precedence
due to rank, wealth, or intellect, there was yet a nobility beyond them,
expressed unaffectedly by the poet's verse and in the power of education
to confer.
Howe'er it be, it seems to me,
'Tis only noble to be good:
True hearts are more than coronets,
And simple faith than Norman blood.
He underwent some suffering, which he might have spared himself, at his
return. "I saw the _Carol_ last night," he wrote to me of a dramatic
performance of the little story at the Adelphi. "Better than usual, and
Wright seems to enjoy Bob Cratchit, but _heart-breaking_ to me. Oh
Heaven! if any forecast of _this_ was ever in my mind! Yet O. Smith was
drearily better than I expected. It is a great comfort to have that kind
of meat under done; and his face is quite perfect." Of what he suffered
from these adaptations of his books, multiplied remorselessly at every
theatre, I have forborne to speak, but it was the subject of complaint
with him incessantly; and more or less satisfied as he was with
individual performances, such as Mr. Yates's Quilp or Mantalini and Mrs.
Keeley's Smike or Dot, there was only one, that of Barnaby Rudge by the
Miss Fortescue who became afterwards Lady Gardner, on which I ever heard
him dwell with a thorough liking. It is true that to the dramatizations
of his next and other following Christmas stories he gave help himself;
but, even then, all such efforts to assist special representations were
mere attempts to render more tolerable what he had no power to prevent,
and, with a few rare exceptions, they were never very successful.
Another and graver wrong was the piracy of his writings, every one of
which had been reproduced with merely such colourable changes of title,
incidents, and names of characters, as were believed to be sufficient to
evade the law and adapt them to "penny" purchasers. So shamelessly had
this been going on ever since the days of _Pickwick_, in so many
outrageous ways[74] and with all but impunity, that a course repeatedly
urged by Talfourd and myself was at last taken in the present year with
the _Christmas Carol_ and the _Chuzzlewit_ pirates. Upon a case of such
peculiar flagrancy, however, that the vice-chancellor would not even
hear Dickens's counsel; and what it cost our dear friend Talfourd to
suppress his speech exceeded by very much the labour and pains with
which he had prepared it. "The pirates," wrote Dickens to me, after
leaving the court on the 18th of January, "are beaten flat. They are
bruised, bloody, battered, smashed, squelched, and utterly undone.
Knight Bruce would not hear Talfourd, but instantly gave judgment. He
had interrupted Anderdon constantly by asking him to produce a passage
which was not an expanded or contracted idea from my book. And at every
successive passage he cried out, 'That is Mr. Dickens's case. Find
another!' He said that there was not a shadow of doubt upon the matter.
That there was no authority which would bear a construction in their
favour; the piracy going beyond all previous instances. They might
mention it again in a week, he said, if they liked, and might have an
issue if they pleased; but they would probably consider it unnecessary
after that strong expression of his opinion. Of course I will stand by
what we have agreed as to the only terms of compromise with the
printers. I am determined that I will have an apology for their
affidavits. The other men may pay their costs and get out of it, but I
will stick to my friend the author." Two days later he wrote: "The
farther affidavits put in by way of extenuation by the printing rascals
_are_ rather strong, and give one a pretty correct idea of what the men
must be who hold on by the heels of literature. Oh! the agony of
Talfourd at Knight Bruce's not hearing him! He had sat up till three in
the morning, he says, preparing his speech; and would have done all
kinds of things with the affidavits. It certainly was a splendid
subject. We have heard nothing from the vagabonds yet. I once thought of
printing the affidavits without a word of comment, and sewing them up
with _Chuzzlewit_. Talfourd is strongly disinclined to compromise with
the printers on any terms. In which case it would be referred to the
master to ascertain what profits had been made by the piracy, and to
order the same to be paid to me. But wear and tear of law is my
consideration." The undertaking to which he had at last to submit was,
that upon ample public apology, and payment of all costs, the offenders
should be let go; but the real result was that, after infinite vexation
and trouble, he had himself to pay all the costs incurred on his own
behalf; and, a couple of years later, upon repetition of the wrong he
had suffered in so gross a form that proceedings were again advised by
Talfourd and others, he wrote to me from Switzerland the condition of
mind to which his experience had brought him. "My feeling about the ----
is the feeling common, I suppose, to three fourths of the reflecting
part of the community in our happiest of all possible countries; and
that is, that it is better to suffer a great wrong than to have recourse
to the much greater wrong of the law. I shall not easily forget the
expense, and anxiety, and horrible injustice of the _Carol_ case,
wherein, in asserting the plainest right on earth, I was really treated
as if I were the robber instead of the robbed. Upon the whole, I
certainly would much rather NOT proceed. What do you think of sending in
a grave protest against what has been done in this case, on account of
the immense amount of piracy to which I am daily exposed, and because I
have been already met in the court of chancery with the legal doctrine
that silence under such wrongs barred my remedy: to which Talfourd's
written opinion might be appended as proof that we stopped under no
discouragement. It is useless to affect that I don't know I have a
morbid susceptibility of exasperation, to which the meanness and badness
of the law in such a matter would be stinging in the last degree. And I
know of nothing that _could_ come, even of a successful action, which
would be worth the mental trouble and disturbance it would cost."[75]
A few notes of besetting temptations during his busiest days at
_Chuzzlewit_, one taken from each of the first four months of the year
when he was working at its masterly closing scenes, will amusingly
exhibit, side by side, his powers of resistance and capacities of
enjoyment. "I had written you a line" (16th of January), "pleading Jonas
and Mrs. Gamp, but this frosty day tempts me sorely. I am distractingly
late; but I look at the sky, think of Hampstead, and feel hideously
tempted. Don't come with Mae, and fetch me. I couldn't resist if you
did." In the next (18th of February), he is not the tempted, but the
tempter. "Stanfield and Mac have come in, and we are going to Hampstead
to dinner. I leave Betsey Prig as you know, so don't you make a scruple
about leaving Mrs. Harris. We shall stroll leisurely up, to give you
time to join us, and dinner will be on the table at Jack Straw's at
four. . . . In the very improbable (surely impossible?) case of your not
coming, we will call on you at a quarter before eight, to go to the
ragged school." The next (5th of March) shows him in yielding mood, and
pitying himself for his infirmity of compliance. "Sir, I
will--he--he--he--he--he--he--I will NOT eat with you, either at your
own house or the club. But the morning looks bright, and a walk to
Hampstead would suit me marvellously. If you should present yourself at
my gate (bringing the R. A.'s along with you) I shall not be sapparized.
So no more at this writing from Poor MR. DICKENS." But again the tables
are turned, and he is tempter in the last; written on that Shakespeare
day (23rd of April) which we kept always as a festival, and signed in
character expressive of his then present unfitness for any of the
practical affairs of life, including the very pressing business which at
the moment ought to have occupied him, namely, attention to the long
deferred nuptials of Miss Charity Pecksniff. "November blasts! Why it's
the warmest, most genial, most intensely bland, delicious, growing,
springy, songster-of-the-grovy, bursting-forth-of-the-buddy, day as
ever was. At half-past four I shall expect you. Ever, MODDLE."
Moddle, the sentimental noodle hooked by Miss Pecksniff who flies on his
proposed wedding-day from the frightful prospect before him, the reader
of course knows; and has perhaps admired for his last supreme outbreak
of common sense. It was a rather favourite bit of humour with Dickens;
and I find it pleasant to think that he never saw the description given
of it by a trained and skilful French critic, who has been able to pass
under his review the whole of English literature without any apparent
sense or understanding of one of its most important as well as richest
elements. A man without the perception of humour taking English prose
literature in hand, can of course set about it only in one way.
Accordingly, in Mr. Taine's decisive judgments of our last great
humourist, which proceed upon a principle of psychological analysis
which it is only fair to say he applies impartially to everybody,
_Pickwick_, _Oliver Twist_, and _The Old Curiosity Shop_ are not in any
manner even named or alluded to; Mrs. Gamp is only once mentioned as
always talking of Mrs. Harris; and Mr. Micawber also only once as using
always the same emphatic phrases; the largest extracts are taken from
the two books in all the Dickens series that are weakest on the humorous
side, _Hard Times_ and the _Chimes_; _Nickleby_, with its many
laughter-moving figures, is dismissed in a line and a half; Mr. Toots,
Captain Cuttle, Susan Nipper, Toodles, and the rest have no place in
what is said of _Dombey_; and, to close with what has caused and must
excuse my digression, Mr. Augustus Moddle is introduced as a gloomy
maniac who makes us laugh and makes us shudder, and as drawn so truly
for a madman that though at first sight agreeable, he is in reality
horrible![76]
A month before the letter subscribed by Dickens in the character, so
happily unknown to himself, of this gloomy maniac, he had written to me
from amidst his famous chapter in which the tables are turned on
Pecksniff; but here I quote the letter chiefly for noticeable words at
its close. "I heard from Macready by the Hibernia. I have been slaving
away regularly, but the weather is against rapid progress. I altered the
verbal error, and substituted for the action you didn't like some words
expressive of the hurry of the scene. Macready sums up slavery in New
Orleans in the way of a gentle doubting on the subject, by a 'but' and a
dash. I believe it is in New Orleans that the man is lying under
sentence of death, who, not having the fear of God before his eyes, did
not deliver up a captive slave to the torture? The largest gun in that
country has not burst yet--_but it will_. Heaven help us, too, from
explosions nearer home! I declare I never go into what is called
'society' that I am not aweary of it, despise it, hate it, and reject
it. The more I see of its extraordinary conceit, and its stupendous
ignorance of what is passing out of doors, the more certain I am that it
is approaching the period when, being incapable of reforming itself, it
will have to submit to be reformed by others off the face of the earth."
Thus we see that the old radical leanings were again rather strong in
him at present, and I may add that he had found occasional recent vent
for them by writing in the _Morning Chronicle_.
Some articles thus contributed by him having set people talking, the
proprietors of the paper rather eagerly mooted the question what payment
he would ask for contributing regularly; and ten guineas an article was
named. Very sensibly, however, the editor who had succeeded his old
friend Black pointed out to him, that though even that sum would not be
refused in the heat of the successful articles just contributed, yet (I
quote his own account in a letter of the 7th of March 1844) so much
would hardly be paid continuously; and thereupon an understanding, was
come to, that he would write as a volunteer and leave his payment to be
adjusted to the results. "Then said the editor--and this I particularly
want you to turn over in your mind, at leisure--supposing me to go
abroad, could I contemplate such a thing as the writing of a letter a
week under any signature I chose, with such scraps of descriptions and
impressions as suggested themselves to my mind? If so, would I do it
for the _Chronicle_? And if so again, what would I do it for? He thought
for such contributions Easthope would pay anything. I told him that the
idea had never occurred to me; but that I was afraid he did not know
what the value of such contributions would be. He repeated what he had
said before; and I promised to consider whether I could reconcile it to
myself to write such letters at all. The pros and cons need to be very
carefully weighed. I will not tell you to which side I incline, but if
we should disagree, or waver on the same points, we will call Bradbury
and Evans to the council. I think it more than probable that we shall be
of exactly the same mind, but I want you to be in possession of the
facts and therefore send you this rigmarole." The rigmarole is not
unimportant; because, though we did not differ on the wisdom of saying
No to the _Chronicle_, the "council" spoken of was nevertheless held,
and in it lay the germ of another newspaper enterprise he permitted
himself to engage in twelve months later, to which he would have done
more wisely to have also answered No.
The preparation for departure was now actively going forward, and
especially his enquiries for two important adjuncts thereto, a courier
and a carriage. As to the latter it occurred to him that he might
perhaps get for little money "some good old shabby devil of a coach--one
of those vast phantoms that hide themselves in a corner of the
Pantechnicon;" and exactly such a one he found there; sitting himself
inside it, a perfect Sentimental Traveller, while the managing man told
him its history. "As for comfort--let me see--it is about the size of
your library; with night-lamps and day-lamps and pockets and imperials
and leathern cellars, and the most extraordinary contrivances. Joking
apart, it is a wonderful machine. And when you see it (if you _do_ see
it) you will roar at it first, and will then proclaim it to be
'perfectly brilliant, my dear fellow.'" It was marked sixty pounds; he
got it for five-and-forty; and my own emotions respecting it he had
described by anticipation quite correctly. In finding a courier he was
even more fortunate; and these successes were followed by a third
apparently very promising, but in the result less satisfactory. His
house was let to not very careful people.
The tenant having offered herself for Devonshire-terrace unexpectedly,
during the last week or two of his stay in England he went into
temporary quarters in Osnaburgh-terrace; and here a domestic difficulty
befell of which the mention may be amusing, when I have disposed of an
incident that preceded it too characteristic for omission. The Mendicity
Society's officers had caught a notorious begging-letter writer, had
identified him as an old offender against Dickens of which proofs were
found on his person, and had put matters in train for his proper
punishment; when the wretched creature's wife made such appeal before
the case was heard at the police-court, that Dickens broke down in his
character of prosecutor, and at the last moment, finding what was said
of the man's distress at the time to be true, relented. "When the
Mendicity officers themselves told me the man was in distress, I desired
them to suppress what they knew about him, and slipped out of the bundle
(in the police office) his first letter, which was the greatest lie of
all. For he looked wretched, and his wife had been waiting about the
street to see me, all the morning. It was an exceedingly bad case
however, and the imposition, all through, very great indeed. Insomuch
that I could not _say_ anything in his favour, even when I saw him. Yet
I was not sorry that the creature found the loophole for escape. The
officers had taken him illegally without any warrant; and really they
messed it all through, quite facetiously."
He will himself also best relate the small domestic difficulty into
which he fell in his temporary dwelling, upon his unexpectedly
discovering it to be unequal to the strain of a dinner party for which
invitations had gone out just before the sudden "let" of
Devonshire-terrace. The letter is characteristic in other ways, or I
should hardly have gone so far into domesticities here; and it enables
me to add that with the last on its list of guests, Mr. Chapman the
chairman of Lloyd's, he held much friendly intercourse, and that few
things more absurd or unfounded have been invented, even of Dickens,
than that he found any part of the original of Mr. Dombey in the nature,
the appearance, or the manners of this estimable gentleman. "Advise,
advise," he wrote (9 Osnaburgh-terrace, 28th of May 1844), "advise with
a distracted man. Investigation below stairs renders it, as my father
would say, 'manifest to any person of ordinary intelligence, if the term
may be considered allowable,' that the Saturday's dinner cannot come off
here with safety. It would be a toss-up, and might come down heads, but
it would put us into an agony with that kind of people. . . . Now, I feel a
difficulty in dropping it altogether, and really fear that this might
have an indefinably suspicious and odd appearance. Then said I at
breakfast this morning, I'll send down to the Clarendon. Then says Kate,
have it at Richmond. Then I say, that might be inconvenient to the
people. Then she says, how could it be if we dine late enough? Then I am
very much offended without exactly knowing why; and come up here, in a
state of hopeless mystification. . . . What do you think? Ellis would be
quite as dear as anybody else; and unless the weather changes, the place
is objectionable. I must make up my mind to do one thing or other, for
we shall meet Lord Denman at dinner to-day. Could it be dropped
decently? That, I think very doubtful. Could it be done for a couple of
guineas apiece at the Clarendon? . . . In a matter of more importance I
could make up my mind. But in a matter of this kind I bother and
bewilder myself, and come to no conclusion whatever. Advise! Advise! . . .
List of the Invited. There's Lord Normanby. And there's Lord Denman.
There's Easthope, wife, and sister. There's Sydney Smith. There's you
and Mac. There's Babbage. There's a Lady Osborne and her daughter.
There's Southwood Smith. And there's Quin. And there are Thomas Chapman
and his wife. So many of these people have never dined with us, that the
fix is particularly tight. Advise! Advise!" My advice was for throwing
over the party altogether, but additional help was obtained and the
dinner went off very pleasantly. It was the last time we saw Sydney
Smith.
Of one other characteristic occurrence he wrote before he left; and the
very legible epigraph round the seal of his letter, "It is particularly
requested that if Sir James Graham should open this, he will not
trouble himself to seal it again," expresses both its date and its
writer's opinion of a notorious transaction of the time. "I wish" (28th
of June) "you would read this, and give it me again when we meet at
Stanfield's to-day. Newby has written to me to say that he hopes to be
able to give Overs more money than was agreed on." The enclosure was the
proof-sheet of a preface written by him to a small collection of stories
by a poor carpenter dying of consumption, who hoped by their
publication, under protection of such a name, to leave behind him some
small provision for his ailing wife and little children.[77] The book
was dedicated to the kind physician, Doctor Elliotson, whose name was
for nearly thirty years a synonym with us all for unwearied,
self-sacrificing, beneficent service to every one in need.
The last incident before Dickens's departure was a farewell dinner to
him at Greenwich, which took also the form of a celebration for the
completion of _Chuzzlewit_, or, as the Ballantynes used to call it in
Scott's case, a christening dinner; when Lord Normanby took the chair,
and I remember sitting next the great painter Turner, who had come with
Stanfield, and had enveloped his throat, that sultry summer day, in a
huge red belcher-handkerchief which nothing would induce him to remove.
He was not otherwise demonstrative, but enjoyed himself in a quiet
silent way, less perhaps at the speeches than at the changing lights on
the river. Carlyle did not come; telling me in his reply to the
invitation that he truly loved Dickens, having discerned in the inner
man of him a real music of the genuine kind, but that he'd rather
testify to this in some other form than that of dining out in the
dogdays.
FOOTNOTES:
[74] In a letter on the subject of copyright published by Thomas Hood
after Dickens's return from America, he described what had passed
between himself and one of these pirates who had issued a Master
Humphrey's Clock edited by Bos. "Sir," said the man to Hood, "if you had
observed the name, it was _Bos_, not _Boz_; s, sir, not z; and, besides,
it would have been no piracy, sir, even with the z, because _Master
Humphrey's Clock_, you see, sir, was not published as by Boz, but by
Charles Dickens!"
[75] The reader may be amused if I add in a note what he said of the
pirates in those earlier days when grave matters touched him less
gravely. On the eve of the first number of _Nickleby_ he had issued a
proclamation. "Whereas we are the only true and lawful Boz. And whereas
it hath been reported to us, who are commencing a new work, that some
dishonest dullards resident in the by-streets and cellars of this town
impose upon the unwary and credulous, by producing cheap and wretched
imitations of our delectable works. And whereas we derive but small
comfort under this injury from the knowledge that the dishonest dullards
aforesaid cannot, by reason of their mental smallness, follow near our
heels, but are constrained to creep along by dirty and little-frequented
ways, at a most respectful and humble distance behind. And whereas, in
like manner, as some other vermin are not worth the killing for the sake
of their carcases, so these kennel pirates are not worth the powder and
shot of the law, inasmuch as whatever damages they may commit they are
in no condition to pay any. This is to give notice, that we have at
length devised a mode of execution for them, so summary and terrible,
that if any gang or gangs thereof presume to hoist but one shred of the
colours of the good ship _Nickleby_, we will hang them on gibbets so
lofty and enduring that their remains shall be a monument of our just
vengeance to all succeeding ages; and it shall not lie in the power of
any lord high admiral, on earth, to cause them to be taken down again."
The last paragraph of the proclamation informed the potentates of
Paternoster-row, that from the then ensuing day of the thirtieth of
March, until farther notice, "we shall hold our Levees, as heretofore,
on the last evening but one of every month, between the hours of seven
and nine, at our Board of Trade, number one hundred and eighty-six in
the Strand, London; where we again request the attendance (in vast
crowds) of their accredited agents and ambassadors. Gentlemen to wear
knots upon their shoulders; and patent cabs to draw up with their doors
towards the grand entrance, for the convenience of loading."
[76] This might seem not very credible if I did not give the passage
literally, and I therefore quote it from the careful translation of
_Taine's History of English Literature_ by Mr. Van Laun, one of the
masters of the Edinburgh Academy, where I will venture to hope that
other authorities on English Literature are at the same time admitted.
"Jonas" (also in _Chuzzlewit_) "is on the verge of madness. There are
other characters quite mad. Dickens has drawn three or four portraits of
madmen, very agreeable at first sight, but so true that they are in
reality horrible. It needed an imagination like his, irregular,
excessive, capable of fixed ideas, to exhibit the derangements of
reason. Two especially there are, which make us laugh, and which make us
shudder. Augustus, the gloomy maniac, who is on the point of marrying
Miss Pecksniff; and poor Mr. Dick, half an idiot, half a monomaniac, who
lives with Miss Trotwood. . . . The play of these shattered reasons is like
the creaking of a dislocated door; it makes one sick to hear it." (Vol.
ii. p. 346.) The original was published before Dickens's death, but he
certainly never saw it.
[77] He wrote from Marseilles (17th Dec. 1844). "When poor Overs was
dying he suddenly asked for a pen and ink and some paper, and made up a
little parcel for me which it was his last conscious act to direct. She
(his wife) told me this and gave it me. I opened it last night. It was a
copy of his little book in which he had written my name, 'With his
devotion.' I thought it simple and affecting of the poor fellow." From a
later letter a few lines may be added. "Mrs. Overs tells me" (Monte
Vacchi, 30th March, 1845) "that Miss Coutts has sent her, at different
times, sixteen pounds, has sent a doctor to her children, and has got
one of the girls into the Orphan School. When I wrote her a word in the
poor woman's behalf, she wrote me back to the effect that it was a
kindness to herself to have done so, 'for what is the use of my means
but to try and do some good with them?'"
CHAPTER V.
IDLENESS AT ALBARO: VILLA BAGNERELLO.
1844.
Arrival at Marseilles--A Character--Villa at
Genoa--Sirocco--Sunsets and Scenery--Address to
Maclise--French and Italian Skies--The
Mediterranean--The Cicala--French Consul of
Genoa--Learning Italian--Trades-people--Genoa
the Superb--Theatres--Italian Plays--Religious
Houses--Sunday Promenade--Winter Residence
chosen--Dinner at French Consul's--Reception at
M. di Negri's--A Tumble--English Visitors and
News--Visit of his Brother--Sea-bathing.
THE travelling party arrived at Marseilles on the evening of Sunday the
14th of July. Not being able to get vetturino horses in Paris, they had
come on, post; paying for nine horses but bringing only four, and
thereby saving a shilling a mile out of what the four would have cost in
England. So great thus far, however, had been the cost of travel, that
"what with distance, caravan, sight-seeing, and everything," two hundred
pounds would be nearly swallowed up before they were at their
destination. The success otherwise had been complete. The children had
not cried in their worst troubles, the carriage had gone lightly over
abominable roads, and the courier had proved himself a perfect gem.
"Surrounded by strange and perfectly novel circumstances," Dickens wrote
to me from Marseilles, "I feel as if I had a new head on side by side
with my old one."
To what shrewd and kindly observation the old one had helped him at
every stage of his journey, his published book of travel tells, and of
all that there will be nothing here; but a couple of experiences at his
outset, of which he told me afterwards, have enough character in them to
be worth mention.
Shortly before there had been some public interest about the captain of
a Boulogne steamer apprehended on a suspicion of having stolen specie,
but reinstated by his owners after a public apology to him on their
behalf; and Dickens had hardly set foot on the boat that was to carry
them across, when he was attracted by the look of its captain, and
discovered him after a few minutes' talk to be that very man. "Such an
honest, simple, good fellow, I never saw," said Dickens, as he imitated
for me the homely speech in which his confidences were related. The
Boulogne people, he said, had given him a piece of plate, "but Lord
bless us! it took a deal more than that to get him round again in his
own mind; and for weeks and weeks he was uncommon low to be sure.
Newgate, you see! What a place for a sea-faring man as had held up his
head afore the best on 'em, and had more friends, I mean to say, and I
do tell you the daylight truth, than any man on this station--ah! or any
other, I don't care where!"
His first experience in a foreign tongue he made immediately on landing,
when he had gone to the bank for money, and after delivering with most
laborious distinctness a rather long address in French to the clerk
behind the counter, was disconcerted by that functionary's cool enquiry
in the native-born Lombard-street manner, "How would you like to take
it, sir?" He took it, as everybody must, in five-franc pieces, and a
most inconvenient coinage he found it; for he required so much that he
had to carry it in a couple of small sacks, and was always "turning hot
about suddenly" taking it into his head that he had lost them.
The evening of Tuesday the 16th of July saw him in a villa at Albaro,
the suburb of Genoa in which, upon the advice of our Gore-house friends,
he had resolved to pass the summer months before taking up his quarters
in the city. His wish was to have had Lord Byron's house there, but it
had fallen into neglect and become the refuge of a third-rate wine-shop.
The matter had then been left to Angus Fletcher who just now lived near
Genoa, and he had taken at a rent absurdly above its value[78] an
unpicturesque and uninteresting dwelling, which at once impressed its
new tenant with its likeness to a pink jail. "It is," he said to me,
"the most perfectly lonely, rusty, stagnant old staggerer of a domain
that you can possibly imagine. What would I give if you could only look
round the courtyard! _I_ look down into it, whenever I am near that side
of the house, for the stable is so full of 'vermin and swarmers' (pardon
the quotation from my inimitable friend) that I always expect to see the
carriage going out bodily, with legions of industrious fleas harnessed
to and drawing it off, on their own account. We have a couple of Italian
work-people in our establishment; and to hear one or other of them
talking away to our servants with the utmost violence and volubility in
Genoese, and our servants answering with great fluency in English (very
loud: as if the others were only deaf, not Italian), is one of the most
ridiculous things possible. The effect is greatly enhanced by the
Genoese manner, which is exceedingly animated and pantomimic; so that
two friends of the lower class conversing pleasantly in the street,
always seem on the eve of stabbing each other forthwith. And a stranger
is immensely astonished at their not doing it."