MOURNING FOR ENTERTAINMENT

In many cases the mourning of savages, instead of being an expression

of affection and grief, appears to be simply a mode of gratifying

their love of ceremonial and excitement. That is, they mourn for

entertainment--I had almost said for fun; and it is easy to see too,

that vanity and superstition play their rôle here as in their

"ornamenting" and everything else they do. By the Abipones "women are

appointed to go forward on swift steeds to dig the grave, and _honor_

the funeral with lamentations." (Dobrizhoffer II., 267.) During the

ceremony of making a skeleton of a body the Patagonians, as Falkner

informs us (119), indulge in singing in a mournful tone of voice, and

striking the ground, to _frighten away_ the Valichus or Evil Beings.

Some of the Indians also visit the relatives of the dead, indulging in

antics which show that the whole thing is done for effect and pastime.

"During this visit of condolence," Falkner continues,

"they cry, howl, and sing, in the most dismal manner;

straining out tears, and pricking their arms and thighs with

sharp thorns, to make them bleed. For this _show of grief_

they are _paid_ with glass beads," etc.

The Rev. W. Ellis writes that the Tahitians, when someone had died,

"not only wailed in the loudest and most affecting tone, but tore

their hair, rent their garments, and cut themselves with shark's teeth

or knives in a most shocking manner." That this was less an expression

of genuine grief than a result of the barbarous love of excitement,

follows from what he adds: that in a milder form, this loud wailing

and cutting with shark's teeth was "an expression of joy as well as of

grief." (_Pol. Res_., I., 527.) The same writer relates in his book on

Hawaii (148) that when a chief or king died on that island,

"the people ran to and fro without their clothes,

appearing and acting more like demons than human

beings; every vice was practised and almost every

species of crime perpetrated."

J.T. Irving tells a characteristic story (226-27) of an Indian girl

whom he found one day lying on a grave singing a song "so despairing

that it seemed to well out from a broken heart." A half-breed friend,

who thoroughly understood the native customs, marred his illusion by

informing him that he had heard the girl say to her mother that as she

had nothing else to do, she believed she would go and take a bawl over

her brother's grave. The brother had been dead five years!

The whole question of aboriginal mourning is patly summed up in a

witty remark made by James Adair more than a century ago (1775). He

has seen Choctaw mourners, he declares (187), "pour out tears like

fountains of water; but after thus tiring themselves they might with

perfect propriety have asked themselves, '_ And who is dead?_'"

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