To say this is to differ in a measure from the great Alexandre, a

misfortune surely to be avoided. To this lettuce he would add herbs of

every kind; nay, even oysters, or tortoise eggs, or anchovies, or

olives--in fact, the subject is one which has sent his ever delightful

imagination to work most riotously. But, in all humility, must it

still be urged that the cabbage lettuce is best ungarnished, save, it

may be, by a touch of the unrivalled celery or slices of the adorable

tomato--never, if yours be the heart of an artist, by the smallest

fragment of the coarse, crude, stupid beetroot.

The _romaine_, or _cos_, however, is none the worse for Dumas'

suggestions; indeed, it is much the better. Its long stiff leaves, as

they are, may not be "fatigued" with anything approaching ease or

success. It is to be said--with hesitation perhaps, and yet to be

said--that they make the better salad for being cut before they are

put into the bowl. As if to atone for this unavoidable liberty, dainty

additions may not come amiss: the tender little boneless anchovies,

fish of almost any and every kind--most admirably, salmon and a bit of

red herring in conjunction--cucumbers, celery, tomatoes, radishes--all

will blend well and harmoniously. Be bold in your experiments, and

fear nothing. Many failures are a paltry price to pay for one perfect

dish.

Of other green salads the name is legion: endive, dandelion leaves,

chicory, chervil, mustard and cress, and a hundred and more besides

before the resources of France--more especially the Midi--and Italy be

exhausted. And none may be eaten becomingly without the oil and

vinegar dressing; all are the pleasanter for the _soupçon_ of onion,

and the egg, hard-boiled; a few gain by more variegated garniture.

But these minor salads--as they might be classed--pale before the

glories of the tomato: the _pomodoro_ of the Italian, the _pomme

d'amour_ of the Provençal--sweet, musical names, that linger tenderly

on the lips. And, indeed, if the tomato were veritably the "love

apple" of the Scriptures, and, in Adam's proprietorship, the olives

already yielded oil, the vines vinegar, then the tragedy in the Garden

of Eden may be explained without the aid of commentary. Many a

man--Esau notably--has sold his birthright for less than a good tomato

salad.

Dante's _Inferno_ were too good for the depraved who prepare it, as if

it were a paltry pickle, with a dosing of vinegar. It must first

receive the stimulus of the onion; then its dressing must be fortified

by the least suspicion of mustard--English, French, or German, it

matters not which--and if the pleasure that follows does not reconcile

you to Paradise lost, as well might you live on dry bread and cold

water for the rest of your natural days. The joys of the epicure,

clearly, are not for you. It seems base and sordid to offer for so

exquisite a delicacy hygienic references. But the world is still full

of misguided men who prize "dietetic principles" above the delights of

gluttony; once assured that from the eating of the tomato will come

none of the evils "to which flesh is _erroneously supposed_ to be

heir," they might be induced to put tomato salad, made in right

fashion, to the test. Then must they be confirmed faddists indeed, if

they do not learn that one eats not merely to digest.

To the mystical German, the potato first revealed virtues undreamed of

by the blind who had thought it but a cheap article of food to satisfy

hunger, even by the French who had carried it to such sublime heights

in their _purées_ and _soufflés_, their _Parisiennes_ and

_Lyonnaises_. Not until it has been allowed to cool, been cut in thin

slices, been dressed as a salad, were its subtlest charms suspected.

To the German--to that outer barbarian of the midday dinner--we owe at

least this one great debt of gratitude. Like none other, does the

potato-salad lend itself to the most fantastic play of fancy. It

stimulates imagination, it awakens ambition. A thousand and one ways

there be of preparing it, each better than the last. With celery, with

carrots, with tomatoes, with radishes, with parsley, with cucumber,

with every green thing that grows--in greatest perfection with okras,

the vegetable dear to Hungarian and American, unknown to poor

Britons--it combines graciously and deliciously, each combination a

new ecstasy. And, moreover, it is capable of endless decoration; any

woman with a grain of ingenuity can make of it a thing of beauty, to

look upon which is to sharpen the dullest appetite. So decorative are

its possibilities, that at times it is a struggle to decide between

its merits as an ornament and its qualities as a delicacy. For truth

is, it becomes all the more palatable if dressed and "fatigued" an

hour or so before it is eaten, and the oil and vinegar given time to

soak through every slice and fragment. The wise will disdain, for the

purpose, the ordinary potato, but procure instead the little, hard

"salad potato," which never crumbles; it comes usually from Hamburg,

and is to be bought for a trifle in the German _delicatessen_ shops of

London.

Poetic in the early spring is the salad of "superb asparagus"--pity it

should ever be eaten hot with drawn butter!--or of artichoke, or of

cucumber--the latter never fail to sprinkle with parsley, touch with

onion, and "fatigue" a good half hour before serving. Later, the

French bean, or the scarlet runner should be the lyrical element of

the feast. And in winter, when curtains are drawn and lamps lit, and

fires burn bright, the substantial _Soissons_, for all its memories of

French commercials, is not to be despised. But, if your soul aspires

to more ethereal flights, then create a vegetable salad--cauliflower,

and peas, and potatoes, and beans, and carrots in rhythmical

proportions and harmonious blending of hues.

THE SALADS OF SPAIN

They are still many and delicious as when Beckford ate them and was

glad, a hundred and more years ago. The treasures of the Incas have

dwindled and disappeared; the Alhambra has decayed and been restored

on its high hill-top; the masterpieces of Velasquez have been torn

from palace walls, to hang in convenient rows in public museums; the

greatness of Spain has long been waning. But the Spaniard still mixes

his salads with the art and distinction that have been his for

centuries. Herein, at least, his genius has not been dimmed, nor his

success grown less. And so long as this remains true, so long will

there be hope of a new Renaissance in the Iberian peninsula. By a

nation's salads may you judge of its degree of civilisation; thus

tested, Spain is in the van, not the rear, of all European countries.

It is no small achievement to give distinctive character to national

salads, to-day that the virtue of vinegar and oil and the

infallibility of incomparable onion are universally acknowledged and

respected. And yet Spain, in no idle spirit of self-puffery, can boast

of this achievement. She has brought to her _insalada_ a new element,

not wholly unknown elsewhere--in Hungary, for instance--but one which

only by the Spaniard has been fully appreciated, constantly

introduced, and turned to purest profit. This element--need it be

said?--is the pepper, now red, now green. The basis of the Spanish

salad may be--nay, is--the same as in other lands: tomato, cucumber,

lettuce, beans, potatoes. But to these is added pepper--not miserably

dried and powdered, but fresh and whole, or in generous slices--and

behold! a new combination is created, a new flavour evolved. And it is

a flavour so strong, yet subtle withal, so aromatic and spicy, so

_bizarre_ and picturesque--dream-inspiring as the aroma of green

Chartreuse, stimulating as Cognac of ripe years--that the wonder is

its praises hitherto have not been more loudly sung, its delights more

widely cultivated. The trumpet-note struck by the glowing scarlet is

fitting herald of the rapturous thrills that follow in the eating. Not

more voluptuous than the salad thus adorned were the beauties of the

harem, who doubtless feasted upon it under the cypresses and myrtles

of Andalusia.

The tendency of the Spaniard is ever to harmony, intricate and

infinite. Is not his dish of dishes his _olla cocida_? Is not his

favourite course of vegetables the _pisto_? And so likewise with his

salads: now he may give you tomato just touched with pepper, cucumber

just enlivened by the same stirring presence. But more often he will

present you an arrangement which, in its elaboration, may well baffle

the first investigation of the student. Peppers, as like as not of

both species, tomatoes, cucumber, onion, garlic cut fine as if for a

mince of greens--"pepper hash," the American crudely calls an

arrangement closely akin in motive--are mingled together so deftly,

are steeped in vinegar and oil so effectually, as to seem, not many in

one, but _the_ one in many, the crowning glory of the glorious

vegetable world of the South. Nothing in common has this delectable

salad with the _macédoine_, which the Spaniard also makes. Peas and

carrots, potatoes and tomatoes, beans and cauliflowers meet to new

purpose, when peppers, red and ardent, wander hither and thither in

their midst waging war upon insipidity, destroying, as if by fire, the

tame and the commonplace. Again, lettuce untainted by garlic,

resisting the slightest suspicion of complexity, may answer for the

foolish foreigner who knows no better. But in lettuce prepared for

himself the Spaniard spares not the fragrant garlic; neither does he

omit his beloved peppers, while he never rebels, rejoicing rather, if

occasional slices of cucumber and tomatoes lie hid between the cool

green leaves.

But fish furnishes him with text for still more eloquent flights,

still loftier compositions. A _mayonnaise_ he can make such as never

yet was eaten under milder suns and duller skies; and a _mayonnaise_

far from exhausts his all but unlimited resources. Sardines he will

take, or tunny, or any fish that swims, and that, already cooked, has

been either shut up long weeks in protecting tins or left but a few

hours to cool. Whatever the fish chosen, he places it neatly and

confidently at the bottom of his dish; above it he lays lettuce leaves

and garlic and long brilliant slices of scarlet pepper; round about it

he weaves a garniture of olives and hard-boiled eggs that reveal their

hearts of gold. The unrivalled, if cosmopolitan, sauce of vinegar and

oil is poured upon the whole and made doubly welcome. But details are

varied in every fish salad served in Spain; only in its perfection

does it prove unalterable.

These, and their hundred offshoots were conceived in serious moments.

But once, in sheer levity of spirit and indolence, the gay Andalusian

determined to invent a salad that, to the world beyond his snowy

Sierras, would seem wildest jest, but to himself would answer for food

and drink, and, because of its simplicity and therefore cheapness,

save him many a useless hour of gaining his dinner at the sweat of his

brow. And so, to the strumming of guitars and click of castanets, now

never heard save in books of travel through Andalusia, _gaspacho_

appeared; destined to be for ever after the target for every

travel-writer's wit, the daily fare of its inventor and his

descendants. To the Andalusian _gaspacho_ is as _macaroni_ to the

Neapolitan, _bouillabaisse_ to the Provençal, chops and steaks to the

Englishman. In hotels, grotesquely French or pretentiously English,

where butter comes out of tins, and salad is garlicless, _gaspacho_

may be but surreptitiously concocted for the secret benefit of the

household. But go to the genuine Andalusian _posada_ or house, travel

in Andalusian boat, or breakfast at Andalusian buffet, and ten to one

_gaspacho_ figures on the _menu_.

To describe it, Gautier must be borrowed from. What would you? When

the master has pronounced upon any given subject, why add an

inefficient postscript? When a readymade definition, admirably

rendered, is at your command, why be at the pains of making a new one

for yourself? Never be guilty of any work when others may do it for

you, is surely the one and only golden rule of life. Listen, then, to

the considerate Gautier: "_Gaspacho_ deserves a description to itself,

and so we shall give here the recipe which would have made the late

Brillat-Savarin's hair stand on end. You pour water into a soup

tureen, to this water you add vinegar" (why omit the oil, you

brilliant but not always reliable poet?), "shreds of garlic, onions

cut in quarters, slices of cucumber, some pieces of pepper, a pinch of

salt; then you add bits of bread, which are left to soak in this

agreeable mess, and you serve cold." It should be further explained

that, in the season, tomatoes are almost invariably introduced, that

they and all the greens are chopped up very fine, and that the whole

has the consistency of a _julienne_ supplied with an unusually lavish

quantity of vegetables. It is eaten with a spoon from a soup plate,

though on the _menu_ it appears as a course just before the sweets.

This explanation made, listen again to Gautier, who writes in

frivolous mood. "With us, dogs but tolerably well bred would refuse to

compromise their noses in such a mixture. It is the favourite dish of

the Andalusians, and the prettiest women, without fear, swallow at

evening great spoonfuls of this infernal soup. _Gaspacho_ is held to

be most refreshing, an opinion which to us seems a trifle daring, and

yet, extraordinary as it may be found at the first taste, you finish

by accustoming yourself to it, and even liking it."

He was right. _Gaspacho_ has its good points: it is pleasant to the

taste, piquant in its very absurdity; it is refreshing, better than

richly-spiced sauces when the sun shines hot at midday. Andalusians

have not been labouring under a delusion these many years. The pepper

is a stimulant; vinegar, oil, and water unite in a drink more cooling

and thirst-quenching than abominable red wine of Valdepeñas. Would you

be luxurious, would you have your _gaspacho_ differ somewhat from the

poor man's, drop in a lump of ice, and double will be your pleasure in

the eating.

Like all good things _gaspacho_ has received that sincerest form of

flattery, imitation; and, what is more gratifying, received it at

home. Lettuce, cut in tiny pieces, is set floating in a large bowl of

water, vinegar, and oil, well seasoned with salt. Refreshing this also

is claimed to be; though so strange a sight is it to the uninitiated

that a prim schoolma'am, strayed from Miss Wilkins's stories into

Andalusia, has been seen to throw up hands of wonder, and heard to

declare that that salad would find a niche in her diary, to which, as

a rule, she confided nothing less precious than her thoughts. Happy

Spain, to have so conquered! What is Granada to the possession of so

chaste a tribute?

THE STIRRING SAVOURY

First impressions have their value: they may not be dismissed in

flippancy of spirit. But for this reason must last impressions be held

things of nought, not worthy the consideration of ambitious or

intelligent man? First impressions at times are washed away by the

rich, fast stream of after-events, even as the first on a slate

disappear under the obliterating sponge; last impressions remain to

bear testimony after the more tangible facts have passed into the

_ewigkeit_. Else, where the use of the ballade's _envoy_, of the final

sweet or stirring scene as the curtain falls upon the play?

It is the same with all the arts--with love, too, for that matter,

were there but space to prove it. Love, however, dwindles in

importance when there is question of dinner or breakfast. Life

consists of eating and drinking, as greater philosophers than Sir

Andrew Aguecheek have learned to their infinite delight, have

preached to the solace of others. Therefore, so order your life that

the last impressions of your eating and drinking may be more joyful,

more beautiful than the first; then, and only then, will you have

solved that problem of problems which, since the world began, has set

many a Galahad upon long and weary quest. It behoves you to see that

the feast, which opened with ecstasy, does not close with platitude,

and thus cover you with shame and confusion. A paltry amateur, a

clumsy bungler, is he who squanders all his talent upon the soup, and

leaves the savoury to take care of itself. Be warned in time!

The patriotic claim the savoury as England's invention. Their

patriotism is pretty and pleasing; moreover, it is not without a

glimmering of truth. For to England belongs the glorious discovery

that the dinner which ends with a savoury ends with rapture that

passeth human understanding! The thing itself has its near of kin, its

ancestors, as one might say. Caviar, olives, lax, anchovies, herrings'

roe, sardines, and as many more of the large and noble family--do not

these appear as _antipasti_ in Italy? In Russia and Scandinavia do

they not, spread symmetrically on side table, serve the purpose of

America's cocktail? And among the palms, as among the pines, coldness

is held to be an essential quality in them. Hot from the ardent oven,

the Parisian welcomes their presence between the soup and the fish,

and many are the enthusiasts who declare this to be the one and only

time for their discreet appearance upon the _menu_. Reason is in the

plea: none but the narrow-minded would condemn it untested and

untried. He who prizes change, who rebels even against the monotony of

the perfect, may now and again follow this fashion so gaily applauded

by _gourmets_ of distinction. But, remembering the _much_ that depends

upon last impressions, the wise will reserve his savoury to make

therewith a fair, brave ending.

There still walk upon this brutal earth poor heedless women who, in

the innocence of their hearts, believe that the one destiny of cheese

is to lie, cut up in little pieces, in a three-cornered dish, which it

shares with misplaced biscuits and well-meaning rolls of butter, and,

it may be, chilling celery. But cheese, which in many ways has

achieved such marvels, may be wrought into savouries beyond compare.

As _soufflé_, either _au Gruyère_ or _au Parmesan_, it becomes light

and dainty as the poet's lyric, and surely should be served only on

porcelain of the finest. It is simple to say how the miracle is

worked: a well-heated oven, a proper saucepan, butter, water, pepper,

salt and sugar in becoming proportions, the yolks of eggs and grated

Parmesan, the whites of the eggs added, as if an afterthought; and

twenty-five minutes in the expectant oven will do the rest. But was

ever lyric turned out by rule and measure? Even the inspired artist

has been known to fail with his _soufflé_. Here, indeed, is a miracle,

best entrusted to none but the genius.

_Canapé au Parmesan_ has pretensions which the result justifies. On

the bread, fried as golden as the haloes of Fra Angelico's angels, the

grated Parmesan, mingled with salt and pepper, is spread. A Dutch oven

yields temporary asylum until the cheese be melted, when, quicker than

thought, the _canapés_ are set upon a pretty dish and served to happy

mortals. _Ramaquins_ of cheese, in cases or out, can boast of charms

the most seductive. Nor in _gougère_ or _beignet_ or _bouchée_ will

Parmesan betray confidence. Again, in _pailles_, or straws, on fire

with cayenne, and tied with fluttering ribbons into enticing bunches,

this happy child of the South reveals new powers of seduction. So long

as there is cheese to command, the most fastidious need not wander far

in search of savouries.

The anchovy may be made a dangerous rival to Parmesan. Whole, or in

paste, it yields enchanting harmonies, burning and fervent as lover's

prayer. Let your choice fall upon the boneless anchovies of France, if

you would aim at the maximum of pleasure and the minimum of labour.

True it is that labour in the kitchen is ever a joy; but, expended

upon one creation when it might be divided among many, must not

sacrifice of variety in sensation be the price paid? Fried after the

fashion of whitebait, sprinkled with _paprika_, and refreshed with

lemon juice, anchovies become quite irresistible as _Orlys d'anchois_.

Prepared in cases, like Parmesan, they are proof against criticism as

_tartelettes_. Now figuring as _petites bouchées_, now as

_rissolettes_, they fail not to awaken new and delicious emotions.

They simply clamour for certain exquisite combinations, to-day with

hard-boiled egg passed through a sieve, to-morrow with olives from

sunny Provence; thin brown bread and butter, or toast, the crisp

foundation. But rarely do they go masquerading so riotously as in the

garb of _croûtes d'anchois_: first, the golden _croûton_, then a slice

of tomato, then a slice of cucumber, then a layer of caviar, then a

layer of anchovies scarlet with _paprika_ and garnished with leaves of

chervil; and behold! you have a pyramid more memorable far than any

raised on Egyptian sands--a pyramid that you need not travel silly

miles to see: it is yours, any day and any hour, for the ordering.

Lax laid lightly on toast is a pale rose triumph. _Olives

farcies_--caper and anchovy chief ingredients of the _farce_--come

like a flaming ray of southern sunlight. Haddock is smoked in the land

across the border solely that it may ravish the elect in its grandest

phase as _croustades de merluche fumée_. By the shores of the blue

Mediterranean, sardines are packed in tins that the delicate diner of

the far north may know pleasure's crown of pleasure in _canapé de

sardines diablées_. Caviar craves no more elaborate seasoning than

lemon juice and _paprika_ can give; herring roe sighs for devilled

biscuit as friendly resting-place. Shrimp and lobster vie with one

another for the honour either _bouchée_ or _canapé_ bestows. And ham

and tongue pray eagerly to be grated and transformed into bewildering

_croûtes_. The ever-willing mushroom refuses to be outsped in the

blessed contest, but murmurs audibly, "_Au gratin_ I am adorable;"

while the egg whispers, "Stuff me, and the roses and raptures are

yours!"

But what would the art of eating be without the egg? In two strange

and striking combinations it carries the savoury to the topmost rung

in the ladder of gastronomy. Its union with inexhaustible anchovy and

Bombay duck has for issue "Bombay toast," the very name whereof has

brought new hope to staid dons and earnest scholars. Pledged to

anchovies once more and butter and cream--Mormon-like in its choice of

many mates--it offers as result "Scotch woodcock," a challenge to fill

high the glass with Claret red and rare.

Endless is the stimulating list. For cannot the humble bloater be

pressed into service, and the modest cod? Do not many more vegetables

than spinach, that plays so strong a part in _Raviole à la Genoese_,

answer promptly when called upon for aid? And what of the gherkin?

What of the almond--the almond mingled with caviar and cayenne? And

what of this, that, and the other, and ingenious combinations by the

score? Be enterprising! Be original! And success awaits you.

INDISPENSABLE CHEESE

With bread and cheese and kisses for daily fare, life is held to be

perfect by the poet. But love may grow bitter before cheese loses its

savour. Therefore the wise, who value the pleasures of the table above

tender dalliance, put their faith in strong Limburger or fragrant

Brie, rather than in empty kisses. If only this lesson of wisdom could

be mastered by all men and women, how much less cruel life might be!

The Feasts of Autolycus: The Diary of a Greedy Woman · 第 8 / 10 段