Style

In this day’s _Sunday Times_ there is an article on Mrs. Browning’s

letters which begins with some remarks about style. “It is recorded,”

says the writer, “of Plato, that in a rough draft of one of his

Dialogues, found after his death, the first paragraph was written in

seventy different forms. Wordsworth spared no pains to sharpen and

polish to the utmost the gifts with which nature had endowed him; and

Cardinal Newman, one of the greatest masters of English style, has

related in an amusing essay the pains he took to acquire his style.”

I never knew a writer yet who took the smallest pains with his style and

was at the same time readable. Plato’s having had seventy shies at one

sentence is quite enough to explain to me why I dislike him. A man may,

and ought to take a great deal of pains to write clearly, tersely and

euphemistically: he will write many a sentence three or four times

over—to do much more than this is worse than not rewriting at all: he

will be at great pains to see that he does not repeat himself, to arrange

his matter in the way that shall best enable the reader to master it, to

cut out superfluous words and, even more, to eschew irrelevant matter:

but in each case he will be thinking not of his own style but of his

reader’s convenience.

Men like Newman and R. L. Stevenson seem to have taken pains to acquire

what they called a style as a preliminary measure—as something that they

had to form before their writings could be of any value. I should like

to put it on record that I never took the smallest pains with my style,

have never thought about it, and do not know or want to know whether it

is a style at all or whether it is not, as I believe and hope, just

common, simple straightforwardness. I cannot conceive how any man can

take thought for his style without loss to himself and his readers.

I have, however, taken all the pains that I had patience to endure in the

improvement of my handwriting (which, by the way, has a constant tendency

to resume feral characteristics) and also with my MS. generally to keep

it clean and legible. I am having a great tidying just now, in the

course of which the MS. of _Erewhon_ turned up, and I was struck with the

great difference between it and the MS. of _The Authoress of the

Odyssey_. I have also taken great pains, with what success I know not,

to correct impatience, irritability and other like faults in my own

character—and this not because I care two straws about my own character,

but because I find the correction of such faults as I have been able to

correct makes life easier and saves me from getting into scrapes, and

attaches nice people to me more readily. But I suppose this really is

attending to style after all. [1897.]

The Note-Books of Samuel Butler · 第 287 / 602 题