CHAPTER XV.--CONTAINS A DISQUISITION ON MODERN POETRY, AND AFFORDS THE

READER A PEEP BEHIND THE EDITORIAL CURTAIN.

The position in which Frere had placed himself prevented Bracy from

discerning his features as he entered, and he accordingly accosted his

visitor as follows:--

“My dear sir, I am really distressed to have kept you waiting, but as

you arrived I was just jotting down the result of a little flirtation

with the Muse.”

“And that is it, I suppose?” observed Frere, turning his face towards

the speaker and pointing to the document before alluded to.

“Why, Frere, is it you, man?” exclaimed Bracy in surprise. “As I’m a

sinner, I took you for that learned elder, Dr.-------. My young imp told

me you were a gentleman who wished to see me on particular business. If

that juvenile devil takes to telling lies _to_ instead of _for_ me,

I shall have to give him his due for once, in the shape of a sound

caning.”

“You may spare yourself the trouble,” returned Frere, “as by some

accident he has only spoken the truth this time; for I hope you don’t

mean to insinuate that I am anything but a gentleman, and I have most

assuredly come to you on business--that is, always supposing Mr. --------

of -------- Street has informed me correctly in regard to your

editorial functions.”

“What! has the _cacoethes scribendi_ seized you also, and tempted you

into the commission of some little act of light literature?” added

Bracy.

“Thank goodness, no,” answered Frere. “I’m happy to say I’m not so far

gone as all that comes to yet. No, this is a different case altogether,”

and he then proceeded to inform his companion of Rose’s, application,

and the necessity which existed to make her talents available for

practical purposes.

“Magazine writing affords rather a shady prospect for realising capital

in these days,” observed Bracy, shaking his head discouragingly. “Let’s

look at the young lady’s interesting efforts. Have you ever seen her?

Arundel’s sister ought to be pretty. What’s this? ‘The Preacher’s

Address to the Soul.’ Why, it’s a sermon in rhyme. Heaven help the girl!

what’s she thinking of?”

“Read it and you’ll see. I like it very much,” returned Frere, slightly

nettled at the reception his _protégées_ productions appeared likely to

meet with.

“Oh! it’s a sermon clearly,” continued Bracy; “here’s something about

vanity and the grave. I heard it all last Sunday at St. Chrysostom’s,

only the fellow called it gwave and gwace. He’d picked up some

conscientious scruple against the use of the letter R, I suppose.

It’s quite wonderful, the new-fangled doctrines they develop nowadays.

Hum--ha--‘Making the desert home,’--rather a young idea, eh? ‘Happy

birds,’--don’t like that, it puts one too much in mind of ‘jolly dogs’

or ‘odd fish.’ I should have said dicky birds, if it had been me; that’s

a very safe expression, and one that people are accustomed to. ‘The joy

of flowers,’--what on earth does she mean by that, now? I should say

nobody could understand that; for which reason, by the way, it’s the

best expression I’ve seen yet. Poetry, to be admired in the present day,

must be utterly incomprehensible. We insert very little, but that’s the

rule I go by. If I can’t understand one word of a thing, I make a point

of accepting it; it’s safe to become popular. ‘Love for time, Heaven for

eternity,’--well, that’s all very, nice and pretty, but I’m sorry to say

it won’t do; it’s not suited to the tone of the Magazine, you see.”

“I can’t say I _do_ see very clearly at present,” returned Frere; “what

kind of poetry is it that you accept?”

“Oh, there are different styles. Now here’s a little thing I’ve got in

the June part, ‘The Homeless Heart, by L. O. V. E.’ Her real name is

Mary Dobbs, but she couldn’t very well sign herself M.D.; people would

think she was a physician. She’s a very respectable young woman (such a

girl to laugh), and engaged to an opulent stockbroker. Now listen:

“‘Homeless, forsaken,

Deeply oppress’d,

Raving, yet craving

Agony’s rest;

Bitterly hating,

Fondly relenting,

Sinning, yet winning

Souls to repenting;

When for her sorrow

Comes a to-morrow,

Shall she be bless’d?’”

“That’s a question I can’t take upon myself to answer,” interrupted

Frere. “But if those are in the style you consider suited to the tone of

your Magazine, it must be a very wonderful publication.”

“I flatter myself it is, rather,” replied Bracy complacently. “But

that’s by no means the only style; here’s a thing that will go down with

the million sweetly. Listen to this,” and as he spoke he extracted

from a drawer a mighty bundle of papers labelled “Accepted Poetry,” and

selecting one or two specimens from the mass, read as follows:--

“THE COUNTESS EMMELINE’S DISDAINMENT.”

“Bitter-black the winter’s whirlwind wail’d around the haunted hall,

Where the sheeted snow that fleeted fester’d on the mouldering wall.

“But his blacker soul within him childish calm appear’d to view,

And when gazing, ’twas amazing whence the sceptic terror grew.

“Then her voice, so silver-blended, to a trumpet-blast did swell,

As she task’d him when she asked him, ‘Mr. Johnson, is it well?’

“Ashen-white the curdled traitor paled before her eagle eye,

Whilst denying, in replying, deeper grew his perjury.”

“There! I can’t stand any more of that, at any price!” exclaimed Frere,

putting his hands to his ears. “Unless you wish to make me seriously

ill, spare me the infliction of those detestable compound adjectives.”

“My dear fellow, you’ve no taste,” returned Bracy. “Why, that’s written

by one of our best contributors; an individual that will make Tennyson

look to his laurels, and do the Brownings brown, one of these days. But

if that’s too grand for you, here’s a little bit of pastoral simplicity

may suit you better:--

“‘TO A HERBLET, NAME UNKNOWN.

‘Once upon a holiday,

Sing heigho;

Still with sportive fancy playing

While all nature was a-maying,

On a sunny bank I lay;

Where the happy grass did grow,

‘Neath the fragrant lime-tree row,

Sing heigho!

‘There a little fairy flower,

Sing heigho!

Glancing from its baby eyes

With a look of sweet surprise,

Grew beneath a bower,

Brought unto my soul the dawning

Of a mystic spirit warning,

Sing heigho!

‘Then I wept, and said, despairing,

Sing heigho!

Fate is dark, and earth is lonely,

And the heart’s young blossoms only

Render life worth bearing----”

“Now then, what’s the matter with you?” inquired Bracy, interrupting

himself on seeing Frere snatch up his hat and umbrella.

“If you’re going to read any more of that, I’m off; that’s all,”

returned Frere. “My powers of endurance are limited.”

“Oh, if you are positively such a Hottentot as to dislike it,” rejoined

Bracy, “I’ll not waste any more of its sweet simplicity upon you; but,

you’ll see, the gentle public will rave about it to an immense extent.”

“Now tell me honestly, Bracy--you don’t really admire that childish

rubbish?”

Thus appealed to, Bracy’s face assumed an expression of most comical

significance; and after pausing for a moment in indecision, he replied--

“Well, I’ve a sort of respect for your good opinion, Frere, and I don’t

exactly like to send you away fancying me a greater ass than I am; so

I’ll honestly confess that, what between affected Germanisms on the

one hand and the puerilities of the Wordsworth-and-water school on the

other, the poetry of the present day has sunk to a very low ebb indeed.”

“Then don’t you consider it the duty of every honest critic to point

this out, and so guide and reform the public taste as to evoke from the

‘well of English undefiled’ a truer and purer style?” returned Frere

earnestly.

“My dear fellow, that all sounds very well in theory, but in practice,

I’m afraid (to use a metaphor derived from one of the humane and

intellectual amusements of our venerated forefathers), that cock won’t

fight. It may be all very well for some literary Don Quixote, with

a pure Saxon taste and a long purse, to tilt at the public’s pet

windmills, because he conceives them to be giant abuses. If he meets

with a fall, he need only put his hand in his pocket and purchase a

plaster, getting a triple shield of experience in for the money. But it

is far otherwise with a magazine. If that is to continue in existence it

must pay; in order to pay it must be rendered popular; to make a thing

popular you must go with the stream of public opinion, and not against

it. The only chance is to head the tide and turn it in the direction you

desire. But to attempt that a man ought to possess first-rate talent,

and I’m free to confess that I, for one, do not; and therefore, you see,

as people must be amused, I’m very willing to amuse them in their own

way, as long as I find it pleasant and profitable to do so. _Voila!_ do

you comprehend?”

“I comprehend this much,” returned Frere gruffly, “that the ground of

your argument is expediency and not principle; and I tell you plainly

that does not suit me, and I’m afraid Miss Arundel is too much of

my mind in that particular for her writings to suit your wonderful

magazine; so the sooner I take my departure the better for your

morning’s work.”

“Stay a moment, don’t get on stilts, man,” returned Bracy, resuming his

examination of Rose’s papers. “Is there nothing but verses? What have we

here? ‘My First Dinner-Party’--this seems more likely.”

He paused, and ran his eye over several of the pages, muttering from

time to time as he went along, “Yes, good lively style--quick powers of

observation--a very graphic touch--bravo! ha! ha! here, listen to this--

“‘Immediately before me stood a dish which even my inexperience believed

itself able to recognise; it was jelly of some kind, with certain dark

objects encased in it, as flies occasionally are in amber. These

opaque portions I settled, in my own mind, must be preserved fruit,

and accordingly (fearful lest, in my ignorance of fashionable dishes, I

should say “yes” to some tremendous delicacy which might prove utterly

impracticable), when invited to partake of it, I graciously signified

my assent. Imagine my horror when, on putting the first mouthful to my

lips, I discovered the jelly was savoury--_i.e_. all pepper and salt,

and the creature embedded in it a fragment of some dreadful fish! Eating

the thing was out of the question; the mere taste I had taken of it made

me feel uncomfortable: an attempt to conceal it beneath the knife and

fork proved utterly futile. I glanced at the butler, but he was too much

absorbed in his own dignity and the dispensation of champagne to observe

me; I gazed appealingly at a good-looking young footman, but he

merely pulled up his shirt-collar foppishly, thinking he had made an

impression; I even ventured to call, in a low voice, to the sprightly

waiter who had eloped with my untouched plate of lamb five minutes

before, but he did not hear me; and there I sat with a huge plateful of

horrible food before me, which I could neither eat nor get rid of, “a

cynosure for neighbouring eyes,” forced, as my fears suggested, to run

the gauntlet of all the mocking glances of the assembled company.’”

“There,” continued Bracy, “I call that a stunning description; I could

not have done it better myself. The girl writes so easily! Let me see,

18--25--28 lines in a page of manuscript; there’s not much of it, I

think I can get it in. I want two pages of amusing matter in the fourth

sheet.”

“Ahl something light, about two. Now I understand,” exclaimed Frere,

pointing to the mysterious document on the table; “that was not a

memorandum in regard to luncheon, then.”

“A what?” returned Bracy, shouting with laughter. “No,” he continued,

as soon as he had in some measure recovered his composure, “that is

the ‘make-up,’ as we call it, of the third and fourth sheets of the

Magazine.”

“Indeed!” returned Frere. “I should think it must require a great deal

of careful reflection to select suitable articles and arrange them

properly.”

“Eh! no, not a bit; the thing’s simple enough when you once get in the

way of it. Have plenty of variety, that’s the grand point--what one

doesn’t like, another will. Take large shot for big birds, and small

shot for little ones, and then you’ll bag the whole covey; that’s

my maxim. Now, look here: first we begin with a scientific article,

‘Questions on Quicksilver.’ There’s not one reader in a hundred that can

understand that paper when they’ve read it; and very few even of those

who can take it in care two straws about quicksilver--why should

they? But they all read it, because it’s a cheap way of getting up the

necessary amount of scientific jargon to hash into small talk. I never

look at that man’s papers myself; I know they’re safe, though I can’t

understand a word of ’em--but they’re a great help to the Magazine.

Then comes our friend, the ‘Homeless Heart.’ I put that in as a drop of

romantic barley-sugar to soften the women’s throats after swallowing the

science. Next we have ‘An Historical Parallel.’ Famous fellows they are;

the principal dodge in writing them is to take an ‘entirely new reading

of the character,’ as the actors say. In the present article, if I

recollect right, they prove Cour-de-Lion to have been a hypocritical

fanatic, and Cromwell a chivalric, magnanimous enthusiast. It’s safe to

take, depend upon it. ‘L’Incomprise’ tells its own tale--it’s as close

an imitation of Eugene Sue and George Sand as English morality will

tolerate, though the invention of guttapercha, or some other elastic

agent, enables even that stiff material nowadays to stretch to lengths

which would astonish our grandmothers. Then comes the ‘Plea for the

Industrial Classes’--a regular savage poke at the present Poor Law

(we’re obliged to do a little bit of political economy as well as our

neighbours, you know); it’s awfully heavy, but it will neutralise any

ill effects ‘L’Incomprise’ may have had on fathers of families all the

better. Lastly, there’s my own little thing, ‘Dog-cart Drives.’ Ahem!

have you seen that?”

“Not I,” replied Frere; “I’ve no time for reading tra---- I mean novels

and that sort of thing.”

“I believe it’s liked; I hear it’s a good deal talked about,” continued

Bracy with an air of bashful self-complacency. “‘Bell’s Life’ spoke very

handsomely of it last week; there were six whole lines devoted to it, I

think. Upon my word I should like you to read it.”

At this moment Frere suddenly discovered that he had remained over his

time, and should be too late for some deeply interesting experiments

that were to come off that morning at what his companion termed his

science shop; so receiving an assurance from Bracy that Rose’s sketch

should be inserted in the Magazine, and that he would consider what

would be her best mode of proceeding in regard to the poetry, the

friends shook hands and parted, Frere promising to make himself

acquainted with the subject-matter of “Dog-cart Drives” at an early

opportunity.

Lewis Arundel; Or, The Railroad Of Life · 第 15 / 68 章