3. The historical development of epic Poetry

(_a_) The Oriental Epos

[(_α_) Epos of Hindoos and Persians. The sense of the unity

of the One Substance

(_β_) Contrast between Hindoo and Persian Epos. The Ramajana

and Maha-Bharata

(_γ_) Hebrew Epic poetry]

(_b_) Epic poetry of Greece and Rome

[(_α_) Essential unity of Iliad and Odyssey. The _ne plus

ultra_ of attainment. The cyclic poets

(_β_) Roman Epos cannot compare in quality with the Greek

prototype]

(_c_) The Romantic Epos.

[The poems of Ossian. The Edda. National character of epic

poems of Middle Ages. "The Cid." The peculiar nature of

Dante's "Divine Comedy." The poems relating to Charlemagne,

King Arthur, etc. The revolt against Chivalry in Ariosto and

Cervantes. The "Lysiad" of Camoens. Milton's "Paradise Lost"

and Klopstock's "Messias"]

The Philosophy of Fine Art, volume 4 (of 4) Hegel's Aesthetik · 第 30 / 73 题