VIII.

It was late before the Swan blew out the tallow candle which Aunt

Gáspara placed every day, always with much grumbling, in his brass

candlestick. Seated at the little table littered with books, he had

before him a sheet of paper half covered with lines of unequal

length, variegated with blots and corrections, little heaps of sand,

and here and there a flourish. Segundo would not have slept all night

if he had not first written down the poem which, from the moment he

had left the cross, had been running through his brain. Only that,

before taking up the pen, he seemed to have the poem already composed

in his head, so that all he had to do was to turn the spigot and it

would flow out in a stream, and when he took the pen in his hand the

verses, instead of rushing forth, hid themselves or vanished. A few

strophes fell on the paper, rounded, fluent, finished, with

harmonious and opportune rhymes, with a certain sweetness and

sonorousness extremely delightful to the author himself, who

scribbled them down hastily before they should take flight. Of

others, however, only the first two lines occurred to him, and,

perhaps, the fourth--this last rounded, effective; but the third line

was wanting and he must hunt for it, fill up the space, graft on the

syllables to eke out the meter. The poet paused and looked up at the

ceiling, biting the ends of his mustache, and then the idle pen

traced, obeying the mechanical impulse of the hand, a cocked hat, a

comet, or some other equally irrelevant design. Sometimes after

rejecting seven or eight rhymes he would content himself with the

ninth, which was neither better nor worse than the others. When a

superfluous syllable would cause a line to halt, he must look for

another adverb, another adjective. And the accents! If the poet could

only enjoy the privilege, of saying, eternél, for instance, instead

of etérnel, it would be so easy to write verses!

Confounded technical difficulties! The divine fire of inspiration

glowed and burned in Segundo's mind, but as soon as he tried to

transfer it to the paper, to give expression to what he felt--to

condense, in words, a world of dreams, a psychic nebula--his mind

became a blank. To unite the form with the idea, to imprison feeling

in the golden links of rhyme! Ah, what a light and flowery chain in

appearance, and how hard to weave in reality! How deceptive the

natural grace, the facile harmony of the master! How easy it seems to

express simple, familiar images, to utter the chimeras of the

imagination and the heart in easy and flowing meter, and yet how

impossible it is, for him who is not called Becquer, to give his

verse those palpitating, diaphanous, azure wings on which the

Becquerian butterfly soars!

While the Swan continues his task of effacing and correcting,

Leocadia is in her bedroom, preparing to retire. On other nights she

went to her room with a smile on her lips, her face glowing, her eyes

humid and half-closed, with deep circles under them, her hair in

disorder. And on those nights she was in no hurry to retire; she

would busy herself arranging the articles on her bureau, she would

even look at herself in the glass of her cheap toilet table. To-night

her lips were dry, her cheeks pale, she went at once to bed, loosened

her clothing, and let it fall on the floor, put out the light and

buried her face in the cool, thick cotton sheets. She did not wish to

think, all she wished was to forget and to sleep. She tried to lie

still. A thousand needles seemed to pierce her flesh; she turned

around, in search of a cool spot, then turned again in search of

another, and presently she threw off the sheets. She felt a horrible

restlessness, a savor of bitterness in her mouth. In the silence of

the night she could hear the tumultuous beating of her heart; if she

lay on her left side its noise almost deafened her. She tried to fix

her thoughts on indifferent subjects, and repeated to herself with

monotonous and persistent regularity--"To-morrow is Sunday, the

children will not come." In vain; her brain boiled, her blood burned

as before. Leocadia was jealous.

Measureless, nameless torture! Hitherto the poor schoolmistress

had not known the accompaniment of love, jealousy, whose barbed sting

pierces the soul, whose consuming fire dries up the blood, whose

chill freezes the heart, whose restless anguish makes the nerves

quiver. Segundo scarcely noticed the young girls of Vilamorta; as for

the peasant girls, they did not exist for him, he did not even regard

them as women; so that Leocadia had attributed the poet's hours of

coldness to the bad offices of the muses. But now! She recalled the

poem, "A los ojos azules," and his manner of reciting it. Those

honeyed verses were to her gall and wormwood. Tears sprang to her

eyes, and she broke into convulsive sobs which shook her frame and

made the bedstead creak and the cornhusks of the mattress rustle.

Still her overwrought brain did not suspend its activity. There was

not a doubt but that Segundo was in love with Señora de Comba; but

she was a married woman. Bah! in Madrid and in novels all the married

women have lovers. And then, who could resist Segundo, a poet who was

the rival of Becquer, who was young, handsome, ardent, when he wished

to be so?

What could Leocadia do to avert this great calamity? Was it not

better to resign herself to it? Ah, resignation, that is easily said!

Why had God denied her the power to express her feelings? Why had she

not knelt before Segundo, begging him for a little love, describing

to him and communicating to him the flame that consumed the marrow of

her bones? Why had she remained mute when she had so many things to

say? Segundo would not go to Las Vides; so much the better. He had no

money; better still. He would accept no position, he would not leave

Vilamorta, better and better. But what did it matter if after all

Segundo did not love her; if he had turned away from her with a

gesture which she could still see in the darkness, or rather in the

lurid light of jealousy.

How warm the night was! How restless she felt! She got out of bed

and threw herself on the floor, thinking to find some relief in the

coolness of the boards. Instead of feeling any alleviation she was

seized with a fit of trembling. A lump seemed to rise in her throat

that prevented her from breathing. She made an effort to stand up but

found that she was not able; she felt a hysterical attack coming on,

but she tried to restrain her cries, her sobs, her contortions, in

order not to awaken Flores. For a time she succeeded; but at last the

nervous crisis conquered; her rigid limbs writhed, she dug her nails

into her throat, she rolled about and beat her temples against the

floor. Then a cold perspiration broke out over her body, and for a

moment she lost consciousness. When she returned to herself she was

calm but exhausted. She rose to her feet, went back to bed, drew the

clothing over her and sank into a sort of stupor, in which there was

neither thought nor feeling. The beneficent sleep of early morning

had wrapped her senses in oblivion.

She woke late, unrested, exhausted, and, as it were, stupefied.

She could scarcely manage to dress herself; it seemed to her as if a

year had passed since the night before, and as for her jealous rage,

her projects of resistance--how could she have thought of such

things? All that mattered to her, all she desired, was that Segundo

should be happy, that he should achieve his high destiny, that he

should be famous. The rest was madness, a convulsion, an attack of

the nerves to which she had given way, overcome by the sense of her

loneliness.

The schoolmistress opened the bureau-drawer in which she kept her

savings and the money for the household expenses. Beside a pile of

stockings was a slim and flabby purse. A short time ago it had

contained a few thousand reals, all she possessed in money. Scarcely

thirty dollars remained, and out of these she must pay Cansin for a

black merino dress, the confectioner for liqueurs, and some friends

at Orense for purchases made on her account. And she would not

receive her little income until November. A brilliant prospect truly!

After a moment of anguish caused by the struggle between her

economical principles and her resolution, Leocadia washed her face,

smoothed her hair, put on her dress and her silk manto and left the

house. Being Sunday, the streets were full of people, and the cracked

bell of the chapel kept up an incessant ringing. The plaza was full

of bustle and animation. Before Doña Eufrasia's door, three or four

mules, whose clerical riders were in the shop, were impatiently

trying to protect themselves from the persistent attacks of the flies

and hornets, shaking their heads, stamping their hoofs, and switching

their flanks with their rough tails. And the fruit-venders, too, in

the intervals between selling their wares and chatting and laughing

with one another, were watchful to chase away the troublesome insects

that settled on the cherries and tomatoes wherever the skin was

broken, leaving uncovered the sweet pulp or the red flesh. But the

grand conclave of the flies was held in the confectionery of Ramon.

It was nauseating to see the insects buzzing blindly in the hot

atmosphere, entangling their legs in the caramels, and then making

desperate efforts to free themselves from their sweet captivity. A

swarm of flies were buzzing around a méringue pie which adorned the

center of the shelf, and Ramon having grown tired of defending it

against their attacks, the invading army rifled it at their pleasure;

around the plate lay the bodies of the flies which had perished in

the attack; some dry and shriveled, others swollen and with white and

livid abdomens.

Leocadia entered the back shop. Ramon was there, with his

shirt-sleeves rolled up, exposing his brawny arms, shaking a saucepan

gently to cool the egg-paste which it contained; then he proceeded to

cut the paste with a hot knife, the sugar fizzing and sending forth a

pleasant odor as it came in contact with the hot metal. The

confectioner passed the back of his hand across his perspiring brow.

What did Leocadia want? Brizar anisette, eh? Well, it was all

sold. "You, Rosa, isn't it true that the anisette is all sold?"

The confectioner's wife was seated in a corner of the kitchen,

feeding a sickly-looking infant. She fixed her gloomy, morbidly

jealous gaze on the schoolmistress and cried in a harsh voice:

"If you come for more anisette, remember the three bottles that

are still unpaid for."

"I will pay them now," answered the schoolmistress, taking a

handful of dollars from her pocket.

"Never mind that now, there is no hurry," stammered the

confectioner, ashamed of his wife's rudeness.

"Take it, Ramon. Why, it was to give it to you that I came."

"If you insist; but the deuce a hurry I was in."

Leocadia hastened away. Not to have remembered the confectioner's

wife! Who would ask anything from Ramon before that jealous tigress,

who, small as she was, and sickly as she looked, ruled her burly

husband with a rod of iron. Perhaps Cansin----

The clothier was displaying his goods to a group of countrywomen,

one of whom persisted in declaring the bunting she was looking at to

be cotton, rubbing it between her fingers to prove herself in the

right. Cansin, on his side, was rubbing the cloth with exactly

opposite views.

"How should it be cotton, woman, how should it be cotton?" he

cried in his shrill voice, putting the cloth close to the buyer's

face. Cansin appeared so angry that Leocadia did not venture to

address him; she passed on, quickening her steps. She thought of her

other suitor, the tavern-keeper. But she suddenly remembered, with a

feeling of repulsion, his thick lips, his cheeks that seemed to drip

blood. Turning over in her mind every possible means by which she

might obtain the money she needed, a thought occurred to her. She

rejected it, she weighed it, she accepted it. Quickening her pace,

she walked toward the abode of the lawyer García.

At her first knock Aunt Gáspara opened the door. What a meaning

contraction of the brow and lips, what a sour face greeted her!

Leocadia, abashed and covered with confusion, stood still on the

threshold. The old woman, like a vigilant watch-dog, barred the

entrance, ready to bark or bite at the first sign of danger.

"What did you want?" she growled.

"To speak to Don Justo. May I?" said the schoolmistress humbly.

"I don't know. I'll see."

And the dragon without further ceremony shut the door in

Leocadia's face. Leocadia waited. At the end of ten minutes a harsh

voice called to her:

"Come on!"

The heart of the schoolmistress bounded within her. To go through

the house in which Segundo was born! It was dark and shabby, cold and

bare, like the abode of a miser, in which the furniture is made to do

service until it falls to pieces with old age. Crossing a hall,

Leocadia saw through a half-open door some garments belonging to

Segundo hanging on a peg, and recognized them with a secret thrill.

At the end of the hall was the lawyer's office, an ill-kept, untidy

room, full of papers and dusty and uninteresting-looking books. Aunt

Gáspara withdrew, and Leocadia remained standing before the lawyer,

who, without inviting her to be seated, said to her with a suspicious

and hostile air, and in the severe tones of a judge:

"And what can I do for you, Señora Doña Leocadia?"

A formula accompanied inwardly by the observation:

"I wager that the scheming schoolmistress has come to tell me

that she is going to marry that crazy boy and that I shall have to

support them both."

Leocadia fixed her dejected gaze on García's face, trying to

discover in his dry and withered features some resemblance to the

features of a beloved countenance. His face, indeed, resembled

Segundo's in all but the expression, which was very different; that

of the father's being as cautious and suspicious as the son's was

dreamy and abstracted.

"Señor Don Justo----" stammered the schoolmistress. "I am sorry

to trouble you. I hope you will not take this visit amiss--they told

me that you----Señor--I need a loan----"

"Money!" roared the lawyer, clenching his fists. "You ask me for

money!"

"Yes, Señor, on some property----"

"Ah!" (sudden transition in the lawyer, who became all softness

and amiability). "But how stupid I am! Come in, come in and sit down,

Doña Leocadia. I hope you are quite well. Why, anyone might find

himself in a difficulty. And what property is it? Talking together

people come to an understanding, Señora. Perhaps the vineyard of La

Junqueira, or the other little one, El Adro? Of late years they have

yielded little----"

The business was discussed and the promissory note was signed.

Aunt Gáspara meanwhile walked uneasily and with ghost-like tread, up

and down the hall outside. When her brother issued from the room and

gave her some orders she crossed herself hastily several times on the

forehead and the breast. She then descended stealthily to the cellar,

and, after some little delay, returned and emptied on the lawyer's

table the contents of her apron, whence rolled four objects covered

with dust and cobwebs, from which proceeded, as they struck the

table, the peculiar sound produced by coin. These objects were an

earthern savings-bank, a stocking, a leathern sack, and a little

muslin bag.

That afternoon Leocadia said to Segundo:

"Do you know what, sweetheart? It is a pity that for the sake of

a new suit or some such trifle you should lose the chance of

establishing yourself and obtaining what you wish. See, I have a

little money here that I have no particular use for. Do you want it,

eh? I will give it to you now and you can return it to me by and by."

Segundo drew himself up and, with a genuine outburst of offended

dignity, exclaimed:

"Never propose anything like that to me again. I accept your

attentions at times so as not to see you breaking your heart at my

refusal, but that you should clothe me and support me--no, that is

too much."

Half an hour later the schoolmistress renewed her entreaties

affectionately, availing herself of the opportunity, seeing the Swan

somewhat pensive. Between him and her there ought to be no _mine_ or

_thine_. Why should he hesitate to accept what it afforded her so

great a pleasure to give? Did her future by chance depend upon those

few paltry dollars? With them he could present himself decently at

Las Vides, publish his verses, go to Madrid. It would make her so

happy to see him triumph, eclipse Campoamor, Nuñez de Arce, and all

the rest! And what was there to prevent Segundo from returning her

the money, and with interest, too? Talking thus, Leocadia filled a

handkerchief tied at the four corners with ounces and _doblillos_ and

_centenes_ and handed it to the poet, saying in a voice rendered

husky by her emotion:

"Will you slight me?"

Segundiño took the unbeautiful, ungraceful head of the

schoolmistress between his hands, and looking fixedly in the eyes

that looked at him humid with happiness he said:

"Leocadia, I know that you are the one human being in this world

who loves me truly."

"Segundiño, my life," she stammered, beside herself with

happiness, "it isn't worth mentioning. Just as I give you that--as I

hope for salvation--I would give you the blood from my veins!"

And what would Aunt Gáspara have said had she known that several

of the ounces from the stocking, the savings-bank, the sack, and the

bag would return immediately, loyal and well-trained, to sleep, if

not under the rafters of the cellar, at least under the roof of Don

Justo?

The Swan of Vilamorta · 第 12 / 35 题