CHAPTER VII

Miss Bronte left Roe Head in 1832, having won the affectionate regard

both of her teacher and her school-fellows, and having formed there the

two fast friendships which lasted her whole life long; the one with

"Mary," who has not kept her letters; the other with "E.," who has kindly

entrusted me with a large portion of Miss Bronte's correspondence with

her. This she has been induced to do by her knowledge of the urgent

desire on the part of Mr. Bronte that the life of his daughter should be

written, and in compliance with a request from her husband that I should

be permitted to have the use of these letters, without which such a task

could be but very imperfectly executed. In order to shield this friend,

however, from any blame or misconstruction, it is only right to state

that, before granting me this privilege, she throughout most carefully

and completely effaced the names of the persons and places which occurred

in them; and also that such information as I have obtained from her bears

reference solely to Miss Bronte and her sisters, and not to any other

individuals whom I may find it necessary to allude to in connection with

them.

In looking over the earlier portion of this correspondence, I am struck

afresh by the absence of hope, which formed such a strong characteristic

in Charlotte. At an age when girls, in general, look forward to an

eternal duration of such feelings as they or their friends entertain, and

can therefore see no hindrance to the fulfilment of any engagements

dependent on the future state of the affections, she is surprised that

"E." keeps her promise to write. In after-life, I was painfully

impressed with the fact, that Miss Bronte never dared to allow herself to

look forward with hope; that she had no confidence in the future; and I

thought, when I heard of the sorrowful years she had passed through, that

it had been this this pressure of grief which had crushed all buoyancy of

expectation out of her. But it appears from the letters, that it must

have been, so to speak, constitutional; or, perhaps, the deep pang of

losing her two elder sisters combined with a permanent state of bodily

weakness in producing her hopelessness. If her trust in God had been

less strong, she would have given way to unbounded anxiety, at many a

period of her life. As it was, we shall see, she made a great and

successful effort to leave "her times in His hands."

After her return home, she employed herself in teaching her sisters, over

whom she had had superior advantages. She writes thus, July 21st, 1832,

of her course of life at the parsonage:--

"An account of one day is an account of all. In the morning, from nine

o'clock till half-past twelve, I instruct my sisters, and draw; then we

walk till dinner-time. After dinner I sew till tea-time, and after tea I

either write, read, or do a little fancy-work, or draw, as I please.

Thus, in one delightful, though somewhat monotonous course, my life is

passed. I have been only out twice to tea since I came home. We are

expecting company this afternoon, and on Tuesday next we shall have all

the female teachers of the Sunday-school to tea."

I may here introduce a quotation from a letter which I have received from

"Mary" since the publication of the previous editions of this memoir.

"Soon after leaving school she admitted reading something of Cobbett's.

'She did not like him,' she said; 'but all was fish that came to her

net.' At this time she wrote to me that reading and drawing were the

only amusements she had, and that her supply of books was very small in

proportion to her wants. She never spoke of her aunt. When I saw Miss

Branwell she was a very precise person, and looked very odd, because her

dress, &c., was so utterly out of fashion. She corrected one of us once

for using the word 'spit' or 'spitting.' She made a great favourite of

Branwell. She made her nieces sew, with purpose or without, and as far

as possible discouraged any other culture. She used to keep the girls

sewing charity clothing, and maintained to me that it was not for the

good of the recipients, but of the sewers. 'It was proper for them to do

it,' she said. Charlotte never was 'in wild excitement' that I know of.

When in health she used to talk better, and indeed when in low spirits

never spoke at all. She needed her best spirits to say what was in her

heart, for at other times she had not courage. She never gave decided

opinions at such times . . .

"Charlotte said she could get on with any one who had a bump at the top

of their heads (meaning conscientiousness). I found that I seldom

differed from her, except that she was far too tolerant of stupid people,

if they had a grain of kindness in them."

It was about this time that Mr. Bronte provided his children with a

teacher in drawing, who turned out to be a man of considerable talent,

but very little principle. Although they never attained to anything like

proficiency, they took great interest in acquiring this art; evidently,

from an instinctive desire to express their powerful imaginations in

visible forms. Charlotte told me, that at this period of her life,

drawing, and walking out with her sisters, formed the two great pleasures

and relaxations of her day.

The three girls used to walk upwards toward the "purple-black" moors, the

sweeping surface of which was broken by here and there a stone-quarry;

and if they had strength and time to go far enough, they reached a

waterfall, where the beck fell over some rocks into the "bottom." They

seldom went downwards through the village. They were shy of meeting even

familiar faces, and were scrupulous about entering the house of the very

poorest uninvited. They were steady teachers at the Sunday-School, a

habit which Charlotte kept up very faithfully, even after she was left

alone; but they never faced their kind voluntary, and always preferred

the solitude and freedom of the moors.

* * * * *

In the September of this year, Charlotte went to pay her first visit to

her friend "E." It took her into the neighbourhood of Roe Head, and

brought her into pleasant contact with many of her old school-fellows.

After this visit she and her friend seem to have agreed to correspond in

French, for the sake of improvement in the language. But this

improvement could not be great, when it could only amount to a greater

familiarity with dictionary words, and when there was no one to explain

to them that a verbal translation of English idioms hardly constituted

French composition; but the effort was laudable, and of itself shows how

willing they both were to carry on the education which they had begun

under Miss W-. I will give an extract which, whatever may be thought of

the language, is graphic enough, and presents us with a happy little

family picture; the eldest sister returning home to the two younger,

after a fortnight's absence.

"J'arrivait a Haworth en parfaite sauvete sans le moindre accident ou

malheur. Mes petites soeurs couraient hors de la maison pour me

rencontrer aussitot que la voiture se fit voir, et elles m'embrassaient

avec autant d'empressement et de plaisir comme si j'avais ete absente

pour plus d'an. Mon Papa, ma Tante, et le monsieur dent men frere avoit

parle, furent tous assembles dans le Salon, et en peu de temps je m'y

rendis aussi. C'est souvent l'ordre du Ciel que quand on a perdu un

plaisir il y en a un autre pret a prendre sa place. Ainsi je venois de

partir de tres-chers amis, mais tout a l'heure je revins a des parens

aussi chers et bon dans le moment. Meme que vous me perdiez (ose-je

croire que mon depart vous etait un chagrin?) vous attendites l'arrivee

de votre frere, et de votre soeur. J'ai donne a mes soeurs les pommes

que vous leur envoyiez avec tant de bonte; elles disent qu'elles sont sur

que Mademoiselle E. est tres-aimable et bonne; l'une et l'autre sont

extremement impatientes de vous voir; j'espere qu'en peu de mois elles

auront ce plaisir."

But it was some time yet before the friends could meet, and meanwhile

they agreed to correspond once a month. There were no events to

chronicle in the Haworth letters. Quiet days, occupied in reaching, and

feminine occupations in the house, did not present much to write about;

and Charlotte was naturally driven to criticise books.

Of these there were many in different plights, and according to their

plight, kept in different places. The well-bound were ranged in the

sanctuary of Mr. Bronte's study; but the purchase of books was a

necessary luxury to him, but as it was often a choice between binding an

old one, or buying a new one, the familiar volume, which had been

hungrily read by all the members of the family, was sometimes in such a

condition that the bedroom shelf was considered its fitting place. Up

and down the house were to be found many standard works of a solid kind.

Sir Walter Scott's writings, Wordsworth's and Southey's poems were among

the lighter literature; while, as having a character of their

own--earnest, wild, and occasionally fanatical--may be named some of the

books which came from the Branwell side of the family--from the Cornish

followers of the saintly John Wesley--and which are touched on in the

account of the works to which Caroline Helstone had access in

"Shirley:"--"Some venerable Lady's Magazines, that had once performed a

voyage with their owner, and undergone a storm"--(possibly part of the

relics of Mrs. Bronte's possessions, contained in the ship wrecked on the

coast of Cornwall)--"and whose pages were stained with salt water; some

mad Methodist Magazines full of miracles and apparitions, and

preternatural warnings, ominous dreams, and frenzied fanaticisms; and the

equally mad letters of Mrs. Elizabeth Rowe from the Dead to the Living."

Mr. Bronte encouraged a taste for reading in his girls; and though Miss

Branwell kept it in due bounds, by the variety of household occupations,

in which she expected them not merely to take a part, but to become

proficients, thereby occupying regularly a good portion of every day,

they were allowed to get books from the circulating library at Keighley;

and many a happy walk, up those long four miles, must they have had,

burdened with some new book, into which they peeped as they hurried home.

Not that the books were what would generally be called new; in the

beginning of 1833, the two friends seem almost simultaneously to have

fallen upon "Kenilworth," and Charlotte writes as follows about it:--

"I am glad you like 'Kenilworth;' it is certainly more resembling a

romance than a novel: in my opinion, one of the most interesting works

that ever emanated from the great Sir Walter's pen. Varney is certainly

the personification of consummate villainy; and in the delineation of his

dark and profoundly artful mind, Scott exhibits a wonderful knowledge of

human nature, as well as a surprising skill in embodying his perceptions,

so as to enable others to become participators in that knowledge."

Commonplace as this extract may seem, it is noteworthy on two or three

accounts: in the first place, instead of discussing the plot or story,

she analyses the character of Varney; and next, she, knowing nothing of

the world, both from her youth and her isolated position, has yet been so

accustomed to hear "human nature" distrusted, as to receive the notion of

intense and artful villainy without surprise.

What was formal and set in her way of writing to "E." diminished as their

personal acquaintance increased, and as each came to know the home of the

other; so that small details concerning people and places had their

interest and their significance. In the summer of 1833, she wrote to

invite her friend to come and pay her a visit. "Aunt thought it would be

better" (she says) "to defer it until about the middle of summer, as the

winter, and even the spring seasons, are remarkably cold and bleak among

our mountains."

The first impression made on the visitor by the sisters of her school-

friend was, that Emily was a tall, long-armed girl, more fully grown than

her elder sister; extremely reserved in manner. I distinguish reserve

from shyness, because I imagine shyness would please, if it knew how;

whereas, reserve is indifferent whether it pleases or not. Anne, like

her eldest sister, was shy; Emily was reserved.

Branwell was rather a handsome boy, with "tawny" hair, to use Miss

Bronte's phrase for a more obnoxious colour. All were very clever,

original, and utterly different to any people or family "E." had ever

seen before. But, on the whole, it was a happy visit to all parties.

Charlotte says, in writing to "E.," just after her return home--"Were I

to tell you of the impression you have made on every one here, you would

accuse me of flattery. Papa and aunt are continually adducing you as an

example for me to shape my actions and behaviour by. Emily and Anne say

'they never saw any one they liked so well as you.' And Tabby, whom you

have absolutely fascinated, talks a great deal more nonsense about your

ladyship than I care to repeat. It is now so dark that, notwithstanding

the singular property of seeing in the night-time, which the young ladies

at Roe Head used to attribute to me, I can scribble no longer."

To a visitor at the parsonage, it was a great thing to have Tabby's good

word. She had a Yorkshire keenness of perception into character, and it

was not everybody she liked.

Haworth is built with an utter disregard of all sanitary conditions: the

great old churchyard lies above all the houses, and it is terrible to

think how the very water-springs of the pumps below must be poisoned. But

this winter of 1833-4 was particularly wet and rainy, and there were an

unusual number of deaths in the village. A dreary season it was to the

family in the parsonage: their usual walks obstructed by the spongy state

of the moors--the passing and funeral bells so frequently tolling, and

filling the heavy air with their mournful sound--and, when they were

still, the "chip, chip," of the mason, as he cut the grave-stones in a

shed close by. In many, living, as it were, in a churchyard, and with

all the sights and sounds connected with the last offices to the dead

things of everyday occurrence, the very familiarity would have bred

indifference. But it was otherwise with Charlotte Bronte. One of her

friends says:--"I have seen her turn pale and feel faint when, in

Hartshead church, some one accidentally remarked that we were walking

over graves. Charlotte was certainly afraid of death. Not only of dead

bodies, or dying people. She dreaded it as something horrible. She

thought we did not know how long the 'moment of dissolution' might really

be, or how terrible. This was just such a terror as only hypochondriacs

can provide for themselves. She told me long ago that a misfortune was

often preceded by the dream frequently repeated which she gives to 'Jane

Eyre,' of carrying a little wailing child, and being unable to still it.

She described herself as having the most painful sense of pity for the

little thing, lying _inert_, as sick children do, while she walked about

in some gloomy place with it, such as the aisle of Haworth Church. The

misfortunes she mentioned were not always to herself. She thought such

sensitiveness to omens was like the cholera, present to susceptible

people,--some feeling more, some less."

About the beginning of 1834, "E." went to London for the first time. The

idea of her friend's visit seems to have stirred Charlotte strangely. She

appears to have formed her notions of its probable consequences from some

of the papers in the "British Essayists," "The Rambler," "The Mirror," or

"The Lounger," which may have been among the English classics on the

parsonage bookshelves; for she evidently imagines that an entire change

of character for the worse is the usual effect of a visit to "the great

metropolis," and is delighted to find that "E." is "E." still. And, as

her faith in her friend's stability is restored, her own imagination is

deeply moved by the idea of what great wonders are to be seen in that

vast and famous city.

"Haworth, February 20th, 1834.

"Your letter gave me real and heartfelt pleasure, mingled with no

small share of astonishment. Mary had previously informed me of your

departure for London, and I had not ventured to calculate on any

communication from you while surrounded by the splendours and

novelties of that great city, which has been called the mercantile

metropolis of Europe. Judging from human nature, I thought that a

little country girl, for the first time in a situation so well

calculated to excite curiosity, and to distract attention, would lose

all remembrance, for a time at least, of distant and familiar objects,

and give herself up entirely to the fascination of those scenes which

were then presented to her view. Your kind, interesting, and most

welcome epistle showed me, however, that I had been both mistaken and

uncharitable in these suppositions. I was greatly amused at the tone

of nonchalance which you assumed, while treating of London and its

wonders. Did you not feel awed while gazing at St. Paul's and

Westminster Abbey? Had you no feeling of intense and ardent interest,

when in St. James's you saw the palace where so many of England's

kings have held their courts, and beheld the representations of their

persons on the walls? You should not be too much afraid of appearing

_country-bred_; the magnificence of London has drawn exclamations of

astonishment from travelled men, experienced in the world, its wonders

and beauties. Have you yet seen anything of the great personages whom

the sitting of Parliament now detains in London--the Duke of

Wellington, Sir Robert Peel, Earl Grey, Mr. Stanley, Mr. O'Connell? If

I were you, I would not be too anxious to spend my time in reading

whilst in town. Make use of your own eyes for the purposes of

observation now, and, for a time at least, lay aside the spectacles

with which authors would furnish us."

In a postscript she adds:--

"Will you be kind enough to inform me of the number of performers in

the King's military band?"

And in something of the same strain she writes on

"June 19th.

"My own Dear E.,

"I may rightfully and truly call you so now. You _have_ returned or

_are_ returning from London--from the great city which is to me as

apocryphal as Babylon, or Nineveh, or ancient Rome. You are

withdrawing from the world (as it is called), and bringing with you--if

your letters enable me to form a correct judgment--a heart as

unsophisticated, as natural, as true, as that you carried there. I am

slow, _very_ slow, to believe the protestations of another; I know my

own sentiments, I can read my own mind, but the minds of the rest of

man and woman kind are to me sealed volumes, hieroglyphical scrolls,

which I cannot easily either unseal or decipher. Yet time, careful

study, long acquaintance, overcome most difficulties; and, in your

case, I think they have succeeded well in bringing to light and

construing that hidden language, whose turnings, windings,

inconsistencies, and obscurities, so frequently baffle the researches

of the honest observer of human nature . . . I am truly grateful for

your mindfulness of so obscure a person as myself, and I hope the

pleasure is not altogether selfish; I trust it is partly derived from

the consciousness that my friend's character is of a higher, a more

steadfast order than I was once perfectly aware of. Few girls would

have done as you have done--would have beheld the glare, and glitter,

and dazzling display of London with dispositions so unchanged, heart

so uncontaminated. I see no affectation in your letters, no trifling,

no frivolous contempt of plain, and weak admiration of showy persons

and things."

In these days of cheap railway trips, we may smile at the idea of a short

visit to London having any great effect upon the character, whatever it

may have upon the intellect. But her London--her great apocryphal

city--was the "town" of a century before, to which giddy daughters

dragged unwilling papas, or went with injudicious friends, to the

detriment of all their better qualities, and sometimes to the ruin of

their fortunes; it was the Vanity Fair of the "Pilgrim's Progress" to

her.

But see the just and admirable sense with which she can treat a subject

of which she is able to overlook all the bearings.

"Haworth, July 4th, 1834.

"In your last, you request me to tell you of your faults. Now,

really, how can you be so foolish! I _won't_ tell you of your faults,

because I don't know them. What a creature would that be, who, after

receiving an affectionate and kind letter from a beloved friend,

should sit down and write a catalogue of defects by way of answer!

Imagine me doing so, and then consider what epithets you would bestow

on me. Conceited, dogmatical, hypocritical, little humbug, I should

think, would be the mildest. Why, child! I've neither time nor

inclination to reflect on your _faults_ when you are so far from me,

and when, besides, kind letters and presents, and so forth, are

continually bringing forth your goodness in the most prominent light.

Then, too, there are judicious relations always round you, who can

much better discharge that unpleasant office. I have no doubt their

advice is completely at your service; why then should I intrude mine?

If you will not hear them, it will be vain though one should rise from

the dead to instruct you. Let us have no more nonsense, if you love

me. Mr. --- is going to be married, is he? Well, his wife elect

appeared to me to be a clever and amiable lady, as far as I could

judge from the little I saw of her, and from your account. Now to that

flattering sentence must I tack on a list of her faults? You say it

is in contemplation for you to leave ---. I am sorry for it. --- is

a pleasant spot, one of the old family halls of England, surrounded by

lawn and woodland, speaking of past times, and suggesting (to me at

least) happy feelings. M. thought you grown less, did she? I am not

grown a bit, but as short and dumpy as ever. You ask me to recommend

you some books for your perusal. I will do so in as few words as I

can. If you like poetry, let it be first-rate; Milton, Shakspeare,

Thomson, Goldsmith, Pope (if you will, though I don't admire him),

Scott, Byron, Campbell, Wordsworth, and Southey. Now don't be

startled at the names of Shakspeare and Byron. Both these were great

men, and their works are like themselves. You will know how to choose

the good, and to avoid the evil; the finest passages are always the

purest, the bad are invariably revolting; you will never wish to read

them over twice. Omit the comedies of Shakspeare, and the Don Juan,

perhaps the Cain, of Byron, though the latter is a magnificent poem,

and read the rest fearlessly; that must indeed be a depraved mind

which can gather evil from Henry VIII., from Richard III., from

Macbeth, and Hamlet, and Julius Caesar. Scott's sweet, wild, romantic

poetry can do you no harm. Nor can Wordsworth's, nor Campbell's, nor

Southey's--the greatest part at least of his; some is certainly

objectionable. For history, read Hume, Rollin, and the Universal

History, if you can; I never did. For fiction, read Scott alone; all

novels after his are worthless. For biography, read Johnson's Lives

of the Poets, Boswell's Life of Johnson, Southey's Life of Nelson,

Lockhart's Life of Burns, Moore's Life of Sheridan, Moore's Life of

Byron, Wolfe's Remains. For natural history, read Bewick and Audubon,

and Goldsmith and White's history of Selborne. For divinity, your

brother will advise you there. I can only say, adhere to standard

authors, and avoid novelty."

From this list, we see that she must have had a good range of books from

which to choose her own reading. It is evident, that the womanly

consciences of these two correspondents were anxiously alive to many

questions discussed among the stricter religionists. The morality of

Shakspeare needed the confirmation of Charlotte's opinion to the

sensitive "E.;" and a little later, she inquired whether dancing was

objectionable, when indulged in for an hour or two in parties of boys and

girls. Charlotte replies, "I should hesitate to express a difference of

opinion from Mr. ---, or from your excellent sister, but really the

matter seems to me to stand thus. It is allowed on all hands, that the

sin of dancing consists not in the mere action of 'shaking the shanks'

(as the Scotch say), but in the consequences that usually attend it;

namely, frivolity and waste of time; when it is used only, as in the case

you state, for the exercise and amusement of an hour among young people

(who surely may without any breach of God's commandments be allowed a

little light-heartedness), these consequences cannot follow. Ergo

(according to my manner of arguing), the amusement is at such times

perfectly innocent."

Although the distance between Haworth and B--- was but seventeen miles,

it was difficult to go straight from the one to the other without hiring

a gig or vehicle of some kind for the journey. Hence a visit from

Charlotte required a good deal of pre-arrangement. _The_ Haworth gig was

not always to be had; and Mr. Bronte was often unwilling to fall into any

arrangement for meeting at Bradford or other places, which would occasion

trouble to others. The whole family had an ample share of that sensitive

pride which led them to dread incurring obligations, and to fear

"outstaying their welcome" when on any visit. I am not sure whether Mr.

Bronte did not consider distrust of others as a part of that knowledge of

human nature on which he piqued himself. His precepts to this effect,

combined with Charlotte's lack of hope, made her always fearful of loving

too much; of wearying the objects of her affection; and thus she was

often trying to restrain her warm feelings, and was ever chary of that

presence so invariably welcome to her true friends. According to this

mode of acting, when she was invited for a month, she stayed but a

fortnight amidst "E.'s" family, to whom every visit only endeared her the

more, and by whom she was received with that kind of quiet gladness with

which they would have greeted a sister.

She still kept up her childish interest in politics. In March, 1835, she

writes: "What do you think of the course politics are taking? I make

this enquiry, because I now think you take a wholesome interest in the

matter; formerly you did not care greatly about it. B., you see, is

triumphant. Wretch! I am a hearty hater, and if there is any one I

thoroughly abhor, it is that man. But the Opposition is divided, Red-

hots, and Luke-warms; and the Duke (par excellence _the_ Duke) and Sir

Robert Peel show no signs of insecurity, though they have been twice

beat; so 'Courage, mon amie,' as the old chevaliers used to say, before

they joined battle."

In the middle of the summer of 1835, a great family plan was mooted at

the parsonage. The question was, to what trade or profession should

Branwell be brought up? He was now nearly eighteen; it was time to

decide. He was very clever, no doubt; perhaps to begin with, the

greatest genius in this rare family. The sisters hardly recognised their

own, or each others' powers, but they knew _his_. The father, ignorant

of many failings in moral conduct, did proud homage to the great gifts of

his son; for Branwell's talents were readily and willingly brought out

for the entertainment of others. Popular admiration was sweet to him.

And this led to his presence being sought at "arvills" and all the great

village gatherings, for the Yorkshiremen have a keen relish for

intellect; and it likewise procured him the undesirable distinction of

having his company recommended by the landlord of the Black Bull to any

chance traveller who might happen to feel solitary or dull over his

liquor. "Do you want some one to help you with your bottle, sir? If you

do, I'll send up for Patrick" (so the villagers called him till the day

of his death, though in his own family he was always "Branwell"). And

while the messenger went, the landlord entertained his guest with

accounts of the wonderful talents of the boy, whose precocious

cleverness, and great conversational powers, were the pride of the

village. The attacks of ill health to which Mr. Bronte had been subject

of late years, rendered it not only necessary that he should take his

dinner alone (for the sake of avoiding temptations to unwholesome diet),

but made it also desirable that he should pass the time directly

succeeding his meals in perfect quiet. And this necessity, combined with

due attention to his parochial duties, made him partially ignorant how

his son employed himself out of lesson-time. His own youth had been

spent among people of the same conventional rank as those into whose

companionship Branwell was now thrown; but he had had a strong will, and

an earnest and persevering ambition, and a resoluteness of purpose which

his weaker son wanted.

It is singular how strong a yearning the whole family had towards the art

of drawing. Mr. Bronte had been very solicitous to get them good

instruction; the girls themselves loved everything connected with it--all

descriptions or engravings of great pictures; and, in default of good

ones, they would take and analyse any print or drawing which came in

their way, and find out how much thought had gone to its composition,

what ideas it was intended to suggest, and what it _did_ suggest. In the

same spirit, they laboured to design imaginations of their own; they

lacked the power of execution, not of conception. At one time, Charlotte

had the notion of making her living as an artist, and wearied her eyes in

drawing with pre-Raphaelite minuteness, but not with pre-Raphaelite

accuracy, for she drew from fancy rather than from nature.

But they all thought there could be no doubt about Branwell's talent for

drawing. I have seen an oil painting of his, done I know not when, but

probably about this time. It was a group of his sisters, life-size,

three-quarters' length; not much better than sign-painting, as to

manipulation; but the likenesses were, I should think, admirable. I

could only judge of the fidelity with which the other two were depicted,

from the striking resemblance which Charlotte, upholding the great frame

of canvas, and consequently standing right behind it, bore to her own

representation, though it must have been ten years and more since the

portraits were taken. The picture was divided, almost in the middle, by

a great pillar. On the side of the column which was lighted by the sun,

stood Charlotte, in the womanly dress of that day of gigot sleeves and

large collars. On the deeply shadowed side, was Emily, with Anne's

gentle face resting on her shoulder. Emily's countenance struck me as

full of power; Charlotte's of solicitude; Anne's of tenderness. The two

younger seemed hardly to have attained their full growth, though Emily

was taller than Charlotte; they had cropped hair, and a more girlish

dress. I remember looking on those two sad, earnest, shadowed faces, and

wondering whether I could trace the mysterious expression which is said

to foretell an early death. I had some fond superstitious hope that the

column divided their fates from hers, who stood apart in the canvas, as

in life she survived. I liked to see that the bright side of the pillar

was towards _her_--that the light in the picture fell on _her_: I might

more truly have sought in her presentment--nay, in her living face--for

the sign of death--in her prime. They were good likenesses, however

badly executed. From thence I should guess his family augured truly that,

if Branwell had but the opportunity, and, alas! had but the moral

qualities, he might turn out a great painter.

The best way of preparing him to become so appeared to be to send him as

a pupil to the Royal Academy. I dare say he longed and yearned to follow

this path, principally because it would lead him to that mysterious

London--that Babylon the great--which seems to have filled the

imaginations and haunted the minds of all the younger members of this

recluse family. To Branwell it was more than a vivid imagination, it was

an impressed reality. By dint of studying maps, he was as well

acquainted with it, even down to its by-ways, as if he had lived there.

Poor misguided fellow! this craving to see and know London, and that

stronger craving after fame, were never to be satisfied. He was to die

at the end of a short and blighted life. But in this year of 1835, all

his home kindred were thinking how they could best forward his views, and

how help him up to the pinnacle where he desired to be. What their plans

were, let Charlotte explain. These are not the first sisters who have

laid their lives as a sacrifice before their brother's idolized wish.

Would to God they might be the last who met with such a miserable return!

"Haworth, July 6th, 1835.

"I had hoped to have had the extreme pleasure of seeing you at Haworth

this summer, but human affairs are mutable, and human resolutions must

bend to the course of events. We are all about to divide, break up,

separate. Emily is going to school, Branwell is going to London, and

I am going to be a governess. This last determination I formed

myself, knowing that I should have to take the step sometime, 'and

better sune as syne,' to use the Scotch proverb; and knowing well that

papa would have enough to do with his limited income, should Branwell

be placed at the Royal Academy, and Emily at Roe Head. Where am I

going to reside? you will ask. Within four miles of you, at a place

neither of us is unacquainted with, being no other than the identical

Roe Head mentioned above. Yes! I am going to teach in the very

school where I was myself taught. Miss W--- made me the offer, and I

preferred it to one or two proposals of private governess-ship, which

I had before received. I am sad--very sad--at the thoughts of leaving

home; but duty--necessity--these are stern mistresses, who will not be

disobeyed. Did I not once say you ought to be thankful for your

independence? I felt what I said at the time, and I repeat it now

with double earnestness; if anything would cheer me, it is the idea of

being so near you. Surely, you and Polly will come and see me; it

would be wrong in me to doubt it; you were never unkind yet. Emily

and I leave home on the 27th of this month; the idea of being together

consoles us both somewhat, and, truth, since I must enter a situation,

'My lines have fallen in pleasant places.' I both love and respect

Miss W-."

The Life of Charlotte Brontë — Volume 1 · 第 7 / 14 章