In studying the history of antipathies the doctor began with those

referable to the sense of taste, which are among the most common. In

any collection of a hundred persons there will be found those who cannot

make use of certain articles of food generally acceptable. This may be

from the disgust they occasion or the effects they have been found to

produce. Every one knows individuals who cannot venture on honey, or

cheese, or veal, with impunity. Carlyle, for example, complains of

having veal set before him,--a meat he could not endure. There is a

whole family connection in New England, and that a very famous one, to

many of whose members, in different generations, all the products of the

dairy are the subjects of a congenital antipathy. Montaigne says there

are persons who dread the smell of apples more than they would dread

being exposed to a fire of musketry. The readers of the charming story

“A Week in a French Country-House” will remember poor Monsieur Jacque's

piteous cry in the night: “Ursula, art thou asleep? Oh, Ursula, thou

sleepest, but I cannot close my eyes. Dearest Ursula, there is such

a dreadful smell! Oh, Ursula, it is such a smell! I do so wish thou

couldst smell it! Good-night, my angel!----Dearest! I have found them!

They are apples!” The smell of roses, of peonies, of lilies, has been

known to cause faintness. The sight of various objects has had singular

effects on some persons. A boar's head was a favorite dish at the table

of great people in Marshal d'Albret's time; yet he used to faint at the

sight of one. It is not uncommon to meet with persons who faint at the

sight of blood. One of the most inveterately pugnacious of Dr. Butts's

college-mates confessed that he had this infirmity. Stranger and far

more awkward than this is the case mentioned in an ancient collection,

where the subject of the antipathy fainted at the sight of any object of

a red color. There are sounds, also, which have strange effects on

some individuals. Among the obnoxious noises are the crumpling of silk

stuffs, the sound of sweeping, the croaking of frogs. The effects

in different cases have been spasms, a sense of strangling, profuse

sweating,--all showing a profound disturbance of the nervous system.

All these effects were produced by impressions on the organs of sense,

seemingly by direct agency on certain nerve centres. But there is

another series of cases in which the imagination plays a larger part

in the phenomena. Two notable examples are afforded in the lives of two

very distinguished personages.

Peter the Great was frightened, when an infant, by falling from a bridge

into the water. Long afterward, when he had reached manhood, this hardy

and resolute man was so affected by the sound of wheels rattling over a

bridge that he had to discipline himself by listening to the sound, in

spite of his dread of it, in order to overcome his antipathy. The story

told by Abbe Boileau of Pascal is very similar to that related of Peter.

As he was driving in his coach and four over the bridge at Neuilly,

his horses took fright and ran away, and the leaders broke from their

harness and sprang into the river, leaving the wheel-horses and the

carriage on the bridge. Ever after this fright it is said that Pascal

had the terrifying sense that he was just on the edge of an abyss, ready

to fall over.

What strange early impression was it which led a certain lady always to

shriek aloud if she ventured to enter a church, as it is recorded? The

old and simple way of accounting for it would be the scriptural one,

that it was an unclean spirit who dwelt in her, and who, when she

entered the holy place and brought her spiritual tenant into the

presence of the sacred symbols, “cried with a loud voice, and came out

of” her. A very singular case, the doctor himself had recorded, and

which the reader may accept as authentic, is the following: At the head

of the doctor's front stairs stood, and still stands, a tall clock, of

early date and stately presence. A middle-aged visitor, noticing it

as he entered the front door, remarked that he should feel a great

unwillingness to pass that clock. He could not go near one of those tall

timepieces without a profound agitation, which he dreaded to undergo.

This very singular idiosyncrasy he attributed to a fright when he was an

infant in the arms of his nurse.

She was standing near one of those tall clocks, when the cord which

supported one of its heavy leaden weights broke, and the weight came

crashing down to the bottom of the case. Some effect must have been

produced upon the pulpy nerve centres from which they never recovered.

Why should not this happen, when we know that a sudden mental shock

may be the cause of insanity? The doctor remembered the verse of “The

Ancient Mariner:”

“I moved my lips; the pilot shrieked

And fell down in a fit;

The holy hermit raised his eyes

And prayed where he did sit.

I took the oars; the pilot's boy,

Who now doth crazy go,

Laughed loud and long, and all the while

His eyes went to and fro.”

This is only poetry, it is true, but the poet borrowed the description

from nature, and the records of our asylums could furnish many cases

where insanity was caused by a sudden fright.

More than this, hardly a year passes that we do not read of some

person, a child commonly, killed outright by terror,--scared to death,

literally. Sad cases they often are, in which, nothing but a surprise

being intended, the shock has instantly arrested the movements on which

life depends. If a mere instantaneous impression can produce effects

like these, such an impression might of course be followed by

consequences less fatal or formidable, but yet serious in their nature.

If here and there a person is killed, as if by lightning, by a sudden

startling sight or sound, there must be more numerous cases in which

a terrible shock is produced by similar apparently insignificant

causes,--a shock which falls short of overthrowing the reason and does

not destroy life, yet leaves a lasting effect upon the subject of it.

This point, then, was settled in the mind of Dr. Butts, namely, that,

as a violent emotion caused by a sudden shock can kill or craze a human

being, there is no perversion of the faculties, no prejudice, no change

of taste or temper, no eccentricity, no antipathy, which such a cause

may not rationally account for. He would not be surprised, he said to

himself, to find that some early alarm, like that which was experienced

by Peter the Great or that which happened to Pascal, had broken some

spring in this young man's nature, or so changed its mode of action as

to account for the exceptional remoteness of his way of life. But how

could any conceivable antipathy be so comprehensive as to keep a young

man aloof from all the world, and make a hermit of him? He did not

hate the human race; that was clear enough. He treated Paolo with great

kindness, and the Italian was evidently much attached to him. He had

talked naturally and pleasantly with the young man he had helped out of

his dangerous situation when his boat was upset. Dr. Butts heard that

he had once made a short visit to this young man, at his rooms in the

University. It was not misanthropy, therefore, which kept him solitary.

What could be broad enough to cover the facts of the case? Nothing that

the doctor could think of, unless it were some color, the sight of which

acted on him as it did on the individual before mentioned, who could not

look at anything red without fainting. Suppose this were a case of the

same antipathy. How very careful it would make the subject of it as to

where he went and with whom he consorted! Time and patience would be

pretty sure to bring out new developments, and physicians, of all men in

the world, know how to wait as well as how to labor.

Such were some of the crude facts as Dr. Butts found them in books or

gathered them from his own experience. He soon discovered that the story

had got about the village that Maurice Kirkwood was the victim of an

“antipathy,” whatever that word might mean in the vocabulary of the

people of the place. If he suspected the channel through which it had

reached the little community, and, spreading from that centre, the

country round, he did not see fit to make out of his suspicions a

domestic casus belli. Paolo might have mentioned it to others as well

as to himself. Maurice might have told some friend, who had divulged it.

But to accuse Mrs. Butts, good Mrs. Butts, of petit treason in telling

one of her husband's professional secrets was too serious a matter to be

thought of. He would be a little more careful, he promised himself, the

next time, at any rate; for he had to concede, in spite of every wish to

be charitable in his judgment, that it was among the possibilities that

the worthy lady had forgotten the rule that a doctor's patients must put

their tongues out, and a doctor's wife must keep her tongue in.

VIII. THE PANSOPHIAN SOCIETY.

The Secretary of this association was getting somewhat tired of the

office, and the office was getting somewhat tired of him. It occurred

to the members of the Society that a little fresh blood infused into

it might stir up the general vitality of the organization. The woman

suffragists saw no reason why the place of Secretary need as a matter of

course be filled by a person of the male sex. They agitated, they

made domiciliary visits, they wrote notes to influential citizens, and

finally announced as their candidate the young lady who had won and

worn the school name of “The Terror,” who was elected. She was just the

person for the place: wide awake, with all her wits about her, full of

every kind of knowledge, and, above all, strong on points of order and

details of management, so that she could prompt the presiding officer,

to do which is often the most essential duty of a Secretary. The

President, the worthy rector, was good at plain sailing in the track of

the common moralities and proprieties, but was liable to get muddled

if anything came up requiring swift decision and off-hand speech. The

Terror had schooled herself in the debating societies of the Institute,

and would set up the President, when he was floored by an awkward

question, as easily as if he were a ninepin which had been bowled over.

It has been already mentioned that the Pansophian Society received

communications from time to time from writers outside of its own

organization. Of late these had been becoming more frequent. Many of

them were sent in anonymously, and as there were numerous visitors to

the village, and two institutions not far removed from it, both full

of ambitious and intelligent young persons, it was often impossible

to trace the papers to their authors. The new Secretary was alive with

curiosity, and as sagacious a little body as one might find if in want

of a detective. She could make a pretty shrewd guess whether a paper was

written by a young or old person, by one of her own sex or the other, by

an experienced hand or a novice.

Among the anonymous papers she received was one which exercised her

curiosity to an extraordinary degree. She felt a strong suspicion that

“the Sachem,” as the boat-crews used to call him, “the Recluse,” “the

Night-Hawk,” “the Sphinx,” as others named him, must be the author of

it. It appeared to her the production of a young person of a reflective,

poetical turn of mind. It was not a woman's way of writing; at least,

so thought the Secretary. The writer had travelled much; had resided in

Italy, among other places. But so had many of the summer visitors and

residents of Arrowhead Village. The handwriting was not decisive; it

had some points of resemblance with the pencilled orders for books

which Maurice sent to the Library, but there were certain differences,

intentional or accidental, which weakened this evidence. There was an

undertone in the essay which was in keeping with the mode of life of the

solitary stranger. It might be disappointment, melancholy, or only the

dreamy sadness of a young person who sees the future he is to climb, not

as a smooth ascent, but as overhanging him like a cliff, ready to crush

him, with all his hopes and prospects. This interpretation may have been

too imaginative, but here is the paper, and the reader can form his own

opinion:

MY THREE COMPANIONS.

“I have been from my youth upwards a wanderer. I do not mean constantly

flitting from one place to another, for my residence has often been

fixed for considerable periods. From time to time I have put down in a

notebook the impressions made upon me by the scenes through which I

have passed. I have long hesitated whether to let any of my notes appear

before the public. My fear has been that they were too subjective, to

use the metaphysician's term,--that I have seen myself reflected in

Nature, and not the true aspects of Nature as she was meant to be

understood. One who should visit the Harz Mountains would see--might

see, rather his own colossal image shape itself on the morning mist. But

if in every mist that rises from the meadows, in every cloud that hangs

upon the mountain, he always finds his own reflection, we cannot accept

him as an interpreter of the landscape.

“There must be many persons present at the meetings of the Society to

which this paper is offered who have had experiences like that of its

author. They have visited the same localities, they have had many of

the same thoughts and feelings. Many, I have no doubt. Not all,--no, not

all. Others have sought the companionship of Nature; I have been driven

to it. Much of my life has been passed in that communion. These pages

record some of the intimacies I have formed with her under some of her

various manifestations.

“I have lived on the shore of the great ocean, where its waves broke

wildest and its voice rose loudest.

“I have passed whole seasons on the banks of mighty and famous rivers.

“I have dwelt on the margin of a tranquil lake, and floated through many

a long, long summer day on its clear waters.

“I have learned the 'various language' of Nature, of which poetry has

spoken,--at least, I have learned some words and phrases of it. I will

translate some of these as I best may into common speech.

“The OCEAN says to the dweller on its shores:--

“You are neither welcome nor unwelcome. I do not trouble myself with the

living tribes that come down to my waters. I have my own people, of

an older race than yours, that grow to mightier dimensions than your

mastodons and elephants; more numerous than all the swarms that fill

the air or move over the thin crust of the earth. Who are you that build

your palaces on my margin? I see your white faces as I saw the dark

faces of the tribes that came before you, as I shall look upon the

unknown family of mankind that will come after you. And what is your

whole human family but a parenthesis in a single page of my history? The

raindrops stereotyped themselves on my beaches before a living creature

left his footprints there. This horseshoe-crab I fling at your feet is

of older lineage than your Adam,--perhaps, indeed, you count your Adam

as one of his descendants. What feeling have I for you? Not scorn,

not hatred,--not love,--not loathing. No!---indifference,--blank

indifference to you and your affairs that is my feeling, say rather

absence of feeling, as regards you.---Oh yes, I will lap your feet, I

will cool you in the hot summer days, I will bear you up in my strong

arms, I will rock you on my rolling undulations, like a babe in his

cradle. Am I not gentle? Am I not kind? Am I not harmless? But hark! The

wind is rising, and the wind and I are rough playmates! What do you

say to my voice now? Do you see my foaming lips? Do you feel the rocks

tremble as my huge billows crash against them? Is not my anger terrible

as I dash your argosy, your thunder-bearing frigate, into fragments,

as you would crack an eggshell?--No, not anger; deaf, blind, unheeding

indifference,--that is all. Out of me all things arose; sooner or later,

into me all things subside. All changes around me; I change not. I

look not at you, vain man, and your frail transitory concerns, save in

momentary glimpses: I look on the white face of my dead mistress, whom

I follow as the bridegroom follows the bier of her who has changed her

nuptial raiment for the shroud.

“Ye whose thoughts are of eternity, come dwell at my side. Continents

and islands grow old, and waste and disappear. The hardest rock

crumbles; vegetable and animal kingdoms come into being, wax great,

decline, and perish, to give way to others, even as human dynasties and

nations and races come and go. Look on me! 'Time writes no wrinkle' on

my forehead. Listen to me! All tongues are spoken on my shores, but I

have only one language: the winds taught me their vowels the crags and

the sands schooled me in my rough or smooth consonants. Few words are

mine but I have whispered them and sung them and shouted them to men of

all tribes from the time when the first wild wanderer strayed into my

awful presence. Have you a grief that gnaws at your heart-strings? Come

with it to my shore, as of old the priest of far-darting Apollo carried

his rage and anguish to the margin of the loud-roaring sea. There, if

anywhere you will forget your private and short-lived woe, for my voice

speaks to the infinite and the eternal in your consciousness.

“To him who loves the pages of human history, who listens to the voices

of the world about him, who frequents the market and the thoroughfare,

who lives in the study of time and its accidents rather than in the

deeper emotions, in abstract speculation and spiritual contemplation,

the RIVER addresses itself as his natural companion.

“Come live with me. I am active, cheerful, communicative, a natural

talker and story-teller. I am not noisy, like the ocean, except

occasionally when I am rudely interrupted, or when I stumble and get

a fall. When I am silent you can still have pleasure in watching my

changing features. My idlest babble, when I am toying with the trifles

that fall in my way, if not very full of meaning, is at least musical.

I am not a dangerous friend, like the ocean; no highway is absolutely

safe, but my nature is harmless, and the storms that strew the beaches

with wrecks cast no ruins upon my flowery borders. Abide with me, and

you shall not die of thirst, like the forlorn wretches left to the

mercies of the pitiless salt waves. Trust yourself to me, and I will

carry you far on your journey, if we are travelling to the same point of

the compass. If I sometimes run riot and overflow your meadows, I leave

fertility behind me when I withdraw to my natural channel. Walk by my

side toward the place of my destination. I will keep pace with you, and

you shall feel my presence with you as that of a self-conscious being

like yourself. You will find it hard to be miserable in my company; I

drain you of ill-conditioned thoughts as I carry away the refuse of your

dwelling and its grounds.”

But to him whom the ocean chills and crushes with its sullen

indifference, and the river disturbs with its never-pausing and

never-ending story, the silent LAKE shall be a refuge and a place of

rest for his soul.

“'Vex not yourself with thoughts too vast for your limited faculties,'

it says; 'yield not yourself to the babble of the running stream. Leave

the ocean, which cares nothing for you or any living thing that walks

the solid earth; leave the river, too busy with its own errand, too

talkative about its own affairs, and find peace with me, whose smile

will cheer you, whose whisper will soothe you. Come to me when the

morning sun blazes across my bosom like a golden baldric; come to me

in the still midnight, when I hold the inverted firmament like a cup

brimming with jewels, nor spill one star of all the constellations that

float in my ebon goblet. Do you know the charm of melancholy? Where will

you find a sympathy like mine in your hours of sadness? Does the ocean

share your grief? Does the river listen to your sighs? The salt wave,

that called to you from under last month's full moon, to-day is

dashing on the rocks of Labrador; the stream, that ran by you pure and

sparkling, has swallowed the poisonous refuse of a great city, and is

creeping to its grave in the wide cemetery that buries all things in its

tomb of liquid crystal. It is true that my waters exhale and are renewed

from one season to another; but are your features the same, absolutely

the same, from year to year? We both change, but we know each other

through all changes. Am I not mirrored in those eyes of yours? And

does not Nature plant me as an eye to behold her beauties while she is

dressed in the glories of leaf and flower, and draw the icy lid over

my shining surface when she stands naked and ashamed in the poverty of

winter?'

“I have had strange experiences and sad thoughts in the course of a life

not very long, but with a record which much longer lives could not match

in incident. Oftentimes the temptation has come over me with dangerous

urgency to try a change of existence, if such change is a part of human

destiny,--to seek rest, if that is what we gain by laying down the

burden of life. I have asked who would be the friend to whom I should

appeal for the last service I should have need of. Ocean was there,

all ready, asking no questions, answering none. What strange voyages,

downward through its glaucous depths, upwards to its boiling and

frothing surface, wafted by tides, driven by tempests, disparted by rude

agencies; one remnant whitening on the sands of a northern beach,

one perhaps built into the circle of a coral reef in the Pacific, one

settling to the floor of the vast laboratory where continents are built,

to emerge in far-off ages! What strange companions for my pall-bearers!

Unwieldy sea-monsters, the stories of which are counted fables by the

spectacled collectors who think their catalogues have exhausted nature;

naked-eyed creatures, staring, glaring, nightmare-like spectres of

the ghastly-green abysses; pulpy islands, with life in gelatinous

immensity,--what a company of hungry heirs at every ocean funeral! No!

No! Ocean claims great multitudes, but does not invite the solitary who

would fain be rid of himself.

“Shall I seek a deeper slumber at the bottom of the lake I love than I

have ever found when drifting idly over its surface? No, again. I do not

want the sweet, clear waters to know me in the disgrace of nature, when

life, the faithful body-servant, has ceased caring for me. That must not

be. The mirror which has pictured me so often shall never know me as an

unwelcome object.

“If I must ask the all-subduing element to be my last friend, and lead

me out of my prison, it shall be the busy, whispering, not unfriendly,

pleasantly companionable river.

“But Ocean and River and Lake have certain relations to the periods

of human life which they who are choosing their places of abode should

consider. Let the child play upon the seashore. The wide horizon gives

his imagination room to grow in, untrammelled. That background of

mystery, without which life is a poor mechanical arrangement, is shaped

and colored, so far as it can have outline, or any hue but shadow, on a

vast canvas, the contemplation of which enlarges and enriches the sphere

of consciousness. The mighty ocean is not too huge to symbolize the

aspirations and ambitions of the yet untried soul of the adolescent.

“The time will come when his indefinite mental horizon has found a solid

limit, which shuts his prospect in narrower bounds than he would have

thought could content him in the years of undefined possibilities. Then

he will find the river a more natural intimate than the ocean. It

is individual, which the ocean, with all its gulfs and inlets and

multitudinous shores, hardly seems to be. It does not love you very

dearly, and will not miss you much when you disappear from its margin;

but it means well to you, bids you good-morning with its coming waves,

and good-evening with those which are leaving. It will lead your

thoughts pleasantly away, upwards to its source, downwards to the stream

to which it is tributary, or the wide waters in which it is to lose

itself. A river, by choice, to live by in middle age.

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