AN'NIE LAU'RIE, eldest of the three daughters of sir Robert Laurie, of

Maxwelton. In 1709 she married James Fergusson, of Craigdarroch, and

was the mother of Alexander Fergusson, the hero of Burns's song _The

Whistle_. The song of _Annie Laurie_ was written by William Douglas,

of Fingland, in the stewardry of Kirkcud'bright, hero of the song

_Willie was a Wanton Wag_. (See WHISTLE.)

Bayard Taylor has used the ballad with thrilling effect in his poem

_The Song of the Camp_.

They sang of love, and not of fame,

Forgot was Britain's glory,

Each heart recalled a different name,

But all sang "Annie Laurie."

Voice after voice caught up the song

Until its tender passion

Rose, like an anthem, rich and strong,

Their battle-eve confession.

* * * * *

Dear girl! her name he dared not speak,

But as the song grew louder,

Something upon the soldier's cheek

Washed off the stain of powder.

* * * * *

AN'NIE WIN'NIE, one of the old sibyls at Alice Gray's death; the other

was Ailsie Gourlay.--Sir W. Scott, _The Bride of Lammermoor_ (time,

William III.).

ANNIR, king of Inis-thona (an island of Scandinavia). He had two sons

(Argon and Ruro) and one daughter. One day Cor'malo, a neighboring

chief, came and begged the honor of a tournament. Argon granted the

request, and overthrew him, which so vexed Cormalo that during a hunt

he shot both the brothers secretly with his bow. Their dog Runa ran

to the palace, and howled so as to attract attention; whereupon Annir

followed the hound, and found both his sons dead, and on his return he

further found that Cormalo had carried off his daughter. Oscar, son of

Ossian, led an army against the villain, and slew him; then liberating

the young lady, he took her back to Inis-thona, and delivered her to

her father.--_Ossian_ ("The War of Inis-thona").

AN'NOPHEL, daughter of Cas'silane (3 _syl_.) general of

Candy.--Beaumont and Fletcher, _The Laws of Candy_ (1647).

ANSELM, prior of St. Dominic, the confessor of king Henry IV.--Sir W.

Scott, _The Fair Maid of Perth_ (time, Henry IV.).

ANSELME (2 _syl_.), father of Valère (2 _syl_.) and Mariane (3

_syl_.). In reality he is don Thomas d'Alburci, of Naples. The family

were exiled from Naples for political reasons, and being shipwrecked

were all parted. Valère was picked up by a Spanish captain, who

adopted him; Mariane fell into the hands of a corsair, who kept her

a captive for ten years, when she effected her escape; and Anselme

wandered from place to place for ten years, when he settled in Paris,

and intended to marry. At the expiration of sixteen years they all met

in Paris at the house of Har'pagon, the miser. Valère was in love

with Elise (2 _syl_.), the miser's daughter, promised by Harpagon in

marriage to Anselme; and Mariane, affianced to the miser's son Cléante

(2 _syl_.), was sought in marriage by Harpagon, the old father. As

soon as Anselme discovered that Valère and Mariane were his own

children, matters were soon amicably arranged, the young people

married, and the old ones retired from the unequal contest.--Molière,

_L'Avare_ (1667).

ANSELMO, a noble cavalier of Florence, the friend of Lothario. Anselmo

married Camilla, and induced his friend to try to corrupt her, that

he might rejoice in her incorruptible fidelity. Lothario unwillingly

undertook the task, and succeeded but too well. For a time Anselmo

was deceived, but at length Camilla eloped, and the end of the silly

affair was that Anselmo died of grief, Lothario was slain in battle,

and Camilla died in a convent.--Cervantes, _Don Quixote_, I. iv. 5, 6;

_Fatal Curiosity_ (1605).

AN'STER (_Hob_), a constable at Kinross village.--Sir W. Scott, _The

Abbot_ (time, Elizabeth).

ANSTISS DOLBEARE, heroine of Mrs. A.D.T. Whitney's novel, _Hitherto_,

a sensitive, imaginative, morbid, motherless girl who is "all the time

holding up her soul ... with a thorn in it" (1872).

ANTAE'OS, a gigantic wrestler of Libya (or _Irassa_). His strength was

inexhaustible so long as he touched the earth, and was renewed every

time he did touch it. Her'culés killed him by lifting him up from the

earth and squeezing him to death. (See MALEGER.)

As when earth's son Antaeus ... in Irassa strove

With Jove's Alcidês, and oft foiled, still rose,

Receiving from his mother earth new strength,

Fresh from his fall, and fiercer grapple joined,

Throttled at length in the air, expired and fell.

Milton, _Paradise Regained_, iv. (563).

[Illustration] Similarly, when Bernardo del Carpio assailed Orlando or

Rolando at Roncesvallês, as he found his body was not to be pierced by

any instrument of war, he took him up in his arms and squeezed him to

death.

N.B.--The only vulnerable part of Orlando was the sole of his foot.

ANTE'NOR, a traitorous Trojan prince, related to Priam. He advised

Ulyssês to carry away the palladium from Troy, and when the wooden

horse was built it was Antenor who urged the Trojans to make a breach

in the wall and drag the horse into the city.--Shakespeare has

introduced him in _Troilus and Cressida_ (1602).

ANTHEA, beautiful woman to whom Herrick addresses several poems.

ANTHI'A, the lady beloved by Abroc'omas in the Greek romance called

_De Amoribus Anthiae et Abrocomae_, by Xenophon of Ephesus, who lived

in the fourth Christian century. (This is not Xenophon the historian,

who lived B.C. 444-359.)

ANTHONIO, "the merchant of Venice," in Shakespeare's drama so called

(1598). Anthonio borrows of Shylock, a Jew, 3000 ducats for three

months, to lend to his friend Bassanio. The conditions of the loan

were these: if the money was paid within the time, only the principal

should be returned; but if not, the Jew should be allowed to cut from

Anthonio's body "a pound of flesh." As the ships of Anthonio were

delayed by contrary winds, he was unable to pay within the three

months, and Shylock demanded the forfeiture according to the bond.

Portia, in the dress of a law-doctor, conducted the case, and when the

Jew was about to cut the flesh, stopped him, saying--(1) the bond gave

him no drop of blood; and (2) he must take neither more nor less than

an exact pound. If he shed one drop of blood or if he cut more or

less than an exact pound, his life would be forfeit. As it was quite

impossible to comply with these restrictions, the Jew was nonsuited,

and had to pay a heavy fine for seeking the life of a citizen.

_Antho'nio_, the ursuping duke of Milan, and brother of Pros'pero (the

rightful duke, and father of Miranda).--Shakespeare, _The Tempest_

(1609).

_Antho'nio_, father of Protheus, and suitor of Julia.--Shakespeare,

_The Two Gentlemen of Verona_ (1594).

AN'THONY, an English archer in the cottage of farmer Dickson, of

Douglasdale.--Sir W. Scott, _Castle Dangerous_ (time, Henry I.).

_An'thony_, the old postillion at Meg Dods's, the landlady of the inn

at St. Ronan's Well.--Sir W. Scott, _St. Ronan's Well_ (time, George

III.).

ANTID'IUS, bishop of Jaen, martyred by the Vandals in 411. One day,

seeing the devil writing in his pocket-book some sin committed by the

pope, he jumped upon his back and commanded his Satanic majesty to

carry him to Rome. The devil tried to make the bishop pronounce the

name of Jesus, which would break the spell, and then the devil would

have tossed his unwelcome burden into the sea, but the bishop only

cried, "Gee up, devil!" and when he reached Rome he was covered with

Alpine snow. The chronicler naïvely adds, "the hat is still shown at

Rome in confirmation of this miracle."--_General Chronicle of King

Alphonso the Wise_.

ANTIG'ONE (4 _syl._), daughter of Oe'dipos and Jocas'tê, a noble

maiden, with a truly heroic attachment to her father and brothers.

When Oedipos had blinded himself, and was obliged to quit Thebes,

Antigonê accompanied him, and remained with him till his death, when

she returned to Thebes. Creon, the king, had forbidden any one to bury

Polyni'cês, her brother, who had been slain by his elder brother in

battle; but Antigonê, in defiance of this prohibition, buried the dead

body, and Creon shut her up in a vault under ground, where she killed

herself. Haemon, her lover, killed himself also by her side. Sophoclês

has a Greek tragedy on the subject, and it has been dramatized for the

English stage.

_The Modern Antigonê_, Mariè Therèse Charlotte duchesse d'Angouleme,

daughter of Louis XVI. and Marie Antoinette (1778-1851).

ANTIG'ONUS, a Sicilian lord, commanded by king Leontês to take his

infant daughter to a desert shore and leave her to perish. Antigonus

was driven by a storm to the coast of Bohemia, where he left the

babe; but on his way back to the ship, he was torn to pieces by a

bear.--Shakespeare, _The Winter's Tale_ (1604).

_Antig'onus (King)_, an old man with a young man's amorous passions.

He is one of the four kings who succeeded to the divided empire of

Alexander the Great.--Beaumont and Fletcher, _The Humorous Lieutenant_

(1647).

ANTIN'OUS (4 _syl_.), a page of Hadrian, the Roman emperor, noted for

his beauty.

_Antin'ous_ (4 _syl_.), son of Cas'silane (3 _syl_.) general of Candy,

and brother of An'no-phel, in _The Laws of Candy_ a drama by Beaumont

and Fletcher (1647).

ANTI'OCHUS, emperor of Greece, who sought the life of Per'iclês

prince of Tyre, but died without effecting his desire.--Shakespeare,

_Pericles Prince of Tyre_ (1608).

ANTI'OPE (4 _syl_.), daughter of Idom'e-neus (4 _syl_.), for whom

Telem'achus had a _tendresse_. Mentor approved his choice, and assured

Telemachus that the lady was designed for him by the gods. Her charms

were "the glowing modesty of her countenance, her silent diffidence,

and her sweet reserve; her constant attention to tapestry or to some

other useful and elegant employment; her diligence in household

affairs, her contempt of finery in dress, and her ignorance of her own

beauty," Telemachus says, "She encourages to industry by her example,

sweetens labor by the melody of her voice, and excels the best of

painters in the elegance of her embroidery."--Fénelon, _Télémaque_,

xxii. (1700).

He [_Paul_] fancied he had found in Virginia the wisdom of Antiope

with the misfortunes and the tenderness of Eucharis.--Bernardin de St.

Pierre, _Paul and Virginia_ (1788).

ANTIPH'OLUS, the name of two brothers, twins, the sons of Aege'on, a

merchant of Syracuse. The two brothers were shipwrecked in infancy,

and, being picked up by different cruisers, one was carried to

Syracuse, and the other to Ephesus. The Ephesian entered the service

of the duke, and, being fortunate enough to save the duke's life,

became a great man and married well. The Syracusian Antipholus, going

in search of his brother, came to Ephesus, where a series of blunders

occurs from the wonderful likeness of the two brothers and their

two servants called Dromio. The confusion becomes so great that the

Ephesian is taken up as a madman. It so happened that both brothers

appeared before the duke at the same time; and the extraordinary

likeness being seen by all, the cause of the blunders was evident,

and everything was satisfactorily explained.--Shakespeare, _Comedy of

Errors_ (1593).

ANTON (_Sir_). Tennyson says that Merlin gave Arthur, when an infant,

to sir Anton and his lady to bring up, and they brought him up as

their own son. This does not correspond with the _History of Prince

Arthur_, which states that he was committed to the care of sir Ector

and his lady, whose son, sir Key, is over and over again called the

prince's foster-brother. The _History_ furthermore states that Arthur

made sir Key his seneschal _because_ he was his foster-brother.

So the child was delivered unto Merlin, and he

bare him forth unto sir Ector, and made a holy

man christen him, and named him "Arthur."

And so sir Ector's wife nourished him with her

own breast.--Part i. 3.

So sir Ector rode to the justs, and with him

rode sir Key, his son, and young Arthur that

was his nourished brother.--Ditto.

"Sir," said sir Ector, "I will ask no more of

you but that you will make my son, sir Key,

your foster-brother, seneschal of all your lands."

"That shall be done," said Arthur (ch. 4).--Sir

T. Malory, _History of Prince Arthur_ (1470).

_Anton_, one of Henry Smith's men in _The Fair Maid of Perth_, by sir

W. Scott (time, Henry IV.).

ANTO'NIO, a sea captain who saved Sebastian, the brother of Vi'ola,

when wrecked off the coast of Illyria.--Shakespeare, _Twelfth Night_

(1614).

_Anto'nio_, the Swiss lad who acts as the guide from Lucern, in sir W.

Scott's _Anne of Geierstein_ (time, Edward IV.).

_Anto'nio_, a stout old gentleman, kinsman of Petruccio, governor

of Bologna.--Beaumont and Fletcher, _The Chances_ (a comedy, before

1621).

_Antonio (Don)_, father of Carlos, a bookworm, and Clodio, a coxcomb;

a testy, headstrong old man. He wants Carlos to sign away his

birthright in favor of his younger brother, to whom he intends

Angelina to be married; but Carlos declines to give his signature, and

elopes with Angelina, whom he marries, while Clodio engages his troth

to Elvira of Lisbon.--C. Cibber, _Love Makes a Man_.

_Antonio (Don)_, in love with Louisa, the daughter of don Jerome of

Seville. A poor nobleman of ancient family.--Sheridan, _The Duenna_

(1778).

ANTONOMAS'IA _(The princess_), daughter of Archipiela, king of

Candaya, and his wife Maguncia. She married don Clavijo, but the giant

Malambru'no, by enchantment, changed the bride into a brass monkey,

and her spouse into a crocodile of some unknown metal. Don Quixote

mounted the wooden horse Clavileno the Winged, to disenchant the

lady and her husband, and this he effected "simply by making the

attempt."--Cervantes, _Don Quixote_, II iii. 4, 5 (1615).

ANTONY _(Saint)_ lived in a cavern on the summit of Cavadonga, in

Spain, and was perpetually annoyed by devils.

Old St. Antonius from the hell

Of his bewildered phantasy saw fiends

In actual vision, a foul throng grotesque

Of all horrific shapes and forms obscene,

Crowd in broad day before his open eyes.

Southey, _Roderick, etc_., xvi. (1814).

AN'TONY AND CÆSAR. Macbeth says that "under Banquo his own genius was

rebuked [or snubbed], as it is said Mark Antony's was by Cæsar" (act

iii. sc. 1), and in _Antony and Cleopatra_ this passage is elucidated

thus--

Thy daemon, that's thy spirit which keeps thee, is

Noble, courageous, high, unmatchable,

Where Cæsar's is not; but near him thy angel

Becomes a fear, as being overpowered.

Act ii. sc. 3.

ANVIL (_The Literary_). Dr. Mayo was so called, because he bore the

hardest blows of Dr. Johnson without flinching.

AODH, last of the Culdees, or primitive clergy of Io'na, an island

south of Staffa. His wife was Reullu'ra. Ulvfa'gre the Dane, having

landed on the island and put many to the sword, bound Aodh in

chains of iron, then dragging him to the church, demanded where the

"treasures were concealed." A mysterious figure now appeared, which

not only released the priest, but took the Dane by the arm to the

statue of St. Columb, which fell on him and crushed him to death.

After this the "saint" gathered the remnant of the islanders together,

and went to Ireland.--Campbell, _Reullura_.

APE (1 _syl._), the pseudonym of M. Pellegrini, the caricaturist of

_Vanity Fair_. Dr. Johnson says "_to ape_ is to imitate ludicrously;"

whence the adoption of the name.

APEL'LES AND THE COBBLER. A cobbler found fault with the shoe-latchet

of one of Apelles' paintings, and the artist rectified the fault. The

cobbler, thinking himself very wise, next ventured to criticise the

legs; but Apelles said, _Ne sutor ultra crepidam_ ("Let not the

cobbler go beyond his last").

Within that range of criticism where all are equally judges, and where

Crispin is entitled to dictate to Apelles.--_Encyc. Brit._, Art.

"Romance."

_Apelles_. When his famous painting of Venus rising out of the sea

(hung by Augustus in the temple of Julius Cæsar) was greatly injured

by time, Nero replaced it by a copy done by Dorotheus. This Venus

by Apelles is called "Venus Anadyom'-enê," his model (according to

tradition) being Campaspê (afterwards his wife).

APEMAN'TUS, a churlish Athenian philosopher, who snarled at men

systematically, but showed his cynicism to be mere affectation, when

Timon attacked him with his own weapons.--Shakespeare, _Timon of

Athens_ (1600).

Their affected melancholy showed like the cynicism of Apemantus,

contrasted with the real misanthropy of Timon.--Sir W. Scott.

APIC'IUS, an epicure in the time of Tiberius. He wrote a book on the

ways of provoking an appetite. Having spent £800,000 in supplying

the delicacies of the table, and having only £80,000 left, he hanged

himself, not thinking it possible to exist on such a wretched

pittance. _Apicia_, however, became a stock name for certain cakes and

sauces, and his name is still proverbial in all matters of gastronomy.

There was another of the name in the reign of Trajan, who wrote a

cooking book and manual of sauces.

No Brahmin could abominate your meal more than I do. Hirtius and

Apicius would have blushed for it. Mark Antony, who roasted eight

whole boars for supper, never massacred more at a meal than you have

done.--Cumberland, _The Fashionable Lover_, i. 1 (1780).

APOLLO, son of Jupiter and Latona, and model of masculine beauty. He

is the sun, in Homeric mythology, the embodiment of practical wisdom

and foresight, of swift and far-reaching intelligence, and hence of

poetry, music, etc.

_The Apollo Belvidere_, that is, the Apollo preserved in the Belvidere

gallery of the Vatican, discovered in 1503 amid the ruins of An'tium,

and purchased by pope Julius II. It is supposed to be the work of

Cal'amis, a Greek sculptor of the fifth century B.C.

_The Apollo of Actium_ was a gigantic statue, which served for a

beacon.

_The Apollo of Rhodes_, usually called the colossus, was a gigantic

bronze statue, 150 feet high, made by Charês, a pupil of Lysippus, and

set up B.C. 300.

_Animals consecrated to Apollo_, the cock, the crow, the grasshopper,

the hawk, the raven, the swan, and the wolf.

APOLL'YON, king of the bottomless pit; introduced by Bnnyan in his

_Pilgrim's Progress_. Apollyon encounters Christian, by whom, after a

severe contest, he is foiled (1678).

APOSTLE _or Patron Saint of_--

ABYSSINIANS, St. Frumentius (died 360). His day, October 27.

ALPS, Felix Neff (1798-1829).

ANTIOCH, St. Margaret (died 275). Her day, July 20.

ARDENNES, St. Hubert (656-730).

ARMENIANS, Gregory of Armenia (256-331).

CAGLIARI (_Sardinia_), St. Efisio.

CORFU, St. Spiridion (fourth century). His day, December 14.

ENGLISH, St. Augustin (died 607); St. George (died 290).

ETHIOPIA, St. Frumentius (died 360). His day, October 27.

FRANCONIA, St. Kilian (died 689). His day, July 8.

FREE TRADE, Richard Cobden (1804-1865).

FRENCH, St. Denis (died 272). His day, October 9.

FRISIANS, St. Wilbrod (657-738).

GAULS, St. Irenae'us (130-200); St. Martin (316-397).

GENTILES, St. Paul (died 66). His days, June 29, January 25.

GEORGIA, St. Nino.

GERMANY, St. Boniface (680-755). His day, June 5.

HIGHLANDERS, St. Colomb (521-597). His day, June 9.

HUNGARIANS, St. Anastasius (died 628). His day, January 22.

INDIANS, Bartolomé de Las Casas (1474-1566); Rev. John Eliot (1603-1690).

INDIES, St. Francis Xavier (1506-1552). His day, December 3.

INFIDELITY, Voltaire (1694-1778).

IRISH, St. Patrick (372-493). His day, March 17.

LIBERTY, Thomas Jefferson, third president of the U.S. (1743-1826).

LONDON, St. Paul; St. Michael. Days, January 25, September 29.

NETHERLANDS, St. Armand (589-679).

NORTH, St. Ansgar (801-864); Bernard Gilpin (1517-1583).

Padua, St. Anthony (1195-1231). His day, June 13. Paris, St. Genevieve

(419-512). Her day, January 3. Peak, W. Bagshaw, so called from his

missionary labors in Derbyshire (1628-1702). Picts, St. Ninian.

Scottish Reformers, John Knox (1505-1572). Sicily (the tutelary deity

is) Cerês. Slaves, St. Cyril (died 868). His day, February 14. Spain,

St. James the Greater (died 44.) His day, July 24. Temperance, Father

Mathew (1790-1856). Venice, St. Mark; St. Pantaleon; St. Andrew

Justiniani. St. Mark's day, April 25; St. Pantaleon's, July 27. Wales,

St. David (480-544). His day, March 1. Yorkshire, St. Pauli'nus,

bishop of York (597-644).

APOSTOLIC FATHERS (_The Five_): Clement of Rome, Barnabas, Hermas,

Igna'tius, and Polycarp. All contemporary with the Apostles.

AP'PETIZER. A Scotchman being told that the birds called kittiewiaks

were admirable appetizers, ate six of them, and then complained "he

was no hungrier than he was before."

AQUARIUS, SAGITTARIUS. Mrs. Browning says that "Aquarius" is a symbol

of man _bearing_, and "Sagittarius" of man _combatting_. The passive

and active forms of human labor.

_Eve_. Two phantasms of two men.

_Adam_. One that sustains,

And one that strives, so the ends

Of manhood's curse of labor.

E. B. Browning, _A Drama of Exile_ (1851).

A'QUILANT, son of Olive'ro and Sigismunda; a knight in Charlemagne's

army. He was called "_black_," and his brother Gryphon "_white_" from

the color of their armor.--Ariosto, _Orlando Furioso_ (1516).

A'QUILINE (3 _syl_.), Raymond's steed, whose sire was the

wind.--Tasso, _Jerusalem Delivered_, vii. (1575).

(Solinus, Columella, and Varro relate how the Lusitanian mares "with

open mouth against the breezes held, receive the gales with warmth

prolific filled, and thus inspired, their swelling wombs produce the

wondrous offspring."--See also Virgil, _Georgics_, in. 266-283.)

AQUIN'IAN SAGE. Juvenal is so called, because he was born at Aqui'num,

in Latium (fl. A.D. 100).

ARABEL'LA, an heiress left under the guardianship of justice Day. Abel

Day, the son of justice Day, aspires to her hand and fortune, but she

confers both with right good will on captain Manly.--T. Knight, _The

Honest Thieves_.

ARA'BIA FE'LIX ("_Araby the blest_"). This name is a blunder made by

British merchants, who supposed that the precious commodities of India

bought of Arab traders were the produce of Arabia.

ARA'BIAN BIRD (_The_), the phoenix, a marvellous man, one _sui

generis_.

O Antony! O thou Arabian bird!

Shakespeare, _Antony and Cleopatra_, act iii. sc. 2.

ARACH'NE (3 _syl_.), a spider, a weaver. "Arachnê's labors," spinning

or weaving. Arachnê was a Lydian maiden, who challenged Minerva to

compete with her in needle tapestry, and Minerva changed her into a

spider.

No orifice for a point

As subtle as Arachnê's broken woof

To enter.

Shakespeare, _Troilus and Cressida_, act v. sc. 2 (1602).

ARAGNOL, the son of Arachnê (the "most fine-fingered of all workmen,"

turned into a spider for presuming to challenge Minerva to a contest

in needlework). Aragnol entertained a secret and deadly hatred against

prince Clarion, son of Muscarol the fly-king; and weaving a curious

net, soon caught the gay young flutterer, and gave him his death-wound

by piercing him under the left wing.--Spenser, _Muiopotmos or The

Butterfly's Fate_ (1590).

ARAMIN'TA, the wife of Moneytrap, and friend of Clarissa (wife of

Gripe the scrivener).--Sir John Vanbrugh, _The Confederacy_ (1695).

ARANZA (_The duke of_). He marries Juliana, eldest daughter of

Balthazar. She is so haughty, arrogant, and overbearing, that after

the marriage he takes her to a mean hut, which he calls his home, and

pretends to be only a peasant who must work for his living, and gives

his bride the household duties to perform. She chafes for a time, but

firmness, manliness, and affection win the day; and when the duke

sees that she loves him for himself, he leads her to his castle, and

reveals to her that the peasant husband is after all the duke of

Aranza.--J. Tobin, _The Honeymoon_ (1804).

AR'APHIL or AR'APHILL, the poetic pseudonym of Win. Habington. His

lady-love, Miss Lucy Herbert, he calls Castara.

ARAS'PES (3 _syl_.), king of Alexandria, who joined the Egyptian

armament against the crusaders.--Tasso, _Jerusalem Delivered_ (1575).

ARBA'CES (3 _syl_.), king of Ibe'ria, in the drama called _A King or

no King_, by Beaumont and Fletcher (1619).

ARBATE (2 _syl_.), governor of the prince of Ithaca, in Molière's

comedy _La Princesse d'Elide_ (1664). In his speech to "Euryle" prince

of Ithaca, persuading him to love, he is supposed to refer to Louis

XIV., then 26 years of age.

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