2. Particular Characteristics of true Epos

(_a_) The general World-condition of the Epos

[(_α_) A positive social state conjoined to primitive

simplicity. Intuitive sense of right the support of moral

order. Vital human association with nature and particular

objects possessed. Heroic condition, _e.g.,_ that of free

individuality. Examples. Expresses entire horizon of

national condition

(_β_) The mirror must be of one particular people. The

Hellenic spirit in Homer. A foreign locale not necessarily

prejudicial to artistic effect. The remoteness to present

ideas of the "Niebelungen Lied"

(_γ_) Main event of poem must be a deliberately conceived

purpose. It must imply collisions. The belligerent condition

most pertinent. The Odyssey not only an exception. Courage

the fundamental interest. Justification of such attitude]

(_b_) The individual Epic action

[(_α_) Must be one of individual vitality. Must appropriate

form of an event, and the happening of such. Analysis.

Problem of an absolute Epos. Mere biography not most

complete subject-matter. "The Divine Comedy" only partially

an exception

(_β_) Question of human personality implied. Epic character

must be a totality. Achilles, the Cid, and other heroes,

discussed. Circumstances as active as persons. Illustrations

(_γ_) The form under which the intrinsic significance of

the occurrence proclaims itself, whether as ideal Necessity

or disclosed spiritual forces. Destiny. What it defines.

General tone of sadness in the Epic. Different modes of

appearance. Poems of Ossian, and others. Loss of original

freshness in Latin poetry. Virgil]

(_c_) The Epos as unified totality

[(_α_) The unity of the assumed general background and

the individuals therein. Humanity displayed in its entire

collective relation of all interests and occupations. The

individual event. The commencement of the Iliad and Odyssey

(_β_) The difference between the epic mode of disclosure and

that of the Lyric or drama. Greater extension of range. In

the epic work character may give way to external condition.

Objective nature of its exposition. Motivisation of drama

and the Epic entirely different. Examples from Homer and

modern poetry

(_γ_) Nature of unity of Epos. Though not of most importance

essential to artistic result. Insistence upon fundamental

unity of the Homeric poems. Epic unity within a national

whole. Distinction from dramatic action. The Idyll. The

novel as the Epopaea of modern society]

The Philosophy of Fine Art, volume 4 (of 4) Hegel's Aesthetik · 第 29 / 73 题