Elopements occur in Samoa in some cases where parental consent is
refused. A vivid description of the pantomimic courtship preceding an
elopement has been given by Kubary (_Globus_, 1885). A young warrior
is surrounded by a bevy of girls. Though unarmed, he makes various
gestures as if spearing or clubbing an enemy, for which the girls
cheer him.
He then selects one, who at first seems coyly unwilling, and begins a
dance with her. She endeavors to look indifferent and forbidding,
while he, with longing looks and words, tries to win her regard.
Presently, yielding to his solicitations, she smiles, and opens her
arms for him. But he, foolishly, stops to reproach her for holding him
off so long. He shakes his head, rolls his eyes, and lo! when he gets
ready to grasp her at last, she eludes him again, with a mocking
laugh.
It is now his turn to be perverse. Revenge is in his mind and mien.
All his looks and gestures indicate contempt and malice, and he keeps
turning his back to her. She cannot endure this long; his scorn
overcomes her pride, and when he changes his attitude and once more
begins to entreat, she at last allows him to seize her and they dance
wildly. When finally the company separates for the evening meal, one
may hear the word _tóro_ whispered. It means "cane," and indicates a
nocturnal rendezvous in the cane-field, where lovers are safe from
observation. They find each other by imitating the owl's sound, which
excites no suspicion.
When they have met, the girl says: "You know that my parents hate you;
nothing remains but _awenga_." Awenga means flight; three nights later
they elope in a canoe to some small island, where they remain for a
few weeks till the excitement over their disappearance has subsided in
the village and their parents are ready to pardon them.