The tomato as a vegetable should be the first point of the meditation.

Let us reflect. Stewed, though not as in America of old, until all

flavour is lost, it has the merit of simplicity by no means to be

underestimated: drained of the greater part of its juice, thickened

slightly with flour, it cannot disappoint. _Au gratin_, it aspires to

more delirious joys: the pleasure yielded develops in proportion to

the pains taken to produce it. Into a baking dish olive oil is poured

in moderation; a sprinkling of salt and pepper and fragrant herbs well

powdered, together with bread-crumbs duly grated, follows; next the

tomatoes, eager and blushing, whole or in dainty halves, as the

impulse of the moment may prompt; more bread-crumbs and pepper and

salt and herbs must cover them gently, more oil be poured upon the

stirring harmony; and an hour in the oven will turn you out as pretty

a side-dish as was ever devised by ingenious Mrs Glasse, who--O the

pity of it--lived too soon for fond dalliance with love's crowning

vegetable.

_Farcies_ tomatoes may not easily be surpassed. Upon your whim or

choice it will depend whether you stuff them whole, or cut them in

half for so ineffable a purpose. And upon your whim likewise depends

the special forcemeat used. Chopped mushrooms, parsley and shallot,

seasoned with discretion, leave little to ask for. Prepare, instead,

sausage meat, garlic, parsley, tarragon, and chives, and the tomatoes

so stuffed you may without pedantry call _à la Grimod de la Reynière_.

But whatever you call them, count upon happiness in the eating.

Second point of the meditation: the tomato as an auxiliary. If you

have learned the trick of association, at once you see before you a

steaming harmony in pale yellow and scarlet, the long soft tubes of

_macaroni_ or _spaghetti_ encompassed round about by a deep stream of

tomatoes stewed and seasoned; at once you feast upon _macaroni al

pomodoro_ and Chianti, and Italy lies, like a map, before your mind's

eye, its towns and villages marked by this dish of dishes. With rice,

tomatoes are no less in pleasant, peaceful unity; in stuffed

_paprika_, or pepper, they find their true affinity. Grilled, they

make a sympathetic garniture for _filet piqué à la Richelieu_;

stuffed, they are the proper accompaniment of _tournedos à la Leslie_;

neatly halved, they serve as a foundation to soles _à la Loie Fuller_.

Chickens clamour for them as ally, and so does the saltest of salt

cod. In a word, a new combination they might with ease provide for

every day in the year. Enough will have been said if this one truth is

established: there is scarce a fish or fowl, scarce any meat or

vegetable, that is not the better and the nobler for the temporary

union with the tomato.

And now, the third point of the meditation, which, too often, escapes

the prosaic, unmeditative islander: the tomato as a dish for

breakfast. Only recently it was thus that two of rare beauty and sweet

savour fulfilled their destiny: on a plate fashioned by barbarous

potters on the banks of the Danube, where the love-apple grows in gay

profusion, stretched a thin, crisp slice of bacon decoratively

streaked with fat and grilled to a turn; it bore, as twin flowers, the

two tomatoes, also grilled, fragrant, tender, delectable. Surely here

was a poetic prelude to the day's toil. To Belgium all praise be given

for teaching that, stewed and encircling buttered or scrambled eggs,

tomatoes may again enliven the breakfast table, that bitter test of

conjugal devotion; to France, the credit of spreading them at the

bottom of plate or dish as a bed for eggs artistically poached or

fried. History records the names of generals and dates of battles,

but what chronicler has immortalised the genius who first enclosed

tomatoes in an omelet? This is a brutal, ungrateful world we live in.

And now pass on to the fourth heading, and new ecstasies: the tomato

as salad. Remember that the tomatoes must be deftly sliced in their

skins or else the juice escapes; that a touch of onion or garlic is

indispensable; that the dressing must be of oil and vinegar, pepper

and salt; unless, of course, a _mayonnaise_ be made. Another weird

salad there is with qualities to endear it to the morbid and neurotic.

Let it be explained briefly, that lurid description may not be thought

to exaggerate lurid attraction: drop your tomatoes, brilliantly red as

the abhorred Scarlet Woman, into hot water in order to free them of

their skins; place them whole, and in passionate proximity, in a dish

of silver or delicate porcelain; smother them under a thick layer of

whipped cream. For the sake of decoration and the unexpected, stick in

here and there a pistachio nut, and thank the gods for the new

sensation.

In soup, thin or clear, the tomato knows no rival; in sauce, it

stands supreme, ranking worthily with the four classical sauces of the

French _cuisine_. And here, a suggestion to be received with loud,

jubilant _Alleluias_! Follow the example of Attila's heirs, and, as

last touch, pour cream upon your tomato sauce. He who has known and

eaten and loved _paprika gefüllte_ in the wilds of Transylvania, will

bear willing witness to the admirable nature of this expedient.

The more devout, the professed worshipper, will eat his love-apple

without artificial device of cookery or dressing, with only salt for

savour. For this excess of devotion, however, unqualified commendation

would not be just. Unadorned the tomato is not adorned the most.

But cook or serve it as you will, see that it be eaten by you and

yours--that is the main thing. The tomatoes that make glad the heart

of the loiterer in Covent Garden are fresh as the sweet breath of May.

A DISH OF SUNSHINE

"The weather is regarded as the very nadir and scoff of conversational

topics." How can the ingenious housewife talk of aught else in the

Winter season? Not because, as Mr Stevenson argues, "the dramatic

element in scenery is far more tractable in language, and far more

human both in import and suggestion, than the stable features of the

landscape," but because upon it she is dependent for ease and success

in making her every luncheon and dinner a culinary triumph.

Of what avail the morning's conference with the greengrocer's boy, or

even the conscientious visit to the greengrocer's shop or the ramble

through the market--unless, perhaps, and happily, her pockets be lined

with gold, when hothouse vegetables, and out-of-season delicacies,

must be paid for with the alacrity of a Croesus? Otherwise, dark,

hopeless despair seizes upon her? Must she not brood in abject

melancholy when the hideous truth is revealed to her that earth's

resources are limited to turnip-tops and Brussels sprouts, with, it

may be, a few Jerusalem artichokes thrown in? Celery, the lordly, is

frozen. Cauliflower, the fragrant, frost-bitten irretrievably, will

not yield to the most urgent inducements of hot water. Lettuce is a

thing of the past and of the future. Sad and drear indeed is the

immediate prospect. For surely turnip-tops are a delusion, and against

the monotony of sprouts the aspiring soul rebels.

It is at this crisis that hope flames right in a strangely neglected

corner. Italian sunshine and blue skies, concentrated in flour paste,

wrought into tubes and ribbons, squares and lozenges, come to gladden

the sinking heart and cheer the drooping spirits. Why despair when

_macaroni_ is always to be had, inestimable as a vegetable, unrivalled

as an _entrée_, a perfect meal, if you choose, in itself?

Upon the imagination of those to whom food is something besides a mere

satisfaction to carnal appetite, _macaroni_ works a strange, subtle

spell. The very name conjures up sweet poetic visions; it is the

magic crystal or beryl stone, in which may be seen known things, dear

to the memory: smiling valleys where the vines are festooned, not as

Virgil saw them, from elm to elm, but from mulberry to mulberry; and

where the beautiful, broad-horned, white oxen drag, in solemn dignity,

the crawling plough; olive-clad slopes and lonely stone palms; the

gleam of sunlit rivers winding with the reeds and the tall, slim

poplars; the friendly wayside _trattoria_ and the pleasant refrain of

the beaming _cameriere_, "_Subito Signora; ecco!_"--a refrain

ceaseless as the buzzing of bees among the clover. In a dish of

_macaroni_ lies all Italy for the woman with eyes to see or a heart to

feel.

Or visions more personal, more intimate, she may summon for her own

delight; the midday halt and lunch in Castiglione del Lago on its

gentle hill-top, the blue of Thrasymene's lake shining between the

olives, and all fair to behold, save the _padrone_ with his

conscienceless charges for the bowl of _macaroni_ that had been so

good in the eating. Or else, perhaps, the evening meal in the long

refectory at Monte Oliveto, with the white-robed brothers; or, again,

the unforgettable breakfast at Pompeii's _Albergo del Sole_, the good

wine ranged upon the old tree trunk that serves as central column, the

peacock, tail outspread, strutting about among the chairs and tables,

the overpowering sweetness of the flowering bean stealing, from near

fields, through open doors and windows. Or, still again, the thought

of Pompeii sends one off upon the journey from its ruined streets to

Naples--on one side the Bay, on the other the uninterrupted line of

villages, every low white house adorned with garlands of _macaroni_

drying peacefully and swiftly in the hot sun. And a few pence only

will it cost to dream such dreams of beauty and of gladness.

Many as are the devices for preparing this stuff that dreams are made

of, none can excel the simplest of all. Eat it the way the Italian

loves it, and for yourself you open up new vistas of pleasure. And

what could be easier? In water well salted--upon the salt much

depends--the _macaroni_, preferably in the large generous tubes, is

boiled for twenty minutes, or half an hour, until it is as soft as

soft may be without breaking. A capacious bowl, its sides well

buttered and sprinkled with grated Parmesan cheese, must wait in

readiness. Into it put the _macaroni_, well drained of the water, into

its midst drop a large piece of sweet, fresh butter, and sprinkle,

without stint, more of the indispensable Parmesan; mix wisely and with

discrimination; and then eat to your soul's, or stomach's, content. To

further your joy, have at your side a flash of Chianti, pure and

strong, standing in no need of baptism. The gods never fared better.

But, one word of advice: if this dish you serve for luncheon, defy

convention, and make it the first and last and only course. It may

seem meagre in the telling. But to treat it with due respect and

justice much must be eaten, and this much makes more impossible even

to the hopeful.

Another word of advice: never break or cut the _macaroni_ into small

pieces; the cook who dares to disobey in this particular deserves

instant and peremptory dismissal. Where is the poetry, where the art,

if it can be eaten with as little trouble and planning as an everyday

potato, or a mess of greens? Who, that has seen, can forget the

skilful Italian winding the long steaming tubes around and around his

fork, his whole soul and intelligence concentrated upon the pretty

feat of transposing these tubes from his fork to his mouth. It is

difficult; yes, especially for the foreigner; but where is the

pleasure without pain? As well tear your Troyon or your Diaz into

shreds, and enjoy it in bits, as violate the virginal lengths of your

_macaroni_.

In more lavish mood, prepare it _al sugo_, and no cause need you fear

for regret. It is well-nigh as simple; the _macaroni_, or better still

_spaghetti_, the smaller, daintier variety, once boiled, is taken from

the water only to be plunged in rich gravy, its quantity varying

according to the quantity of _spaghetti_ used; let it boil anew, or

rather simmer, until each long tube is well saturated; then, add the

cheese and butter, and say your _Benedicite_ with a full heart.

Or, would you have it richer still, and so tempt Providence? Make

tomato the foundation of the gravy, spice it with cloves, bring out

the sweet _bouquet garni_, serve with butter and Parmesan cheese as

before, and call the result _Macaroni à la Napolitaine_. _Spaghetti_,

here again, will answer the purpose as well, nor will the pretty,

flat, wavy ribbon species come amiss. To court perfection, rely upon

mushrooms for one of the chief elements in this adorable concoction,

and the whole world over you may travel without finding a dish worthy

to compete with it. _Macaroni_ can yield nothing more exquisite,

though not yet are its resources exhausted.

_Au gratin_ it is also to be commended. The preliminary boiling may

now, as always, be taken for granted. With its chosen and well-tried

accompaniments of butter and Parmesan cheese, and steeped in a good

white sauce, it may simmer gently over the fire until the sympathetic

butter be absorbed; then in a decently prepared dish, and covered with

bread-crumbs, it should bake until it is warmed into a golden-brown

harmony that enraptures the eye. Or with stronger seasoning, with

onion and pepper and cayenne, you may create a savoury beyond compare.

Or combined with the same ingredients you may stew your _macaroni_ in

milk, and revel in _macaroni sauté_; worse a hundred times, truly,

might you fare.

But, if you would be wholly reckless, why, then try _Macaroni à la

Pontife_, and know that human ambition may scarce pretend to nobler

achievements. For a mould of goodly proportions you fill with

_macaroni_ and forcemeat of fowl and larks and bits of bacon and

mushrooms and game filleted; and this ineffable arrangement you

moisten with gravy and allow to simmer slowly, as befits its

importance, for an hour; eat it, and at last you too, with Faust, may

hail the fleeting moment, and bid it stay, because it is so fair!

In puddings and pies _macaroni_ is most excellent. But if you be not

lost beyond redemption, never sweeten either one or the other; the

suggestion of such sacrilege alone is horrid. Into little croquettes

it may by cunning hands be modelled; _en timbale_, in well-shaped

mould, it reveals new and welcome possibilities. With fish it

assimilates admirably; in soup it is above criticism. It will

strengthen the flavour of chestnuts, nor will it disdain the

stimulating influence of wine, white or red. And in the guise of

_nouilles_, or nudels, it may be stuffed with forcemeat of fowl or

beef, and so clamour for the rich tomato sauce.

ON SALADS

To speak of salads in aught but the most reverential spirit were

sacrilege. To be honoured aright, they should be eaten only in the

company of the devout or in complete solitude--and perhaps this latter

is the wiser plan. Who, but the outer barbarian, will not with a good

salad,

A book, a taper, and a cup

Of country wine, divinely sup?

Over your hot meats you cannot linger; if alone with them, and read

you must, a common newspaper, opened at the day's despatches, best

serves your purpose; else, your gravies and sauces congeal into a

horrid white mess upon your plate, and tepid is every unsavoury morsel

your fork carries to your mouth. But over any one of the "salad

clan"--lettuce or tomato, beans or potato, as fancy prompts--you can

revel at leisure in your Balzac, your Heine, your Montaigne, which,

surely, it would be desecration to spread open by the side of the

steaming roast or the prosaic bacon and eggs. There has always seemed

one thing lacking in Omar's Paradise: a salad, he should have

bargained for with his Book of Verses, his Jug of Wine, and Loaf of

Bread "underneath the Bough."

Far behind has the Continent left Great Britain in the matter of

salads. To eat them in perfection you must cross the Channel--as,

indeed, you must in the pursuit of all the daintiest dishes--and

travel still farther than France. The French will give you for

breakfast a bowl of _Soissons_, for dinner a _Romaine_, which long

survive as tender memories; even the humble dandelion they have

enlisted in the good cause. With the Italian you will fare no less

well; better it may be, for, with the poetic feeling that has

disappeared for ever from their art and architecture, they fill the

salad bowl at times with such delicate conceits as tender young violet

leaves, so that you may smell the spring in the blossoms at your

throat, while you devour it in the greens set before you. But in

Germany, though there may be less play of fancy in the choice of

materials, there is far greater poetry in the mixing of them. As an

atonement for that offence against civilisation, the midday dinner,

the Germans have invented a late supper that defies the critic: the

very meanest _Speise-Saal_ is transfigured when the gaslight falls

softly on the delicious potato or cucumber or herring salads of the

country, flanked by the tall slim glasses of amber Rhenish wine. But,

excelling Germany, even as Germany excels France, Hungary is the true

home of the salad. It would take a book to exhaust the praise it there

inspires. To die eating salad on the banks of the Danube to the wail

of the Czardas--that would be the true death! What, however, save the

ideals realised, is to be effected in a land where tomatoes are as

plentiful as are potatoes in Ireland?

The Briton, it must be admitted, has of late progressed. Gone is the

time when his favourite salad was a horror unspeakable: an onion and a

lettuce served whole, chopped up by himself, smothered in salt and

pepper, and fairly sluiced with vinegar. To understand the full

iniquity of it, you must remember what an excess of vinegar the

stalwart Briton was equal to in those days, now happily past. An

imperial pint, Mr Weller's friend, the coachman with the hoarse voice,

took with his oysters without betraying the least emotion. As

benighted, smacking no less of the Dark Ages, is the custom of serving

with cheese a lettuce (of the long crisp species known as _cos_ in the

cookery books), cut ruthlessly in halves. You are supposed to dip the

leaves into salt, and afterwards return thanks with a grateful heart.

Many there are who will still eat lettuce in this fashion with their

tea; the curious student of evolution can point to it as a survival of

the old barbarism; to the mustard and cress or cucumber sandwiches

which have replaced it, as a higher phase of development.

But, though these sorry customs still survive here and there, even as

superstitions linger among ignorant peasants, British eyes are opening

to the truth. The coming of the salad in England marks the passing of

the Englishman from barbarous depth to civilised heights. Has he not

exchanged his old-love Frith for Whistler, and has he not risen from

G. P. R. James to George Meredith? Not a whit less important in the

history of his civilisation is his emancipation from that vile,

vinegar-drenched abomination to the succulent tomato, the unrivalled

potato, well "fatigued" in the "capacious salad-bowl."

Of every woman worthy of the name, it is the duty to master the secret

of the perfect salad, and to prepare it for her own--and man's--greater

comfort and joy in this life, and--who knows?--salvation in the

next. This secret is all in the dressing. It is easy enough to buy

in the market, or order at the greengrocer's a lettuce, or a cucumber,

or a pound of tomatoes. But to make of them a masterpiece, there's

the rub. Upon the dressing and "fatiguing" success depends. The

mission of the lettuce, the resources of the bean were undreamed

of until the first woman--it must have been a woman!--divined

the virtue that lies in the harmonious combination of oil and

vinegar. Vinegar alone and undiluted is for the vulgar; mixed

with oil it as much surpasses nectar and ambrosia as these hitherto

have been reckoned superior to the liquors of mere human brewing. Of

_mayonnaise_ nothing need as yet be said; it ranks rather with sauces,

irreproachable when poured upon salmon, or chicken, or lobster--upon

the simpler and more delicate salads it seems well-nigh too strong and

coarse. The one legitimate dressing in these cases is made of vinegar

and oil, pepper and salt, and, on certain rare occasions, mustard.

As with sauces, it is simple to put down in black and white the

several ingredients of the good dressing. But what of the proportions?

What of the methods of mixing? In the large towns of the United States

where men and women delight in the pleasures of the table, are

specialists who spend their afternoons going from house to house,

preparing the salads for the day's coming great event. And perhaps, in

the end, all mankind may see advantages in this division of labour.

For only the genius born can mix a salad dressing as it should be

mixed. Quantities of pepper and salt, of oil and vinegar for him (or

her) are not measured by rule or recipe, but by inspiration. You may

generalise and insist upon one spoonful of oil for every guest and one

for the bowl--somewhat in the manner of tea-making--and then

one-third the quantity of vinegar. But out of these proportions the

Philistine will evolve for you a nauseating concoction; the initiated,

a dressing of transcendental merit.

As much depends upon the mixing as upon the proportions. The foolish

pour in first their oil, then their vinegar, and leave the rest to

chance, with results one shudders to remember. The two must be mixed

together even as they are poured over the salad, and here the task but

begins. For next, they must be mixed with the salad. To "fatigue" it

the French call this special part of the process, and indeed, to

create a work of art, you must mix and mix and mix until you are

fatigued yourself, and your tomatoes or potatoes reduced to one-half

their original bulk. Then will the dressing have soaked through and

through them, then will every mouthful be a special plea for gluttony,

an eloquent argument for the one vice that need not pall with years.

One other ingredient must not be omitted here, since it is as

essential as the oil itself. This is the onion--

Rose among roots, the maiden fair,

Wine-scented and poetic soul

of every salad. You may rub with it the bowl, you may chop it up fine

and sprinkle with it the lettuce, as you might sprinkle an omelet with

herbs. But there, in one form or another, it must be. The French have

a tendency to abuse it; they will cut it in great slices to spread

between layers of tomatoes or cucumbers. But there is a touch of

grossness in this device. It is just the _soupçon_ you crave, just the

subtle flavour it alone can impart. You do not want your salad, when

it comes on the table, to suggest nothing so much as the stewed steak

and onions shops in the Strand! The fates forbid.

"What diversities soever there be in herbs, all are shuffled up

together under the name of sallade." And Montaigne wrote in sadness,

knowing well that there could be no error more fatal. Have you ever

asked for a salad at the greengrocer's, and been offered a collection

of weeds befitting nothing so much as Betsy Prig's capacious pocket?

Have you ever, at the table of the indifferent, been served with the

same collection plentifully drenched with "salad cream"? But these are

painful memories, speedily to be put aside and banished for evermore.

Some combinations there are of herbs or greens or vegetables

unspeakably delicious, even in the thought thereof. But it is not at

haphazard, by an unsympathetic greengrocer, they can be made; not in

haste, from bottles of atrocities, they can be dressed. They are the

result of conscientious study, of consummate art.

Besides, some varieties there be of flavour too delicate to be

tampered with: for instance, the cabbage lettuce, as the vulgar call

it, which comes in about Easter time, but which, at the cost of a

little trouble, can be had all the year round. For some reason

unknown, your hard-hearted greengrocer, half the time, objects to it

seriously, declares it not to be found from end to end of Covent

Garden. But let him understand that upon his providing it depends your

custom, and he fetches it--the unprincipled one--fast enough. The

ragged outer leaves pulled away, crisp and fresh is the heart, a cool

green and white harmony not to be touched by brutal knife. The leaves

must be torn apart, gently and lovingly, as the painter plays with the

colours on his palette. Then, thrown into the bowl which already has

been well rubbed with onion, and slices of hard-boiled egg laid upon

the top for adornment and flavouring alike, at once may the dressing

of oil and vinegar and salt and pepper be poured on, and the process

of "fatiguing" begin. You need add nothing more, to know, as you eat,

that life, so long as salads are left to us, is well worth the living.

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