This list, with very little trouble, might be greatly multiplied. The

hotbed of anachronisms is mediaeval romance; there nations, times and

places, are most recklessly disregarded. This may be instanced by a

few examples from Ariosto's great poem, _Orlando Furioso_.

Here we have Charlemagne and his paladins joined by Edward king of

England, Richard earl of Warwick, Henry duke of Clarence, and the

dukes of York and Gloucester (bk. vi.). We have cannons employed by

Cymosco king of Friza (bk. iv.), and also in the siege of Paris (bk.

vi.). We have the Moors established in Spain, whereas they were not

invited over by the Saracens for nearly 300 years after Charlemagne's

death. In bk. xvii. we have Prester John, who died in 1202; and in the

last three books we have Constantine the Great, who died in 337.

ANAC'REON, the prince of erotic and bacchanalian poets, insomuch that

songs on these subjects are still called Anacreon'tic (B.C. 563-478).

_Anacreon of Painters_, Francesco Albano or Alba'ni (1578-1660).

_Anacreon of the Guillotine_, Bertrand Barère de Vieuzac (1755-1841).

_Anacreon of the Temple_, Guillaume Amfrye, abbé de Chaulieu

(1639-1720).

_Anacreon of the Twelfth Century_, Walter Mapes, "The Jovial Toper."

His famous drinking song, "Meum est prepositum ..." has been

translated by Leigh Hunt (1150-1196).

_The French Anacreon_. 1. Pontus de Thiard, one of the "Pleiad

poets" (1521-1605). 2. P. Laujon, perpetual president of the _Caveau

Moderne_, a Paris club, noted for its good dinners, but every member

was of necessity a poet (1727-1811).

_The Persian Anacreon_, Mahommed Hafiz. The collection of his poems is

called _The Divan_ (1310-1389).

_The Sicilian Anacreon_, Giovanni Meli (1740-1815).

ANACREON MOORE, Thomas Moore of Dublin (1780-1852), poet, called

"Anacreon," from his translation of that Greek poet, and his own

original anacreontic songs.

Described by Mahomet and Anacreon Moore.

Byron, _Don Juan_, i. 104.

ANAGNUS, Inchastity personified in _The Purple Island_, by Phineas

Fletcher (canto vii.). He had four sons by Caro, named Maechus

(_adultery_), Pornei'us (_fornication_), Acath'arus, and Asel'gês

(_lasciviousness_), all of whom are fully described by the poet. In

the battle of Mansoul (canto xi.) Anagnus is slain by Agnei'a (_wifely

chastity_), the spouse of Encra'tes (_temperance_) and sister of

Parthen'ia (_maidenly chastity_). (Greek, _anagnos_, "impure.")

(1633.)

ANAGRAMS.

CHARLES JAMES STUART (James I.). _Claims Arthur's Seat_.

DAME ELEANOR DAVIES (prophetess in the reign of Charles I.). _Never so

mad a ladie_.

HORATIO NELSON. _Honor est a Nilo_.

MARIE TOUCHET (mistress of Charles IX.). _Je charme tout_ (made by

Henri IV.).

Pilate's question, QUID EST VERITAS? _Est vir qui adest_.

SIR ROGER CHARLES DOUGHTY TICHBORNE, BARONET. _You horrid butcher,

Orton, biggest rascal here._

A'NAH, granddaughter of Cain and sister of Aholiba'mah. Japhet loved

her, but she had set her heart on the seraph Azaz'iel, who carried her

off to another planet when the Flood came.--Byron, _Heaven and Earth_.

Anah and Aholibamah are very different characters:

Anah is soft, gentle, and submissive; her

sister is proud, imperious, and aspiring; the one

loving in fear, the other in ambition. She fears

that her love makes her "heart grow impious,"

and that she worships the seraph rather than the

Creator.--Ed. Lytton Bulwer (Lord Lytton).

ANAK OF PUBLISHERS, so John Murray was called by lord Byron

(1778-1843).

AN'AKIM or ANAK, a giant of Palestine, whose descendants were terrible

for their gigantic stature. The Hebrew spies said that they themselves

were mere grasshoppers in comparison of them.

I felt the thews of Anakim,

The pulses of a Titan's heart.

Tennyson, _In Memoriam_, iii.

(The Titans were giants, who, according to classic fable, made war

with Jupiter or Zeus, 1 _syl_.)

ANAMNES'TES (4 _syl_), the boy who waited on Eumnestês (Memory).

Eumnestês was a very old man, decrepit and half blind, a "man of

infinite remembrance, who things foregone through many ages held," but

when unable to "fet" what he wanted, was helped by a little boy yclept

Anamnestês, who sought out for him what "was lost or laid amiss."

(Greek, _eumnêstis_, "good memory;" _anamne'stis_, "research or

calling up to mind.")

And oft when things were lost or laid amiss,

That boy them sought and unto him did lend;

Therefore the Anamnestes clepêd is,

And that old man Eumnestes.

Spenser, _Faëry Queen_, ii. 9 (1590).

ANANI'AS, in _The Alchemist_, a comedy by Ben Jonson (1610).

("Wasp" in _Bartholomew Fair_, "Corbaccio" in _The Fox_, "Morose" in

_The Silent Woman_, all by B. Jonson.)

ANARCHUS, king of the Dipsodes (2 _syl_.), defeated by Pantag'ruel,

who dressed him in a ragged doublet, a cap with a cock's feather, and

married him to "an old lantern-carrying hag." The prince gave the

wedding-feast, which consisted of garlic and sour cider. His wife,

being a regular termagant, "did beat him like plaster, and

the ex-tyrant did not dare call his soul his own."--Rabelais,

_Pantagruel_, ii. 31 (1533).

ANASTA'SIUS, the hero of a novel called _Memoirs of Anastasius_, by

Thomas Hope (1770-1831), a most brilliant and powerful book. It is

the autobiography of a Greek, who, to escape the consequences of his

crimes and villainies, becomes a renegade, and passes through a long

series of adventures.

Fiction has but few pictures which will bear

comparison with that of Anastasius, sitting on

the steps of the lazaretto of Trieste, with his

dying boy in his arms.--_Encyc. Brit_. Art. "Romance."

ANASTASIUS GRÜN, the _nom de plume_ of Anton Alexander von Auersperg,

a German poet (1806-1876).

ANASTERAX, brother of Niquee [_ne.kay_], with whom he lives in

incestuous intercourse. The fairy Zorphee, in order to withdraw her

god-daughter from this alliance, enchanted her.--_Amadis de Gaul_.

AN'CHO, a Spanish brownie, who haunts the shepherds' huts, warms

himself at their fires, tastes their clotted milk and cheese,

converses with the family, and is treated with familiarity mixed with

terror. The Ancho hates church bells.

ANCIENT MARINER (_The_), by Coleridge. For the crime of having shot

an albatross (a bird of good omen to seamen) terrible sufferings are

visited upon him, which are finally remitted through his repentance;

but he is doomed to wander over the earth and repeat his story to

others as a warning lesson.

AN'DERSON (_Eppie_), a servant at the inn of St. Ronan's Well, held by

Meg Dods.--Sir W. Scott, _St. Ronan's Well_ (time, George III.).

ANDRÉ (2 _syl_.). Petit-André and Trois Echelles are the executioners

of Louis XI. of France. They are introduced by sir W. Scott, both in

_Quentin Durward_ and in _Anne of Geierstein_.

_André_, the hero and title of a novel by George Sand (Mde. Dudevant).

This novel and that called _Consuelo_ (4 _syl_.) are considered her

best (1804-1876).

ANDRE'OS, Fortitude personified in _The Purple Island_, by Phineas

Fletcher (canto x.). "None fiercer to a stubborn enemy, but to the

yielding none more sweetly kind." (Greek, _andria_ or _andreia_,

"manliness.")

ANDREW, gardener, at Ellangowan, to Godfrey Bertram the laird.--Sir W.

Scott, _Guy Mannering_ (time, George II.).

ANDREWS, a private in the royal army of the duke of Monmouth.--Sir W.

Scott, _Old Mortality_ (time, Charles II.).

_Andrews (Joseph)_, the hero and title of a novel by Fielding. He is

a footman who marries a maid-servant. Joseph Andrews is a brother of

[Richardson's] "Pamela," a handsome, model young man.

The accounts of Joseph's bravery and good

qualities, his voice too musical to halloa to the

dogs, his bravery in riding races for the gentlemen

of the county, and his constancy in refusing

bribes and temptation, have something refreshing

in their _naïveté_ and freshness, and prepossess

one in favor of that handsome young hero.--Thackeray.

ANDROCLUS AND THE LION. Androclus was a runaway Roman slave, who took

refuge in a cavern. A lion entered, and instead of tearing him to

pieces, lifted up its fore-paw that Androclus might extract from it a

thorn. The fugitive, being subsequently captured, was doomed to fight

with a lion in the Roman arena, and it so happened that the very same

lion was let out against him; it instantly recognized its benefactor,

and began to fawn upon him with every token of gratitude and joy. The

story being told of this strange behavior, Androclus was forthwith set

free.

A somewhat similar anecdote is told of sir George Davis, English

consul at Florence at the beginning of the present century. One day

he went to see the lions of the great duke of Tuscany. There was one

which the keepers could not tame, but no sooner did sir George appear,

than the beast manifested every symptom of joy. Sir George entered

the cage, when the creature leaped on his shoulder, licked his face,

wagged its tail, and fawned like a dog. Sir George told the great

duke that he had brought up this lion, but as it grew older it became

dangerous, and he sold it to a Barbary captain. The duke said he

bought it of the same man, and the mystery was cleared up.

ANDROMACHE [_An. drom'. a. ky_], widow of Hector. At the downfall of

Troy both she and her son Asty'anax were allotted to Pyrrhus king

of Epirus, and Pyrrhus fell in love with her, but she repelled

his advances. At length a Grecian embassy, led by Orestês son of

Agamemnon, arrived, and demanded that Astyanax should be given up and

put to death, lest in manhood he should attempt to avenge his father's

death. Pyrrhus told Andromachê that he would protect her son in

defiance of all Greece if she would become his wife, and she

reluctantly consented thereto. While the marriage ceremonies were

going on, the ambassadors rushed on Pyrrhus and slew him, but as he

fell he placed the crown on the head of Andromachê, who thus became

the queen of Epirus, and the ambassadors hastened to their ships in

flight.--Ambrose Philips, _The Distressed Mother_ (1712).

ANDROMEDA, beautiful daughter of the king of Ethiopia. To appease

Neptune, she was bound to a rock to be devoured by Neptune. Perseus

slew the monster and made the maiden his wife.

ANDRONI'CA, one of Logistilla's handmaids, noted for her

beauty.--Ariosto, _Orlando Furioso_ (1516).

ANDRONI'CUS (_Titus_), a noble Roman general against the Goths,

father of Lavin'ia. In the play so called, published among those of

Shakespeare, the word all through is called _Andron'icus_ (1593).

_Marcus Andronicus_, brother of Titus, and tribune of the people.

ANDROPH'ILUS, Philanthropy personified in _The Purple Island_,

by Phineas Fletcher (1633). Fully described in canto x. (Greek,

_Andro-philos_, "a lover of mankind.")

ANDY (_Handy_), Irish lad in the employ of Squire Egan. He has

boundless capacity for bulls and blunders.--Samuel Lover, _Handy

Andy_.

ANEAL (2 _syl_.), daughter of Maä'ni, who loves Djabal, and believes

him to be "hakeem'" (the incarnate god and founder of the Druses)

returned to life for the restoration of the people and their return to

Syria from exile in the Spo'radês. When, however, she discovers his

imposture, she dies in the bitterness of her disappointment.--Robert

Browning, _The Return of the Druses_.

_L'ange de Dieu_, Isabeau la belle, the "inspired prophet-child" of

the Camisards.

ANGELA MESSENGER, heiress to Messenger's Brewery and an enormous

fortune. In order to know the people of the East End she lives among

them as a dressmaker. She sees their needs, and to supply these in

part, builds _The People's Palace_--or Palace of Delights.--_All Sorts

and Conditions of Men_, by Walter Besant (1889).

ANGEL'ICA, in Bojardo's _Orlando Innamorato_ (1495), is daughter of

Gal'aphron king of Cathay. She goes to Paris, and Orlando falls in

love with her, forgetful of wife, sovereign, country, and glory.

Angelica, on the other hand, disregards Orlando, but passionately

loves Rinaldo, who positively dislikes her. Angelica and Rinaldo drink

of certain fountains, when the opposite effects are produced in their

hearts, for then Rinaldo loves Angelica, while Angelica loses all love

for Rinaldo.

_Angelica_, in Ariosto's _Orlando Furioso_ (1516), is the same lady,

who marries Medoro, a young Moore, and returns to Cathay, where Medoro

succeeds to the crown. As for Orlando, he is driven mad by jealousy

and pride.

The fairest of her sex, Angelica,

...Sought by many prowest knights,

Both painim and the peers of Charlemagne.

Milton, _Paradise Regained_, iii. (1671).

_Angelica (The Princess_), called "The Lady of the Golden Tower." The

loves of Parisme'nos and Angelica form an important feature of the

second part of _Parismus Prince of Bohemia_, by Emanuel Foord (1598).

_Angelica_, an heiress with whom Valentine Legend is in love. For a

time he is unwilling to declare himself because of his debts; but

Angelica gets possession of a bond for £4000, and tears it. The money

difficulty being adjusted, the marriage is arranged amicably.--W.

Congreve, _Love for Love_ (1695).

Mrs. Anne Bracegirdle equally delighted in melting tenderness and

playful coquetry, in "Statira" or "Millamant;" and even at an advanced

age, when she played "Angelica."--C. Dibden.

_Angelica_, the troth-plight wife of Valère, "the gamester." She

gives him a picture, and enjoins him not to part with it on pain of

forfeiting her hand. However, he loses it in play, and Angelica in

disguise is the winner of it. After much tribulation, Valère is

cured of his vice, and the two are happily united by marriage.--Mrs.

Centlivre, _The Gamester_ (1705).

ANGELI'NA, daughter of lord Lewis, in the comedy called _The Elder

Brother_, by Beaumont and Fletcher (1637).

_Angelina_, daughter of don Charino. Her father wanted her to marry

Clodio, a coxcomb, but she preferred his elder brother Carlos, a

bookworm, with whom she eloped. They were taken captives and carried

to Lisbon. Here in due time they met, the fathers who went in search

of them came to the same spot, and as Clodio had engaged himself to

Elvira of Lisbon, the testy old gentlemen agreed to the marriage of

Angelina with Carlos.--C. Cibber, _Love Makes a Man_.

Angelique' (3 _syl._), daughter of Argan the _malade imaginaire_. Her

lover is Cléante (2 _syl._). In order to prove whether his wife or

daughter loved him the better, Argan pretended to be dead, whereupon

the wife rejoiced greatly that she was relieved of a "disgusting

creature," hated by every one; but the daughter grieved as if her

heart would break, rebuked herself for her shortcomings, and vowed

to devote the rest of her life in prayer for the repose of his soul.

Argan, being assured of his daughter's love, gave his free consent to

her marriage with Cléante.--Molière, _Malade Imaginaire_ (1673).

_Angelique_, the aristocratic wife of George Dandin, a French

commoner. She has a liaison with a M. Clitandre, but always contrives

to turn the tables on her husband. George Dandin first hears of a

rendezvous from one Lubin, a foolish servant of Clitandre, and lays

the affair before M. and Mde. Sotenville, his wife's parents. The

baron with George Dandin call on the lover, who denies the accusation,

and George Dandin has to beg pardon. Subsequently, he catches his wife

and Clitandre together, and sends at once for M. and Mde. Sotenville;

but Angelique, aware of their presence, pretends to denounce her

lover, and even takes up a stick to beat him for the "insult offered

to a virtuous wife;" so again the parents declare their daughter to be

the very paragon of women. Lastly, George Dandin detects his wife and

Clitandre together at night-time, and succeeds in shutting his wife

out of her room; but Angelique now pretends to kill herself, and when

George goes for a light to look for the body, she rushes into her room

and shuts him out. At this crisis the parents arrive, when Angelique

accuses her husband of being out all night in a debauch; and he is

made to beg her pardon on his knees.--Molière, _George Dandin_ (1668).

AN'GELO, in _Measure for Measure_, lord deputy of Vienna in the

absence of Vincentio the duke. His betrothed lady is Maria'na. Lord

Angelo conceived a base passion for Isabella, sister of Claudio,

but his designs were foiled by the duke, who compelled him to marry

Mariana.--Shakespeare (1603).

_An'gelo_, a gentleman friend to Julio in _The Captain_, a drama by

Beaumont and Fletcher (1613).

ANGELS (_Orders of_). According to Dionysius the Areop'agite, the

angels are divided into nine orders: Seraphim and Cherubim, in the

_first_ circle; Thrones and Dominions, in the _second_ circle;

Virtues, Powers, Principalities, Archangels, and Angels, in the

_third_ circle.

Novem angelorum ordines dicimus, quia videlicet

esse, testante sacro eloquio, scimus Angelos,

Archangelos, Virtutes, Potestates, Principatus,

Dominationes, Thronos, Cherubim, atque Seraphim.--St.

Gregory the Great, _Homily_ 34.

(See _Hymns Ancient and Modern_, No. 253, ver. 2, 3.)

ANGER ... THE ALPHABET. It was Athenodo'rus the Stoic who advised

Augustus to repeat the alphabet when he felt inclined to give way to

anger.

Un certain Grec disait à l'empereur Auguste,

Comme une instruction utile autant que juste,

Que, lorsqu' une aventure en colère nous met,

Nous devons, avant tout, dire notre alphabet,

Afin que dans ce temps la bile se tempère,

Et qu'on ne fasse rien que l'on ne doive faire.

Molière, _L'École des Femmes_, ii. 4 (1662).

ANGIOLI'NA (4 _syl_.), daughter of Loreda'no, and the young wife of

Mari'no Faliero, the doge of Venice. A patrician named Michel Steno,

having behaved indecently to some of the women assembled at the great

civic banquet given by the doge, was kicked out of the house by order

of the doge, and in revenge wrote some scurrilous lines against the

dogaressa. This insult was referred to "The Forty," and Steno was

sentenced to two months' imprisonment, which the doge considered a

very inadequate punishment for the offence.--Byron, _Marino Faliero_.

The character of the calm, pure-spirited Angiolina

is developed most admirably. The great

difference between her temper and that of her

fiery husband is vividly portrayed, but not less

vividly touched is that strong bond of union

which exists in the common nobleness of their

deep natures. There is no spark of jealousy in

the old man's thoughts. He does not expect the

fervor of youthful passion in his young wife;

but he finds what is far better--the fearless confidence

of one so innocent that she can scarcely

believe in the existence of guilt.... She thinks

Steno's greatest punishment will be "the blushes

of his privacy."--Lockhart.

ANGLAN'TE'S LORD, Orlando, who was lord of Anglantê and knight of

Brava.--Ariosto, _Orlando Furioso_ (1516).

AN'GLIDES (3 _syl_.), wife of good prince Boud'wine (2 _syl_.),

brother to sir Mark king of Cornwall ("the falsest traitor that ever

was born"). When king Mark slew her husband, Anglides and her son

Alisaunder made their escape to Magounce (_i.e. Arundel_), where she

lived in peace, and brought up her son till he received the honor

of knighthood.--Sir T. Malory, _Hist, of Pr. Arthur_, ii. 117, 118

(1470).

AN'GUISANT, king of Erin (_Ireland_), subdued by king Arthur fighting

in behalf of Leod'ogran king of Cam'eliard (3 _syl_.).--Tennyson,

_Coming of King Arthur_.

ANGULE (_St._), bishop of London, put to death by Maximia'nus

Hercu'lius, Roman general in Britain in the reign of Diocletian.

St. Angule put to death, one of our holiest men,

At London, of that see the godly bishop then.

Drayton, _Polyolbion_, xxiv. (1622).

ANGURVA'DEL, Frithiof's sword, inscribed with Runic characters, which

blazed in time of war, but gleamed dimly in time of peace.

ANICE, the woman who steals Fenn's fancy, rather than his heart, from

his wife, in George Parsons Lathrop's story, _An Echo of Passion_

(1882).

ANIMULA, beauteous being revealed in a drop of water by a microscope

of extraordinary and inconceivable power.--_The Diamond Lens_, by

Fitz-James O'Brien (1854).

ANJOU (_The Fair Maid of_), lady Edith Plantagenet, who married David

earl of Huntingdon (a royal prince of Scotland). Edith was a kinswoman

of Richard Coeur de Lion, and an attendant on queen Berengaria.

[Illustration: symbol] Sir Walter Scott has introduced her in _The

Talisman_ (1825).

ANN (_The princess_), lady of Beaujeu.--Sir W. Scott, _Quentin

Durward_ (time, Edward IV.).

_Ann_ (_The Lady_), the wife who, in John G. Saxe's ballad, _The Lady

Ann_, goes mad at the news of the death of sir John, her husband

(1868).

ANNA (_Donna_), the lady beloved by don Otta'vio, but seduced by don

Giovanni.--Mozart's opera, _Don Giovanni_ (1787).

AN'NABEL, in _Absalom and Achitophel_, by

Dryden, is the duchess of Monmouth, whose maiden name was Anne Scott

(countess of Buccleuch). She married again after the execution of her

faithless husband.

With secret joy indulgent David [_Charles II_.]

viewed

His youthful image in his son renewed;

To all his wishes nothing he denied,

And made the charming Annabel his bride.

Part i.

ANNABEL LEE. Edgar A. Poe's poem of this name is supposed to be

a loving memorial to his young wife, Virginia Clemm, who died of

consumption at Fordham, N.Y., in 1847.

The angels, not half so happy in heaven

Went envying her and me;

Yes! that was the reason (as all men know,

In this kingdom by the sea)

That the wind came out of the cloud by night,

Chilling and killing my Annabel Lee. (1848.)

ANNA PASTORIUS, wife of Pastorius in Whittier's poem, _The

Pennsylvania Pilgrim_. At his cry "Help! for the good man faileth!"

she points to her aloe-tree, and reminds him that as surely as "the

century-moulded bud shall burst in bloom," love and patience will soon

or late conquer wrong (1872).

AN'NAPLE [BAILZOU], Effie Dean's "monthly" nurse.--Sir W. Scott,

_Heart of Midlothian_ (time, George II.).

_An'naple_, nurse of Hobbie Elliot of the Heugh-foot, a young

farmer.--Sir W. Scott, _The Black Dwarf_ (time, Anne).

ANNE (_Sister_), the sister of Fat'ima, the seventh and last wife of

Blue Beard. Fatima, having disobeyed her lord by looking into the

locked chamber, is allowed a short respite before execution. Sister

Anne ascends the high tower of the castle, with the hope of seeing

her brothers, who are expected to arrive every moment. Fatima, in her

agony, keeps asking "sister Anne" if she can see them, and Blue Beard

keeps crying out for Fatima to use greater despatch. As the patience

of both is exhausted, the brothers arrive, and Fatima is rescued from

death.--Charles Perrault, _La Barbe Bleue_.

_Anne_, own sister of king Arthur. Her father was Uther the pendragon,

and her mother Ygerna, widow of Gorloïs. She was given by her brother

in marriage to Lot, consul of Londonesia, and afterwards king of

Norway.--Geoffrey, _British History_, viii. 20, 21.

[Illustration] In Arthurian romance this Anne is called Margawse

(_History of Prince Arthur_, i. 2); Tennyson calls her Bellicent

(_Gareth and Lynette_). In Arthurian romance Lot is always called king

of Orkney.

ANNE CATHERICK, half-witted girl, the natural sister of Laura Fairlie,

to whom she bears a strong resemblance. This circumstance suggests to

the villain of the book the deception of showing her dead body as that

of Laura, as a step toward securing the fortune of the latter.--_The

Woman in White_, by Wilkie Collins (1865).

ANNE DOUGLAS, heroine of _Anne_, a novel by Constance Fenimore Woolson

(1882). The scene laid on the Island of Mackinac, Mich.

ANNETTE, daughter of Mathis and Catherine, the bride of Christian,

captain of the patrol.--J.E. Ware, _The Polish Jew_.

ANNETTE AND LUBLIN, by Marmontel, imitated from the _Daphnis and

Chloe_ of Longos (_q.v._).

ANNIE KILBURN, the conscientious heiress who returns to a New England

homestead after long residence abroad, and endeavors to do her duty in

the station to which Providence has called her. Prim, pale, pretty,

and not youthful except in heart.--_Annie Kilburn_, by William Dean

Howells (1888).

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