ARABIC INFLUENCES

The Harari, neighbors of the Somals, are another people among whom

Paulitschke fancied that he discovered signs of idealized love

(_B.E.A.S._, 70). Their youthful attachments, he says, are intense and

noble, and in proof of this he translates two of their poems on the

beauty of a bride.

I. "I tell thee this only: thy face is like silk, Aisa;

I say it again, I tell thee nothing but that. Thou art

slender as a lance-shaft; thy father and thy mother are

Arabs; they all are Arabs; I tell thee this only."

II. "Thy form is like a burning lamp, Aisa; I love

thee. When thou art at the side of Abrahim, thou

burnest him with the light of thy beauty. To-morrow I

shall see thee again."

In a third (freely translated and printed in the appendix of the same

volume) occur these lines:

"The honey is already taken out and I come with it. The

milk is already drawn and I bring it. And now thou art

the pure honey, and now thou art the fresh milk. The

gathered honey is very sweet, and therefore it was

drunk to thy health. Thine eyes are black, dyed with

Kahul. The fresh milk is very sweet and therefore it

was drunk to thy health. I have seen Sina--oh, how

sweet was Sina.... Thine eyes are like the full moon,

and thy body is fragrant as the fragrance of

rose-water. And she lives in the garden of her father

and the garments on her body become fragrant as

basil.... And thou art like a king's garden in which

all perfumes are united."

It is easy to note Arabic influences in these poems. The Harari are

largely Arabic; their very language is being absorbed in the Arabic;

yet I cannot find in these poems the least evidence of amorous

idealism or "noble" sentiment. To have a lover compare a girl's face

to silk, her form to a lance-shaft or a burning lamp, her eyes to the

full moon, may be an imaginative sort of sensualism, but it is purely

sensual nevertheless. If an American lover told a girl, "I bought some

delicious candy and ate it, thinking of you; I ordered a glass of

sweet soda-water and drank it to your health"--would she regard that

as evidence of "noble" love, or of any kind of love at all, except a

kind of cupboard love?

No, not even here, where Arabian influences prevail, do we come across

the germs of true love. It is the same all over Africa. Nowhere do we

find indications that men admire other things in women except, at

most, voluptuous eyes and plump figures; nowhere do the men perform

unselfish acts of gallantry and self-sacrifice; nowhere exhibit

sympathy with their females, who, far from being goddesses, are not

even companions, but simply drudges and slaves to lust. A whole volume

would be required to demonstrate that this holds true of all parts of

Africa; but the present chapter is already too long and I must close

with a brief reference to the Berbers of Algeria (Kabyles) to show

that at the northern extremity of Africa, as at the southern, the

eastern, the western, love spells lust. Here, too, man is lower than

animals. Camille Sabatier, who was a justice of the peace at

Tizi-Ouzan, speaks[150] of "_la brutalité du male qui, souvent même

chez les Kabyles, n'attend pas la nubilité pour déflorer la jeune

enfant._" The girls, he adds,

"detest their husbands with all their heart. Love is

almost always unknown to them--I mean by love that

ensemble of refined sentiments, which, among civilized

peoples, ennoble the sexual appetite."

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