VI

When he learned from Kovrin that not only had a romance resulted, but

that a wedding was to follow, Yegor Semiónovitch walked from corner

to corner, and tried to conceal his agitation. His hands shook, his

neck seemed swollen and purple; he ordered the horses to be put into

his racing droschky, and drove away. Tánya, seeing how he whipped the

horses and how he pushed his cap down over his ears, understood his

mood, locked herself into her room, and cried all day.

In the orangery the peaches and plums were already ripe. The packing

and despatch to Moscow of such a delicate load required much

attention, trouble, and bustle. Owing to the heat of the summer

every tree had to be watered; the process was costly in time and

working-power; and many caterpillars appeared, which the workmen, and

even Yegor Semiónovitch and Tánya, crushed with their fingers, to

the great disgust of Kovrin. The autumn orders for fruit and trees

had to be attended to, and a vast correspondence carried on. And at

the very busiest time, when it seemed no one had a free moment, work

began in the fields and deprived the garden of half its workers. Yegor

Semiónovitch, very sunburnt, very irritated, and very worried, galloped

about, now to the garden, now to the fields; and all the time shouted

that they were tearing him to bits, and that he would put a bullet

through his brain.

On top of all came the bustle over Tánya's trousseau, to which the

Pesótskys attributed infinite significance. With the eternal snipping

of scissors, rattle of sewing-machines, smell of flat-irons, and the

caprices of the nervous and touchy dressmaker, the whole house seemed

to spin round. And, to make matters worse, visitors arrived every day,

and these visitors had to be amused, fed, and lodged for the night.

Yet work and worry passed unnoticed in a mist of joy. Tánya felt as if

love and happiness had suddenly burst upon her, although ever since her

fourteenth year she had been certain that Kovrin would marry nobody

but herself. She was eternally in a state of astonishment, doubt,

and disbelief in herself. At one moment she was seized by such great

joy that she felt she must fly away to the clouds and pray to God;

but a moment later she remembered that when August came she would

have to leave the home of her childhood and forsake her father; and

she was frightened by the thought--God knows whence it came--that she

was trivial, insignificant, and unworthy of a great man like Kovrin.

When such thoughts came she would run up to her room, lock herself in,

and cry bitterly for hours. But when visitors were present, it broke

in upon her that Kovrin was a singularly handsome man, that all the

women loved him and envied her; and in these moments her heart was as

full of rapture and pride as if she had conquered the whole world.

When he dared to smile on any other woman she trembled with jealousy,

went to her room, and again--tears. These new feelings possessed her

altogether; she helped her father mechanically, noticing neither pears

nor caterpillars, nor workmen, nor how swiftly time was passing by.

Yegor Semiónovitch was in much the same state of mind. He still worked

from morning to night, Hew about the gardens, and lost his temper;

but all the while he was wrapped in a magic reverie. In his sturdy

body contended two men, one the real Yegor Semiónovitch, who, when he

listened to the gardener, Ivan Karlovitch's report of some mistake or

disorder, went mad with excitement, and tore his hair; and the other

the unreal Yegor Semiónovitch--a half-intoxicated old man, who broke

off an important conversation in the middle of a word, seized the

gardener by the shoulder, and stammered:

"You may say what you like, but blood is thicker than water. His

mother was an astonishing, a most noble, a most brilliant woman. It

was a pleasure to see her good, pure, open, angel face. She painted

beautifully, wrote poetry, spoke five foreign languages, and sang....

Poor thing, Heaven rest her soul, she died of consumption!"

The unreal Yegor Semiónovitch sighed, and after a moment's silence

continued:

"When he was a boy growing up to manhood in my house he had just such

an angel face, open and good. His looks, his movements, his words were

as gentle and graceful as his mother's. And his intellect It is not

for nothing he has the degree of Magister. But you just wait, Ivan

Karlovitch; you'll see what he'll be in ten years' time. Why, he'll be

out of sight!" But here the real Yegor Semiónovitch remembered himself,

seized his head and roared:

"Devils! Frost-bitten! Ruined, destroyed! The garden is ruined; the

garden is destroyed!" Kovrin worked with all his former ardour, and

hardly noticed the bustle about him. Love only poured oil on the

flames. After every meeting with Tánya, he returned to his rooms in

rapture and happiness, and set to work with his books and manuscripts

with the same passion with which he had kissed her and sworn his love.

What the Black Monk had told him of his election by God, of eternal

truth, and of the glorious future of humanity, gave to all his work a

peculiar, unusual significance. Once or twice every week, either in

the park or in the house, he met the monk, and talked with him for

hours; but this did not frighten, but on the contrary delighted him,

for he was now assured that such apparitions visit only the elect and

exceptional who dedicate themselves to the ministry of ideas.

Assumption passed unobserved. Then came the wedding, celebrated by the

determined wish of Yegor Semiónovitch with what was called _éclat_,

that is, with meaningless festivities which lasted for two days. Three

thousand roubles were consumed in food and drink; but what with the

vile music, the noisy toasts, the fussing servants, the clamour, and

the closeness of the atmosphere, no one appreciated the expensive wines

or the astonishing _hors d'oeuvres_ specially ordered from Moscow.

The Black Monk, and Other Stories · 第 17 / 48 题