THE SORROWS OF SEPTIMUS HARDON.

With a pleasant smile upon his countenance, and a bunch of watercresses

in his hand, Septimus Hardon hummed loudly, like some jocular bee, as he

entered his rooms one day, when he ceased, for there was a visitor

gazing with sympathising eyes upon the flush-cheeked child lying upon

Mrs Hardon's arm.

"I think you had better have advice, Mrs Hardon," said the visitor, the

Rev. Arthur Sterne, the calm, earnest, quiet-looking curate of the

neighbouring church.

Lucy Grey, now budding into womanhood, was seated upon the floor by the

couch, with a little boy in her lap, and letting the hands of the child

on her mother's arm stray amongst the glossy tresses of her hair.

"Advice? What? doctor?" said Septimus, gazing in his wife's anxious

face; "is Letty really ill, then?" and then in a bewildered way he began

rubbing his hands together as if washing them in emptiness, and

afterwards drying them upon nothing.

"Let me send in a doctor," said Mr Sterne kindly, as he took his hat to

leave; "there are symptoms of fever, I think. Don't let it get too firm

a hold before you have advice."

"Thank you, thank you; do send him, please," said Septimus helplessly.

"But--" He was about to alter his request, for just then his hand came

in contact with the light leather purse in his pocket, but the curate

had hurriedly left the room. Then taking his step-child's place by the

sofa the father parted the golden hair upon the sick girl's forehead,

and anxiously questioned Mrs Septimus respecting the illness.

As the night came on the little one grew wild and restless, and what the

mother had taken to be but a slight childish ailment, began to assume a

form that added anxiety where it was hardly needed. The doctor had

been, and spoken Seriously, and the medicine he had sent had been

administered; but the fever seemed to increase, for the child grew

worse, starting from fitful sleeps, and calling for sister Lucy to take

something away from her. Septimus looked weakly from face to face for

comfort, and then wandered about the room, wringing his hands and trying

to think this new trouble some horrible dream.

And so days passed--days of trouble and anxiety--during which Mrs

Septimus forgot her own ailments, and watched and nursed in turn with

Lucy. The doctor had talked as so many doctors will talk, in an

indefinite strain, which left the anxious parents in a state of doubt

and bewilderment, though it never occurred to Septimus Hardon that so

great an affliction could fall upon him, as that he should lose his

little one.

About a week after the seizure, Mrs Septimus was watching by the child,

who, after partaking eagerly of some tea, had apparently dropped off to

sleep.

"Take little Tom down into the office," whispered Mrs Hardon, "perhaps

she will sleep awhile if we keep her quiet."

So Septimus Hardon, looking dazed and worn with mental anxiety, took his

boy in his arms, and Lucy being asleep after watching nearly all night,

he left Mrs Septimus with the sick child, and carried the little fellow

down into the dusty, unused office, where, taking advantage of his

father's abstraction, the child proceeded to make a heap of type upon

the floor, thoroughly covering himself with the black dust, and even

going so far as to try the flavour of some of the pieces of metal.

At last the little one began to grow tired, and tried to gain the

attention of its father--no light task, for with his face buried in his

hands he was seated at his desk trying to see his way clearly through

the future--a task so many of us attempt, and some even fancy we have

achieved, but only to find the falseness of our hopes when the days we

looked forward to have come upon us.

But the child was at last successful, and as Septimus raised his head

from the desk, he became aware of the presence of the old man of a few

days before, and apparently as far from prosperity as ever.

"Nothing doing; no work," said Septimus.

"Any little job will do, sir," said the old man. "Just come to get out

of debt, that's all. What's it to be, sir?"

"Another time," said Septimus. "I've--"

A loud cry from above cut short his words, and darting to the door,

forgetting his customary indecision, he bounded up the stairs, while,

finding himself left with a stranger, the little fellow burst into a

dismal wail.

"O, Sep, Sep, Sep!" cried his wife, throwing herself into his arms, "is

it always to be sorrow; is there always to be a black cloud over our

lives?" then tearing herself away she frantically caught the child from

Lucy, who, pale and frightened, sat nursing.

"Run, run, Lucy!" cried Septimus hoarsely as he caught a glimpse of his

blue-eyed darling's face; "the doctor, quick!" and then, as the

frightened girl ran from the room, he threw himself upon his knees

beside his sobbing wife, praying that they might be spared this new

sorrow. But before the doctor could reach Carey-street the agonised

couple had seen the little weary head cease its restless tossings from

side to side, the blue eyes unclose, dilate, and gaze wildly, as if at

some wondrous vision; then a plaintive shuddering sigh passed from the

pale lips, and Septimus Hardon and his wife were alone, though they knew

it not.

The Rev. Arthur Sterne was at the door as Lucy returned, overtaken by

the doctor's brougham at the same moment; but to the agony of all the

man of medicine gave one glance at the little form in its mother's lap,

shook his head, and left the room on tiptoe.

"O, sir, Mr Sterne," cried Lucy, turning with quivering lips and

streaming eyes to the clergyman, "tell me, tell me," she sobbed,

clasping one of his hands in hers; "tell me--is it, is it death?"

There was silence in the room for a few moments, and then placing his

disengaged hand upon the fair head of the weeping girl, the curate, in

low reverent tones, but loud enough to thrill the hearts of the living,

said, "No, it is life--the life eternal!"

And now, amidst the bitter sobs of those who mourned, the curate stepped

softly from the room, and left the house with bended head. Then there

was silence, till a step was heard upon the stairs, which stopped by the

partly-closed door, where stood the old compositor with little Tom

asleep in his arms, the bright, soft, golden locks mingling like dashes

of sunshine with the old man's ragged, grizzly whiskers. For a few

moments the old printer stood gazing into the room, when, waking to the

consciousness of the affliction that had befallen its inmates, he

turned, and with halting step descended to the office.

At last the recollection of the living came to the stricken mother's

heart, and wildly sobbing as she clasped Lucy in her arms, she asked for

her boy.

Half-stunned with this new shock, Septimus Hardon staggered down to

where he had left the child, having till his wife spoke forgotten its

very existence; but when he reached the office, stricken as he was, he

could not but stop to gaze at the group before him. Seated upon a low

stool, beneath the dingy skylight of the back-office, where the light

that filtered through the foul panes looked dim and gloomy, was the old

man with the child in his lap, gazing, too, intently down at the little

fair face which so wonderingly looked up into his own--not fearfully,

but with a puzzled expression, as if some problem were there that the

little brain could not solve; while the biscuit the tiny fist held was

hardly touched, but told its own tale of how the old man had carried the

child to the nearest baker's for its purchase. The printer's back was

towards Septimus as he stood in the doorway, and as he listened the old

man was apostrophising the child:

"Why, God bless your little innocent face, this is me, old Matt--Matthew

Space--old Quad, as they call me; a battered, snuff-taking, drinking old

scamp; and here have I been these two hours drinking innocence, and

feeling my heart swell till it cracked and the scales fell off. Why--

save and bless his little heart, sir!" he cried, for the child saw its

father and sprang up--"see how good he is! Work's slack, sir; let him

stop, for it seems to do one good--it does indeed, sir. Why, how rich

you must be!"

Septimus Hardon thought mournfully of the treasure he had just lost,

and, taking the child, he hurriedly bore it to its mother, telling the

old man to wait.

Matthew Space, compositor, waited until the owner of the office came

down, when, friendless as he was, Septimus Hardon was glad to turn even

to this rough old waif of the streets in his helplessness.

"Why, I wouldn't do that, sir," said the old man, after listening for

some time in silence; "you may want it to-morrow."

"But I want money to-day," cried Septimus fiercely. "Will you give me

money? will the world outside? will anybody here in this city of wealth

trust me the money to bury my child? Would you have me go to the

parish?" He stopped, and the animation that had flashed into his face

began to fade again, to leave it dull and despairing.

"Why, as to the first, sir," said the old man, "I would, upon my soul,

if I had it,--I would indeed; but as to the people outside--" and he

began to shake his head grimly. "Poor men have no friends, sir--as a

rule, you know--as a rule."

"None!" said Septimus bitterly; "none!"

"But it would be a pity," said the old man; "such a new, well-cut letter

too; and you'll get next to nothing for it. Gave 'most half-a-crown a

pound for it, I dessay?"

Septimus nodded.

"Thought so, sir, and--well, if you must, sir, I'll help you all the

same, and gladly--only too gladly; but I don't like to see it pawned or

sold. You helped me, sir, when it was harder with me than ever it was

in my life before, sir; and damme, sir, I'll sell my shirt, sir, to help

you, if it will do any good. In the morning, then, sir, I'll be here

with a barrow."

"A barrow?" said Septimus.

"Yes; you know, type's heavy stuff."

"Matthew Space," said the snuffly old fellow, screwing his face up as if

with disgust, when he stood once more in Carey-street, "Matthew Space,

follower of the profession of noble Caxton, as a rule, sir, I respect

you. I don't despise you for your poverty, or your seedy coat, for you

are a man of parts and education; but at the present moment, sir, I'm

disgusted with you. You have been drinking innocence from the tiny

prattling lips of that little child--God bless it!" he cried earnestly,

dashing a maundering tear from one eye--"God bless it! a child like that

would have made another man of me; and now that poor fellow has lost one

like it. But there, sir, I'm disgusted with your ways: a man does what

nine hundred and ninety-nine men out of a thousand wouldn't do--lends

you almost his last shilling--and now, sir, that an opportunity offers

of helping him in his trouble, you make empty professions, false

promises, and offer to sell your shirt, you humbug, you--to sell your

shirt, sir, when you haven't got a shirt in the world!"

"That's true enough," said the old man, after walking a little way,

"true, if it ain't decent; but it's a kind of poverty that buttons will

always conceal, which they won't if it's a coat; while if there is

anything that looks beggarly, it's the want of boots. I'd sooner be

without a hat any day in the week. But you're taking fresh copy, Matt

Space, before you've finished the old, and leaving out your points."

The old man cocked his hat very fiercely over the left ear, stuck his

hands into his coat-tail pockets, and walked on for some distance,

muttering, "Poor fellow--good sort--trump." All at once he stopped

short before a lamp-post, drew his hands from his pockets, and took a

pinch of snuff; he then slapped the cold iron upon the shoulder, and, as

if addressing the post confidentially, he exclaimed:

"His name's Hardon, sir; but he isn't a hard un. He's as soft as

butter, sir, easy as a glove, sir, deep as a halfpenny plate. You might

turn him inside out like a stocking. He'd never get on here, he's too

honest. Business! why, he's about as business-like as--as--as--well,

sir, as I am. He'd never any business to be in business; but after all,

what's the good of being a business man, and sharp, and knowing, and

deep, if it's to be hammering on, beating out money day after day to

make a hard case for a man's heart, so as there ain't room for a kind

thought to get in, or a gentle word to come out?"

Old Matt stuck his hat a little more on one side, and giving the post a

parting slap, he left the freshly-lit light, quivering and winking down

at him as he gave it a nod, and then he crossed the road diagonally to

the next post, which he favoured as the last.

"Damme, sir," he cried, "don't tell me. I ought to know what the world

is, and I think I do. That man's a trump, sir, if I know anything of

character. Soft? well, suppose he is. Don't tell me: men were never

made to be sharp-edged tools, chiselling and cutting one another as hard

as ever they can, while the keenest ones chisel the most. They weren't

meant for it; but that's what they are. And what's worse, they do so

much under the cloak of religion, and snuffle and cant, and tell you to

do the same. Things are all wrong, sir, all wrong; and I'm wrong, and

according to some people, I'm I don't know what; but there, sir; there;

I've done."

Old Matt walked to another post, to prove he had not done, and began

again; but someone coming along the pavement, he shuffled off to the

public-house he frequented in Bell-yard, where he discoursed for long

enough upon human nature in general, to the great delight of his

audience, till his pint of porter was finished, when he hurried off

through the wet streets to his lodging.

Volume One, Chapter VII.

Mad: A Story of Dust and Ashes · 第 7 / 55 题