S. Ellis. 8vo. Golden type. Borders 1a and 1, and woodcut title. 250 on
paper at twenty-five shillings, 6 on vellum at eight guineas. Not dated,
issued Nov. 29, 1894. Published by William Morris. Bound in limp vellum
without ties.
Red ink is not used in this volume, though it is used in the second
volume, and more sparingly in the third. Some of the half-borders
designed for The Wood beyond the World reappear before the longer poems.
The Shelley was first announced as in the press in the list of March 31,
1894.
30. PSALMI PENITENTIALES. An English rhymed version of the Seven
Penitential Psalms. Edited by F. S. Ellis. 8vo. Chaucer type. In black
and red. 300 on paper at seven shillings and sixpence, 12 on vellum at
three guineas. Dated Nov. 15, issued Dec. 10, 1894. Published by William
Morris. Bound in half holland.
These verses were taken from a manuscript Book of Hours written at
Gloucester in the first half of the fifteenth century, but the Rev.
Professor Skeat has pointed out that the scribe must have copied them
from an older manuscript, as they are in the Kentish dialect of about a
century earlier. The half-border on p. 34 appears for the first time in
this book.
31. EPISTOLA DE CONTEMPTU MUNDI DI FRATE HIERONYMO DA FERRARA DELLORDINE
DE FRATI PREDICATORI LA QUALE MANDA AD ELENA BUONACCORSI SUA MADRE, PER
CONSOLARLA DELLA MORTE DEL FRATELLO, SUO ZIO. Edited by Charles Fairfax
Murray from the original autograph letter. 8vo. Chaucer type. In black
and red. Border 1. Woodcut on title designed by C. F. Murray and
engraved by W. H. Hooper. 150 on paper, and 6 on vellum. Dated Nov. 30,
ready Dec. 12, 1894. Bound in half holland.
This little book was printed for Mr. C. Fairfax Murray, the owner of the
manuscript, and was not for sale in the ordinary way. The colophon is in
Italian, and the printer's mark is in red.
32. THE TALE OF BEOWULF. Done out of the Old English tongue by William
Morris and A. J. Wyatt. Large 4to. Troy type, with argument, side-notes,
list of persons and places, and glossary in Chaucer type. In black and
red. Borders 14a and 14, and woodcut title. 300 on paper at two guineas,
8 on vellum at ten pounds. Dated Jan. 10, issued Feb. 2, 1895. Published
by William Morris. Bound in limp vellum.
The borders in this book were only used once again, in the Jason. A Note
to the Reader printed on a slip in the Golden type was inserted in each
copy. Beowulf was first announced as in preparation in the list of May
20, 1893. The verse translation was begun by Mr. Morris, with the aid of
Mr. Wyatt's careful paraphrase of the text, on Feb. 21, 1893, and
finished on April 10, 1894, but the argument was not written by Mr.
Morris until Dec. 10, 1894.
33. SYR PERECYVELLE OF GALES. Overseen by F. S. Ellis, after the edition
edited by J. O. Halliwell from the Thornton MS. in the Library of
Lincoln Cathedral. 8vo. Chaucer type. In black and red. Borders 13a and
13, and a woodcut designed by Sir E. Burne-Jones. 350 on paper at
fifteen shillings, 8 on vellum at four guineas. Dated Feb. 16, issued
May 2, 1895. Published by William Morris. Bound in limp vellum.
This is the first of the series to which Sire Degrevaunt and Syr
Isumbrace belong. They were all reprinted from the Camden Society's
volume of 1844, which was a favourite with Mr. Morris from his Oxford
days. Syr Perecyvelle was first announced in the list of Dec. 1, 1894.
The shoulder-notes were added by Mr. Morris.
34. THE LIFE AND DEATH OF JASON, A POEM. BY WILLIAM MORRIS. Large 4to.
Troy type, with a few words in Chaucer type. In black and red. Borders
14a and 14, and two woodcuts designed by Sir E. Burne-Jones and
engraved on wood by W. Spielmeyer. 200 on paper at five guineas, 6 on
vellum at twenty guineas. Dated May 25, issued July 5, 1895. Published
by William Morris. Bound in limp vellum.
This book, announced as in the press in the list of April 21, 1894,
proceeded slowly, as several other books, notably the Chaucer, were
being printed at the same time. The text, which had been corrected for
the second edition of 1868, and for the edition of 1882, was again
revised by the author. The line-fillings on the last page were cut on
metal for this book, and cast like type.
29a. THE POETICAL WORKS OF PERCY BYSSHE SHELLEY. VOLUME II. Edited by F.
S. Ellis. 8vo. Golden type. In black and red. 250 on paper at
twenty-five shillings, 6 on vellum at eight guineas. Not dated, issued
March 25, 1895. Published by William Morris. Bound in limp vellum
without ties.
35. CHILD CHRISTOPHER AND GOLDILIND THE FAIR. BY WILLIAM MORRIS. 2 vols.
16mo. Chaucer type. In black and red. Borders 15a and 15, and woodcut
title. 600 on paper at fifteen shillings, 12 on vellum at four guineas.
Dated July 25, issued Sept. 25, 1895. Published by William Morris. Bound
in half holland, with labels printed in the Golden type.
The borders designed for this book were only used once again, in Hand
and Soul. The plot of the story was suggested by that of Havelok the
Dane, printed by the Early English Text Society.
29b. THE POETICAL WORKS OF PERCY BYSSHE SHELLEY. VOLUME III. Edited by
F. S. Ellis. 8vo. Golden type. In black and red. 250 on paper at
twenty-five shillings, 6 on vellum at eight guineas. Dated August 21,
issued October 28, 1895. Published by William Morris. Bound in limp
vellum without ties.
36. HAND AND SOUL. BY DANTE GABRIEL ROSSETTI. Reprinted from The Germ
for Messrs. Way & Williams, of Chicago. 16mo. Golden type. In black and
red. Borders 15a and 15, and woodcut title. 300 paper copies and 11
vellum copies for America. 225 paper copies for sale in England at ten
shillings, and 10 on vellum at thirty shillings. Dated Oct. 24, issued
Dec. 12, 1895. Bound in stiff vellum without ties.
This was the only 16mo book bound in vellum. The English and American
copies have a slightly different colophon. The shoulder-notes were added
by Mr. Morris.
37. POEMS CHOSEN OUT OF THE WORKS OF ROBERT HERRICK. Edited by F. S.
Ellis, 8vo. Golden type. In black and red. Borders 4a and 4, and woodcut
title. 250 on paper at thirty shillings, 8 on vellum at eight guineas.
Dated Nov. 21, 1895, issued Feb. 6, 1896. Published by William Morris.
Bound in limp vellum.
This book was first announced as in preparation in the list of Dec. 1,
1894, and as in the press in that of July 1, 1895.
38. POEMS CHOSEN OUT OF THE WORKS OF SAMUEL TAYLOR COLERIDGE. Edited by
F. S. Ellis. 8vo. Golden type. In black and red. Borders 13a and 13. 300
on paper at a guinea, 8 on vellum at five guineas. Dated Feb. 5, issued
April 12, 1896. Published by William Morris. Bound in limp vellum.
This book contains thirteen poems. It was first announced as in
preparation in the list of Dec. 1, 1894, and as in the press in that of
Nov. 26, 1895. It is the last of the series to which Tennyson's Maud,
and the poems of Rossetti, Keats, Shelley, and Herrick belong.
39. THE WELL AT THE WORLD'S END. BY WILLIAM MORRIS. Large 4to. Double
columns. Chaucer type. In black and red. Borders 16a, 16, 17a, 17, 18a,
18, 19a and 19, and 4 woodcuts designed by Sir E. Burne-Jones. 350 on
paper at five guineas, 8 on vellum at twenty guineas. Dated March 2,
issued June 4, 1896. Sold by William Morris. Bound in limp vellum.
This book, delayed for various reasons, was longer on hand than any
other. It appears in no less than twelve lists, from that of Dec., 1892,
to that of Nov. 26, 1895, as 'in the press.' Trial pages, including one
in a single column, were ready as early as September, 1892, and the
printing began on December 16 of that year. The edition of The Well at
the World's End published by Longmans was then being printed from the
author's manuscript at the Chiswick Press, and the Kelmscott Press
edition was set up from the sheets of that edition, which, though not
issued until October, 1896, was finished in 1894. The eight borders and
the six different ornaments between the columns, appear here for the
first time, but are used again in The Water of the Wondrous Isles, with
the exception of two borders.
40. THE WORKS OF GEOFFREY CHAUCER. Edited by F. S. Ellis. Folio. Chaucer
type, with headings to the longer poems in Troy type. In black and red.
Borders 20a to 26, woodcut title, and 87 woodcut illustrations designed
by Sir E. Burne-Jones. 425 on paper at twenty pounds, 13 on vellum at
120 guineas. Dated May 8, issued June 26, 1893. Published by William
Morris. Bound in half holland.
The history of this book, which is by far the most important achievement
of the Kelmscott Press, is as follows. As far back as June 11, 1891, Mr.
Morris spoke of printing a Chaucer with a black-letter fount which he
hoped to design. Four months later, when most of the Troy type was
designed and cut, he expressed his intention to use it first on John
Ball, and then on a Chaucer and perhaps a Gesta Romanorum. By January 1,
1892, the Troy type was delivered, and early in that month two trial
pages, one from The Cook's Tale and one from Sir Thopas, the latter in
double columns, were got out. It then became evident that the type was
too large for a Chaucer, and Mr. Morris decided to have it re-cut in the
size known as pica. By the end of June he was thus in possession of the
type which in the list issued in December, 1892, he named the Chaucer
type. In July, 1892, another trial page, a passage from The Knight's
Tale in double columns of 58 lines, was got out, and found to be
satisfactory. The idea of the Chaucer as it now exists, with
illustrations by Sir Edward Burne-Jones, then took definite shape.
In a proof of the first list, dated April, 1892, there is an
announcement of the book as in preparation, in black-letter, large
quarto, but this was struck out, and does not appear in the list as
printed in May, nor yet in the July list. In that for Dec., 1892, it is
announced for the first time as to be in Chaucer type 'with about sixty
designs by E. Burne-Jones.' The next list, dated March 9, 1893, states
that it will be a folio and that it is in the press, by which was meant
that a few pages were in type. In the list dated Aug. 1, 1893, the
probable price is given as twenty pounds. The next four lists contain no
fresh information, but on Aug. 17, 1894, nine days after the first sheet
was printed, a notice was sent to the trade that there would be 325
copies at twenty pounds and about sixty woodcuts designed by Sir Edward
Burne-Jones. Three months later it was decided to increase the number of
illustrations to upwards of seventy, and to print another 100 copies of
the book. A circular letter was sent to subscribers on Nov. 14, stating
this and giving them an opportunity of cancelling their orders. Orders
were not withdrawn, the extra copies were immediately taken up, and the
list for Dec. 1, 1894, which is the first containing full particulars,
announces that all paper copies are sold.
Mr. Morris began designing his first folio border on Feb. 1, 1893, but
was dissatisfied with the design and did not finish it. Three days later
he began the vine border for the first page, and finished it in about a
week, together with the initial word 'Whan,' the two lines of heading,
and the frame for the first picture, and Mr. Hooper engraved the whole
of these on one block. The first picture was engraved at about the same
time. A specimen of the first page (differing slightly from the same
page as it appears in the book) was shown at the Arts and Crafts
Exhibition in October and November, 1893, and was issued to a few
leading booksellers, but it was not until August 8, 1894, that the first
sheet was printed at 14, Upper Mall. On Jan. 8, 1895, another press was
started at 21, Upper Mall, and from that time two presses were almost
exclusively at work on the Chaucer. By Sept. 10 the last page of The
Romaunt of the Rose was printed. In the middle of Feb., 1896, Mr.
Morris began designing the title. It was finished on the 27th of the
same month and engraved by Mr. Hooper in March. On May 8, a year and
nine months after the printing of the first sheet, the book was
completed. On June 2 the first two copies were delivered to Sir Edward
Burne-Jones and Mr. Morris. Mr. Morris's copy is now at Exeter College,
Oxford, with other books printed at the Kelmscott Press.
Besides the eighty-seven illustrations designed by Sir Edward
Burne-Jones, and engraved by W. H. Hooper, the Chaucer contains a
woodcut title, fourteen large borders, eighteen different frames round
the illustrations, and twenty-six large initial words designed for the
book by William Morris. Many of these were engraved by C. E. Keates, and
others by W. H. Hooper and W. Spielmeyer.
In Feb., 1896, a notice was issued respecting special bindings, of which
Mr. Morris intended to design four. Two of these were to have been
executed under Mr. Cobden-Sanderson's direction at the Doves Bindery,
and two by Messrs. J. & J. Leighton. But the only design that he was
able to complete was for a full white pigskin binding, which has now
been carried out at the Doves Bindery on forty-eight copies, including
two on vellum.
41. THE EARTHLY PARADISE. BY WILLIAM MORRIS. VOLUME I. PROLOGUE: THE
WANDERERS. MARCH: ATALANTA'S RACE. THE MAN BORN TO BE KING. Medium 4to.
Golden type. In black and red. Borders 27a, 27, 28a, and 28, and woodcut
title. 225 on paper at thirty shillings, 6 on vellum at seven guineas.
Dated May 7, issued July 24, 1896. Published by William Morris. Bound in
limp vellum.
This was the first book printed on the paper with the apple watermark.
The seven other volumes followed it at intervals of a few months. None
of the ten borders used in The Earthly Paradise appear in any other
book. The four different half-borders round the poems to the months are
also not used elsewhere. The first border was designed in June, 1895.
42. LAUDES BEATAE MARIAE VIRGINIS. Latin poems taken from a Psalter
written in England about A. D. 1220. Edited by S. C. Cockerell. Large
4to. Troy type. In black, red, and blue. 250 on paper at ten shillings,
10 on vellum at two guineas. Dated July 7, issued August 7, 1896.
Published by William Morris. Bound in half holland.
This was the first book printed at the Kelmscott Press in three colours.
The manuscript from which the poems were taken was one of the most
beautiful of the English books in Mr. Morris's possession, both as
regards writing and ornament. No author's name is given to the poems,
but after this book was issued the Rev. E. S. Dewick pointed out that
they had already been printed at Tegernsee in 1579, in a 16mo volume in
which they are ascribed to Stephen Langton. A note to this effect was
printed in the Chaucer type in Dec. 28, 1896, and distributed to the
subscribers.
41a. THE EARTHLY PARADISE. BY WILLIAM MORRIS. VOLUME II. APRIL: THE DOOM
OF KING ACRISIUS. THE PROUD KING. Medium 4to. Golden type. In black and
red. Borders 29a, 29, 28a, and 28. 225 on paper at thirty shillings, 6
on vellum at seven guineas. Dated June 24, issued Sept. 17, 1896.
Published by William Morris. Bound in limp vellum.
43. THE FLOURE AND THE LEAFE, AND THE BOKE OF CUPIDE, GOD OF LOVE, OR
THE CUCKOW AND THE NIGHTINGALE. Edited by F. S. Ellis. Medium 4to. Troy
type, with note and colophon in Chaucer type. In black and red. 300 on
paper at ten shillings, 10 on vellum at two guineas. Dated Aug. 21,
issued Nov. 2, 1896. Published at the Kelmscott Press. Bound in half
holland.
Two of the initial words from the Chaucer are used in this book, one at
the beginning of each poem. These poems were formerly attributed to
Chaucer, but recent scholarship has proved that The Floure and the Leafe
is much later than Chaucer, and that The Cuckow and the Nightingale was
written by Sir Thomas Clanvowe about A. D. 1405-10.
44. THE SHEPHEARDES CALENDER: CONTEYNING TWELVE AEGLOGUES, PROPORTIONABLE
TO THE TWELVE MONETHES. By Edmund Spenser. Edited by F. S. Ellis.
Medium 4to. Golden type. In black and red. With twelve full-page
illustrations by A. J. Gaskin. 225 on paper at a guinea, 6 on vellum at
three guineas. Dated Oct. 14, issued Nov. 26, 1896. Published at the
Kelmscott Press. Bound in half holland.
The illustrations in this book were printed from process blocks by
Walker & Boutall. By an oversight the names of author, editor, and
artist were omitted from the colophon.
41b. THE EARTHLY PARADISE. BY WILLIAM MORRIS. VOLUME III. MAY: THE STORY
OF CUPID AND PSYCHE. THE WRITING ON THE IMAGE. JUNE: THE LOVE OF
ALCESTIS. THE LADY OF THE LAND. Medium 4to. Golden type. In black and
red. Borders 30a, 30, 27a, 27, 28a, 28, 29a, and 29. 225 on paper at
thirty shillings, 6 on vellum at seven guineas. Dated Aug. 24, issued
Dec. 5, 1896. Published at the Kelmscott Press. Bound in limp vellum.
41c. THE EARTHLY PARADISE. BY WILLIAM MORRIS. VOLUME IV. JULY: THE SON
OF CROESUS. THE WATCHING OF THE FALCON. AUGUST: PYGMALION AND THE
IMAGE. OGIER THE DANE. Medium 4to. Golden type. In black and red.
Borders 31a, 31, 29a, 29, 28a, 28, 30a, and 30. Dated Nov. 25, 1896,
issued Jan. 22, 1897. Published at the Kelmscott Press. Bound in limp
vellum.
41d. THE EARTHLY PARADISE. BY WILLIAM MORRIS. VOLUME V. SEPTEMBER: THE
DEATH OF PARIS. THE LAND EAST OF THE SUN AND WEST OF THE MOON. OCTOBER:
THE STORY OF ACONTIUS AND CYDIPPE. THE MAN WHO NEVER LAUGHED AGAIN.
Medium 4to. Golden type. In black and red. Borders 29a, 29, 27a, 27,
28a, 28, 31a, and 31. Finished Dec. 24, 1896, issued Mar. 9, 1897.
Published at the Kelmscott Press. Bound in limp vellum.
41e. THE EARTHLY PARADISE. BY WILLIAM MORRIS. VOLUME VI. NOVEMBER: THE
STORY OF RHODOPE. THE LOVERS OF GUDRUN. Medium 4to. Golden type. In
black and red. Borders 27a, 27, 30a, and 30. Finished Feb. 18, issued
May 11, 1897. Published at the Kelmscott Press. Bound in limp vellum.
41f. THE EARTHLY PARADISE. BY WILLIAM MORRIS. VOLUME VII. DECEMBER: THE
GOLDEN APPLES. THE FOSTERING OF ASLAUG. JANUARY: BELLEROPHON AT ARGOS.
THE RING GIVEN TO VENUS. Medium 4to. Golden type. In black and red.
Borders 29a, 29, 31a, 31, 30a, 30, 27a, and 27. Finished March 17,
issued July 29, 1897. Published at the Kelmscott Press. Bound in limp
vellum.
45. THE WATER OF THE WONDROUS ISLES. BY WILLIAM MORRIS. Large 4to.
Chaucer type, in double columns, with a few lines in Troy type at the
end of each of the seven parts. In black and red. Borders 16a, 17a, 18a,
19, and 19a. 250 on paper at three guineas, 6 on vellum at twelve
guineas. Dated April 1, issued July 29, 1897. Published at the Kelmscott
Press. Bound in limp vellum.
Unlike The Well at the World's End, with which it is mainly uniform,
this book has red shoulder-notes and no illustrations. Mr. Morris began
the story in verse on Feb. 4, 1895. A few days later he began it afresh
in alternate prose and verse; but he was again dissatisfied, and finally
began it a third time in prose alone, as it now stands. It was first
announced as in the press in the list of June 1, 1896, at which date the
early chapters were in type, although they were not printed until about
a month later. The designs for the initial words 'Whilom' and 'Empty'
were begun by William Morris shortly before his death, and were finished
by R. Catterson-Smith. Another edition was published by Longmans on Oct.
1, 1897.
41g. THE EARTHLY PARADISE. BY WILLIAM MORRIS. VOLUME VIII. FEBRUARY:
BELLEROPHON IN LYCIA. THE HILL OF VENUS. EPILOGUE. L'ENVOI. Medium 4to.
Golden type. In black and red. Borders 28a, 28, 29a, and 29. Finished
June 10, issued Sept. 27, 1897. Published at the Kelmscott Press. Bound
in limp vellum.
The colophon of this final volume of The Earthly Paradise contains the
following note: 'The borders in this edition of The Earthly Paradise
were designed by William Morris, except those on page 4 of volumes ii.,
iii., and iv., afterwards repeated, which were designed to match the
opposite borders, under William Morris's direction, by R.
Catterson-Smith; who also finished the initial words 'Whilom' and
'Empty' for The Water of the Wondrous Isles. All the other letters,
borders, title-pages and ornaments used at the Kelmscott Press, except
the Greek type in Atalanta in Calydon, were designed by William Morris.'
46. TWO TRIAL PAGES OF THE PROJECTED EDITION OF LORD BERNERS'
TRANSLATION OF FROISSART'S CHRONICLES. Folio. Chaucer type, with heading
in Troy type. In black and red. Border 32, containing the shields of
France, the Empire, and England and a half-border containing those of
Reginald Lord Cobham, Sir John Chandos, and Sir Walter Manny. 160 on
vellum at a guinea, none on paper. Dated September, issued October 7,
1897. Published at the Kelmscott Press. Not bound.
It was the intention of Mr. Morris to make this edition of what was
since his college days almost his favourite book, a worthy companion to
the Chaucer. It was to have been in two volumes folio, with new cusped
initials and heraldic ornament throughout. Each volume was to have had a
large frontispiece designed by Sir E. Burne-Jones; the subject of the
first was to have been St. George, that of the second, Fame. A trial
page was set up in the Troy type soon after it came from the foundry, in
Jan., 1892. Early in 1893 trial pages were set up in the Chaucer type,
and in the list for March 9 of that year the book is erroneously stated
to be in the press. In the three following lists it is announced as in
preparation. In the list dated Dec. 1, 1893, and in the three next
lists, it is again announced as in the press, and the number to be
printed is given as 150. Meanwhile the printing of the Chaucer had been
begun, and as it was not feasible to carry on two folios at the same
time, the Froissart again comes under the heading 'in preparation' in
the lists from Dec. 1, 1894, to June 1, 1896. In the prospectus of the
Shepheardes Calender, dated Nov. 12, 1896, it is announced as abandoned.
At that time about thirty-four pages were in type, but no sheet had been
printed. Before the type was broken up, on Dec. 24, 1896, 32 copies of
sixteen of these pages were printed and given as a memento to personal
friends of the poet and printer whose death now made the completion of
the book impossible. This suggested the idea of printing two pages for
wider distribution. The half-border had been engraved in April, 1894, by
W. Spielmeyer, but the large border only existed as a drawing. It was
engraved with great skill and spirit by C. E. Keates, and the two pages
were printed by Stephen Mowlem, with the help of an apprentice, in a
manner worthy of the designs.
47. SIRE DEGREVAUNT. Edited by F. S. Ellis after the edition printed by
J. O. Halliwell. 8vo. Chaucer type. In black and red. Borders 1a and 1,
and a woodcut designed by Sir Edward Burne-Jones. 350 on paper at
fifteen shillings, 8 on vellum at four guineas. Dated Mar. 14, 1896,
issued Nov. 12, 1897. Published at the Kelmscott Press. Bound in half
holland.
This book, subjects from which were painted by Sir Edward Burne-Jones on
the walls of The Red House, Upton, Bexley Heath, many years ago, was
always a favourite with Mr. Morris. The frontispiece was not printed
until October, 1897, eighteen months after the text was finished.
48. SYR YSAMBRACE. Edited by F. S. Ellis after the edition printed by J.
O. Halliwell from the MS. in the Library of Lincoln Cathedral, with some
corrections. 8vo. Chaucer type. In black and red. Borders 4a and 4, and
a woodcut designed by Sir Edward Burne-Jones. 350 on paper at twelve
shillings, 8 on vellum at four guineas. Dated July 14, issued Nov. 11,
1897. Published at the Kelmscott Press. Bound in half holland.
This is the third and last of the reprints from the Camden Society's
volume of Thornton Romances. The text was all set up and partly printed
by June, 1896, at which time it was intended to include 'Sir Eglamour'
in the same volume.
49. SOME GERMAN WOODCUTS OF THE FIFTEENTH CENTURY. Being thirty-five
reproductions from books that were in the library of the late William
Morris. Edited, with a list of the principal woodcut books in that
library, by S. C. Cockerell. Large 4to. Golden type. In red and black.
225 on paper at thirty shillings, 8 on vellum at five guineas. Dated
Dec. 15, 1897, issued January 6, 1898. Published at the Kelmscott Press.
Bound in half holland.