VII.

Months had passed. It was winter, Parisian winter, the snowless,

penetrating winter of mid-February; and it was night, pitch dark, and

the hazy fog, like thick smoke, dimmed the street lamps on the Avenue,

even the stronger lights around the corner of the adjacent Champs

Elysées spread only a glow without illumination. There was the stillness

of a winter night everywhere, the stillness of a belated hour, long past

midnight, the stillness of a great city asleep.

In a room on the fifth story of a drab looking building, Albert was

struggling for breath. He had coughed so much that he had no more

strength to cough aloud, only his chest was heaving and the expression

on his emaciated face, resembling a grim grin, betrayed acute suffering,

the suffering beyond expression. He was propped up with pillows in a

reclining posture to ease his breathing, and from time to time he

hoisted his right shoulder as if to help his breathing. A candle light

on a nearby table cast a shadow in the room, and beyond the shadow sat

the woman attendant, dozing.

The clock on the white marble mantle struck the hour. Semi-consciously

the invalid counted the strokes—“One, two, three, four!”

The nurse jumped up, picked up a little bottle and spoon from the table,

and crossed the chamber toward the bed.

The invalid stirred and shook his head.

“But Monsieur Zorn, the Doctor will scold me if I don’t give you the

medicine punctually,” the nurse said.

“Be at ease! I’ll tell the doctor myself that I did not want to drink

it. Medicine does me no more good.”

She did not understand him, for the past two days he had been addressing

her in German, which was unknown to her beyond “_Ja_” and “_Nein_.”

However, she divined his meaning and put the medicine away with a kindly

smile.

He turned his head away and promptly forgot the attendant and the

medicine. The strokes of the clock were still dinning in his ears; they

sounded to him like church bells, like the strange sounds of psalters

and harps, like—his mind wandered—the bells of St. Lombard’s Church

were ringing and he was watching Christian Lutz jerk his forefingers in

and out of his ears. Christian said angels floated around the belfry

when the bells rang. Albert laughed. Angels never flew that low, he

insisted, but hovered around God’s throne; only pigeons flew around the

belfry. And that pug-nosed Fritz with his fishing rod screeched

“Al—ber!” . . .

Would that clock ever stop striking the hour? It was positively

deafening. He was glad Marguerite slept in a room at the furthest end of

the apartment, so she could not hear him cough at night, and now she

wouldn’t be disturbed by that crazy clock that was striking endlessly.

He wished to call the nurse to make her stop the clock but some one was

choking him—some one was gagging him—he could not make a sound! . . .

Presently he was lying on his back perfectly still . . . stretched at

full length on a mossy rock on the bank of the Rhine, watching the

fleecy clouds shaped like the ruins of a castle against patches of deep

blue . . . What bird was that singing so melodiously? No, it was not a

bird—it was the string instruments at the Swiss Pavilion on the

_Jungfernstieg_—the leader of the orchestra had a funny nose that

looked like a suckling pig’s snout, and it wiggled like one . . . And

Miriam was standing on a pedestal in front of the palace at Sans Souci.

Miriam had no arms and there was a strange smile on her lovely lips

. . . He was glad that he was all alone in the Louvre—not a soul around

. . . . He rose on his tip-toes and kissed those beautiful cool lips,

the moonlight shining over his left shoulder . . . His mother said he

must not kiss marble statues . . . His mother—poor mother—the old

house in Hamburg must be very cold in the winter . . . She was in tears

because her pearls were gone . . . He, too, was in tears and . . . his

sister was playing the piano . . . . Was the door bell ringing? Somebody

was coming to visit him. He began to count the mounting

footsteps—“forty-one, forty-two, forty-three, forty-four”—The

footsteps stopped. Someone must have called on the floor below . . .

Yes, people called on everybody but no one called on him . . . no one

. . . not even curiosity seekers . . .

Suddenly all melancholy thoughts left him and he breathed easier. He

felt no pain at all. Strange that all at once he was well again and he

was promenading indolently, dreamily along the Rhine. He was strolling,

swinging his cane and humming a song . . . No, he was flying . . . He

had never realized that one needed no wings to fly . . . He was flying

over the Hartz Mountains, over the dark firs of the Black Forest, over

the slender silver birches silhouetted in the moonlight, in his ears the

babbling of brooks, the laughter of girls, the song of the nightingale

. . . and he was sailing . . . sailing . . . sailing through the purest

air . . . .

_The End._

The Sublime Jester · 第 100 / 101 题