"Don't expect, my dear boy, I can similies find

For a heap of similitudes so undefined.

And why should I censure tastes not my concern?

'Tis as well for the arts that all tastes have their turn."

If I had written for three hours on the subject, I could not have

been more explicit; you have only to arrange the articles in the order

enumerated, and you have a model of the upper part of the building

before you. At nine o'clock we made our _entre_ into the Pavilion,

westward, passing through the vestibule and hall, when we entered one

of the most superb apartments that art or fancy can devise, whether for

richness of effect, decoration, and design: this is ~294~~called the

_Chinese Gallery_, one hundred and sixty-two feet in length by seventeen

feet in breadth, and is divided into five compartments, the centre being

illumined with a light of stained glass, on which is represented the

God of Thunder, as described in the Chinese mythology, surrounded by the

imperial five-clawed dragons, supporting pendent lanterns, ornamented

with corresponding devices. The ceiling or cove is the colour of

peach blossom; and a Chinese canopy is suspended round from the

lower compartment with tassels, bells, &c.: the furniture and other

decorations, such as cabinets, chimney-piece, trophies, and banners,

which are in the gallery, are all in strict accordance with the Chinese

taste; while on every side the embellishments present twisted dragons,

pagodas, and mythological devices of birds, flowers, insects, statues,

formed from a yellow marble; and a rich collection of Oriental china.

The extreme compartments north and south are occupied by chased brass

staircases, the lateral ornaments of which are serpents, and the

balusters resemble bamboo. In the north division is the _fum_{1} or

Chinese bird of royalty: this gallery opens into the music room, an

apartment forty-two feet square, with two recesses of ten feet each, and

rising in height forty-one feet, to a dome thirty feet in diameter. The

magnificence and imposing grandeur of effect surpasses all effort

at detail. It presented a scene of enchantment which brought to

recollection the florid descriptions, in the Persian Tales, of the

palaces of the genii: the prevailing decoration is executed in green

gold, and produces a most singularly splendid effect. On the walls

are twelve highly finished paintings, views in China, principally near

Pekin, imitative of the crimson japan.

1 The fum is said to be found in no part of the world but

China. It is described as of most admirable beauty; and

their absence for any time from the imperial city regarded

as an omen of misfortune to the royal family. The emperor

and mandarins have the semblance of these birds embroidered

on their vestments.

~295~~The dome appears to be excavated out of a rock of solid gold, and

is supported by an octagonal base, ornamented with the richest Chinese

devices; at each angle of the room is a pagoda-tower, formed of the most

costly materials in glass and china, with lamps attached; beneath the

dome and base is a splendid canopy, supported by columns of crimson and

gold, with twisted serpents of enormous size, and terrific expression

surrounding them. A magnificent organ, by Sinclair, the largest and best

in the kingdom, occupies the north recess, twenty feet in width, length,

and height: there are two entrances to this room, one from the _Egyptian

gallery_, and another from the yellow drawing-room, each under a rich

canopy, supported by gold columns. A beautiful chimney-piece of white

statuary marble, and an immense mirror, with splendid draperies of

blue, red, and yellow satin, rare china jars, and ornaments in ormolu,

increase the dazzling brilliancy of the apartment. As this was my first

appearance in the palace, the Countess, very considerately, proposed to

Sir H----T----, who conducted us, that we should walk through the other

public apartments, before we were ushered into the presence chamber--a

proposition the good-natured equerry very readily complied with.

Repassing, therefore, the whole length of the Chinese gallery, the

southern extremity communicates with the _Royal Banqueting Room_, sixty

feet in length, by forty-two in breadth: the walls are bounded at the

height of twenty-three feet by a cornice, apparently inlaid with pearls

and gold, from which spring four ecliptic arches, supported by golden

columns, surmounted with a dome, rising to a height of forty-five feet,

and constructed to represent an eastern sky; beneath which is seen

spreading the broad umbrageous foliage of the luxuriant plantain,

bearing its fruit and displaying, in all the progressive stages,

~296~~the different varieties, from the early blossom to maturity:

curious Chinese symbols are suspended from the trunk, and connect

themselves with a grand lustre, rising to a height of thirty feet, and

reflecting the most varied and magical effect, being multiplied by other

lustres, in the several angles adjoining. The walls are decorated with

groups of figures, nearly the size of life, portraying the costume

of the higher classes of the Chinese; domestic episodes, painted on a

ground of imitative pearl, richly wrought, in all the varied designs

of Chinese mythology. The furniture is of the most costly

description--rose-wood inlaid with mother-of-pearl, and enriched with

_or molu_ chasings of the most elegant design; the effect of which is

admirably contrasted with the rich glossy jars of blue porcelain, of

English manufacture, and magnificent brilliancy. Centrally, between

these magnificent apartments, is the Rotunda or Saloon; an oblong

interior of fifty-five feet in length, the decoration chaste and

classical in the extreme, being simply white and gold, the enriched

cornice being supported by columns and pilasters, and the whole

decoration uniting coolness with simplicity. The passages to some of

the minor apartments are unique in their style of embellishment, which

appears to be of polished white marble, but is, in fact, nothing but a

superior Dutch tile, cemented smoothly, in plaster of Paris, and highly

varnished. There are many other private and anterooms to the west of

the Chinese gallery, the decorations of which are more simple, but in

a corresponding style. We had now arrived at the _Yellow Room (see

Plate_), where we understood his Majesty would receive his evening

party.

[Illustration: page296]

The apartment is fifty-six feet in length, by twenty in breadth, and is

hung round with a rich fluted drapery of yellow satin, suspended from

the ceiling, and representing a magnificent Chinese tent, from the

centre of which hangs a chandelier of ~237~~the most splendid design,

the light of which is diffused through painted glasses, resembling

in shape and colour every variety of the tulip, exciting the greatest

admiration. The chimney-piece is Chinese, the stove formed by _chimera_

chased in _or molu_, the figures above being models or automatons,

of nearly the size of life, dressed in splendid costume, occasionally

moving their heads and arms. The furniture of the room is of a similar

character to those already described, except the seats, which are

ottomans of yellow velvet, the window draperies being of the same

splendid material. It was in this truly royal apartment we had the

honour of waiting the approach of his Majesty, who entered, at about a

quarter before ten, apparently in the enjoyment of the most excellent

health and highest spirits. He was preceded by Sir A. F. Barnard and

Lord Francis Conyngham, the grooms in waiting, and entered with the

Princess Augusta leaning on his arm, the left of her royal highness

being supported by the Duke of York; the Marquis of Conyngham followed,

leading in his Marchioness; and the beautiful and accomplished Lady

Elizabeth honoured Sir William Knighton as her conductor. The old Earl

of Arran came hobbling on his crutches, dreadfully afflicted with

the gout. Sir C. Paget, that merry son of Neptune, with Sir E. Nagle,

followed; the rear being brought up by the fascinating Countess of

Warwick and her ever constant earl. _(See Plate.)_ Do not imagine, my

dear Bernard, that I shall so far outrage the honourable feelings of a

gentleman as to relate every word, look, or action, of this illustrious

party, for the rude ear of eager curiosity. Those only who have

witnessed the Monarch in private life, freed from the weight of state

affairs, and necessary regal accompaniments, can form a correct judgment

of the unaffected goodness of his heart; the easy affability, and pliant

condescension, with which he can divest ~298~~every one around him of

any feeling of restraint--the uncommon sprightliness and vivacity he

displays in conversation--the life and soul of all that is elegant and

classical, and the willing participator and promoter of a good joke.

Suffice it to say, the reception was flattering in the extreme, the

entertainment conversational and highly intellectual. The moments flew

so quickly, that I could have wished the hour of eleven, the period of

the King's retiring, had been extended to the noontide of the morrow.

But is this all, I think I can hear you say, this friend of my heart

dares to repose with me on a subject so agreeable? No--you shall have a

few _on dits_, but nothing touching on the scandalous; gleanings, from

Sir E---- and Sir C----, the jesters of our sovereign lord the King; but

nothing that might excite a blush in the cheek of the lovely Countess,

to whom I was indebted for the honour and delight I on that occasion

experienced. Imprimis:--I know you are intimate with that inimitable

child of whim, Charles Mathews. He is in high estimation with royalty,

I assure you; and annually receives the King's command to deliver a

selection from his popular entertainments before him--an amusement of

which his Majesty speaks in terms of the warmest admiration. On the last

occasion, a little _scena_ occurred that must have been highly amusing;

as it displays at once the kind recollections of the King, and his

amiable disposition. As I had it from Sir C----, you may depend upon

its authenticity. I shall denominate it the King at Home, or Mathews in

Carlton Palace. _(See Plate.)_

[Illustration: page298]

Previous to Mathews leaving this country for America, he exhibited a

selection from his popular entertainments, by command of his Majesty,

at Carlton Palace.--A party of not more than six or eight persons

were present, including the Princess Augusta and the Marchioness of

Conyngham. During ~299~~the entertainment (with which the King appeared

much delighted), Mathews introduced his imitations of various performers

on the British stage, and was proceeding with John Kemble in the

Stranger, when he was interrupted by the King, who, in the most affable

manner, observed that his general imitations were excellent, and such as

no one who had ever seen the characters could fail to recognise; but

he thought the comedian's portrait of John Kemble somewhat too

boisterous.--"He is an old friend, and I might add, tutor of mine,"

observed his Majesty: "when I was Prince of Wales he often favoured me

with his company. I will give you an imitation of John Kemble," said

the good-humoured monarch. Mathews was electrified. The lords of the

bed-chamber eyed each other with surprise. The King rose and prefaced

his imitations by observing, "I once requested John Kemble to take a

pinch of snuff with me, and for this purpose placed my box on the table

before him, saying 'Kemble, oblige (obleege) me by taking a pinch of

snuff' He took a pinch, and then addressed me thus:--(Here his Majesty

assumed the peculiar carriage of Mr. Kemble.) 'I thank your Royal

Highness for your snuff, but, in future, do extend your royal jaws a

little wider, and say Oblige.'" The anecdote was given with the most

powerful similitude to the actor's voice and manners, and had an

astonishing effect on the party present. It is a circumstance equally

worthy of the King and the scholar. Mathews, at the conclusion,

requested permission to offer an original anecdote of Kemble, which

had some affinity to the foregoing. Kemble had been for many years the

intimate friend of the Earl of Aberdeen. On one occasion he had called

on that nobleman during his morning's ride, and left Mrs. Kemble in the

carriage at the door. John and the noble earl were closely engaged

on some literary subject a very long time, while Mrs. Kemble was

~300~~shivering in the carriage (it being very cold weather). At length

her patience being exhausted, she directed her servant to inform his

master that she was waiting, and feared the cold weather would bring

on an attack of the rheumatism. The fellow proceeded to the door of the

earl's study, and delivered his message, leaving out the final letter in

rheumatism.--This he had repeated three several times, by direction

of his mistress, before he could obtain an answer. At length, Kemble,

roused from his subject by the importunities of the servant, replied,

somewhat petulantly, "Tell your mistress I shall not come, and, fellow,

do you in future say '_tism_."

Among the party assembled on this occasion was the favoured son of

Esculapius, Sir W---- K----, the secret of whose elevation to the

highest confidence of royalty is one of those mysteries of the age which

it is in vain to attempt to unravel, and which, perhaps, cannot be known

to more than two persons in existence: great and irresistible, however,

must that influence be, whether moral or physical, which could obtain

such dominion over the mind as to throw into the shade the claims of

rank and courtly _lions_, and place an humble disciple of Esculapius on

the very summit of royal favour. Of his gentlemanly and amusing talents

in society every one must speak in terms of the highest praise, and

equally flattering are the reports of his medical skill; but many are

the fleeting causes and conjectures assigned for his supremacy--reports

which may not be written here, lest I assist in the courtly prattle of

misrepresentation. Sir W---- was, I believe, the executor of an old

and highly-favoured confidential secretary; might not _certain

circumstances_ arising out of that trust have paved the way to his

elevation? If the intense merits of the individual have raised him to

the dazzling ~301~~height, the world cannot value them too highly, and

sufficiently extol the discrimination of the first sovereign and first

gentleman of the age who could discover and reward desert with such

distinguished honour. But if his elevation is the result of any

sacrifice of principle, or of any courtly intrigue to remove a once

equally fortunate rival, and pave his path with gold, there are few who

would envy the favoured minion: against such suspicion, however, we have

the evidence of a life of honour, and the general estimation of society.

Of his predecessor, and the causes for his removal, I have heard some

curious anecdotes, but these you shall have when we meet. A very good

story is in circulation here among the court circle relative to the

eccentric Lady C---- L----, and a young marchioness, who, spite of the

remonstrances of her friends and the general good taste of the ladies

in that particular, recently selected an old man for a husband, in

preference to a choice of at least twenty young and titled, dashing

_roues_: the whim and caprice of the former is notorious, while the life

and animation of the little marchioness renders her the brightest

star of attraction in the hemisphere of fashion. "I should like to see

Billingsgate, amazingly," said the marchioness to her eccentric

friend, while reading a humorous article on the subject in the Morning

Chronicle. "It must be entertaining to hear the peculiar phraseology and

observe the humorous vulgarities of these _naiades_, if one could do so

_incog_." "And why not, my dear?" said Lady C----; "you know there never

was a female Quixote in existence among the petticoat blue-stockings,

from Lady Wortley Montague to Lady Morgan, who was more deeply affected

with the Tom and Jerry _mania_ than I am: leave all to me, and I'll

answer for taking you there safely, enjoying the scene securely, and

escaping without chance of detection." With Lady ~302~~C---- a whim of

this description is by no means unusual, and the necessary attendance of

a confidential servant to protect, in case of danger, a very essential

personage. To this Mercury, Lady C---- confided her plan; giving

directions for the completion of it on the morning of the morrow, and

instructing him to obtain disguises from his wife, who is an upper

servant in the family, for the use of the ladies. John, although

perfectly free from any alarm on account of Lady C----, should the whim

become known, was not so easy in respect to the young and attractive

marchioness, whose consort, should any thing unpleasant occur, John

wisely calculated, might interfere to remove him from his situation.

With this resolve he prudently communicated the ladies' intention to a

confidential friend of the marquis, who, on receiving an intimation

of their intentions, laughed at the whim, and determined to humour the

joke, by attending the place, properly disguised, to watch at a distance

the frolic of the ladies. The next morning, at the appointed hour, the

footman brought a hackney-coach to the door, and the ladies were quickly

conveyed to the scene of action, followed (unknowingly) by the marquis

and his friend. Here they amused themselves for some time in walking

about and observing the bustle and variety of the, to them, very

novel scene; soon, however, fatigued with the mobbing, thrusting, and

filthiness, which is characteristic of the place, the marchioness was

for returning, remarking to her friend that she had as yet heard none

of that singular broad humour for which these nymphs of the fish-market

were so celebrated. "Then you shall have a specimen directly," said Lady

C----, "if I can provoke it; only prepare your ethics and your ears for

a slight shock; "and immediately approaching an old fresh-water dragon,

who sat behind an adjoining stall, with a countenance spirited in the

~303~~extreme, and glowing with all the beautiful varieties of the

ultra-marine and vermilion, produced by the all-potent properties of

Hodge's full-proof, she proceeded to cheapen the head and shoulders of a

fine fish that lay in front of her, forcing her fingers under the gills,

according to the approved custom of good housewives, to ascertain if it

was fresh.

[Illustration: page303]

After a parley as to price, Lady C---- hinted that she doubted its being

perfectly sweet: the very suspicion of vending an unsavoury article

roused the old she-dragon at once into one of the most terrific passions

imaginable, and directing all her ire against the ladies, she poured

forth a volley of abuse fiery and appalling as the lava of a volcano,

which concluded as follows.--"Not sweet, you ----," said the offended

deity; "how can I answer for its sweetness, when you have been tickling

his gills with your stinking paws 1 " _(See Plate.)_ The marchioness

retreated at the first burst of the storm, but Lady C----continued to

provoke the old naiad of the shambles, till she had fully satisfied her

humour. Again safely escorted home by the liveried Mercury, the ladies

thought to have enjoyed their joke in perfect security; but what was

their astonishment, when on meeting the marquis and a select party at

dinner, to find the identical fish served up at their own table, and the

marquis amusing his friends by relating the whole circumstances of

the frolic, as having occurred to two ladies of distinction during the

laughter-loving days of Charles the Second. I need not animadvert upon

the peculiar situation of the ladies, who, blushing through a crimson

veil of the deepest hue, bore the raillery of the party assembled with

as much good sense as good nature; acknowledging the frolic, and joining

in the laugh the joke produced. Beneath, you have one of our facetious

friend Bob Transit's humorous sketches of an incident said to have

occurred near B---- H----: in which an eccentric ~304~~lady chose to

call up the servants in the dead of the night, order out the carriage,

and mounting the box herself, insisted upon giving the footman, who had

been somewhat tardy in leaving his bed, a gentle airing in his shirt.

[Illustration: page304]

CHARACTERS ON THE BEACH AND STEYNE, BRIGHTON.

_On Bathing and Bathers--Advantages of Shampooing--French

Decency--Brighton Politeness--Sketches of Character--The

Banker's Widow--Miss Jefferies--Mrs. F----l--Peter

Paragraph, the London Correspondent--Jack Smith--The

French Consul--Paphian Divinities--C---- L----, Esq.--

Squeeze into the Libraries--The new Plunging Bath--Chain

Pier--Cockney Comicalities--Royal Gardens--The Club House._

~305~~The next morning early I proceeded to the beach to enjoy the

delightful and invigorating pleasure of sea-bathing. The clean pebble

shore extending, as it does here, for a long distance beneath the east

cliff, is a great advantage to those who, from indisposition or luxury,

seek a dip in the ocean. One practice struck me as being a little

objectionable, namely, the machines of the males and females being

placed not only within sight of each other, but actually close

alongside; by which circumstance, the sportive nymphs sometimes display

more of nature's charms to the eager gaze of her wanton sons than befits

me to tell, or decency to dwell on. I could not, however, with all the

purity of my ethics, help envying a robust fellow who was assisting in

clucking the dear unencumbered creatures under the rising wave.{1}

1 Some of the female bathers are very adventurous, and from

the great drawback of water many accidents have occurred.

I was much amused one morning with three sisters, in the

machine adjoining mine, continually crying out to a male

attendant "to push on, and not be afraid of the

consequences; we can all swim well," said one of the Miss

B----'s (well known as the _marine graces_). "But my machine

a'n't water-tight," replied the bathing-man, "and if I

trust it any farther in, I shall never be able to get it out

again." A Frenchman who came down to bathe with his wife and

sister insisted upon using the same machine with the ladies;

the bathing-women remonstrated, but _monsieur_ retorted very

fairly thus--"_Mon dieu I vat is dat vat you tell me about

decence. Tromperie_--shall I no dip _mon femme a sour_

myself vith quite as much _bienseance_ as dat vulgar brute

vat I see ducking de ladies yondere?"

The English spy · 第 21 / 52 段