But while he strove for truth and sincerity in this manner he

did not attempt to remove from his mind the belief in which he

had been brought up, that as Pharaoh of Egypt he was himself

partly divine. Not only was he by reason of his religion the

representative, and hence, in a manner of speech, the “son” of

God, but by right of royal descent he was the “son of the Sun.”

The names of the Pharaohs were always surrounded by an oval band,

known as a cartouche, which was the distinguishing mark of a royal

name. Akhnaton wrote the name of the Aton within such an oval,

thus indicating that the Pharaoh’s royal rights were also held

by, and therefore derived from, God Himself. There was thus, as

Christ later taught His disciples to believe, a kingdom of heaven

over which God presided; and although impersonal, intangible, and

incomprehensible, the Aton was the very “King of kings, the only

ruler of princes.” Amon-Ra and other of the old deities had been

called at various times “King of the gods.” Akhnaton, however,

applied to Aton the words “King and God.”

Akhnaton is spoken of as “the unique one of Ra, whose beauties

Aton created,” and as “the beloved son of Aton,” whom “Aton bare.”

Addressing the Aton, his courtiers were wont to say, “Thy rays

are on Thy bright image, the Ruler of Truth (_i.e._, the King),

who proceeded from eternity. Thou givest to him Thy duration and

Thy years; Thou hearkenest to all that is in his heart, because

Thou lovest him. Thou makest him like the Aton, him Thy child, the

King.” “Thou lookest on him, for he proceeded[48] from Thee.”

“Thou hast placed him beside Thee for ever and ever, for he loves

to gaze upon Thee.... Thou hast set him there till the swan shall

turn black and the crow turn white, till the hills rise up to

travel and the deeps rush into the rivers.” “While heaven is,

he shall be.” Some of the Pharaohs had called themselves “the

beautiful child of Amon”; and Akhnaton, borrowing this phrase, was

sometimes spoken of as “the beautiful child of the Aton.”[49]

[Illustration: _Akhnaton and his Wife and Children._]

In his capacity as Pharaoh and “son of God,” Akhnaton demanded

and received a very considerable amount of ceremonial homage; but

he never blinded himself to the fact that he was primarily but a

simple man. He most sincerely wished that his private life should

be a worthy example to his subjects, and he earnestly desired that

it should be observed in all its naturalness and simplicity. He

did his utmost to elevate the position of women and the sanctity

of the family by displaying to the world the ideal conditions of

his own married life. He made a point of caressing his wife in

public, putting his arm around her neck in the sight of all men. As

we have seen, one of his forms of oath was, “As my heart is happy

in the Queen and her children....” He spoke of his wife always as

“Mistress of his happiness, ... at hearing whose voice the King

rejoices.” “Lady of grace” was she, “great of love” and “fair

of face.” Every wish that she expressed, declared Akhnaton, was

executed by him. Even on the most ceremonious occasions the queen

sat beside her husband and held his hand, while their children

frolicked around them; for such things pleased that gentle father

more than the savour of burnt-offerings. It is seldom that the

Pharaoh is represented in the reliefs without his family; and, in

opposition to all tradition, the queen is shown upon the same scale

of size and importance as that of her husband. Akhnaton’s devotion

to his children is very marked, and he taught his disciples to

believe that God was the father, the mother, the nurse, and the

friend of the young. Thus, though “son of God,” Akhnaton

preached the beauty of the human family, and laid stress on the

sanctity of marriage and parenthood.

6. THE CONNECTIONS OF THE ATON WORSHIP WITH OLDER RELIGIONS.

In developing his religion Akhnaton must have come into almost

daily conflict with the priesthoods of the old gods of Egypt;

and even the Heliopolitan Ra-Horakhti, from which his own faith

had been evolved, now fell far short of his ideals. He does not

seem, however, to have yet imposed the worship of the Aton upon

the provinces, nor to have persecuted the various priesthoods.

He hoped, no doubt, that he would be able to persuade the whole

country to his views as soon as those views were thoroughly

matured; and, secure in his new city, he was free to purge his

religion of its faults before declaring all other creeds illegal.

It is probable that the sacred bull, Mnevis, was banished from his

ceremonies at an early date, for no tombs seem to have been made

for these holy creatures, and they are not referred to after the

sixth year of the king’s reign. The priests of Heliopolis would

now have hardly recognised their doctrines in the exalted faith of

the Aton, though here and there some point of close contact might

have been observed. One may also detect slight resemblances to the

Adonis religions of Syria, from whence the Aton had originally

come. Mention has already been made of the worship of Adonis. So

widespread was that deity’s power that it very naturally affected

many other religions. In the Biblical Psalms one finds several

echoes of this old pagan worship, as for example in the lines from

Psalm xix., which read:--

The heavens declare the glory of God....

In them hath he set a tabernacle for the sun,

Which is a bridegroom coming out of his chamber,

And he rejoiceth as a strong man to run a race.

There is nothing hid from the heat thereof.

Here one surely must recognise the youthful Adonis, the bridegroom

of Venus. And similarly in the Heliopolitan worship, at the

commencement of Akhnaton’s reign, the sun, Ra, is referred to in

the following terms: “Thou art beautiful and youthful as Aton

before thy mother Hathor [Venus].”

In Akhnaton’s religion one may still catch a fleeting glimpse of

Adonis. One of the king’s courtiers, named May, held the office of

“Overseer of the House for sending Aton to rest.”[50] Akhnaton’s

queen is mentioned in the tomb of Ay under the peculiar title of

“She who sends the Aton to rest with a sweet voice, and with her

two beautiful hands bearing two systrums.” This “house” was, no

doubt, the temple at which the vesper prayers to the Aton were

said at sunset, and from the above title of the queen it would

seem that she had particular charge of these evening ceremonies.

One cannot contemplate the fact that it was a woman who officiated

at a ceremony which consisted of a lament[51] for the death of

the sun without seeing in it some connection, however faint,

with the story of Venus and Adonis. The lament of Venus for the

death of Adonis--_i.e._, the setting of the sun--was one of the

fundamental ceremonies of the Mediterranean religions. Here again

was a connection with an older religion for Akhnaton to consider

and perhaps to purge away; and one may suppose that all such

derivatives from earlier faiths were gradually eliminated as the

young king developed his creed. Soon not a scrap of superstition

remained in the religion; and one may credit this Pharaoh of three

thousand years ago with as great a freedom from the trammels of

traditional superstition as that of the advanced thinker of to-day.

7. THE SPIRITUAL NEEDS OF THE SOUL AFTER DEATH.

“Truly the light is sweet, and a pleasant thing it is for the eyes

to behold the sun,” says Holy Writ in words which might have fallen

from the lips of Akhnaton; “but though a man live many years and

rejoice in them all, yet let him remember the days of darkness, for

they shall be many.” As Akhnaton had completely revolutionised the

beliefs of the Egyptians as to the nature of God, so he altered

and purged their theories regarding the existence of the soul after

death. According to the old beliefs, as we have seen, the soul of

a man had to pass through awful places up to the judgment throne

of Osiris, where he was weighed in the balances. If he was found

wanting he was devoured by a ferocious monster, but if the scales

turned in his favour he was accepted into the Elysian fields. So

many were the spirits, bogies, and demigods which he was likely to

meet before the goal was reached that he had to know by heart a

tedious string of formulæ, the correct repetition of which, and the

correct making of the related magic, alone ensured his safe passage.

Akhnaton flung all these formulæ into the fire. Djins, bogies,

spirits, monsters, demigods, demons, and Osiris himself with all

his court, were swept into the blaze and reduced to ashes. Akhnaton

believed that when a man died his soul continued to exist as a kind

of astral, immaterial ghost, sometimes resting in the dreamy halls

of heaven, and sometimes visiting, in shadowy form, the haunts

of the earthly life. By some of the inscriptions one is led to

suppose that, as in the fourth article of the Christian faith, so

in the teachings of Akhnaton, the body was thought to take again

after death its “flesh, bones, and all things appertaining to

the perfection of man’s nature.” But just as there is some doubt

and some vagueness in the mind of Christian thinkers as to the

meaning of this article, so in Akhnaton’s doctrine there was some

uncertainty as to whether the body was entirely spiritual or in a

manner material in its hazy existence in the Hills of the West.

The disembodied soul still craved the pleasures of earthly life

and shunned its sorrows; still felt hunger and thirst and enjoyed

a draught of water or a meal of solid food; still warmed itself in

the sunshine or sought coolness in the shadows.

We hear nothing of hell; for Akhnaton, in the tenderness of his

heart, could not bring himself to believe that God would allow

suffering in any of His creatures, however sinful. The inscriptions

seem rather to indicate that there was no future life for the

wicked,--that they were annihilated; though in almost every man one

may suppose that there was enough good to recommend him to the

mercy of a God so loving as the Aton.

The first great wish of the deceased was that he might each day

leave the dim underworld in order to see the light of the sun

upon earth. This had been the prayer of the Egyptians from time

immemorial, and to suit the religion of the Aton its wording alone

was changed. The disciple of Akhnaton asked to be allowed “to go

out from the underworld in the morning to see Aton as he rises.”

He prayed insistently, passionately, in varied language, that his

spirit might “go forth to see the sun’s rays,” that his “two eyes

might be opened to see the sun,” that there might be “no failure

to see it,” that the “vision of the sun’s fair face might never be

lost to him,” that he “might obtain a sight of the beauty of each

recurring sunrise,” and that “the sun’s rays might spread over

his body.” Sometimes it is the Aton whom the soul thus craves to

see; sometimes it is Ra, the sun; but always it seems to be the

actual light and warmth of the sunshine which is so passionately

desired. The abstract conditions of the future life could but be

interpreted in terms of human experience; and in contemplating

that cold, desolate mystery of death, Akhnaton could find no better

means of banishing the gloom than by praying for a continuance of

the blessed light of the day. And the man who prayed that his soul

might see the sunshine but asked that he might still know the joy

of the presence of God, for God was the light of the world.

His second wish was that he might retain the favour of the king and

queen after death, and that his soul might serve their souls in the

palaces of the dead. He asks for “readiness in the presence of the

King” to do his bidding; he prays that he may be admitted into the

palace, “entering it in favour and leaving it in love”; that he may

“attend the King every day”; and that he may “receive honour in the

presence of the King.”

For his mental contentment in the underworld he earnestly desired

that “his name might be remembered and established on earth,” that

there might be “a happy memory of him in the King’s palace,” and

“a continuance of his name in the mouths of the courtiers,” where

he hoped that it “might be welcome.” “May my name thrive in the

tomb-chapel,” he says. “May my name not be to seek in my mansion.

May it be celebrated for ever.” So, too, at the present day the

words _In Memoriam_ are goodly words; and that a man’s memory may

be kept green is a thing very generally desired.

8. THE MATERIAL NEEDS OF THE SOUL.

In order that the soul might have its link with earth, the

worshipper of the Aton prayed that his mummy might remain “firm”

and uncorrupted, that the “flesh might live upon the bones,” and

that his limbs might remain “knit together.” The Egyptians of

other days believed that the body itself would live again at the

resurrection, this being the reason why they attempted so carefully

to preserve it; and Akhnaton does not appear to have altered this

conception of the nature of the material body. So, too, in the

Christian faith it is thought that at the last day the graves will

give up their dead.

The spiritual body retained the form and the individuality of the

material body, and therefore, in a somewhat vague manner, it was

thought that the needs of the soul would not be very dissimilar

from those of the body upon earth. Christ, after His resurrection,

asked for food; and the feasts of Paradise are more than allegory

to many a Christian. Likewise the follower of Akhnaton believed

that material food, or its spiritual equivalent, would be necessary

to the soul’s welfare in the next world. “May I be called by my

name,” says he, “and come at the summons, in order to feed upon the

good things provided upon the temple altar.” It would seem that

through fidelity to the Aton creed he might have the privilege of

partaking of the offerings made at the great ceremonies in the

temple; for, after these sacrifices had been offered, the food,

probably, was distributed to the priests and to those attached to

the tombs, who represented the interests of the dead. Thus the

deceased prays that he may enjoy “a reception of that which has

been offered in the temple”; “a reception of offerings of the

King’s giving in every shrine”; “a drink-offering in the temple of

Aton”; “food deposited on the altar every day”; and “everything

that is offered in the sanctuary of Aton in the City of the

Horizon of Aton.” He further asks that “wine may be poured out” for

him, and that “the children of his house may spill a libation for

him at the entrance of his tomb.”

While life lasted God was very apparent to those who sought Him.

Wherever the sun shone, wherever the great pulse of the earth beat

beneath one, wherever the river flowed or the garden bloomed, there

was God to be found; for God was happiness, was beauty, was love.

But when the cold mists of death had enveloped a man, when there

was no longer any spring-time nor any opening of the blossoms, how

should there be contentment any more? From the depths of his heart

Akhnaton urged his followers to pray God that He might provide this

happiness, though it could only be voiced in very human words. It

was not “sweet perfume” nor “the smell of incense” that the soul

required; but how else could the pleasure of light-heartedness

be worded? They prayed that their “limbs might be provided with

pleasure every day.” In the stagnant air of the tomb they craved

for the touch of the “sweet breeze,” for “the breath of the

pleasant airs of the north wind.” They hoped in shadowy form to be

able to visit the beloved scenes of their lifetime. “May I raise

myself up and forget languor,” prays one. “May I leave and enter

my mansion,” says another. “May my soul not be shut off from that

which it desires. May I walk as I will in the grove that I have

made upon earth. May I drink the water at the edge of my lake every

day without ceasing.” “May water be poured out from my cistern,”

cries a third; “may I receive fruit from my trees.” Incessantly

each man implores God to grant that he may cool his parched lips

with water. “A draught of water at the banks of the river,” is

his desire; “a draught of water at the swirl of the stream.”

While he smells “the scent of the wind” blowing amidst the petals

of “a bouquet of Aton,” and while there runs “a brook of water”

by his side, he need not know the horror of death. And thus, by

receiving “everything good and sweet,” he may hope for “health and

prosperity” in the hills and the valleys of the West; for a “happy

life, provided with pleasure and joy,” for “amusement, merriment,

and delight,” and for a “daily rejoicing” throughout eternity.

It may be argued that this material conception of the life after

death is not equal in purity of tone to the faith of the Aton.

But is it, then, less lofty to believe in a heaven in which there

is joy and laughter, a scent of flowers, and a breath of north

wind, than in one where the streets are paved with gold, and

where there are many mansions? By no religion in the world is

Christianity so closely approached as by the faith of Akhnaton; and

if the Pharaoh’s doctrines as to immortality are not altogether

convincing, neither are the Christian doctrines, as they are

now interpreted, altogether without fault. In the above pages

it has been necessary always to compare Akhnaton’s creed with

Christianity, since there is so much common to the two religions;

but it should be remembered that this comparison must of necessity

be unfavourable to the Pharaoh’s doctrine, revealing as it does

its shortcomings. Let the reader remember that Akhnaton lived some

thirteen hundred years before the birth of Christ, at an age when

the world was steeped in superstition and sunk in the fogs of

idolatry. Bearing this in mind, he will not fail to see in that

tenderly loving Father whom the boy-Pharaoh worshipped an early

revelation of the God to whom we of the present day bow down; and

once more he will find how true are the words--

“God fulfils Himself in many ways.”

Since writing the above, another point in Akhnaton’s teaching

has become apparent, from the scenes, recently discovered by the

present writer, in the tomb of Rames. There is a scene often

represented upon the walls of tombs of Dynasty XVIII. which seems

to represent human sacrifice. The figure of a man is seen dragged

to the tomb upon a sledge, and Sir Gaston Maspero has pointed out

that this can hardly be anything else than such a sacrifice. This

scene was shown on one of the walls of the tomb of Rames, and

evidently dated from a period previous to Akhnaton’s revolution.

When, however, the young king had formulated his religion of love

he could not tolerate a barbaric and cruel ceremony of this kind.

We thus find that the entire scene is here obliterated, almost

certainly by the king’s agents. The objection to human sacrifice is

closely in accord with his objection to human suffering as recorded

on page 175.

V.

THE TENTH TO THE TWELFTH YEARS OF THE REIGN OF AKHNATON.

“One must be moved with involuntary admiration for the young king

who in such an age found such thoughts in his heart.”--BREASTED:

‘History of Egypt.’

1. THE HYMNS OF THE ATON WORSHIPPERS.

In the tombs of rich persons who had lived and died previous to the

time of Akhnaton, a large portion of the walls had been covered

with religious inscriptions; and when at first the nobles of the

City of the Horizon of Aton were planning their sepulchres they

must have been at a loss to know what to substitute for these

forbidden formulæ. Soon, however, it became the custom to write

there short extracts from the hymns which were sung in the temples

of the Aton. In a few cases these inscriptions supply us with a

definite psalm which, although short, seems to be complete. In one

tomb--that of Ay--however, there is a copy of a much more elaborate

hymn; and it would thus seem that there were two main psalms in

use in the temples, a longer and a shorter version of the same

composition.

It was not unusual for the Egyptians to compose hymns in honour of

their gods, and a few such have been preserved to us upon the walls

of the old temples. Like the Hebrew psalms of later date, they are

not always of a very high moral tone. They are often but chants

of victory, dealing in battles, in thunders, and in tempests, and

glorying in the wrath of heaven. The longer hymn to the Aton, which

is here given in full, is quite unlike any of these compositions,

and both in purity of tone and in beauty of style it must rank high

amongst the poems of antiquity.

[52]“Thy dawning is beautiful in the horizon of heaven,

O living Aton, Beginning of life!

When Thou risest in the eastern horizon of heaven,

Thou fillest every land with Thy beauty;

For Thou are beautiful, great, glittering, high over the earth;

Thy rays, they encompass the lands, even all Thou hast made.

Thou art Ra, and Thou hast carried them all away captive;

Thou bindest them by Thy love.

Though Thou art afar, Thy rays are on earth;

Though Thou art on high, Thy footprints are the day.

When Thou settest in the western horizon of heaven,

The world is in darkness like the dead.

Men sleep in their chambers,

Their heads are wrapped up,

Their nostrils stopped, and none seeth the other.

Stolen are all their things that are under their heads,

While they know it not.

Every lion cometh forth from his den,

All serpents, they sting.

Darkness reigns,

The world is in silence:

He that made them has gone to rest in His horizon.

Bright is the earth, when Thou risest in the horizon,

When Thou shinest as Aton by day.

The darkness is banished

When Thou sendest forth Thy rays;

The two lands [of Egypt] are in daily festivity,

Awake and standing upon their feet,

For Thou hast raised them up.

Their limbs bathed, they take their clothing,

Their arms uplifted in adoration to Thy dawning.

Then in all the world they do their work.

All cattle rest upon the herbage,

All trees and plants flourish;

The birds flutter in their marshes,

Their wings uplifted in adoration to Thee.

All the sheep dance upon their feet,

All winged things fly,

They live when Thou hast shone upon them.

The barques sail up-stream and down-stream alike.

Every highway is open because Thou hast dawned.

The fish in the river leap up before Thee,

And Thy rays are in the midst of the great sea.

Thou art He who createst the man-child in woman,

Who makest seed in man,

Who giveth life to the son in the body of his mother,

Who soothest him that he may not weep,

A nurse [even] in the womb.

Who giveth breath to animate every one that He maketh.

When he cometh forth from the body ...

On the day of his birth,

Thou openest his mouth in speech,

Thou suppliest his necessities.

When the chicken crieth in the egg-shell,

Thou givest him breath therein, to preserve him alive;

When Thou hast perfected him

That he may pierce the egg,

He cometh forth from the egg,

To chirp with all his might;

He runneth about upon his two feet,

When he hath come forth therefrom.

How manifold are all Thy works!

They are hidden from before us,

O Thou sole God, whose powers no other possesseth.

Thou didst create the earth according to Thy desire,

While Thou wast alone:

Men, all cattle large and small,

All that are upon the earth,

That go about upon their feet;

All that are on high,

That fly with their wings.

The countries of Syria and Nubia

The land of Egypt;

Thou settest every man in his place

Thou suppliest their necessities.

Every one has his possessions,

And his days are reckoned.

Their tongues are divers in speech,

Their forms likewise and their skins,

For Thou, divider, hast divided the peoples.

Thou makest the Nile in the nether world,

Thou bringest it at Thy desire, to preserve the people alive.

O Lord of them all, when feebleness is in them,

O Lord of every house, who risest for them,

O sun of day, the fear of every distant land,

Thou makest [also] their life.

Thou hast set a Nile in heaven,

That it may fall for them,

Making floods upon the mountains, like the great sea,

And watering their fields among their towns.

How excellent are Thy designs, O Lord of eternity!

The Nile in heaven is for the strangers,

And for the cattle of every land that go upon their feet;

But the Nile, it cometh from the nether world for Egypt.

Thus Thy rays nourish every garden;

When Thou risest they live, and grow by Thee.

Thou makest the seasons, in order to create all Thy works;

Winter bringeth them coolness,

And the heat [the summer bringeth].

Thou hast made the distant heaven in order to rise therein,

In order to behold all that Thou didst make,

While Thou wast alone,

Rising in Thy form as Living Aton,

Dawning, shining afar off, and returning.

Thou makest the beauty of form through Thyself alone,

Cities, towns, and settlements,

On highway or on river,

All eyes see Thee before them,

For Thou art Aton of the day over the earth.

The Life and Times of Akhnaton, Pharaoh of Egypt · 第 6 / 13 段