CHAPTER IV

THE _MUM TUM_

FitzGerald having made up his mind to give Posh a lift by going into

partnership with him began by finding not only the money for the building

of the boat but a name for her when she should be ready for sea. It

seemed to him that "Meum and Tuum" would be an appropriate name, and the

_Mum Tum_ is remembered along the coast to this day as a queer,

meaningless title for a boat. At a later date FitzGerald is reported to

have said that his venture turned out all Tuum and no Meum so far as he

was concerned. But it is possible that Posh dealt more fairly with him

than he thought. At all events Posh thinks he did.

The boat was to be paid for in instalments. So much on laying the keel,

so much when the deck was on, etc., etc., and FitzGerald took the

greatest interest in her building. He had first thought of christening

the lugger "Marian Halcombe," after Wilkie Collins's heroine in _The

Woman in White_, as appears from a letter to Frederic Tennyson, written

in January, 1867 (_Letters_, II, 90, Eversley Edition):--

"I really think of having a Herring-lugger I am building named Marian

Halcombe. . . . Yes, a Herring-lugger; which is to pay for the money

she costs unless she goes to the Bottom: and which meanwhile amuses me

to consult about with my Sea-folks. I go to Lowestoft now and then by

way of salutary Change; and there smoke a Pipe every night with a

delightful Chap who is to be Captain."

Again on June 17th (_Letters_, II, 94, Eversley Edition) he wrote to the

late Professor Cowell of Corpus Christi College, Cambridge:--

"I am here in my little Ship" (the _Scandal_) "with no company but my

crew" (Tom Newson and his nephew Jack) ". . . and my other--Captain of

the Lugger now a-building: a Fellow I never tire of studying--If he

_should_ turn out knave, I shall have done with all Faith in my own

Judgment: and if he should go to the Bottom of the Sea in the Lugger--I

shan't cry for the Lugger."

There was some delay in getting the deck planks on the lugger, for

FitzGerald wrote to Mr. Spalding on May 18th, 1867 (_Two Suffolk

Friends_, p. 110), that she would be decked "next Week," whereas her

planking was not finished till June, and, on a Friday in June, FitzGerald

wrote to Posh:--

"WOODBRIDGE, _Friday_.

"MY DEAR POSHY,

"I am only back To-day from London, where I had to go for two days:

and I am very glad to be back. For the Weather was wretched: the

Streets all Slush: and I all alone wandering about in it. So as I was

sitting at Night, in a great Room where a Crowd of People were eating

Supper, and Singing going on, I thought to myself--Well, Posh might as

well be here; and then I should see what a Face he would make at all

this--This Thought really came into my mind.

"I had asked Mr. Berry to forward me any Letters because I thought you

might write to say the Lugger was planked. But now you tell me it is

no such thing: well, there is plenty of time: but I wished not to

delay in sending the Money, if wanted. I have seen, and heard, no

more of Newson; nor of _his_ new Lugger from Mr. Hunt--I am told that

one of the American yachts, _The Henrietta_, is a perfect Model: so I

am going to have a Print of her that I may try and learn the Stem from

the Stern of a Ship. If this North-Easter changes I daresay I may run

to Lowestoft next week and get a Sail, but it is too cold for that

now.

"Well, here is a letter, you see, my little small Captain, in answer

to yours, which I was glad to see, for as I do not forget you, as I

have told you, so I am glad that you should sometime remember the Old

Governor and Herring-merchant

"EDWARD FITZGERALD."

It should be observed that in this letter, as in several of those written

to Posh, FitzGerald signed his name, "Edward FitzGerald," in full, a

practice from which he was averse owing to certain facts connected with

another Edward Fitzgerald. Those who have heard the story of the

historic first meeting between the poet and the late Mr. Bernard Quaritch

will remember why _our_ FitzGerald disliked the idea of being confused

with the other Edward Fitzgerald.

{Posh and his old "Shud," in which nets, etc., belonging to the

partnership were stored, and where the letters now published were found:

p62.jpg}

The letter here given forces a delightful picture upon us. Its

simplicity makes it superbly graphic. Think of FitzGerald, refined in

feature and reserved in manner, a little unconventional in dress, but not

sufficiently so to be vulgarly noticeable--think of the man who has given

us the most poetical philosophy and the most philosophical poetry, all in

the most exquisite English, in our language, sitting probably at Evans's

(it sounds like Evans's with the suppers and the music) and looking a

little pityingly at the reek about him like the "poor old, solitary, and

sad Man as he really was in spite of his Jokes"; and then imaging in his

mind's eye the handsome stalwart fisherman whom he loved so truly, and

believing that he was as morally excellent as he was physically! "What a

Face he would make at all this!" thought the poet.

Five or six years ago a good friend of mine, the skipper of one of the

most famous tugs of Yarmouth, had to go up to town on a salvage case

before the Admiralty Court. With him as witnesses went one or two beach

men of the old school, wind-and sun-tanned old shell-backs, with voices

like a fog-horn, and that entire lack of self-consciousness which is

characteristic of simplicity and good breeding. My friend the skipper

was cultured in comparison with the old beach men, and he was a little

vexed when one old "salwager" insisted on accompanying him to the Oxford

Music Hall. All went well till some conjurers appeared on the stage.

Then the skipper found that he had made a mistake in edging away from the

beach man. For that jolly old salt hailed him across the house. "Hi,

Billeeoh! Bill Berry! Hi! Lor, bor, howiver dew they dew't? Howiver

dew they dew't, bor? Tha'ss whoolly a masterpiece! Hi! Billeeoh! Theer

they goo agin!"

The skipper always ends the story there. He is as brave a man as any on

the coast. It was he who stood out in Yarmouth Roads all night to look

for the Caistor life-boat the night of the disaster--a night when the

roads could not be distinguished from the shoals, so broken into tossing

white horses was the whole offing--but I believe he slunk down the stairs

of the Oxford that night, and left the old beach man still expressing his

delighted wonder.

Perhaps FitzGerald thought that Posh would be as excited as the old beach

man.

"Mr. Berry" (as every one knows who knows anything about FitzGerald) was

the landlord of the house on Markethill, Woodbridge, where the poet

lodged. (By the way, he was, so far as I know, no relation of my Bill

Berry.) A sum of 50 pounds was due to Dan Fuller on the planking being

completed, and FitzGerald was anxious to let Posh have the money as soon

as it was needed. He "remembered his debts" even before they became due.

I have already stated that Hunt was a boat-builder at Aldeburgh, and that

FitzGerald had, at first, wished Posh to employ him to build the _Mum

Tum_, as the _Meum and Tuum_ was fated to be called.

The kindly jovial relations between the "guv'nor" and his partner could

not be better indicated than by the name FitzGerald gives himself at the

close, just before he once more signs his name in full. Well, perhaps

the legal luminary of Lowestoft would justify his inquiry if Edward

FitzGerald was the man who made a lot of money out of salt by saying,

"Well, he called himself a herring-merchant."

The schoolmaster who had never heard of either FitzGerald or Omar Khayyam

would (according to the nature of the breed) sniff and say "What? A

herring-merchant and a tent-maker! My boys are the sons of gentlemen. I

can't be expected to know anything about tradesfolk of that class."

But Posh has a sense of humour, and he says, "Ah! He used to laugh about

that, the guv'nor did. He'd catch hold o' my jersey, so" (here Posh

pinches up a fold of his blue woollen jersey), "and say, 'Oh dear! Oh

dear, Poshy! Two F's in the firm. FitzGerald and Fletcher, herring

salesmen--when Poshy catches any, which isn't as often as it might be,

you know, Poshy!' And then he'd laugh. Oh, he was a jolly kind-hearted

man if ever there was one."

And then Posh's eyes will grow moist sometimes, I think perhaps with the

thought that he might--ah, well! It's too late now.

Posh wishes me to give the dimensions of the lugger, as she was of his

own designing and proved a fast and stiff craft. He had given her two

feet less length than her beam called for, according to local ideas, and

FitzGerald called her "The Cart-horse," because she seemed broad and

bluff for her length. She was forty-five feet in length, with a fifteen-

foot beam and seven-foot depth. She was first rigged as a lugger, but

altered to the more modern "dandy" (something like a ketch but with more

rake to the mizzen and with no topmast on the mainmast) before she was

sold. Any one about the herring basins who has arrived at fisherman's

maturity (about sixty years) will remember the _Mum Tum_, and, so far as

she was concerned, the partnership was entirely successful, for no one

has a bad word to say for her.

Edward FitzGerald and "Posh" "Herring Merchants" · 第 4 / 18 章