CHAPTER V

IN CALIFORNIA WITH ROBERT LOUIS STEVENSON.

As the months passed, Stevenson, drawn by an irresistible desire to

see the one who had become dearest in all the world to him, and having

heard that she was soon to be freed from the bonds that held her to

another, decided to take ship for America. After the long ocean voyage

and the fatiguing journey from sea to sea, which he has himself so

graphically described, he went straight to meet the family at

Monterey.

In the year 1879 there remained one spot in practical America where

the Spirit of Romance still lingered, though even there she stood

a-tiptoe, ready to take wing into the mists of the Pacific. It seems

fitting that it should have been at that place that I first knew

Robert Louis Stevenson. Although the passing of the years has dimmed

the memory of those days to a certain degree, yet here and there a

high light gleams out in the shadowy haze of the picture and brings

back the impression of his face and personality and of the

surroundings and little events of our daily life in his company as

though they had happened but yesterday. The little town of Monterey,

being out of the beaten track of travel, and having no mines or large

agricultural tracts in its vicinity to stimulate trade, had dreamed

away the years since American occupation, and still retained much of

the flavour of the pastoral days of Spanish California. It is true

that at the _cascarone_[12] balls--at which the entire population,

irrespective of age or worldly position, dressed in silks or in

flannel shirts, as the case might be, still gathered almost weekly in

truly democratic comradeship--the egg-shells were no longer filled

with gold-dust, as sometimes happened in the prodigal Spanish days;

yet time was still regarded as a thing of so little value that no one

thought of abandoning the pleasures of the dance until broad daylight.

Along the narrow, crooked streets of the little town, with its

precarious wooden sidewalks, the language of old Castile, spoken with

surprising purity, was heard more often than English. In fact, as Mr.

Stevenson himself says in his essay on _The Old Pacific Capital_: "It

was difficult to get along without a word or two of that language for

an occasion."

[Footnote 12: These entertainments were so called in

allusion to the custom of breaking _cascarones_

(egg-shells), previously filled with finely cut coloured

or tinsel paper, upon the heads of the dancers. By the

time the midnight hour rolled around, every head

glittered with the confetti, and the floor was piled

several inches deep with it.]

High adobe walls, topped with tiles, concealed pleasant secluded

gardens, from which the heavy perfume of the floribundia and other

semitropical flowers poured out on the evening air. Behind such a wall

and in the midst of such a garden stood the two-story adobe dwelling

of the Señorita Maria Ygnacia Bonifacio, known to her intimates as

Doña Nachita. In the "clean empty rooms" of this house, furnished

with Spanish abstemiousness and kept in shining whiteness, "where the

roar of the water dwelt as in a shell upon the chimney," we had our

temporary residence, and here Louis Stevenson came often to visit us

and share our simple meals, each of which became a little fête in the

thrill of his presence and conversation. Something he had in him that

made life seem a more exciting thing, better worth living, to every

one associated with him, and it seemed impossible to be dull or bored

in his company. It is true that he loved to talk, and one of his

friends complained that he was too "deuced explanatory," but it seemed

to me that the flood of talk he sometimes poured out was the overflow

of a full mind, a mind so rich in ideas that he could well afford to

bestow some of it upon his friends without hope of return. His was no

narrow vein to be jealously hoarded for use in his writings, but his

difficulty lay rather in choosing from the wealth of his store. He

once remarked that he could not understand a man's having to struggle

to "find something to write about," and perhaps it is true that one

who has to do that has no real vocation as a writer.

When he came to us at Monterey he was newly arrived in this country,

and seemed to be in a rather peculiar state of mind concerning it,

complaining that it was too much like England to have the piquancy of

a foreign land, and yet not enough like it to have the restfulness of

home, therefore it left him with a strange, unsatisfied feeling. One

of the things in the new land that pleased him much was its food, for

he believed in enjoying the good things of this life, and he was like

a second Christopher Columbus, just discovering green corn and sweet

potatoes. In a letter to his friend Sidney Colvin he says: "In America

you eat better than anywhere else; fact. The food is heavenly!" During

his first days at Monterey he kept singing the praises of certain

delectable "little cakes," which he had found much to his liking in

the railroad eating-houses while crossing the continent. These were a

great mystery to us until one day Ah Sing, the Chinese cook, placed

upon the table a plate of smoking-hot baking-powder biscuits. Behold

the famous "little cakes"!

The unexpected discovery in the town of Jules Simoneau, to whom he

refers in his letters as "a most pleasant old boy, with whom I discuss

the universe and play chess," a man of varied talents, who was able to

furnish him with an excellent dinner, as well as the intelligent

companionship that he valued more than food, was a great satisfaction

to him. Often we all repaired together to Simoneau's little

restaurant, where we were served meals that were a rare combination of

French and Spanish cookery, for our host's wife, Doña Martina, was a

native of Miraflores, in Lower California, and was skilled in the

preparation of the _tamales_[13] and _carne con chile_[14] of the

Southwest. It has always seemed to me that in the oft-told story of

the friendship between Jules Simoneau and Robert Louis Stevenson but

scant justice has been done to that uncommonly fine woman Doña

Martina, who, no doubt, had her part in caring for the writer when he

lay so ill in Monterey. Perhaps more often than not it was her kind

and skilful hand that prepared the broth and smoothed the pillow for

Don Roberto Luís, as she called him; and though she had but little

book knowledge, she was, in her native good sense, her well-chosen

language, and the dignity and courtesy of her manners, what people

call a "born lady." Mrs. Stevenson was profoundly grateful to Jules

Simoneau for his early kindness to her husband, and had a sincere

admiration for his wife as well. When he fell into straitened

circumstances in his old age, she went to his rescue and provided him

with a comfortable living during his last years. When he died she

followed him to his last resting-place, and afterwards erected a

suitable monument to mark it, only stipulating that the name of Doña

Martina should also be placed upon it, she having died some time

before him.

[Footnote 13: _Tamales_, perhaps the most famous

culinary product of the Southwest, were probably of

Indian origin. Their construction is too complicated to

explain here, further than to say that they are made of

corn-meal and chopped meat rolled in corn-husks and

boiled.]

[Footnote 14: _Carne con chile_ (meat with chile) is

what its name indicates, a stew of meat and red

peppers.]

In the Señorita Bonifacio's garden, where we spent much of our time,

there was a riot of flowers--rich yellow masses of enormous

cloth-of-gold roses, delicate pink old-fashioned Castilian roses,

which the Señorita carefully gathered each year to make rose-pillows,

besides fuchsias as large as young trees, and a thousand other blooms

of incredible size and beauty. Loving them all, their little Spanish

mistress flitted about among them like a bird, alert, active,

bright-eyed, straight as an arrow, and as springy of step as a girl of

sixteen, although even then she was past her first youth.

As to flowers, it seemed to me that they made no particular appeal to

Mr. Stevenson except for their scent, in which he was very like the

rest of his sex the world over. He cared rather for nature's larger

effects--a noble cloud in the sky, the thunder of the surf on the

beach, or the fresh resinous smell of the pine forest.

To this house he came often of an afternoon to read the results of his

morning's work to the assembled family. While we sat in a circle,

listening in appreciative silence, he nervously paced the room,

reading aloud in his full sonorous voice--a voice that always seemed

remarkable in so frail a man--his face flushed and his manner

embarrassed, for, far from being overconfident about his work, he

always seemed to feel a sort of shy anxiety lest it should not be up

to the mark. He invariably gave respectful attention and careful

consideration to the criticism of the humblest of his hearers, but in

the end clung with Scotch pertinacity to his own opinion if he was

sure of its justice. In this way we heard _The Pavilion on the Links_,

which he wrote at Monterey, and read to us chapter by chapter as they

came from his pen. While there he also began another story which was

to have been called _Arizona Breckinridge_, or _A Vendetta in the

West_. This story, with its rather lurid title, was to have been based

upon some of his impressions of western America, but his heart could

not have been in it, for it was never finished. The name of Arizona

came out of his intense delight in the "songful, tuneful" nomenclature

of the United States, in which terms he refers to it in _Across the

Plains_. The name Susquehanna was a special joy to him, and he took

pleasure in rolling it on his tongue, adding to its music with the

rich tones of his voice, as he repeated it: "Susquehanna! Oh,

beautiful!" While on the train passing through Pennsylvania he wrote

some verses in a letter to Sidney Colvin about the beautiful river

with the "tuneful" name, of which one stanza runs thus:

"I think, I hope, I dream no more

The dreams of otherwhere;

The cherished thoughts of yore;

I have been changed from what I was before;

And drunk too deep perchance the lotus of the air

Beside the Susquehanna and along the Delaware."

Again, in writing the poem entitled _Ticonderoga_, it was the name

that first drew his attention, and

"It sang in his sleeping ears,

It hummed in his waking head;

The name--Ticonderoga."

Some story that we told him about a man who named his numerous family

of daughters after the States--Indiana, Nebraska, California,

etc.--took his fancy and suggested the name of Arizona Breckinridge to

him.

Out of the mist arise memories of walks along the beach--the long

beach of clean white sand that stretches unbroken for many miles

around the great sweeping curve of Monterey Bay, where we "watched the

tiny sandy-pipers, and the huge Pacific seas." Sometimes we walked

there at night, when the blood-red harvest-moon sprang suddenly like a

great ball of fire above the rim of horizon on the opposite side of

the circling bay, sending a glittering track across the water to our

very feet. To walk with Stevenson on such a night, and watch "the

waves come in slowly, vast and green, curve their translucent necks

and burst with a surprising uproar"--to walk with him on such a night

and listen to his inimitable talk is the sort of memory that cannot

fade. On other nights when the waters of the bay were all alight with

the glow of phosphorescence, we walked on the old wooden pier and

marvelled at the billows of fire sent rolling in beneath us by the

splashing porpoises.

Perhaps nothing about the place interested him more deeply than the

old mission of San Carlos Borroméo, once the home of the illustrious

Junípero Serra, and now the last resting-place of his earthly remains.

Within its ruined walls mass was celebrated once a year in honour of

its patron, Saint Charles Borroméo, and after the religious service

was over the people joined in a joyous _merienda_[15] under the trees,

during which vast quantities of _tamales_, _enchiladas_,[16] and other

distinctive Spanish-American viands were generously distributed to

friend and stranger, Catholic and Protestant. Mr. Stevenson attended

one of these celebrations, and was greatly moved by the sight of the

pitiful remnant of aged Indians, sole survivors of Father Serra's once

numerous flock, as they lifted their quavering voices in the mass. He

expressed much surprise at the clarity of their pronunciation of the

Latin, and in his essay on _The Old Pacific Capital_, he says: "There

you may hear God served with perhaps more touching circumstances than

in any other temple under Heaven.... These Indians have the Gregorian

music at their finger-ends, and pronounce the Latin so correctly that

I could follow the music as they sang." Much has been changed since

then, for the church has been "restored," and the little band of

Indians have long since quavered out their last mass and gone to meet

their beloved pastor, the saintly Serra.

[Footnote 15: _Merienda_--noonday luncheon.]

[Footnote 16: _Enchiladas_ are a sort of corn-meal

pancake rolled up and stuffed with cheese and a sauce

made of red peppers.]

Those were _dolce-far-niente_ days at Monterey, dreamy, romantic days,

spent beneath the bluest sky, beside the bluest sea, and in the best

company on earth, and all glorified by the rainbow hues of youth. But,

as Mr. Stevenson prophesied, the little town was "not strong enough to

resist the influence of the flaunting caravanserai which sprang up in

the desert by the railway," and after the coming of the fashionable

hotel the commercial spirit came to life in the place. The tile-topped

walls, hiding their sweet secluded gardens, gave way to the new frame

or brick buildings, the narrow, crooked streets were straightened and

graded, the breakneck sidewalks replaced by neat cement pavements,

and, at last, the Spirit of Romance spread her wings and vanished into

the mists of the Pacific.

The setting of the picture is now changed to Oakland, across the bay

from San Francisco, where we lived for some months in the little house

which Mr. Stevenson himself describes in the dedication to _Prince

Otto_ as "far gone in the respectable stages of antiquity, and which

seemed indissoluble from the green garden in which it stood, and that

yet was a sea-traveller in its younger days, and had come round the

Horn piecemeal in the belly of a ship, and might have heard the seamen

stamping and shouting and the note of the boatswain's whistle." This

cottage was of the variety known as "cloth and paper," a flimsy

construction permitted by the kindly climate of California, and on

winter nights, when the wind blew in strongly from the sea, its sides

puffed in and out, greatly to the amusement of the "Scot," accustomed

as he was to the solid buildings of his native land. It was, as he

says, "embowered in creepers," for over its front a cloth-of-gold rose

spread its clinging arms, and over one side a Banksia flung a curtain

of green and yellow.

It was during his stay in this house that we first realized the

serious nature of his illness, and yet there was none of the

depressing atmosphere of sickness, for he refused to be the regulation

sick man. Every day he worked for a few hours at least, while I acted

as amanuensis in order to save him the physical labour of writing. In

this way the first rough draught of _Prince Otto_ was written, and

here, too, he tried his hand at poetry, producing some of the poems

that afterwards appeared in the collection called _Underwoods_,

although it is certain that he never believed himself to be possessed

of the true poetic fire. Brave as his spirit was, yet he had his dark

moments when the dread of premature death weighed upon him. It was

probably in such a mood that he wrote the poem called _Not Yet, My

Soul_, an appeal to fate in which he expressed his rebellion against

an untimely end.

"Not yet, my soul, these friendly fields desert,

.   .   .   .   .   .   .   .   .   .   .   .

The ship rides trimmed, and from the eternal shore

Thou hearest airy voices; but not yet

Depart, my soul, not yet awhile depart.

.   .   .   .   .   .   .   .   .   .   .   .

Leave not, my soul, the unfoughten field, nor leave

Thy debts dishonored, nor thy place desert

Without due service rendered. For thy life,

Up, spirit, and defend that fort of clay,

Thy body, now beleaguered."

While engaged in dictating, he had a habit of walking up and down the

room, his pace growing faster and faster as his enthusiasm rose. We

feared that this was not very good for him, so we quietly devised a

scheme to prevent it, without his knowledge, by hemming him in with

tables and chairs, so that each time he sprang up to walk he sank back

discouraged at sight of the obstructions. When I recall the sleepless

care with which Mrs. Stevenson watched over him at that critical point

in his life, it seems to me that it is not too much to say that the

world owes it to her that he lived to produce his best works.

But above and beyond his wife's care for his physical well-being was

the strong courage with which she stood by him in his hours of gloom

and heartened him up to the fight. Her profound faith in his genius

before the rest of the world had come to recognize it had a great

deal to do with keeping up his faith in himself, and her

discriminating taste in literature was such that he had begun even

then to submit all his writings to her criticism.

Although his own life work lay entirely in the field of letters, he

had a sincere admiration for work with the hands, and often expressed

his surprise at the mechanical cleverness of American women. He took

pleasure in seeing that we could cut, fit, and make our own clothing,

and do a pretty good job of it, too, and looked on at the operation

with serious interest, sometimes making useful suggestions, for he had

a genuine and unaffected sympathy with the work and aims of other

people, no matter how humble they might be. Any one could go to him

with a tale of daily struggle, of little ambitions bravely fought for,

even though it were nothing more than a job as waiter in a restaurant,

and be sure of his respectful consideration and sincere advice, always

granting that the ambition were honest and the fight well fought.

Sickness and discouragement were not enough to keep down his boyish

gaiety, which he sometimes manifested by teasing his womenfolk. One of

his favourite methods of doing this was to station himself on a chair

in front of us, and, with his brown eyes lighted up with a whimsical

smile, talk broad Scotch, in a Highland nasal twang, by the hour,

until we cried for mercy. Yet he was decidedly sensitive about that

same Scotch, and his feelings were much wounded by hearing me express

a horror of reading it in books.

A pleasant trivial circumstance of our life that comes to mind is an

occasion when we were all rejoicing in the possession of new

clothes--a rare event with any of us in those days, and Louis proposed

that we should celebrate this extraordinary prosperity by an evening

at the theatre. Women wore pockets then, but there had been no time to

provide my dress with one, so Louis agreed to carry my handkerchief,

but only on condition that I should ask for it when needed in a true

Scotch twang, "Gie me the naepkin!" a condition that I was compelled

to fulfill, no doubt to the surprise of our neighbours at the theatre.

Gilbert and Sullivan were in their heyday then, and the play given

that night was _The Pirates of Penzance_. Louis said the London

"bobbies" were true to life.

Chief among the amusements with which we tried to brighten the extreme

quietude of our lives in the little Oakland house was reading aloud.

We obtained books from the Mercantile Library of San Francisco, among

which I especially remember the historical works of Francis Parkman,

who was a great favourite with Mr. Stevenson. He had a theory that the

not uncommon distaste among the people for that branch of literature

was largely the fault of the dull style adopted by many historians,

and saw no good reason why the thrilling story of the great events of

the world should not be presented in a manner that would hold the

interest of readers. Yet he had no patience with the sort of writing

that subordinates truth to the desire of presenting a striking

picture. As an instance, certainly of rare occurrence in Parkman, he

noticed a paragraph in _The Conspiracy of Pontiac_, in which the

author refers to the shining of the moon on a certain night when a

party was endeavouring to make a secret passage down the river through

hostile country. He thought it unlikely that Parkman could have known

that the moon shone on that particular night, though it is possible

that he did him an injustice, for it sometimes happens that just such

a trivial circumstance is mentioned in the documents of the early

explorers.

Sometimes he read aloud to us from some French writer, translating it

into English as he read for our benefit. _Les Étrangleurs_ was one of

the books that he read to us in this way, while we sat and sewed our

seams. He seemed to get a good deal of rest as well as amusement from

the reading of such books of mystery and adventure. His taste was

always for the decent in literature, and he was much offended by the

works of the writers of the materialistic school who were just then

gaining a vogue. Among these was Emile Zola, and he exacted a promise

from me never to read that writer--a promise that has been faithfully

kept to this day.

His stay at Monterey had given him a fancy to study the Spanish

language, so we obtained books and began it together. He had a theory

that a language could be best acquired by plunging directly into it,

but I have a suspicion that our choice of a drama of the sixteenth

century, one of Lope de Vega's, I think, was scarcely a wise one for

beginners. He refers to this venture of ours in a letter to Sidney

Colvin as "the play which the sister and I are just beating our way

through with two bad dictionaries and an insane grammar."

Nevertheless, we made some headway, and I remember that he marvelled

greatly at the far-fetched, high-flown similes and figures of speech

indulged in by the writers of the "Golden Age" of Spain. In spite of

his confessed dislike for the cold-blooded study of the grammar, we

did not altogether neglect it, and a day comes to my mind when he was

assisting me in the homely task of washing the dishes in the pleasant

sunny kitchen where the Banksia rose hung its yellow curtain over the

windows. We recited Spanish conjugations while we worked, and he held

up a glass for my inspection, saying: "See how beautifully I have

polished it, Nellie. There is no doubt that I have missed my vocation.

I was born to be a butler." "No, Louis," I replied, "some day you are

to be a famous writer, and who knows but that I shall write about you,

as the humble Boswell wrote about Johnson, and tell the world how you

once wiped dishes for me in this old kitchen!"

For the long evenings of winter we had a game which Louis invented

expressly for our amusement. Lloyd Osbourne, then a boy of twelve, had

rather more than the usual boy's fondness for stories of the sea. It

will be remembered that it was to please this boy that Mr. Stevenson

afterwards wrote _Treasure Island_. Our game was to tell a continued

story, each person being limited to two minutes, taking up the tale at

the point where the one before him left off. We older ones had a

secret understanding that we were to keep Lloyd away from the sea, but

strive as we might, even though we left the hero stranded in the

middle of the Desert of Sahara, Lloyd never failed to have him sailing

the bounding main again before his allotted two minutes expired.

Many and long were the arguments that we had on the merits of our

respective countries, and I remember that Mr. Stevenson did not place

the sentiment of patriotism at the top of the list of human virtues,

for he believed that to concentrate one's affections and interest too

closely upon one small section of the earth's surface, simply on

account of the accident of birth, had a narrowing effect upon a man's

mental outlook and his human sympathies. He was a citizen of the world

in his capacity to understand the point of view of other men, of

whatsoever race, colour, or creed, and it was this catholicity of

spirit that made it possible for him to sit upon the benches of

Portsmouth Square in San Francisco and learn something of real life

from the human flotsam and jetsam cast up there by fate.

Of all the popular songs of America he liked _Marching Through

Georgia_ and _Dixie_ best. For _Home, Sweet Home_ he had no liking,

perhaps from having heard it during some moment of poignant

homesickness. He said that such a song made too brutal an assault upon

a man's tenderest feelings, and believed it to be a much greater

triumph for a writer to bring a smile to his readers than a

tear--partly, perhaps, because it is a more difficult achievement.

Here the scene changes again, this time to San Francisco, the city of

many hills, of drifting summer fogs, and sparkling winter sunshine,

the old city that now lives only in the memories of those who knew it

in the days when Stevenson climbed the steep ways of its streets.

Although he had something about him of the _ennui_ of the

much-travelled man, and complained that

"There's nothing under heaven so blue,

That's fairly worth the travelling to,"

yet no attraction was lost on him, and the Far Western flavour of San

Francisco, with its added tang of the Orient, and the feeling of

adventure blowing in on its salt sea-breezes, was much to his liking.

My especial memory here is of many walks taken with him up Telegraph

Hill, where the streets were grass-grown because no horse could climb

them, and the sidewalks were provided with steps or cleats for the

assistance of foot-passengers. This hill, formerly called "Signal

Hill," was used in earlier days, on account of its commanding outlook

over the sea, as a signal-station to indicate the approach of vessels

and give their class, and possibly their names as they neared the

city. When we took our laborious walks up its precipitous paths it

was, as now, the especial home of Italians and other Latin people. Mr.

Stevenson wondered much at the happy-go-lucky confidence, or perhaps

it was their simple trust in God, with which these people had built

their houses in the most alarmingly insecure places, sometimes hanging

on the very edge of a sheer precipice, sometimes with the several

stories built on different levels, climbing the hill like steps. About

them there was a pleasant air of foreign quaintness--little railed

balconies across the fronts, outside stairways leading up to the

second stories, and green blinds to give a look of Latin seclusion.

In stories of his San Francisco days there is much talk of the

restaurants where he took his meals. The one that I particularly

remember was a place kept by Frank García, familiarly known as

"Frank's." This place, being moderately expensive, was probably only

frequented by him on special occasions, when fortune was in one of her

smiling moods. Food was good and cheap and in large variety in San

Francisco in those days, and venison steak was as often served up to

us at Frank's as beef, while canvasback ducks had not yet flown out of

the poor man's sight; so we had many a savory meal there, generally

served by a waiter named Monroe, with whom Mr. Stevenson now and then

exchanged a friendly jest. I remember one day when Monroe, remarking

on the depression of spirits from which Louis suffered during the

temporary absence of the women of his family, said: "I had half a mind

to take him in a piece of calico on a plate."

Once more the picture changes, now to the town of Calistoga--with its

hybrid name made up of syllables from Saratoga and California--where

we stayed for a few days at the old Springs Hotel while on our way to

Mount Saint Helena, to which mountain refuge Mr. Stevenson was fleeing

from the sea-fogs of the coast. The recollection of this journey seems

to have melted into a general impression of winding mountain roads, of

deep canyons full of tall green trees, of lovely limpid streams

rippling over the stones in darkly shaded depths where the fern-brakes

grew rankly, of burning summer heat, and much dust. At the Springs

Hotel we lived in one of the separate palm-shaded cottages most

agreeably maintained for the guests who liked privacy. On the premises

were tiny sheds built over the steaming holes in the ground which

constituted the Calistoga Hot Springs. It gave one a sensation like

walking about on a sieve over a boiling subterranean caldron.

Determined not to miss any experience, we each took a turn at a

steambath in these sheds, but the sense of imminent suffocation was

too strong to be altogether pleasant.

Then came the wild ride up the side of the mountain, in a six-horse

stage driven at a reckless rate of speed by its indifferent driver,

whirling around curves where the outer wheels had scarcely an inch to

spare, while we looked fearfully down upon the tops of the tall trees

in the canyon far below. If the horses slackened their pace for an

instant, the driver stooped to pick up a stone from a pile that he

kept at his feet and bombarded them into a fresh spurt. At the Toll

House, half-way up the mountain, which still exists in much the same

condition as in those days, we arrived as mere animated pillars of

fine white dust, all individuality as completely lost as though we had

been shrouded in masks and dominoes.

The Toll House was a place of somnolent peace and deep stillness,

broken only by a pleasant dripping from the wooden flume that brought

down the cold waters of some spring hidden in the thick green growth

far up on the mountainside. And such water! He who has once tasted of

the nectar of a California mountain spring "will not ask for wine!" At

the Toll House we had liberal country meals, with venison steaks,

served to us every day. Bear were still killed on the mountain, but I

do not remember having any to eat. From this place we climbed, by way

of a toilsome and stiflingly hot footpath running through a tangle of

thick undergrowth, to the old Silverado mine bunk-house, where the

Stevenson family took up their headquarters. People said there were

many rattlesnakes about, and now and then we saw indubitable evidence

of their presence in a long, spotted body lying in the road, where it

had been killed by some passer-by, but fear of them never troubled our

footsteps. In _The Silverado Squatters_ Mr. Stevenson says, "The place

abounded with rattlesnakes, and the rattles whizzed on every side like

spinning-wheels," but I am inclined to think that he often mistook the

buzzing noise made by locusts, or some other insect, for the rattle of

the snakes.

The old bunk-house seemed to me an incredibly uncomfortable place of

residence. Its situation, on top of the mine-dump piled against the

precipitous mountainside, permitted no chance to take a step except

upon the treacherous rolling stones of the dump; but we bore with its

manifest disadvantages for the sake of its one high redeeming

virtue--its entire freedom from the fog which we dreaded for the sick

man. It was excessively hot there during the day, but there was one

place where coolness always held sway--the mouth of the old tunnel,

from whose dark, mysterious depths, which we never dared explore for

fear of stepping off into some forgotten shaft, a cold, damp wind blew

continuously. Just inside its entrance we established a cold-storage

plant, for there all articles kept delightfully fresh in the hottest

weather. When the coolness of the evening fell, "it was good to gather

stones and send them crashing down the chute," and indeed this was

almost our only pastime in our queer mountain eyrie. The noise made by

these stones as they went bounding down the chute was sent back in

tremendous rolling echoes by the mountains on the opposite side of the

valley, and it pleased us to liken it to the noise heard by Rip Van

Winkle, "like distant peals of thunder," made by the ghosts of Hendrik

Hudson's men playing at ninepins in the Catskill Mountains.

Then back to San Francisco, where the only memory that remains is that

of a confused blur of preparations for leaving--packing,

ticket-buying, and melancholy farewells--for the time had come to

return to old Scotland to introduce a newly acquired American wife to

waiting parents.

One day Louis came in with his pockets full of twenty-dollar gold

pieces, with which he had supplied himself for the journey. He thought

this piece of money the handsomest coin in the world, and said it made

a man feel rich merely to handle it. In a jesting mood, he drew the

coins from his pockets, threw them on the table, whence they rolled

right and left on the floor, and said: "Just look! I'm simply lousy

wid money!"

Then came the parting, which proved to be eternal, for I never saw him

again; but perhaps it is better to remember him only as he was

then--before the rainbow hues of youth had faded.

To this picture, which represents my own personal recollections of the

California period,[17] something yet remains to be added. Many

obstacles seemed to block the path to happiness of these two people,

not the least of which was Louis's ill health and consequent inability

to earn a sufficient sum to support new obligations. To his great joy

this difficulty was finally smoothed away by a promise from his father

of an allowance large enough for their needs until such time as

restored health might bring about his independence. I remember the day

this word came from his father, and the exceeding happiness it gave

him. While it is true that his parents had at first objected to his

marriage, their objections were based, not on the matter of the

divorce, for they held extremely liberal views on that subject, but

simply on the fact of his choice being an American and a stranger.

They would, quite naturally, have preferred a daughter-in-law of their

own race and acquaintance, but both were intensely attached to their

only and gifted son, and, although his decision caused their own plans

to "gang agley," when they found that his mind was irrevocably made

up, they yielded without reserve, and prepared to welcome their new

daughter to their home and hearts. Writing at this time to his friend

Mr. Edmund Gosse, Stevenson expressed his satisfaction at the turn

affairs were taking in these words:

"Many of the thunderclouds that were overhanging me when last I wrote

have silently stolen away, like Longfellow's Arabs; and I am now

engaged to be married to the woman whom I have loved for three years

and a half. I will boast myself so far as to say that I do not think

many wives are better loved than mine will be."

[Footnote 17: Previously published in _Scribner's

Magazine_, October, 1916.]

When the rain-clouds at last rolled away, and the snow had melted from

the mountain-tops in the Coast Range, Fanny Osbourne and Robert Louis

Stevenson went quietly across the bay and were married, on May 19,

1880, by the Reverend Mr. Scott, with only Mrs. Scott and Mrs. Virgil

Williams as witnesses. It was a serious, rather than a joyous

occasion, for both realized that a future overcast with doubt lay

before them. In 1881 Stevenson wrote from Pitlochry in Scotland to Mr.

P. G. Hamerton:

"It was not my bliss that I was interested in when I was married; it

was a sort of marriage _in extremis_; and if I am where I am, it is

thanks to the care of that lady, who married me when I was a mere

complication of cough and bones, much fitter for an emblem of

mortality than a bridegroom."

As for her, she married him when his fortunes, both in health and

finances, were at their lowest ebb, and she took this step in the

almost certain conviction that in a few months at least she would be a

widow. The best that she hoped for was to make his last days as

comfortable and happy as possible, and that her self-sacrifice was to

receive the bountiful reward of fourteen rich years in his

companionship, during which time she was to see him win fame and

fortune by the exercise of his genius, was far from her dreams.

At the time of their marriage they took with them Mrs. Stevenson's

son, Samuel Lloyd Osbourne, her daughter having been married a short

time before to Joseph Strong, a well-known artist of the Pacific

Coast. Mr. Stevenson took this boy, then about twelve years of age, to

his heart as his own. In fact he always counted it as one of the

blessings that came through his wife that she brought to him, a

childless man, a son and daughter to be a comfort to him in all the

years of his life. In his talk at his last Thanksgiving dinner he

referred to this as one of his chief reasons for gratitude.

In the healing air of Mount Saint Helena the invalid grew better with

astonishing rapidity, and at the end of June he wrote to his mother:

"You must indeed pardon me. This life takes up all my time and

strength. I am truly better; I am allowed to do nothing, never leave

our little platform in the canyon nor do a stroke of work. No one to

see me now would think I was an invalid."

When, in 1883, his mother expressed surprise that such a rough place

should have been chosen for his cure, her daughter-in-law answered:

[Illustration: Fanny Osbourne at the time of her marriage to Robert

Louis Stevenson.]

"You wonder at my allowing Louis to go to such a place. Why, if you

only knew how thankful I was to get there with him! I was told that

nothing else would save his life, and I believe it was true. We could

not afford to go to a 'mountain resort' place, and there was no other

chance. Then, on the other hand, the next day I put in doors and

windows of light frames covered with white cotton, with bits of

leather from the old boots (miners' boots found in the deserted cabin)

for hinges, made seats and beds, and got things to look quite

homelike. We got white and red wine, dried peaches and fruits which we

kept cool in the tunnel and which we enjoyed extremely. Louis says

nothing about the flowers, but the beauty of them was beyond

description, to say nothing of the perfume. At the back door was a

thicket of trees covered with cream-colored and scarlet lilies. I have

never seen the like anywhere in the world."

Again she writes from Calistoga, July 16, 1880, to the yet unknown

mother-in-law:

"As to my dear boy's appearance, he improves every day in the most

wonderful way, so that I fancy by the time you see him you will hardly

know that he has ever been ill at all. I do try to take care of him;

the old doctor insists that my nursing saved him; I cannot quite think

it myself, as I shouldn't have known what to do without the doctor's

advice, but even having it said is a pleasure to me. Taking care of

Louis is, as you must know, very like angling for shy trout; one must

understand when to pay out the line, and exercise the greatest caution

in drawing him in. I am becoming most expert, though it is an anxious

business. I do not believe that any of Louis's friends, outside of his

own family, have ever realized how very low he has been; letters

followed him continually, imploring, almost demanding his immediate

return to England, when the least fatigue, the shortest journey,

might, and probably would, have proved fatal; and, which at the moment

filled my heart with bitterness against them, they actually asked for

work. Now, at last, I think he may venture to make the journey without

fear, though every step must be made cautiously. I am sure now that he

is on the high road to recovery and health, and I believe his best

medicine will be the meeting with you and his father, for whom he

pines like a child. I have had a sad time through it all, but it has

been worse for you, I know. I am now able to say that all things are

for the best. Louis has come out of this illness a better man than he

was before; not that I did not think him good always, but the

atmosphere of the valley of the shadow is purifying to a true soul;

and though he may be no nearer your hearts than before, I believe you

will take more comfort in your son than you have ever done. I trust

that in about two weeks we shall be able to start, and perhaps in less

time than that. Please remember that my photograph is flattering;

unfortunately all photographs of me are; I can get no other. At the

same time Louis thinks me, and to him I believe I am, the most

beautiful creature in the world. It is because he loves me that he

thinks that, so I am very glad. I do so earnestly hope that you will

like me, but that can only be for what I am to you after you know me,

and I do not want you to be disappointed in the beginning in anything

about me, even in so small a thing as my looks. Your fancy that I may

be a business person is a sad mistake. I am no better in that respect

than Louis, and he has gifts that compensate for any lack. I fear it

is only genius that is allowed to be stupid in ordinary things."

In this letter the natural trepidation with which she looked forward

to the meeting with her husband's parents, divided as they were from

her in race and customs, is evident. She was, as she confessed to some

of her friends, quite terrified at the prospect, especially as

concerned the elder Mr. Stevenson, whose portrait represented a

serious Scotchman with a stern, almost forbidding face, firm mouth,

and long upper lip. Her fear of her mother-in-law was less, for from

her she had had many affectionate and reassuring letters. How utterly

groundless her apprehensions were in this matter we shall see later.

Notwithstanding the uncertainty of the future that lay before them,

they were both exceedingly happy in the fruition of their

long-frustrated plans, and for her it lifted a cloud that had rested

upon her spirits for years. One day in San Francisco, shortly after

the marriage, her daughter, upon entering a room, stopped with a

sudden shock, startled by the unaccustomed sound of a light happy

laugh, the first she remembered ever having heard from the lips of her

mother. For the first time she realized what a sad and bitter life

Fanny Osbourne's had been.

Louis's health now being considered strong enough for the journey,

they left their sunny eyrie on the mountainside in July, and on August

7, 1880, sailed from New York for England.

The Life of Mrs. Robert Louis Stevenson · 第 5 / 12 章