CHARLES DICKENS.

P.S. I saw a good deal of Walker at Cincinnati. I like him very

much. We took to him mightily at first, because he resembled you in

face and figure, we thought. You will be glad to hear that our news

from home is cheering from first to last, all well, happy, and

loving. My friend Forster says in his last letter that he "wants to

know you," and looks forward to Longfellow.

When Dickens arrived in Montreal he had, it seems, a busy time of it,

and I have often heard of his capital acting in private theatricals

while in that city.

Montreal, Saturday, 21st May, 1842.

My Dear Felton: I was delighted to receive your letter yesterday,

and was well pleased with its contents. I anticipated objection to

Carlyle's letter. I called particular attention to it for three

reasons. Firstly, because he boldly _said_ what all the others

_think_, and therefore deserved to be manfully supported. Secondly,

because it is my deliberate opinion that I have been assailed on

this subject in a manner in which no man with any pretensions to

public respect or with the remotest right to express an opinion on

a subject of universal literary interest would be assailed in any

other country.....

I really cannot sufficiently thank you, dear Felton, for your warm

and hearty interest in these proceedings. But it would be idle to

pursue that theme, so let it pass.

The wig and whiskers are in a state of the highest preservation. The

play comes off next Wednesday night, the 25th. What would I give to

see you in the front row of the centre box, your spectacles gleaming

not unlike those of my dear friend Pickwick, your face radiant with

as broad a grin as a staid professor may indulge in, and your very

coat, waistcoat, and shoulders expressive of what we should take

together when the performance was over! I would give something (not

so much, but still a good round sum) if you could only stumble into

that very dark and dusty theatre in the daytime (at any minute

between twelve and three), and see me with my coat off, the stage

manager and universal director, urging impracticable ladies and

impossible gentlemen on to the very confines of insanity, shouting

and driving about, in my own person, to an extent which would

justify any philanthropic stranger in clapping me into a

strait-waistcoat without further inquiry, endeavoring to goad H.

into some dim and faint understanding of a prompter's duties, and

struggling in such a vortex of noise, dirt, bustle, confusion, and

inextricable entanglement of speech and action as you would grow

giddy in contemplating. We perform A Roland for an Oliver, A good

Night's Rest, and Deaf as a Post. This kind of voluntary hard labor

used to be my great delight. The _furor_ has come strong upon me

again, and I begin to be once more of opinion that nature intended

me for the lessee of a national theatre, and that pen, ink, and

paper have spoiled a manager.

O, how I look forward across that rolling water to home and its

small tenantry! How I busy myself in thinking how my books look, and

where the tables are, and in what positions the chairs stand

relatively to the other furniture; and whether we shall get there in

the night, or in the morning, or in the afternoon; and whether we

shall be able to surprise them, or whether they will be too sharply

looking out for us; and what our pets will say; and how they'll

look, and who will be the first to come and shake hands, and so

forth! If I could but tell you how I have set my heart on rushing

into Forster's study (he is my great friend, and writes at the

bottom of all his letters, "My love to Felton"), and into Maclise's

painting-room, and into Macready's managerial ditto, without a

moment's warning, and how I picture every little trait and

circumstance of our arrival to myself, down to the very color of the

bow on the cook's cap, you would almost think I had changed places

with my eldest son, and was still in pantaloons of the thinnest

texture. I left all these things--God only knows what a love I have

for them--as coolly and calmly as any animated cucumber; but when I

come upon them again I shall have lost all power of self-restraint,

and shall as certainly make a fool of myself (in the popular meaning

of that expression) as ever Grimaldi did in his way, or George III.

in his.

And not the less so, dear Felton, for having found some warm hearts,

and left some instalments of earnest and sincere affection, behind

me on this continent. And whenever I turn my mental telescope

hitherward, trust me that one of the first figures it will descry

will wear spectacles so like yours that the maker couldn't tell the

difference, and shall address a Greek class in such an exact

imitation of your voice, that the very students hearing it should

cry, "That's he! Three cheers. Hoo-ray-ay-ay-ay-ay!"

About those joints of yours, I think you are mistaken. They _can't_

be stiff. At the worst they merely want the air of New York, which,

being impregnated with the flavor of last year's oysters, has a

surprising effect in rendering the human frame supple and flexible

in all cases of rust.

A terrible idea occurred to me as I wrote those words. The

oyster-cellars,--what do they do when oysters are not in season? Is

pickled salmon vended there? Do they sell crabs, shrimps, winkles,

herrings? The oyster-openers,--what do _they_ do? Do they commit

suicide in despair, or wrench open tight drawers and cupboards and

hermetically sealed bottles for practice? Perhaps they are dentists

out of the oyster season. Who knows?

Affectionately yours,

Yesterdays with Authors · 第 32 / 112 题