CHAPTER XXXVII.

REPUBLIC--REMARKS ON THE PLATONIC COMMONWEALTH.

[Side-note: Double purpose of the Platonic Republic--ethical

and political.]

In my last Chapter, I discussed the manner in which Plato had

endeavoured to solve the ethical problem urged upon him by Glaukon

and Adeimantus. But this is not the entire purpose of the

Republic. Plato, drawing the closest parallel between the

Commonwealth and the individual, seeks solution of the problem

first in the former; because it is there (he says) written in

larger and clearer letters. He sketches the picture of a perfect

Commonwealth--shows wherein its justice consists--and proves, to

his own satisfaction, that it will be happy in and through its

justice--_per se_. This picture of a Commonwealth is

unquestionably _one_ of the main purposes of the dialogue;

serving as commencement--or more properly as intermediate

stage--to the Timæus and Kritias. Most critics have treated it

as if it were the dominant and almost exclusive purpose. Aristotle,

the earliest of all critics, adverts to it in this spirit;

numbering Plato or the Platonic Sokrates among those who, not being

practical politicians, framed schemes for ideal commonwealths,

like Phaleas or Hippodamus. I shall now make some remarks on the

political provisions of the Platonic Commonwealth: but first I

shall notice the very peculiar manner in which Plato discovers

therein the notions of Justice and Injustice.

[Side-note: Plato recognises the generating principle of

human society--reciprocity of need and service. Particular

direction which he gives to this principle.]

The Platonic Sokrates (as I remarked above) lays down as the

fundamental, generating, principle of human society, the

reciprocity of need and service, essentially belonging to human

beings: exchange of services is indispensable, because each man

has many wants more than he can himself supply, and thus

needs the services of others: while each also can contribute

something to supply the wants of others. To this general principle

Plato gives a peculiar direction. He apportions the services among

the various citizens; and he provides that each man shall be

specialised for the service to which he is peculiarly adapted, and

confined to that alone. No double man[1] is tolerated. How such

specialisation is to be applied in detail among the multitude of

cultivators and other producers, Plato does not tell us. Each is

to have his own employment: we know no more. But in regard to the

two highest functions, he gives more information: first, the small

cabinet of philosophical Elders,[2] Chiefs, or Rulers--artists in

the craft of governing, who supply professionally that necessity

of the Commonwealth, and from whom all orders emanate: next, the

body of Guardians, Soldiers, Policemen, who execute the orders of

this cabinet, and defend the territory against all enemies.

Respecting both of these, Plato carefully prescribes both the

education which they are to receive, and the circumstances under

which they are to live. They are to be of both sexes intermingled,

but to know neither family nor property: they live together in

barrack, and with common mess, receiving subsistence and the means

of decent comfort, but no more, from the producers: respecting

sexual relations and births, I shall say more presently.

[Footnote 1: Plato, Rep. iii. p. 397 E.]

[Footnote 2: The principle laid down in the Protagoras will be

remembered--[Greek: ei(=s e)/chôn te/chnên polloi=s i(kano\s

i)diô/tais] (Protag. p. 322 D).]

[Side-note: The four cardinal virtues are assumed as

constituting the whole of Good or Virtue, where each of these

virtues resides.]

When Plato has provided thus much, he treats his city as already

planted and brought to consummation. He thinks himself farther

entitled to proclaim it as perfectly good, and therefore as

including the four constituent elements of Good: that is, as being

wise, brave, temperate, just.[3] He then looks to find wherein

each of these four elements resides: wisdom resides specially in

the cabinet of Rulers--courage specially in the

Guardians--temperance and justice, in these two, but in the

producing multitude also. The two last virtues are universal in

the Commonwealth. Temperance consists in the harmony of opinion

between the multitude and the two higher classes as to obedience:

the Guardians are as ready to obey as the Chiefs to command: the

multitude are also for the most part ready to obey--but should

they ever fail in obedience, the Guardians are prepared to lend

their constraining force to the authority of the Chiefs. Having

thus settled three out of the four elements of Good, which

enumeration he assumes to be exhaustive--Plato assumes that what

remains must be Justice. This remainder he declares to be--That

each of the three portions of the Commonwealth performs its own

work and nothing else: and this is Justice. Justice and Temperance

are thus common to all the three portions of the Commonwealth:

while Wisdom and Prudence belong entirely to the Chiefs, and

Courage entirely to the Guardians.

[Footnote 3: Plato, Repub. iv. pp. 427 D-428 A. [Greek:

ô|kisme/nê me\n toi/nun, ê)=n d' e)gô/, ê/dê a)/n soi

ei)/ê, ô)= pai= A)ri/stônos, ê( po/lis . . . Oi)=mai ê(mi=n

tê\n po/lin, ei)/per o)rthô=s ge ô/|kistai, _te/leôs

a)gathê\n ei)=nai_. A)na/gkê, e)/phê. Dê=lon dê/, o(/ti

sophê/ t' e)sti\ kai\ a)ndrei/a kai\ sô/phrôn kai\ dikai/a.

Dê=lon. Ou)kou=n, o(/, ti a)\n au)tô=n eu(/rômen e)n au)tê=|,

to\ u(po/loipon e)/stai to\ ou)ch eu(rême/non?] &c.]

[Side-note: First mention of these, as an exhaustive

classification, in ethical theory. Plato effaces the distinction

between Temperance and Justice.]

Here, for the first time in Ethical Theory, Prudence, Courage,

Temperance, Justice, are assumed as an exhaustive enumeration of

virtues: each distinct from the other three, but all together

including the whole of Virtue.[4] Through Cicero and others, these

four have come down as the cardinal virtues. From whom Plato

derived it, I do not know: not certainly from the historical

Sokrates, who resolved the last three into the first.[5] Nor is it

indeed in harmony with Plato's own view: for temperance and

justice are substantially coincident, in his explanation of them

(since he does not recognise the characteristic feature of

Justice, as directly tending to the good of a person other than

the agent): and the line, by which he endeavours to part them, is

obscure as well as unimportant. Schleiermacher--who admits that

the distinction drawn here between Temperance and Justice is

altogether forced--supposes that Plato took up this quadruple

classification, because he found it already established in the

common, non-theorising, consciousness.[6] If this be true, the

real distinction between Justice (as directly bearing on the

rights of another person) and Temperance (as directly concerning

only the future happiness of the agent himself), which is one of

the most important distinctions in Ethics--must have been already

felt, without being formulated, in the common mind: and Plato, by

retaining the two words, but effacing the distinction between the

two, and giving a new meaning to Justice--took a step in the wrong

direction. He himself however tells us, that the definition, here

given of Justice, is not his own; but that he had heard it

enunciated by many others before him.[7] What makes this more

remarkable is, That the same definition (to do your own business

and not to meddle with other people's business) is what we read in

the Charmidês as delivered respecting Temperance, by Charmides

and Kritias:[8] delivered by them, and afterwards pulled to pieces

in cross-examination by Sokrates. Herein we see farther proof how

little distinction Plato drew between Justice and Temperance.

[Footnote 4: Plat. Rep. iv. p. 432 B. [Greek: to\ _de\ dê\

loipo\n ei)=dos_, di' o(\ a)\n e)/ti a)retê=s mete/choi

po/lis, ti/ pot' a)\n ei)/ê? dê=lon ga\r o(/ti _tou=to/_

e)stin ê( _dikaiosu/nê_.]

Compare p. 444 D, where he defines [Greek: A)retê/--A)retê\ me\n

a)/ra, ô(s e)/oiken, u(gi/eia te/ tis a)\n ei)/ê kai\ ka/llos

kai\ eu)exi/a psuchê=s; kaki/a de\, no/sos te kai\ ai)=schos kai\

a)sthe/neia.]]

[Footnote 5: Xenoph. Mem. iii. 9, 4-5. [Greek: sophi/an de\ kai\

sôphrosu/nên ou) diô/rizen], &c.

Compare the discussion of [Greek: sôphrosu/nê], iv. 5, 9-11,

where Sokrates enforces the practice of it on the ground that it

ensured to a man both more pleasures and greater pleasures, of

which he would deprive himself if he were foolish enough to be

intemperate.]

[Footnote 6: Schleiermacher, Einl. zum Staat, pp. 25-26. "Dieser

Tadel trifft höchstens die Aufstellung jener vier

zusammengehörigen Tugenden; welche Platon offenbar genug nur mit

richtigem praktischen Sinne aus Ehrfurcht für das Bestehende

aufgenommen hat: wie sie denn schon auf dieselbe Weise aus dem

gemeinen Gebrauch in die Lehrweise des Sokrates übergegangen

sind."]

[Footnote 7: Plato, Repub. iv. p. 433 A. [Greek: kai\ mê\n o(/ti

ge to\ ta\ au(tou= pra/ttein kai\ mê\ polupragmonei=n

dikaiosu/nê e)sti/, kai\ tou=to _a)/llôn te pollô=n

a)kêko/amen_, kai\ au)toi\ polla/kis ei)rê/kamen.] Compare

iii. p. 406 E.]

[Footnote 8: See Charmidês, pp. 161-162. Heindorf observes in his

note on this passage:--"A _sophistis_ ergo vulgata hæc

[Greek: sôphrosu/nês] definitio: ad _justitiam_ quoque ab

iisdem ut videtur, translata. Republ. iv. p. 433 (the passage

cited in note preceding). Quo pertinent illa Ciceronis, De

Officiis, i. 9, 2. Item ad _prudentiam_, Aristot. Eth. Nicom.

vi. 8, Philosopho vero hoc tribuit Sokrates, Gorgias, p. 526)."

The definition given in the Charmidês appears plainly ascribed to

Kritias as its author (p. 162 D). The affirmation that it was "a

sophistis vulgata," and afterwards transferred by these same to

Justice, is made without any authority produced; and is expressed

in the language usual with the Platonic commentators, who treat

the Sophists as a philosophical sect or school.]

From whomsoever Plato may have derived this ethical

classification--Virtue as a whole, distributed into four

varieties--1. Prudence or Knowledge--2. Courage or Energy--3.

Temperance--4. Justice--we find it here placed in the foreground

of his doctrine, respecting both the collective Commonwealth and

the individual man.[9] He professes to understand and explain

what they are--to reason upon them all with confidence--and to

apply them to very important conclusions.

[Footnote 9: In some of the Platonic Dialogues these four

varieties are not understood as exhausting the sum total of

Virtue: [Greek: ê( o(sio/tês] is included also; see Lachês, p.

199 D, Protagoras, p. 329 D, Euthyphron, pp. 5-6. Plato does not

advert to [Greek: to\ o(/sion] in the Republic as a separate

constituent, seemingly because on matters of piety he enjoins

direct reference to Apollo and the Delphian oracle (Rep. iv. p.

427 B).]

[Side-note: All the four are here assumed as certain and

determinate, though in former dialogues they appear indeterminate

and full of unsolved difficulties.]

But let us pause for a moment to ask, how these professions

harmonise with the dialogues reviewed in my preceding volumes. No

reader will have forgotten the doubts and difficulties, exposed by

the Sokratic Elenchus throughout the Dialogues of Search: the

confessed inability of Sokrates himself to elucidate them, while

at the same time his contempt for the false persuasion of

knowledge--for those who talk confidently about matters which they

can neither explain nor defend--is expressed without reserve. Now,

when we turn to the Hippias Major, we find Sokrates declaring,

that no man can affirm, and that a man ought to be ashamed to

pretend to affirm, what particular matters are beautiful (fine,

honourable) or ugly (mean, base), unless he knows and can explain

what Beauty is.[10] A similar declaration appears in the Menon,

where Sokrates treats it as absurd to affirm or deny any predicate

respecting a Subject, until you have satisfied yourself that you

know what the Subject itself is: and where he farther proclaims,

that as to Virtue, he does not know what it is, and that he has

never yet found any one who _did_ know.[11] Such ignorance is

stated at the end of the dialogue not less emphatically than at

the beginning. Again, respecting the four varieties or parts of

Virtue. The first of the four, Prudence--(Wisdom--Knowledge)--has

been investigated in the Theætêtus--one of the most elaborate of

all the Platonic dialogues: several different explanations of it

are proposed by Theætêtus, and each is shown by Sokrates to be

untenable; the problem remains unsolved at last. As to Courage and

Temperance, we have not been more fortunate. The Lachês and

Charmidês exhibit nothing but a fruitless search both for one and

for the other. And here the case is more remarkable; because in

the Lachês, one of the several definitions of Courage,

tendered to Sokrates and refuted by him, is, the very definition

of Courage delivered by him in the Republic as complete and

satisfactory: while in the Charmidês, one of the definitions of

Temperance, refuted, and even treated as scarcely intelligible, by

Sokrates ([Greek: to\ pra/ttein ta\ e(autou=]) is the same as that

which Sokrates in the Republic relies on as a valid definition of

Justice.[12] Lastly, every one who has read the Parmenidês, will

remember the acute objections there urged against the Platonic

hypothesis of substantive Ideas, participated in by particulars:

of which objections no notice is taken in the Republic, though so

much is said therein about these Ideas, in regard to the training

of the philosophical Chiefs.

[Footnote 10: Plat. Hipp. Maj. pp. 286 D, 304 C.]

[Footnote 11: Plato, Menon, pp. 71 B-C, 86 B, 100 B.]

[Footnote 12: See Lachês p. 195 A. [Greek: tê\n tô=n deinô=n

kai\ thar)r(ale/ôn e)pistê/mên], pp. 196 C-199 A-E--in the

cross-examination of Nikias by Sokrates: and the question in the

cross-examination of Lachês (who has defined Courage to be

[Greek: ê( phro/nimos karteri/a]) put by Sokrates--[Greek: ê(

_ei)s ti/_ phro/nimos?] compared with Republic, iv. pp. 429

C, 430 B, 433 C. See also Charmidês, pp. 161 B, 162 B-C, compared

with Republic, iv. p. 433 B-D.]

[Side-note: Difficulties left unsolved, but overleaped by

Plato.]

If we revert to these passages (and many others which might be

produced) of past dialogues, we shall find no means provided of

harmonising them with the Republic. The logical and ethical

difficulties still exist: they have never been elucidated: the

Republic does not pretend to elucidate them, but overlooks or

overleaps them. In composing it, Plato has his mind full of a

different point of view, to which he seeks to give full effect.

While his spokesman Sokrates was leader of opposition, Plato

delighted to arm him with the maximum of negative cross-examining

acuteness: but here Sokrates has passed over to the ministerial

benches, and has undertaken the difficult task of making out a

case in reply to the challenge of Glaukon and Adeimantus. No new

leader of opposition is allowed to replace him. The splendid

constructive effort of the Republic would have been spoiled, if

exposed to such an analytical cross-examination as that which we

read in Menon, Lachês, or Charmidês.

[Side-note: Ethical and political theory combined by Plato,

treated apart by Aristotle.]

In remarking upon the Platonic Republic as a political scheme

only, we pass from the Platonic point of view to the Aristotelian:

that is, to the discussion of Ethics and Politics as separate

subjects, though adjoining and partially overlapping each other.

Plato conceives the two in intimate union, and even employs

violent metaphors to exaggerate the intimacy. Xenophon also

conceives them in close conjunction. Aristotle goes farther in

separating the two: a great improvement in regard to the

speculative dealing with both of them.[13]

[Footnote 13: The concluding chapter of the Nikomachean Ethics

contains some striking remarks upon this separation.]

[Side-note: Platonic Commonwealth--only an outline--partially

filled up.]

If, following the example of Aristotle, we criticise the Platonic

Republic as a scheme of political constitution, we find that on

most points which other theorists handle at considerable length,

Plato is intentionally silent. His project is an outline and

nothing more. He delineates fully the brain and heart of the great

Leviathan, but leaves the rest in very faint outline. He announces

explicitly the purpose of all his arrangements, to obtain

happiness for the whole city: by which he means, not happiness for

the greatest number of individuals, but for the abstract unity

called the City, supposed to be capable of happiness or misery,

apart from any individuals, many or few, composing it.[14] Each

individual is to do the work for which he is best fitted,

contributory to the happiness of the whole--and to do nothing

else. Each must be content with such happiness as consists with

his own exclusive employment.[15]

[Footnote 14: Plato, Republic, iv. pp. 420-421. The objection that

the Guardians will have no happiness, is put by Plato into the

mouth of Adeimantus, but is denied by Sokrates; who, however, says

that even if it were true he could not admit it as applicable,

since what he wishes is that the entire commonwealth shall be

happy. Aristotle (Politic. ii. 5, 1264, 6-15) repeats the

objection of Adeimantus, and declares that collective happiness

(not enjoyed by some individuals) is impossible.

See the valuable chapter on Ideal Models in Politics (vol. ii. ch.

xxii. p. 236 seq.) in Sir George Cornewall Lewis's Treatise on the

methods of Observation and Reasoning in Politics. The different

ideal models framed by theorists ancient and modern, Plato among

the number, are there collected, with judicious remarks in

comparing and appreciating them.]

[Footnote 15: Plato, Republic, iv. p. 421 C.

He lays down this minute sub-division and speciality of aptitude

in individuals as a fundamental property of human nature. Repub.

iii. p. 395 B, [Greek: kai\ e)/ti ge tou/tôn phai/netai/ moi ei)s

smikro/tera katakekermati/sthai ê( tou= a)nthrô/pou phu/sis],

&c.

Compare Xenophon, Cyropæd. ii. 1, 21, where the same principle is

laid down. Another passage in the same treatise (Cyropæd. viii. 2,

5) is also interesting. Xenophon there contrasts the smaller

towns, where many trades were combined in the same hand and none

of the works well performed, with the larger towns, where there

was a minuter subdivision of labour, each man doing one work only,

and doing it well.]

[Side-note: Absolute rule of a few philosophers--Careful and

peculiar training of the Guardians.]

The Chiefs or Rulers are assumed to be both specially qualified

and specially trained for the business of governing. Their

authority is unlimited: they represent that One Infallible

Wise Man, whom Plato frequently appeals to (in the Politikus,

Kriton, Gorgias, and other dialogues), but never names. They are a

very small number, perhaps only one: the persons naturally

qualified being very few, and even they requiring the severest

preparatory training. The Guardians, all of them educated up to a

considerable point, both obey themselves the orders of these few

Chiefs, and enforce obedience upon the productive multitude. Of

this last-mentioned multitude, constituting numerically almost the

whole city, we hear little or nothing: except that the division of

labour is strictly kept up among them, and that neither wealth nor

poverty is allowed to grow up.[16] How this is to be accomplished,

Plato does not point out: nor does he indicate how the mischievous

working (_i.e._, mischievous, in his point of view, and as he

declares it) of the proprietary and the family relations is to be

obviated. His scheme tacitly assumes that separate property and

family are to subsist among the great mass of the community, but

not among the Guardians: he proclaims explicitly, that if the

proprietary relations or the family relations were permitted among

the Guardians, entire corruption of their character would

ensue.[17] Among the Demos or multitude, he postulates nothing

except unlimited submission to the orders of the Rulers enforced

through the Guardians. The regulative powers of the Rulers are

assumed to be of omnipotent efficacy against every cause of

mischief, subject only to one condition--That the purity of the

golden breed, together with the Platonic training and discipline,

are to be maintained among them unimpaired.

[Footnote 16: Plato, Republic, iv. p. 421.]

[Footnote 17: Plato, Republic, iii. p. 417.]

Everything in the Platonic Republic turns upon this elaborate

training of the superior class: most of all, the Chiefs or

Rulers--next, the Soldiers or Guardians. Besides this training, they

are required to be placed in circumstances which will prevent them

from feeling any private or separate interest of their own, apart

from or adverse to that of the multitude. "Every man" (says Plato)

"will best love those whose advantage he believes to coincide with

his own, and when he is most convinced that **if they do well, he

himself will do well also: if not, not."[18] "The Rulers

must be wise, powerful, and affectionately solicitous for the

city."

[Footnote 18: Plato, Republic, iii. p. 412 D.

[Greek: Kai\ me\n tou=to/ g' a)\n ma/lista philoi=, ô(=|

xumphe/rein ê(goi=to ta\ au)ta\ kai\ e(autô=|, kai\ o(/tan

ma/lista e)kei/nou me\n eu)= pra/ttontos oi)/êtai xumbai/nein

kai\ e(autô=| eu)= pra/ttein, mê\ de/, tou)nanti/on.]

Compare v. pp. 463-464.]

These then are the two circumstances which Plato works out: The

Education of the Rulers and Guardians: Their position and

circumstances in regard to each other and to the remaining

multitude. He does not himself prescribe, or at least he

prescribes but rarely, what is to be enacted or ordered. He

creates the generals and the soldiers; he relies upon the former

for ordering, upon the latter for enforcing, aright.

[Side-note: Comparison of Plato with

Xenophon--Cyropædia--OEconomicus.]

On this point we may usefully compare him with his contemporary

Xenophon. He, like Plato, presents himself to mankind as a

preceptor or schoolmaster, rather than as a lawgiver. Most Grecian

cities (he remarks) left the education of youth in the hands of

parents, and permitted adults to choose their own mode of life,

subject only to the necessity of obeying the laws: that is, of

abstaining from certain defined offences, and of performing

certain defined obligations--under penalties if such obedience

were not rendered. From this mode of proceeding Xenophon dissents,

and commends the Spartan Lawgiver Lykurgus for departing from

it.[19] To regulate public matters, without regulating the private

life of the citizens, appeared to him impossible.[20] At Sparta,

the citizen was subject to authoritative regulation, from

childhood to old age. In the public education, or in the public

drill, he was constantly under supervision, going through

prescribed exercises. This produced, according to Xenophon, "a

city of pre-eminent happiness". He proclaims and follows out the

same peculiar principle, in his ideal scheme of society called the

Persian laws. He embodies in the Cyropædia the biography of a

model chief, trained up from his youth in (what Xenophon calls)

the Persian system, and applying the virtues acquired therein to

military exploits and to the government of mankind. The Persian

polity, in which the hero Cyrus receives his training, is

described. Instead of leaving individuals to their own free

will, except as to certain acts or abstinences specifically

enjoined, this polity placed every one under a regimental

training: which both shaped his character beforehand, so as to

make sure that he should have no disposition to commit

offences[21]--and subjected him to perpetual supervision

afterwards, commencing with boyhood and continued to old age,

through the four successive stages of boys, youths, mature men,

and elders.

[Footnote 19: Xenophon, Rep. Lacedæm. i. 2. [Greek: Lukou=rgos,

ou) mimêsa/menos ta\s a)/llas po/leis, a)lla\ kai\ e)nanti/a

gnou\s tai=s plei/stais, proe/chousan eu)daimoni/a| tê\n patri/da

a)pe/deixen.]]

[Footnote 20: Compare Plato, Legg. vi. p. 780 A.]

[Footnote 21: Xenophon, Cyrop. i. 2, 2-6. [Greek: Ou(=toi de\

dokou=sin oi( no/moi a)/rchesthai tou= koinou= a)gathou=

e)pimelou/menoi ou)k e)/nthen o(/thenper e)n tai=s plei/stais

po/lesin a)/rchontai. Ai( me\n ga\r plei=stai po/leis, a)phei=sai

paideu/ein o(/pôs tis e)the/lei tou\s e(autou= pai=das kai\

au)tou\s tou\s presbute/rous o(/pôs e)the/lousi dia/gein,

e)/peita prosta/ttousin au)tou\s mê\ kle/ptein. . . . Oi( de\

Persikoi\ no/moi prolabo/ntes e)pime/lontai o(/pôs tê\n

a)rchê\n mê\ toiou=toi e)/sontai oi( poli=tai, oi(=oi ponêrou=

tinos ê)\ ai)schrou= e)/rgou e)phi/esthai. E)pime/lontai de\ dê\

ô(=de.]]

[Side-note: Both of them combine polity with

education--temporal with spiritual.]

This general principle of combining polity with education, is

fundamental both with Plato and Xenophon: to a great degree, it is

retained also by Aristotle. The lawgiver exercises a spiritual as

well as a temporal function. He does not content himself with

prohibitions and punishments, but provides for fashioning every

man's character to a predetermined model, through systematic

discipline begun in childhood and never discontinued. This was the

general scheme, realised at Sparta in a certain manner and degree,

and idealised both by Plato and Xenophon. The full application of

the scheme, however, is restricted, in all the three, to a select

body of qualified citizens; who are assumed to exercise dominion

or headship over the remaining community.[22]

[Footnote 22: In Xenophon all Persians are supposed to be legally

admissible to the public training; but in practice, none can

frequent it constantly except those whose families can maintain

them without labour; nor can any be received into the advanced

stages, except those who have passed through the lower. Hence none

go really through the training except the Homotimoi.]

[Side-note: Differences between them--Character of Cyrus.]

Thus far the general conception of Xenophon and Plato is similar:

yet there are material differences between them. In Xenophon, the

ultimate purpose is, to set forth the personal qualities of Cyrus:

to which purpose the description of the general training of the

citizens is preparatory, occupying only a small portion of the

Cyropædia, and serving to explain the system out of which Cyrus

sprang. And the character of Cyrus is looked at in reference to

the government of mankind. Xenophon had seen governments, of

all sorts, resisted and overthrown--despotisms, oligarchies,

democracies. His first inference from these facts is, that man is

a very difficult animal to govern:--much more difficult than sheep

or oxen. But on farther reflection he recognises that the problem

is noway insoluble: that a ruler may make sure of ruling mankind

with their own consent, and of obtaining hearty

obedience--provided that he goes to work in an intelligent manner.[23]

Such a ruler is described in Cyrus; who both conquered many distant

and unconnected nations,--and governed them, when conquered,

skilfully, so as to ensure complete obedience without any active

discontent. The abilities and exploits of Cyrus thus step far

beyond the range of the systematic Persian discipline, though that

discipline is represented as having first formed both his

character and that of his immediate companions. He is a despot

responsible to no one, but acting with so much sagacity, justice,

and benevolence, that his subjects obey him willingly. His

military orders are arranged with the utmost prudence and

calculation of consequences. He promotes the friends who have gone

through the same discipline with himself, to be satraps of the

conquered provinces, exacting from them submission, and

tribute-collection for himself, together with just dealing towards

the subjects. Each satrap is required to maintain his ministers,

officers, and soldiers around him under constant personal

inspection, with habits of temperance and constant exercise in

hunting.[24] These men and the Persians generally, constitute the

privileged class and the military force of the empire:[25] the

other mass of subjects are not only kept disarmed, but governed as

"_gens tailleables et corvéables_". Moreover, besides

combining justice and personal activity with generosity and

winning manners, Cyrus does not neglect such ceremonial artifices

and pomp as may impose on the imagination of spectators.[26] He

keeps up designedly not merely competition but mutual

jealousy and ill-will among those around him. And he is careful

that the most faithful among them shall be placed on his left hand

at the banquet, because that side is the most exposed to

treachery.[27]

[Footnote 23: Xenoph. Cyrop. i. 1,** 3. [Greek: ê)/n tis

e)pistame/nôs tou=to pra/ttê|.]

Compare Xenoph. Economic. c. xxi. where [Greek: to\ e)thelo/ntôn

a)/rchein] is declared to be a superhuman good, while [Greek: to\

a)ko/ntôn turannei=n] is reckoned as a curse equivalent to that

of Tantalus.]

[Footnote 24: Xenophon, Cyropæd. viii. 6, 1-10.]

[Footnote 25: Xenoph. Cyrop. viii. 1, 43-45, viii. 6, 13, vii. 5,

79. viii. 5, 24: [Greek: ei) de\ su/, ô)= Ku=re, e)parthei\s

tai=s parou/sais tu/chais, e)picheirê/seis kai\ Persô=n

_a)/rchein e)pi\ pleonexi/a|, ô(/sper tô=n a)/llôn_],

&c.]

[Footnote 26: Xenoph. Cyrop. viii. 1, 40. [Greek: a)lla\ kai\

katagoêteu/ein ô)/|eto chrê=nai au)tou/s.] Also viii. 3, 1.]

[Footnote 27: Xenoph. Cyrop. viii. 2, viii. 4, 3.]

[Side-note: Xenophontic genius for command--Practical

training--Sokratic principles applied in Persian training.]

What is chiefly present to the mind of Xenophon is, a select

fraction of citizens passing their whole lives in a regimental

training like that of Lacedæmon: uniformity of habits, exact

obedience, the strongest bodily exercise combined with the

simplest nutritive diet, perfect command of the physical appetites

and necessities, so that no such thing as spitting or blowing the

nose is seen.[28] The grand purpose of the system, as at

Sparta,[29] is warlike efficiency: war being regarded as the

natural state of man. The younger citizens learn the use of the

bow and javelin, the older that of the sword and shield. As war

requires not merely perfectly trained soldiers, but also the

initiative of a superior individual chief, so Xenophon assumes in

the chief of these men (like Agesilaus at Sparta) an unrivalled

genius for command. The Xenophontic Cyrus is altogether a

practical man. We are not told that he learnt anything except in

common with the rest. Neither he nor they receive any musical or

literary training. The course which they go through is altogether

ethical, gymnastical, and military. Their boyhood is passed in

learning justice and temperance,[30] which are made express

subjects of teaching by Xenophon and under express masters:

Xenophon thus supplies the deficiency so often lamented by the

Platonic Sokrates, who remarks that neither at Athens nor

elsewhere can he find either teaching or teacher of justice. Cyrus

learns justice and temperance along with the rest,[31] but he does

not learn more than the rest: nor does Xenophon perform his

promise of explaining by what education such extraordinary genius

for command is brought about.[32] The superior character of Cyrus

is assumed and described, but noway accounted for: indeed his rank

and position at the court of Astyages (in which he stands

distinguished from the other Persians) present nothing but

temptations to indulgence, partially countervailed by wise counsel

from his father Kambyses. We must therefore consider Cyrus to be a

king by nature, like the chief bee in each hive[33]--an untaught

or self-taught genius, in his excellence as general and emperor.

He obtains only one adventitious aid peculiar to himself. Being of

divine progeny, he receives the special favour and revelations of

the Gods, who, in doubtful emergencies, communicate to him by

signs, omens, dreams, and sacrifices, what he ought to do and what

he ought to leave undone.[34] Such privileged communications are

represented as indispensable to the success of a leader: for

though it was his duty to learn all that could be learnt, yet even

after he had done this, so much uncertainty remained behind, that

his decisions were little better than a lottery.[35] The Gods

arranged the sequences of events partly in a regular and

decypherable manner, so that a man by diligent study might come to

understand them: but they reserved many important events for their

own free-will, so as not to be intelligible by any amount of human

study. Here the wisest man was at fault no less than the most

ignorant: nor could he obtain the knowledge of them except by

special revelation solicited or obtained. The Gods communicated

such peculiar knowledge to their favourites, but not to every one

indiscriminately: for they were under no necessity to take care of

men towards whom they felt no inclination.[36] Cyrus was one of

the men thus specially privileged: but he was diligent in

cultivating the favour of the Gods by constant worship, not

merely at times when he stood in need of their revelations, but at

other times also: just as in regard to human friends or patrons,

assiduous attentions were requisite to keep up their goodwill.[37]

[Footnote 28: Xenoph. Cyrop. i. 2, 16, viii. 1, 42, viii. 8, 8. He

insists repeatedly upon this point. Compare a curious passage in

the Meditations of Marcus Antoninus, vi. 30.]

[Footnote 29: Plato, Legg. i. p. 626. Plutarch, Lykurg. 25.

Compare Lykurg. and Num. c. 4.]

[Footnote 30: Xenophon, Cyrop. i. 2, 6-8.

The boys are appointed to adjudicate, under the supervision of the

teacher, in disputes which occur among their fellows. As an

instance of this practice, we find the well-known adjudication by

young Cyrus, between the great boy and the little boy, in regard

to the two coats; and a very instructive illustration it is, of

the principle of property (Cyrop. i. 3, 17).]

[Footnote 31: Xenoph. Cyrop. i. 3, 16, iii. 3, 35. Cyrus is indeed

represented as having taken lessons from a paid teacher in the art

[Greek: tou= stratêgei=n]: but these lessons were meagre,

comprising nothing beyond [Greek: ta\ taktika/], i. 6, 12-15.]

[Footnote 32: Xenoph. Cyrop. i. 1, 6. [Greek: poi/a| tini\

paidei/a| paideuthei\s tosou=ton diê/negken ei)s to\ a)/rchein

a)nthrô/pôn.]]

[Footnote 33: Xenoph. Cyrop. v. 1, 24. The queen-bee is masculine

in Xenophon's conception.]

[Footnote 34: Xenoph. Cyrop. viii. 7, 3, iv. 2, 15, iv. 1, 24.

Compare Xenoph. Economic. v. 19-20.]

[Footnote 35: Xenophon, Cyrop. i. 6, 46. [Greek: Ou(/tôs ê(/ ge

a)nthrôpi/nê sophi/a ou)de\n ma=llon oi)=de to\ a)/riston

ai)rei=sthai, ê)\ ei) klêrou/menos o(/, ti la/choi tou=to/ tis

pra/ttoi. Theoi\ de\ a)ei\ o)/ntes pa/nta i)/sasi ta/ te

gegenême/na kai\ ta\ o)/nta, kai\ o(/, ti e)x e(ka/stou au)tô=n

a)pobê/setai; kai\ _tô=n sumbouleuome/nôn_ a)nthrô/pôn

_oi(=s a)\n i)le/ô| ô)=si_, prosêmai/nousin a(/ te chrê\

poiei=n kai\ a(/ ou) chrê/. Ei) de\ mê\ pa=sin e)the/lousi

sumbouleu/ein, ou)de\n thaumasto/n; ou) ga\r a)na/gkê au)toi=s

e)stin, ô(=n a)\n mê\ the/lôsin, e)pimelei=sthai.]

Compare i. 6, 6-23, also the Memorab. i. 1, 8, where the same

doctrine is ascribed to Sokrates.]

[Footnote 36: Xenoph. Cyrop. i. 6, 46 ad fin.]

[Footnote 37: Xenoph. Cyrop. i. 6, 3-5.]

When it is desired to realise an ideal improvement of society

(says Plato),[38] the easiest postulate is to assume a despot,

young, clever, brave, thoughtful, temperate, and aspiring,

belonging to that superhuman breed which reigned under the

presidency of Kronus. Such a postulate is assumed by Xenophon in

his hero Cyrus. The Xenophontic scheme, though presupposing a

collective training, resolves itself ultimately into the will of

an individual, enforcing good regulations, and full of tact in

dealing with subordinates. What Cyrus is in campaign and empire,

Ischomachus (see the Economica of Xenophon) is in the household:

but everything depends on the life of this distinguished

individual. Xenophon leads us at once into practice, laying only a

scanty basis of theory.

[Footnote 38: Plato, Legg. iv. pp. 709 E, 710-713.]

[Side-note: Plato does not build upon an individual hero.

Platonic training compared with Xenophontic.]

In Plato's Republic, on the contrary, the theory predominates. He

does not build upon any individual hero: he constructs a social

and educational system, capable of self-perpetuation at least for

a considerable time.[39] He describes the generating and

sustaining principles of his system, but he does not exhibit it in

action, by any pseudo-historical narrative: we learn indeed, that

he had intended to subjoin such a narrative, in the dialogue

called Kritias, of which only the commencement was ever

written.[40] He aims at forming a certain type of character,

common to all the Guardians: superadding new features so as

to form a still more exalted type, peculiar to those few Elders

selected from among them to exercise the directorial function. He

not only lays down the process of training in greater detail than

Xenophon, but he also gives explanatory reasons for most of his

recommendations.

[Footnote 39: Plato pronounces Cyrus to have been a good general

and a patriot, but not to have received any right education, and

especially to have provided no good education for his children,

who in consequence became corrupt and degenerate (Legg. iii. 694).

Upon this remark some commentators of antiquity founded the

supposition of grudge or quarrel between Plato and Xenophon. We

have no evidence to prove such a state of unfriendly feeling

between the two, yet it is no way unlikely: and I think it highly

probable that the remark just cited from Plato may have had direct

reference to the Xenophontic Cyropædia. When we read the elaborate

intellectual training which Plato prescribes for the rulers in his

Republic, we may easily understand that, in his view, the

Xenophontic Cyrus had received no right education at all. His

remark moreover brings to view the defect of all schemes built

upon a perfect despot--that they depend upon an individual life.]

[Footnote 40: Plato, Timæus, pp. 20-26. Plato, Kritias, p. 108.]

One prominent difference between the two deserves to be noticed.

In the Xenophontic training, the ethical, gymnastic, and military,

exigencies are carefully provided for: but the musical and

intellectual exigencies are left out. The Xenophontic Persians are

not affirmed either to learn letters, or to hear and repeat

poetry, or to acquire the knowledge of any musical instrument. Nor

does it appear, even in the case of the historical Spartans, that

letters made any part of their public training. But the Platonic

training includes music and gymnastics as co-ordinate and equally

indispensable. Words or intellectual exercises, come in under the

head of music.[41] Indeed, in Plato's view, even gymnastics,

though bearing immediately on the health and force of the body,

have for their ultimate purpose a certain action upon the mind;

being essential to the due development of courage, energy,

endurance, and self-assertion.[42] Gymnastics without music

produce a hard and savage character, insensible to persuasive

agencies, hating discourse or discussion,[43] ungraceful as well

as stupid. Music without gymnastics generates a susceptible

temperament, soft, tender, and yielding to difficulties, with

quick but transient impulses. Each of the two, music and

gymnastic, is indispensable as a supplement and corrective to the

other.

[Footnote 41: Plato, Republic, ii. p. 376 E.]

[Footnote 42: Plato, Republic, iii. p. 410 B. [Greek: pro\s to\

thumoeide\s tê=s phu/seôs ble/pôn ka)kei=no e)gei/rôn

ponê/sei ma=llon ê)\ pro\s i)schu/n, ou)ch ô(/sper oi( a)/lloi

a)thlêtai\ r(ô/mês e(/neka.]]

[Footnote 43: Plato, Republ. iii. pp. 410-411. 411 D-E: [Greek:

Miso/logos dê/, oi)=mai, o( toiou=tos gi/gnetai kai\ a)/mousos,

kai\ peithoi= me\n dia\ lo/gôn ou)de\n e)/ti chrê=tai, bi/a| de\

kai\ a)grio/têti ô(/sper thêri/on pro\s pa/nta diapra/ttetai,

kai\ e)n a)mathi/a| kai\ skaio/têti meta\ a)r)r(uthmi/as te kai\

a)charisti/as zê=|.]]

[Side-note: Platonic type of character compared with

Xenophontic, is like the Athenian compared with the Spartan.]

The type of character here contemplated by Plato deserves

particular notice, as contrasted with that of Xenophon. It is the

Athenian type against the Spartan. Periklês in his funeral

oration, delivered at Athens in the first year of the

Peloponnesian war, boasts that the Athenians had already reached a

type similar to this--and that too, without any special

individual discipline, legally enforced: that they combined

courage, ready energy, and combined action--with developed

intelligence, the love of discourse, accessibility to persuasion,

and taste for the Beautiful. That which Plato aims at

accomplishing in his Guardians, by means of a state-education at

once musical and gymnastical--Periklês declares to have been

already realised at Athens without any state-education, through

the spontaneous tendencies of individuals called forth and

seconded by the general working of the political system.[44] He

compliments his countrymen as having accomplished this object

without the unnecessary rigour of a positive state-discipline, and

without any other restraints than the special injunctions and

prohibitions of a known law. It is this absence of

state-discipline to which both Xenophon and Plato are opposed. Both

of them follow Lykurgus in proclaiming the insufficiency of mere

prohibitions; and in demanding a positive routine of duty to be

prescribed by authority, and enforced upon individuals through

life. In regard to end, Plato is more in harmony with Periklês:

in regard to means, with Xenophon.

[Footnote 44: Thucyd. ii. 38-39-40.

The comparison between this speech and the third book of Plato's

Republic (pp. 401-402-410-411), is very interesting. The words of

Perikles, [Greek: philokalou=men ga\r met' eu)telei/as kai\

philosophou=men a)/neu malaki/as], taken along with the chapter

preceding, mark that concurrent development of [Greek: to\

philo/sophon] and [Greek: to\ thumoeide\s] which Plato provides,

and the avoidance of those defects which spring from the separate

and exclusive cultivation of either.]

Plato's views respecting special laws and criminal procedure

generally are remarkable. He not only manifests that repugnance

towards the Dikastery--which is common to Sokrates, Xenophon,

Isokrates, and Aristophanes--but he excludes it almost entirely

from his system, as being superseded by the constant public

discipline of the Guardians.

[Side-note: Professional soldiers are the proper modern

standard of comparison with the regulations of Plato and

Xenophon.]

It is to be remembered that these propositions of Plato have

reference, not to an entire and miscellaneous community, but to a

select body called the Guardians, required to possess the bodily

and mental attributes of soldiers, policemen, and superintendents.

The standard of comparison in modern times, for the Lykurgean,

Xenophontic or Platonic, training, is to be sought in the

stringent discipline of professional soldiers; not in the general

liberty, subject only to definite restrictions, enjoyed by

non-military persons. In regard to soldiers, the Platonic principle

is now usually admitted--that it is not sufficient to enact articles

of war, defining what a soldier ought to do, and threatening him

with punishment in case of infraction--but that, besides this, it

is indispensable to exact from him a continued routine of positive

performances, under constant professional supervision. Without

this preparation, few now expect that soldiers should behave

effectively when the moment of action arrives. This is the

doctrine applied by Plato and Xenophon to the whole life of the

citizen.

[Side-note: Music and Gymnastic--multifarious and varied

effects of music.]

Music and Gymnastic are regarded by Plato mainly as they bear upon

and influence the emotional character of his citizens. Each of

them is the antithesis, and at the same time the supplement, to

the other. Gymnastic tends to develop exclusively the courageous

and energetic emotions:--anger and the feeling of power--but no

others. Whereas music (understood in the Platonic sense) has a far

more multifarious and varied agency: it may develop either those,

or the gentle and tender emotions, according to circumstances.[45]

In the hands of Tyrtæus and Æschylus, it generates vehement and

fearless combatants: in the hands of Euripides and other pathetic

poets, it produces tender, amatory, effeminate natures, ingenious

in talk but impotent for action.[46]

[Footnote 45: Plato, Republic, ii. p. 376 B-C. If we examine

Plato's tripartite classification of the varieties of soul or

mind, as it is given both in the Republic and in the Timæus (1.

Reason, in the cranium. 2. Energy, [Greek: thumo/s], in the

thoracic region. 3. Appetite, in the abdominal region)--we shall

see that it assigns no place to the gentle, the tender, or the

æsthetical emotions. These cannot be properly ranked either with

energy ([Greek: thumo\s]) or with appetite ([Greek: e)pithumi/a]).

Plato can find no root for them except in reason or knowledge,

from which he presents them as being collateral derivatives--a

singular origin. He illustrates his opinion by the equally

singular analogy of the dog, who is gentle towards persons whom he

_knows_, fierce towards those whom he does not _know_;

so that _gentleness_ is the product of _knowledge_.]

[Footnote 46: See the argument between Æschylus and Euripides in

the Ranæ of Aristophanes, 1043-1061-1068.]

[Side-note: Great influence of the poets and their works on

education.]

In the age of Plato, Homer and other poets were extolled as the

teachers of mankind, and as themselves possessing universal

knowledge. They enjoyed a religious respect, being supposed to

speak under divine inspiration, and to be the privileged

reporters or diviners of a forgotten past.[47] They furnished the

most interesting portion of that floating mass of traditional

narrative respecting Gods, Heroes, and ancestors, which found easy

credence both as matter of religion and as matter of history:

being in full harmony with the emotional preconceptions, and

uncritical curiosity, of the hearers. They furnished likewise

exhortation and reproof, rules and maxims, so expressed as to live

in the memory--impressive utterance for all the strong feelings of

the human bosom. Poetry was for a long time the only form of

literature. It was not until the fifth century B.C. that

prose compositions either began to be multiplied, or were carried

to such perfection as to possess a charm of their own calculated

to rival the poets, who had long enjoyed a monopoly as purveyors

for æsthetical sentiment and fancy. Rhetors, Sophists,

Philosophers, then became their competitors; opening new veins of

intellectual activity,[48] and sharing, to a certain extent, the

pædagogic influence of the poets--yet never displacing them from

their traditional function of teachers, narrators, and guides to

the intelligence, as well as improving ministers to the

sentiments, emotions, and imagination, of youth. Indeed, many

Sophists and Rhetors presented themselves not as superseding,[49]

but as expounding and illustrating, the poets. Sokrates also did

this occasionally, though not upon system.[50]

[Footnote 47: Aristoph. Ranæ, 1053. Æschylus is made to say:--

[Greek: A)ll' a)pokru/ptein chrê\ to\ ponêro\n to/n ge

poiêtê/n,

kai\ mê\ para/gein mêde\ dida/skein; toi=s me\n ga\r

paidari/oisin

e)sti\ dida/skalos o(/stis phra/zei, toi=sin d' ê(bô=si

poiêtai/.

pa/nu dê\ dei= chrêsta\ le/gein ê(ma=s.]

Compare the words of Pluto which conclude the Ranæ, 1497.

Plato, Repub. x. p. 598 D-E. [Greek: e)peidê/ tinôn a)kou/omen

o(/ti ou(=toi] (Homer and the poets) [Greek: pa/sas me\n te/chnas

e)pi/santai, pa/nta de\ ta)nthrô/peia ta\ pro\s a)retê\n kai\

kaki/an, kai\ ta/ ge thei=a], &c. Also Plato, Legg. vii. pp.

810-811; Ion, pp. 536 A, 541 B: Xenoph. Memor. iv. 2, 10; and

Sympos. iii. 6, where we learn that Nikeratus could repeat by

heart the whole Iliad and Odyssey.]

[Footnote 48: Plato, Legg. vii. p. 810. [Greek: o(/lous poiêta\s

e)kmantha/nontas], &c.]

[Footnote 49: It was to gain this facility that Kritias and

Alkibiades, as Xenophon tells us, frequented the society of

Sokrates, who (as Xenophon also tells us) "handled persons

conversing with him just as he pleased" (Memor. i. 2, 14-18.)

A speaker in one of the Orations of Lysias (Orat. viii. [Greek:

Kakologiô=n], s. 12) considers this power of arguing a disputed

case as one of the manifestations [Greek: tou= philosophei=n--Kai\

e)gô\ me\n ô)/|mên _philosophou=ntas_ au)tou\s peri\ tou=

pra/gmatos _a)ntile/gein to\n e)nanti/on lo/gon_; oi( d'

a)/ra ou)k a)nte/legon a)ll' a)nte/pratton.]

Compare the curious oration of Demosthenes against Lakritus, where

the speaker imputes to Lakritus this abuse of argumentative power,

as having been purchased by him at a large price from the teaching

of Isokrates the Sophist, pp. 928-937-938.]

[Footnote 50: Xenoph. Memorab. i. 2, 57-60.]

[Side-note: Plato's idea of the purpose which poetry

and music _ought_ to serve in education.]

It is this educational practice--common to a certain extent among

Greeks, but more developed at Athens than elsewhere[51]--which

Plato has in his mind, when he draws up the outline of a musical

education for his youthful Guardians. He does not intend it as a

scheme for fostering the highest intellectual powers, or for

exalting men into philosophers--which he reserves as an ulterior

improvement, to be communicated at a later period of life, and

only to a chosen few--the large majority being supposed incapable

of appropriating it. His musical training (co-operating with the

gymnastical) is intended to form the character of the general body

of Guardians: to implant in them from early childhood a peculiar

vein of sentiments, habits, emotions and emotional beliefs,

ethical esteem and disesteem, love and hatred, &c., to inspire

them (in his own phrase) with love of the beautiful or honourable.

[Footnote 51: The language of Plato is remarkable on this point.

Republic, ii. p. 376 E. [Greek: Ti/s ou)=n ê( paidei/a? _ê(\

chalepo\n eu(rei=n belti/ô tê=s u(po\ tou= pollou= chro/nou

eu(rême/nês_? e)sti\ de/ pou ê( me\n e)pi\ sô/masi

gumnastikê/, ê( d' e)pi\ psuchê=| mousikê/]--and a striking

passage in the Kriton (p. 50 D), where education in [Greek:

mousikê\] and [Greek: gumnastikê\] is represented as a positive

duty on the part of fathers towards their sons.

About the multifarious and indefinite province of the Muses,

comprehending all [Greek: paidei/a] and [Greek: lo/gos], see

Plutarch, Sympos. Problem. ix. 14, 2-3, p. 908-909. Also Plutarch,

De Audiendis Poetis, p. 31 F, about the many diverse

interpretations of Homer; especially those by Chrysippus and

Kleanthes.

The last half of the eighth Book of Aristotle's Politica contains

remarkable reflections on the educational effects of music,

showing the refined distinctions which philosophical men of that

day drew respecting the varieties of melody and rhythm. Aristotle

adverts to music as an agency not merely for [Greek: paidei/a] but

also for [Greek: ka/tharsis] (viii. 7, 1341, b. 38); to which last

Plato does not advert. Aristotle also notices various

animadversions by musical critics upon some of the dicta on

musical subjects in the Platonic Republic ([Greek: kalô=s

e)pitimô=si kai\ tou=to Sôkra/tei tô=n peri\ tê\n mousikê/n

tines], 1342, b. 23)--perhaps Aristoxenus: also 1342, a. 32. That

the established character and habits of music could not be changed

without leading to a revolution, ethical and political, in the

minds of the citizens--is a principle affirmed by Plato, not as

his own, but as having been laid down previously by Damon the

celebrated musical instructor (Repub. iii. p. 424 C).

The following passage about Luther is remarkable:--

"Après avoir essayé de la théologie, Luther fut décidé par les

conseils de ses amis, à embrasser l'étude du droit; qui conduisait

alors aux postes les plus lucratifs de l'État et de l'Église. Mais

il ne semble pas s'y être jamais livré avec goût.** Il aimait bien

mieux la belle littérature, et surtout la musique. C'était son art

de prédilection. Il la cultiva toute sa vie et l'enseigna à ses

enfans. Il n'hésite pas à déclarer que la musique lui semble le

premier des arts, après la théologie. La musique (dit il) est

l'art des prophètes: c'est le seul qui, comme la théologie, puisse

calmer les troubles de l'âme et mettre le diable en fuite. Il

touchait du luth, jouait de la flûte." (_Michelet_, Mémoires

de Luther, écrits par lui-même, pp. 4-5, Paris, 1835.)]

[Side-note: He declares war against most of the traditional

and consecrated poetry, as mischievous.]

It is in this spirit that he deals with the traditional, popular,

almost consecrated, poetical literature which prevailed

around him. He undertakes to revise and recast the whole of it.

Repudiating avowedly the purpose of the authors, he sets up a

different point of view by which they are to be judged. The

contest of principle, into which he now enters, subsisted (he

tells us) long before his time: a standing discord between the

philosophers and the poets.[52] The poet is an artist[53] whose

aim is to give immediate pleasure and satisfaction: appealing to

æsthetical sentiment, feeding imagination and belief, and finding

embodiment for emotions, religious or patriotic, which he shares

with his hearers: the philosopher is a critic, who lays down

authoritatively deeper and more distant ends which he considers

that poetry _ought to_ serve, judging the poets according as

they promote, neglect, or frustrate those ends. Plato declares the

end which he requires poetry to serve in the training of his

Guardians. It must contribute to form the ethical character which

he approves: in so far as it thus contributes, he will tolerate

it, but no farther. The charm and interest especially, belonging

to beautiful poems, is not only no reason for admitting them, but

is rather a reason (in his view) for excluding them.[54] The more

beautiful a poem is, the more effectively does it awaken,

stimulate, and amplify, the emotional forces of the mind: the

stronger is its efficacy in giving empire to pleasure and pain,

and in resisting or overpowering the rightful authority of Reason.

It thus directly contravenes the purpose of the Platonic

education--the formation of characters wherein Reason shall

effectively controul all the emotions and desires.[55] Hence he

excludes all the varieties of imitative poetry:--that is,

narrative, descriptive, or dramatic poetry. He admits only hymns

to the Gods and panegyrics upon good citizens:--probably also

didactic, gnomic, or hortative, poetry of approved tone. Imitative

poetry is declared objectionable farther, not only as it

exaggerates the emotions, but on another ground--that it fills the

mind with false and unreal representations; being composed by men

who have no real knowledge of their subject, though they pretend

to a sort of fallacious omniscience, and talk boldly about every

thing.[56]

[Footnote 52: Plato, Republ. x. p. 607 B. [Greek: palaia\ me/n tis

diaphora\ philosophi/a| te kai\ poiêtikê=|], &c.]

[Footnote 53: Plato, Republ. x. p. 607 A-C. [Greek: tê\n

ê(dusme/nên Mou=san . . . ê( pro\s ê(donê\n poiêtikê\ kai\

ê( mi/mêsis], &c.

Compare also Leges ii. p. 655 D seq., about the [Greek: mousikê=s

o)rtho/tês].]

[Footnote 54: It is interesting to read in the first book of

Strabo (pp. 15-19-25-27, &c.) the controversy which he carries

on with Eratosthenes, as to the function of poets generally, and

as to the purpose of Homer in particular. Eratosthenes considered

Homer, and the other poets also, as having composed verses to

please and interest, not to teach--[Greek: psuchagôgi/as cha/rin,

ou) didaskali/as]. Strabo (following the astronomer Hipparchus)

controverts this opinion; affirming that poets had been the

earliest philosophers and teachers of mankind, and that they must

always continue to be the teachers of the multitude, who were

unable to profit by history and philosophy. Strabo has the

strongest admiration for Homer, not merely as a poet but as a

moralising teacher. While Plato banishes Homer from his

commonwealth, on the ground of pernicious ethical influence,

Strabo claims for Homer the very opposite merit, and extols him as

the best of all popular teachers--[Greek: ê( de\ poiêtikê\

dêmôpheleste/ra kai\ the/atra plêrou=n duname/nê; ê( de\ dê\

tou= O(mêrou= u(perballo/ntôs . . . A)/te dê\ pro\s to\

paideutiko\n ei)=dos tou\s mu/thous a)naphe/rôn o( poiêtê\s

e)phro/ntise polu\ me/ros ta)lêthou=s] (Strabo, i. p. 20). The

contradiction between Plato and Strabo is remarkable. Compare the

beginning of Horace's Epistle, i. 2. In the time of Strabo (more

than three centuries after Plato's death) there existed an

abundant prose literature on matters of erudition, history,

science, philosophy. The work of instruction was thus taken out of

the poet's hands; yet Strabo cannot bear to admit this. In the age

of Plato the prose literature was comparatively small. Alexandria

and its school did not exist: the poets covered a far larger

portion of the entire ground of instruction.

As a striking illustration of the continued and unquestioning

faith in the ancient legends, we may cite Galen: who, in a medical

argument against Erasistratus, cites the cure of the daughters of

Proetus by Melampus as an incontestable authentic fact in

medical evidence; putting to shame Erasistratus, who had not

attended to it in his reasoning (Galen, De Atrâ Bile, T. v. p.

132, Kühn).]

[Footnote 55: Plato, Republic, x. pp. 606-607, iii. p. 387 B.]

[Footnote 56: Plato, Republic, x. pp. 598-599. When Plato attacks

the poets so severely on the ground of their departure from truth

and reality, and their false representations of human life--the

poets might have retorted, that Plato departed no less from truth

and reality in many parts of his Republic, and especially in his

panegyric upon Justice; not to mention the various mythes which we

read in Republic, Phædon, Phædrus, Politikus, &c.

Plato's fictions are indeed ethical, intended to serve a pedagogic

purpose; Homer's fictions are æsthetical, addressed to the fancy

and emotions.

But it is not fair in Plato, the avowed champion of useful

fiction, to censure the poets on the ground of their departing

from truth.]

[Side-note: Strict limits imposed by Plato on poets.]

Even hymns to the Gods, however, may be composed in many different

strains, according to the conception which the poet entertains of

their character and attributes. The Homeric Hymns which we now

possess could not be acceptable to Plato. While denouncing much of

the current theological poetry, he assumes a censorial authority,

in his joint character of Lykurgus and Sokrates,[57] to dictate

what sort of poetical compositions shall be tolerated among his

Guardians. He pronounces many of the tales in Homer and Hesiod to

be not merely fictions, but mischievous fictions: not fit to

be circulated, even if they had been true.

[Footnote 57: Plutarch, Sympos. Quæst. viii. 2, 2, p. 719.

[Greek: O( Pla/tôn, a(/te dê\ tô=| Sôkra/tei to\n Lukou=rgon

a)namignu/s], &c.]

[Side-note: His view of the purposes of fiction--little

distinction between fiction and truth. His censures upon Homer and

the tragedians.]

Plato admits fiction, indeed, along with truth as an instrument

for forming the character. Nay, he draws little distinction

between the two, as regards particular narratives. But the point

upon which he specially insists, is, that all the narratives in

circulation, true or false, respecting Gods and Heroes, shall

ascribe to them none but qualities ethically estimable and

venerable. He condemns Homer and Hesiod as having misrepresented

the Gods and Heroes, and as having attributed to them acts

inconsistent with their true character, like a painter painting a

portrait unlike to the original.[58] He rejects in this manner

various tales told in these poems respecting Zeus, Hêrê,

Hephæstus--the fraudulent rupture of the treaty between the Greeks

and Trojans by Pandarus, at the instigation of Zeus and

Athênê--the final battle of the Gods, in the Iliad[59]--the

transformations of Proteus and Thetis, and the general declaration

in the Odyssey that the Gods under the likeness of various

strangers visit human cities as inspectors of good and bad

behaviour[60]--the dream sent by Zeus to deceive Agamemnon (in the

second book of the Iliad), and the charge made by Thetis in

Æschylus against Apollo, of having deceived her and killed her son

Achilles[61]--the violent amorous impulse of Zeus, in the

fourteenth book of the Iliad--the immoderate laughter among the

Gods, when they saw the lame Hephæstus busying himself in the

service of the banquet. Plato will not permit the realm of Hades

to be described as odious and full of terrors, because the

Guardians will thereby learn to fear death.[62] Nor will he

tolerate the Homeric pictures of heroes or semi-divine persons,

like Priam or Achilles, plunged in violent sorrow for the

death of friends and relatives:--since a thoroughly right-minded

man, while he regards death as no serious evil to the deceased, is

at the same time most self-sufficing in character, and least in

need of extraneous sympathy.[63]

[Footnote 58: Plato, Republic, ii. p. 377 E.]

[Footnote 59: Plato, Repub. ii. pp. 378-379. Plutarch observes

about Chrysippus--[Greek: o(/ti tô=| theô=| kala\s me\n

e)piklê/seis kai\ philanthrô/pous a)ei/, a)/gria d' e)/rga kai\

ba/rbara kai\ Galaktika\ prosti/thêsin] (De Stoic. Repugnant. c.

32, p. 1049 B).]

[Footnote 60: Plato, Republ. ii. p. 380 B. Plato in the beginning

of his Sophistês treats this doctrine of the appearances of the

Gods with greater respect. Lucretius argues that the Gods, being

in a state of perfect happiness and exempt from all want, cannot

change; Lucret. v. 170, compared with Plato, Rep. ii. p. 381 B.]

[Footnote 61: Plato, Republ. ii. pp. 380-381-383.]

[Footnote 62: Plato, Republ. iii. p. 386 C. Maximus Tyrius (Diss.

xxiv. c. 5) remarks, that upon the principles here laid down by

Plato, much of what occurs in the Platonic dialogues respecting

the erotic vehemence and enthusiasm of Sokrates ought to be

excluded from education.]

[Footnote 63: Plato, Republic, iii. p. 387 D-E. [Greek: o(

e)pieikê\s a)nê\r tô=| e)pieikei=, ou(=per kai\ e(tai=ro/s

e)sti, to\ tethna/nai ou) deino\n ê(gê/setai . . . Ou)k a)/ra

u(pe/r ge e)kei/nou ô(s deino/n ti pepontho/tos o)du/roit' a)/n . . .

A)lla\ mê\n . . . o( toiou=tos ma/lista au)to\s au(tô=|

au)ta/rchês pro\s to\ eu)= zê=|n kai\ diaphero/ntôs tô=n

a)/llôn ê(/kista e(te/rou prosdei=tai . . . Ê(/kist' a)/ra

au)tô=| deino\n sterêthê=nai ui(e/os, ê)\ a)de/lphou, ê)\

chrêma/tôn, ê)\ a)/llou tou tô=n toiou/tôn] &c.

The doctrine of Epikurus, as laid down by Lucretius (iii.

844-920), coincides here with that of Plato:--

Tu quidem ut es leto sopitus, sic eris ævi

Quod superest, cunctis privatu' doloribus ægris;

At nos horrifico cinefactum te propé busto

Insatiabiliter deflebimus, æternumque

Nulla dies nobis moerorem e pectore demet.

Illud ab hoc igitur quærendum est, quid sit amari

Tantopere, ad somnum si res redit atque quietem

Cur quisquam æterno possit tabescere luctu?

Plato insists, not less strenuously than Lucretius, upon

preserving the minds of his Guardians from the frightful pictures

of Hades, which terrify all hearers--[Greek: phri/ttein dê\

poiei= ô(s oi(=o/n te pa/ntas tou\s a)kou/ontas] (Repub. iii. p.

387 C). Lucret. iii. 37:

"metus ille foras præceps Acheruntis agendus

Funditus, humanam qui vitam turbat ab imo".]

[Side-note: Type of character prescribed by Plato, to which

all poets must conform, in tales about Gods and Heroes.]

These and other condemnations are passed by Plato upon the current

histories respecting Gods, and respecting heroes the sons or

immediate descendants of Gods. He entirely forbids such histories,

as suggesting bad examples to his Guardians. He prohibits all

poetical composition, except under his own censorial supervision.

He lays down, as a general doctrine, that the Gods are good; and

he will tolerate no narrative which is not in full harmony with

this predetermined type. Without giving any specimens of approved

narratives--which he declares to be the business not of the

lawgiver, but of the poet--he insists only that all poets shall

conform in their compositions to his general standard of

orthodoxy.[64]

[Footnote 64: Compare also Plato de Legg. x. p. 886 C, xii. p. 941

B.]

Applying such a principle of criticism, Plato had little

difficulty in finding portions of the current mythology offensive

to his ideal type of goodness. Indeed he might have found many

others, yet more offensive to it than some of those which he has

selected.[65] But the extent of his variance with the current

views reveals itself still more emphatically, when he says

that the Gods are not to be represented as the cause of evil

things to us, but only of good things. Most persons (he says)

consider the Gods as causes of all things, evil as well as good:

but this is untrue:[66] the Gods dispense only the good things,

not the evil; and the good things are few in number compared with

the evil. Plato therefore requires the poet to ascribe all good

things to the Gods and to no one else; but to find other causes,

apart from the Gods, for sufferings and evils. But if the poet

chooses to describe sufferings as inflicted by the Gods, he must

at the same time represent these sufferings as a healing penalty

or real benefit to the sufferers.[67]

[Footnote 65: As one example, Plato cites the story in the Iliad,

that Achilles cut off his hair as an offering to the deceased

Patroklus, after his hair had been consecrated by vow to the river

Spercheius (Rep. iii. p. 391). If we look at the Iliad (xxiii.

150), we find that the vow to the Spercheius had been originally

made by Peleus, conditionally upon the return of Achilles to his

native land. Now Achilles had been already forewarned that he

would never return thither, consequently the vow to Spercheius was

void, and the execution of it impracticable.

Plato does not disbelieve the legend of Hippolytus; the cruel

death of an innocent youth, brought on by the Gods in consequence

of the curse of his father Theseus (Legg. xi. p. 931 B).]

[Footnote 66: Plato, Republ. ii. p. 379 C. [Greek: Ou)d' a)/ra o(

theo/s, e)peidê\ a)gatho/s, pa/ntôn a)\n ei)/ê ai)/tios, ô(s

oi( polloi\ le/gousin, a)ll' o)li/gôn me\n toi=s a)nthrô/pois

ai)/tios, pollô=n de\ a)nai/tios; _polu\ ga\r e)la/ttô

ta)gatha\ tô=n kakô=n ê(mi=n_. Kai\ tô=n me\n a)gathô=n

ou)de/na a)/llon ai)tiate/on, tô=n de\ kakô=n a)/ll' a)/tta dei=

zêtei=n ta\ ai)/tia, a)ll' ou) to\n theo/n.]]

[Footnote 67: Plato, Rep, ii. p. 380 B. Plutarch, Consolat. ad

Apollonium (107 C, 115 E), citation from Pindar--[Greek: e(\n par'

e)sthlo\n pê/mata su/nduo dai/ontai brotoi=s

A)tha/natoi--pollô=| ga\r plei/ona ta\ kaka/; kai\ ta\ me\n]

(sc. [Greek: a)gatha\]) [Greek: mo/gis kai\ dia\ pollô=n

phronti/dôn ktô/metha, ta\ de\ kaka/, pa/nu r(a|di/ôs.]

In the Sept. cont. Thebas of Æschylus, Eteokles complains of this

doctrine as a hardship and unfairness to the chief. If (says he)

we defend the city successfully, our success will be ascribed to

the Gods; if, on the contrary, we fail, Eteokles alone will be the

person blamed for it by all the citizens:--

[Greek: Ei) me\n ga\r eu)= pra/xaimen, ai)ti/a theou=;

Ei) d' au)=th', o(\ mê\ ge/noito, sumphora\ tu/choi,

E)teokle/ês a)\n ei(=s polu\s kata\ pto/lin

U(mnoi=th' u(p' a)stô=n phroimi/ois polur)r(o/thois

Oi)mô/gmasin th']--(v. 4).]

The principle involved in these criticisms of Plato deserves

notice, in more than one point of view.

[Side-note: Position of Plato as an innovator on the

received faith and traditions. Fictions indispensable to the

Platonic Commonwealth.]

That which he proposes for his commonwealth is hardly less than a

new religious creed, retaining merely old names of the Gods and

old ceremonies. He intends it to consist of a body of premeditated

fictitious stories, prepared by poets under his inspection and

controul. He does not set up any pretence of historical truth for

these stories, when first promulgated: he claims no traditionary

evidence, no divine inspiration, such as were associated more or

less with the received legends, in the minds both of those who

recited and of those who heard them. He rejects these legends,

because they are inconsistent with his belief and sentiment

as to the character of the Gods. Such rejection we can

understand:--but he goes a step farther, and directs the coinage

of a new body of legends, which have no other title to credence,

except that they are to be in harmony with his belief about the

general character of the Gods, and that they will produce a

salutary ethical effect upon the minds of his Guardians. They are

deliberate fictions, the difference between fact and fiction being

altogether neglected: they are pious frauds, constructed upon an

authoritative type, and intended for an orthodox purpose. The

exclusive monopoly of coining and circulating fictions is a

privilege which Plato exacts for himself as founder, and for the

Rulers, after his commonwealth is founded.[68] All the narrative

matter circulating in his community is to be prepared with

reference to his views, and stamped at his mint. He considers it

not merely a privilege, but a duty of the Rulers, to provide and

circulate fictions for the benefit of the community, like

physicians administering wholesome medicines.[69] This is a part

of the machinery essential to his purpose. He remarks that it had

already been often worked successfully by others, for the

establishment of cities present or past. There had been no recent

example of it, indeed, nor will he guarantee the practicability of

it among his own contemporaries. Yet, unless certain fundamental

fictions can be accredited among his citizens, the scheme of his

commonwealth must fail. They must be made to believe that they are

all earthborn and all brethren; that the earth which they inhabit

is also their mother: but that there is this difference among

them--the Rulers have gold mingled with their constitution,

the other Guardians have silver, the remaining citizens have brass

or iron. This bold fiction must be planted as a fundamental dogma,

as an article of unquestioned faith, in the minds of all the

citizens, in order that they may be animated with the proper

sentiments of reverence towards the local soil as their common

mother--of universal mutual affection among themselves as

brothers--and of deference, on the part of the iron and brazen

variety, towards the gold and silver. At least such must be the

established creed of all the other citizens except the few Rulers.

It ought also to be imparted, if possible, to the Rulers

themselves; but _they_ might be more difficult to

persuade.[70]

[Footnote 68: Plato, Republ. iii. p. 389 B; compare ii. p. 382 C.

Dähne (Darstellung der Jüdisch-Alexandrin. Religions-Philosophie,

i. pp. 48-56) sets forth the motives which determined the new

interpretations of the Pentateuch by the Alexandrine Jews, from

the translators of the Septuagint down to Philo. In the view of

Philo there was a double meaning: the literal meaning, for the

vulgar: but also besides this, there was an allegorical, the real

and true meaning, discoverable only by sagacious judges. Moses (he

said) gave the literal meaning, though not true, [Greek: pro\s

tê\n tô=n pollô=n didaskali/an. Manthane/tôsan ou)=n pa/ntes

oi( toiou=toi ta= pseudê=, di' ô(=n ô)phelêthê/sontai, ei)

mê\ du/nantai di' a)lêthei/as sôphroni/zesthai] (Philo, Quæst.

in Genesin, ap. Dähne, p. 50). Compare also Philo, on the [Greek:

kano/nes kai\ no/moi tê=s a)llêgori/as], Dähne, pp. 60-68.

Herakleitus (Allegoriæ Homericæ ed. Mehler, 1851) defends Homer

warmly against the censorial condemnation of Plato. Herakleitus

contends for an allegorical interpretation, and admits that it is

necessary to find one. He inveighs against Plato in violent terms.

[Greek: E)r)r(i/phthô de\ kai\ Pla/tôn o( ko/lax], &c.

Isokrates (Orat. Panathen. s. 22-28) complains much of the obloquy

which he incurred, because some opponents alleged that he

depreciated the poets, especially Homer and Hesiod.]

[Footnote 69: Plato, Repub. iii. pp. 389 B, 414 C.]

[Footnote 70: Plato, Repub. iii. p. 414 B-C. [Greek: Ti/s a)\n

ou)=n ê(mi=n mêchanê\ ge/noito tô=n pseudô=n tô=n e)n

de/onti gignome/nôn, ô(=n nu=n dê\ e)le/gomen, gennai=o/n ti

e(\n pseudome/nous pei=sai, ma/lista me\n kai\ au)tou\s tou\s

a)/rchontas, ei) de\ mê/, tê\n a)/llên po/lin? Poi=on ti?

Mêde\n kaino/n, a)lla\ Phoinikiko/n ti, _pro/teron me\n ê)/dê

pollachou= gegono/s_, ô(s phasin oi( poiêtai\ kai\

pepei/kasin, e)ph' ê(mô=n de\ ou) gegono\s ou)d' oi)=da ei)

geno/menon a)/n, pei=sai de\ suchnê=s peithou=s.] Compare De

Legg. pp. 663-664.]

[Side-note: Difficulty of procuring first admission for

fictions. Ease with which they perpetuate themselves after having

been once admitted.]

Plato fully admits the extreme difficulty of procuring a first

introduction and establishment for this new article of faith,

which nevertheless is indispensable to set his commonwealth

afloat. But if it can be once established, there will be no

difficulty at all in continuing and perpetuating it.[71] Even as

to the first commencement, difficulty is not to be confounded with

impossibility: for the attempt has already been made with success

in many different places, though there happens to be no recent

instance.

[Footnote 71: Plato, Repub. iii. p. 415 C-D. [Greek: Tou=ton ou)=n

to\n mu=thon o(/pôs a)\n peisthei=en, e)/cheis tina\ mêchanê/n?

Ou)damô=s, o(/pôs g' a)\n _au)toi\ ou(=toi_; o(/pôs me/nt'

a)\n oi( tou/tôn ui(ei=s kai\ oi( e)/peita oi(/ t' a)/lloi

a)/nthrôpoi oi( u(/steron.]]

We learn hence to appreciate the estimate which Plato formed of

the ethical and religious faith, prevalent in the various

societies around him. He regards as fictions the accredited

stories respecting Gods and Heroes, which constituted the matter

of religious belief among his contemporaries; being familiarised

to all through the works of poets, painters, and sculptors, as

well as through votive offerings, such as the robe annually worked

by the women of Athens for the Goddess Athênê. These fictions he

supposes to have originally obtained credence either through the

charm of poets and narrators, or through the deliberate coinage

of an authoritative lawgiver; presupposing in the community a

vague emotional belief in the Gods--invisible, quasi-human agents,

of whom they knew nothing distinct--and an entire ignorance of

recorded history, past as well as present. Once received into the

general belief, which is much more an act of emotion than of

reason, such narratives retain their hold both by positive

teaching and by the self-operating transmission of this emotional

faith to each new member of the community, as well as by the

almost entire absence of criticism: especially in earlier days,

when men were less intelligent but more virtuous than they are now

(in Plato's time)--when among their other virtues, that of

unsuspecting faith stood conspicuous, no one having yet become

clever enough to suspect falsehood.[72] This is what Plato assumes

as the natural mental condition of society, to which he adapts his

improvements. He disapproves of the received fictions, not because

they are fictions, but because they tend to produce a mischievous

ethical effect, from the acts which they ascribe to the Gods and

Heroes. These acts were such, that many of them (he says), even if

they had been true, ought never to be promulgated. Plato does not

pretend to substitute truth in place of fiction; but to furnish a

better class of fictions in place of a worse.[73] The religion of

the Commonwealth, in his view, is to furnish fictions and

sanctions to assist the moral and political views of the lawgiver,

whose duty it is to employ religion for this purpose.[74]

[Footnote 72: Plato, Legg. iii. p. 679 C-E. [Greek: a)gathoi\ me\n

dê\ dia\ tau=ta/ te ê)=san kai\ dia\ tê\n legome/nên

eu)ê/theian; a(\ ga\r ê)/kouon kala\ kai\ ai)schra/, eu)ê/theis

o)/ntes ê(gou=nto a)lêthe/stata le/gesthai kai\ e)pei/thonto;

pseu=dos ga\r u(ponoei=n ou)dei\s ê)pi/stato dia\ sophi/an,

_ô(/sper ta\ nu=n_, a)lla\ peri\ theô=n te kai\

a)nthrô/pôn ta\ lego/mena a)lêthê= nomi/zontes e)/zôn kata\

tau=ta . . . tô=n nu=n a)techno/teroi me\n kai\ a)mathe/steroi . . .

eu)êthe/steroi de\ kai\ a)ndreio/teroi kai\ a(/ma

sôphrone/steroi kai\ xu/mpanta dikaio/teroi.]]

[Footnote 73: Plato, Legg. ii. p. 663 E.

This carelessness about historical matter of fact, as such--is not

uncommon with ancient moralists and rhetoricians. Both of them

were apt to treat history not as a series of true matters of fact,

exemplifying the laws of human nature and society, and enlarging

our knowledge of them for future inference--but as if it were a

branch of fiction, to be handled so as to please our taste or

improve our morality. Dionysius of Halikarnassus, blaming

Thucydides for the choice of his subject, goes so far as to say

"that the Peloponnesian war, a period of ruinous discord in

Greece, ought to have been left in oblivion, and never to have

passed into history" (Dion. Hal. ad Cn. Pomp. de Præc. Histor.

Judic. p. 768 Reiske).

See a note at the beginning of chap. 38 of my "History of

Greece".]

[Footnote 74: Sext. Empiric. adv. Mathematicos, ix. 54, p. 562.

Compare Polybius, vi. 56; Dion. Hal. ii. 13; Strabo, i. p. 19.

These three, like Plato, consider the matters of religious belief

to be fictions prescribed by the lawgiver for the purpose of

governing those minds which are of too low a character to listen

to truth and reason. Strabo states, more clearly than the other

two, the employment of [Greek: mu=thoi] by the lawgiver for

purposes of education and government; he extends this doctrine to

[Greek: pa=sa theologi/a a)rchai+kê\ . . . pro\s tou\s

nêpio/phronas] (p. 19).]

[Side-note: Views entertained by Kritias and others, that

the religious doctrines generally believed had originated with

law-givers, for useful purposes.]

We read in a poetical fragment of Kritias (the contemporary

of Plato, though somewhat older) an opinion advanced--that

even the belief in the existence of the Gods sprang originally

from the deliberate promulgation of lawgivers, for useful

purposes. The opinion of Plato is not exactly the same, but it is

very analogous: for he holds that all which the community believe,

respecting the attributes and acts of the Gods, must consist of

fictions, and that accordingly it is essential for the lawgiver to

determine what the accredited fictions in his own community shall

be: he must therefore cause to be invented and circulated such as

conduce to the ethical and political results which he himself

approves. Private citizens are forbidden to tell falsehood; but

the lawgiver is to administer falsehood, on suitable occasions, as

a wholesome medicine.[75]

[Footnote 75: Plato, Republic, iii. p. 389 B. [Greek: e)n

pharma/kou ei)/dei]. Compare De Legg. ii. p. 663 D.

Eusebius enumerates this as one of the points of conformity

between Plato and the Hebrew records: in which, Eusebius says, you

may find numberless similar fictions ([Greek: muri/a toiau=ta]),

such as the statements of God being jealous or angry or affected

by other human passions, which are fictions recounted for the

benefit of those who require such treatment (Euseb. Præpar. Evan.

xii. 31).]

Plato lays down his own individual preconception respecting the

characters of the Gods, as orthodoxy for his Republic: directing

that the poets shall provide new narratives conformable to that

type. What is more, he establishes a peremptory censorship to

prevent the circulation of any narratives dissenting from it. As

to truth or falsehood, all that he himself claims is that his

general preconception of the character of the Gods is true, and

worthy of their dignity; while those entertained by his

contemporaries are false; the particular narratives are alike

fictitious in both cases. Fictitious as they are, however, Plato

has fair reason for his confident assertion, that if they could

once be imprinted on the minds of his citizens, as portions of an

established creed, they would maintain themselves for a long time

in unimpaired force and credit. He guards them by the artificial

protection of a censorship, stricter than any real Grecian city

exhibited: over and above the self-supporting efficacy,

usually sufficient without farther aid, which inheres in every

established religious creed.

[Side-note: Main points of dissent between Plato and his

countrymen, in respect to religious doctrine.]

The points upon which Plato here chiefly takes issue with his

countrymen, are--the general character of the Gods--and the extent

to which the Gods determine the lot of human beings. He distinctly

repudiates as untrue, that which he declares to be the generally

received faith: though in other parts of his writings, we find him

eulogising the merit of uninquiring faith--of that age of honest

simplicity when every one believed what was told him from his

childhood, and when no man was yet clever enough to suspect

falsehood.[76]

[Footnote 76: Plato, Legg. iii. p. 679; compare x. p. 887 C, xi.

p. 913 C.

So again in the Timæus (p. 40 E), he accepts the received

genealogy of the Gods, upon the authority of the sons and early

descendants of the Gods. These sons must have known their own

fathers; we ought therefore "to follow the law and believe them"

([Greek: e)pome/nous tô=| no/mô| pisteute/on]) though they spoke

without either probable or demonstrative proof ([Greek: a)du/naton

ou)=n theô=n paisi\n a)pistei=n, kai/per a)/neu te ei)ko/tôn

kai\ a)nagkai/ôn a)podei/xeôn le/gousin]).

That which Plato here enjoins to be believed is the genealogy of

Hesiod and other poets, though he does not expressly name the

poets. Julian in his remark on the passage (Orat. vii. p. 237)

understands the poets to be meant, and their credibility to be

upheld, by Plato--[Greek: kai\ toiau=ta e(/tera e)n Timai/ô|;

pisteu/ein ga\r a(plô=s a)xioi= kai\ chôri\s a)podei/xeôs

legome/nois, o(/sa u(pe\r tô=n theô=n phasi\n oi( poiêtai/.]

See Lindau's note on this passage in his edition of the Timæus, p.

62.]

[Side-note: Theology of Plato compared with that of

Epikurus--Neither of them satisfied the exigencies of a believing

religious mind of that day.]

The discord on this important point between Plato and the

religious faith of his countrymen, deserves notice the rather,

because the doctrines in the Republic are all put into the mouth

of Sokrates, and are even criticised by Aristotle under the name

of Sokrates.[77] Most people, and among them the historical

Sokrates, believed in the universal agency of the Gods.[78]

No--(affirms Plato) the Gods are good beings, whose nature is

inconsistent with the production of evil: we must therefore divide

the course of events into two portions, referring the good only to

the Gods and the evil to other causes. Moreover--since the evil in

the world is not merely considerable, but so considerable as

greatly to preponderate over good, we must pronounce that most

things are produced by these other causes (not farther

particularised by Plato) and comparatively few things by the Gods.

Now Epikurus (and some contemporaries[79] of Plato even before

Epikurus) adopted these same premisses as to the preponderance of

evil--but drew a different inference. They inferred that the Gods

did not interfere at all in the management of the universe.

Epikurus conceived the Gods as immortal beings living in eternal

tranquillity and happiness; he thought it repugnant to their

nature to exchange this state for any other--above all, to

exchange it for the task of administering the universe, which

would impose upon them endless vexation without any assignable

benefit. Lastly, the preponderant evil, visibly manifested in the

universe, afforded to his mind a positive proof that it was not

administered by them.[80]

[Footnote 77: Aristotel. Politic. ii. 1, &c. Compare the

second of the Platonic Epistles, p. 314.]

[Footnote 78: [Greek: Zeu\s panai/tios, panerge/tas], &c.

Æschyl. Agamem. 1453. Xenophon, Memorab. i. 1, 8-9.]

[Footnote 79: Plato, Legg. x. pp. 899 D, 888 C. He intimates that

there were no inconsiderable number of persons who then held the

doctrine, compare p. 891 B.]

[Footnote 80: Lucretius, ii. 180:

Nequaquam nobis divinitus esse creatam

Naturam mundi, quæ tantâ 'st prædita culpâ--

ii. 1093:--

Nam--pro** sancta Deûm tranquillâ pectora pace,

Quæ placidum degunt ævum, vitamque serenam--

Quis regere immensi summam, quis habere profundi

Indu manu validas potis est moderanter habenas?

Compare v. 167-196, vi. 68.]

Comparing the two doctrines, we see that Plato, though he did not

reject altogether, as Epikurus did, the agency of the Gods in the

universe,--restricted it here nevertheless so as to suit the

ethical exigencies of his own mind. He thus discarded so large a

portion of it, as to place himself, or rather his spokesman

Sokrates, in marked hostility with the received religious faith.

If Melêtus and Anytus lived to read the Platonic Republic (we may

add, also the dialogue called Euthyphron), they would probably

have felt increased persuasion that their indictment against

Sokrates was well-grounded:[81] since he stood proclaimed by the

most eminent of his companions as an innovator in matters of

religion, and as disbelieving a very large portion of what

was commonly received by pious Athenians. With many persons, it

was considered a species of sacrilege to disbelieve any narrative

which had once been impressed upon them respecting the Gods or the

divine agency: the later Pythagoreans laid it down as a canon,

that this was never to be done.[82]

[Footnote 81: Xenoph. Memorab. i. 1. [Greek: A)dikei= Sôkra/tês,

ou(\s me\n ê( po/lis nomi/zei theou\s ou) nomi/zôn, e(/tera de\

kaina\ daimo/nia ei)sphe/rôn; a)dikei= de\ kai\ tou\s ne/ous

diaphthei/rôn.]

This was the form of the indictment against Sokrates. The Republic

of Plato certainly shows ground for the first part of it. Sokrates

did not introduce new names and persons of Gods, but he preached

new views about their characters and agency, and (what probably

would cause the greatest offence) he emphatically blames the

received views. The Republic of Plato here embodies what we read

in the Platonist Maximus Tyrius (ix. 8) as the counter-indictment

of Sokrates against the Athenian people--[Greek: ê( de\

Sôkra/tous kata\ A)thênai/ôn graphê/; A)dikei= o(

A)thênai/ôn dê=mos, ou(\s me\n Sôkra/tês nomi/zei theou\s ou)

nomi/zôn, e(/tera de\ kaina\ daimo/nia e)peisphe/rôn . . .

A)dikei= de\ o( dê=mos kai\ tou\s ne/ous diaphthei/rôn.]]

[Footnote 82: Jamblichus, Vit. Pythag. c. 138-148. Adhortatio ad

Philosophiam, p. 324, ed. Kiessling. See chap. xxxvii. of my

"History of Greece," p. 345, last edit.]

[Side-note: Plato conceives the Gods according to the

exigencies of his own mind--complete discord with those of the

popular mind.]

Now the Gods, as here conceived by Plato conformably to his own

ethical exigencies, are representatives of abstract goodness, or

of what he considers as such[83]--but they are nothing else. They

have no other human emotions: they are invoked for the purposes of

the schoolmaster and the lawgiver, to distribute prizes, and

inflict chastisements, on occasions which Plato thinks suitable.

But Gods with these restricted functions were hardly less at

variance with the current religious belief than the contemplative,

theorising, Gods of Aristotle--or the perfectly tranquil and happy

Gods of Epikurus. The Gods of the popular faith were not thus

specialised types, embodiments of one abstract, ethical, idea.

They were concrete personalities, many-sided and many-coloured,

endowed with great variety of dispositions and emotions: having

sympathies and antipathies, preferences and dislikes, to persons,

places, and objects: sensitive on the score of attention paid to

themselves, and of offerings tendered by men, jealous of any

person who appeared to make light of them, or to put himself upon

a footing of independence or rivalry: connected with particular

men and cities by ties of family and residence.[84] They

corresponded with all the feelings of the believer; with his

hopes and fears, his joys and sorrows, his pride or his shame, his

love or preference towards some persons or institutions, his

hatred and contempt for others. They were sometimes benevolent,

sometimes displeased and unpropitious, according to circumstances.

They were indeed believed to interfere for the protection of what

the believer accounted innocence or merit, and for the avenging of

what he called wrong. But this was only one of many occasions on

which they interfered. They dispensed alternately evil and good,

out of the two casks mentioned in that Homeric verse[85] which

Plato so emphatically censures. Nay, it was as much a necessity of

the believer's imagination to impute marked and serious suffering

to the envy or jealousy of the Gods, as good fortune and

prosperity to their kindness. Such a turn of thought is not less

visible in Herodotus, Xenophon, Demosthenes, Lykurgus, &c.,

than in Homer and the other poets whom Plato rebukes. Moreover it

is frequently expressed or implied in the answers or admonitions

delivered from oracles.[86]

[Footnote 83: Plato, Republic, ii. p. 379.

In the sixteenth chapter of my "History of Greece" (see p. 504

seq.) I have given many remarks on the ancient Grecian legends,

and on the varying views entertained in ancient times respecting

them, considered chiefly in reference to the standard of

historical belief. I here regard them more as matters of religious

belief and emotion.]

[Footnote 84: Nowhere is the relation between men and the Gods,

and the all-covering variety of divine agency, in ancient Grecian

belief, more instructively illustrated than in the Hippolytus of

Euripides. Hippolytus, a youth priding himself on piety and still

more upon inexorable continence (1140-1365), is not merely the

constant worshipper of the goddess Artemis, but also her

companion; she sits with him, hunts with him; he hears her voice

and converses with her; he knows her presence by the divine odour,

though he does not see her ([Greek: su/nthake, sugku/nage],

1093-1391-87). But he disdains to address a respectful word to

Aphrodité, or to yield in any way to her influence, though he

continually passes by her statue which stands at his gates; he

even speaks of her in disparaging terms (13-101). Aphrodité

becomes deeply indignant with him, not because he is devoted to

Artemis, but because he neglects and despises herself (20): for

the Gods take offence when they are treated with disrespect, just

as men do (6-94). His faithful attendant laments this misguided

self-sufficiency, and endeavours in vain to reason his master out

of it (see the curious dialogue 87-120, also 445). Aphrodité

accordingly resolves to punish Hippolytus for this neglect by

inspiring Phædra, his step-mother, with an irresistible passion

for him: she foresees that this will prove the destruction of

Phædra as well as of Hippolytus, but no such consideration can be

allowed to countervail the necessity of punishing her enemies. She

accordingly smites Phædra with love-sickness, which, since Phædra

will not reveal the cause, the chorus ascribes to the displeasure

and visitation of some unknown divinity, Pan, Hekatê, Kybelê,

&c. (142-238). The course of this beautiful drama is well

known: Aphrodité proves herself a goddess and something more

(359): Phædra and Hippolytus both perish; Theseus is struck down

with grief and remorse (1402); while Artemis, who appears at the

end to console the dying Hippolytus and reprove Theseus, laments

that it was not in her power, according to the established

etiquette among the Gods, to interpose for the protection of

Hippolytus against the anger of Aphrodité, but promises to avenge

him by killing with her unerring arrows some marked favourite of

Aphrodité (1327-1421). "Non esse curæ Diis securitatem nostram,

esse ultionem."--Tacitus.]

[Footnote 85: Homer, Iliad xxiv. 527.]

[Footnote 86: The opinion is memorable, which Herodotus puts into

the mouth of the wisest and best man of his age--Solon. [Greek:

Ô)= Kroi=se, e)pista/meno/n me to\ thei=on pa=n e)o\n phthonero/n

te kai\ tarachô=des, e)peirôta=s a)nthrôpêi+/ôn pragma/tôn

peri/?] (Herod. i. 32). Kroesus was overtaken by a terrible

divine judgment because he thought himself the happiest of men (i.

34). The Gods strike at persons of high rank and position: they do

not suffer any one except themselves to indulge in self-exaltation

(vii. 10). Herodotus ascribes the like sentiment to another man

distinguished for prudence--Amasis king of Egypt (iii. 40-44-125).

Compare Pausanias, ii. 33, and Æschyl. Pers. 93, Supplices, 388,

Hermann. Herodotus and Pausanias proclaim the envy and jealousy of

the Gods more explicitly than other writers. About the usual

disposition to regard the jealousy of the Gods as causing

misfortunes and suffering, see Thucyd. ii. 54, vii. 77; especially

when a man by rash speech or act brings grave misfortune on

himself, he is supposed to be under a misguiding influence by the

Gods, expressed by Herodotus in the remarkable word [Greek:

theoblabê/s] (Herodot. i. 127, viii. 137; Xenoph. Hellen. vi. 4,

3; Soph. Oed. Kol. 371). The poverty in which Xenophon found

himself when he quitted the Cyreian army, is ascribed by himself,

at the suggestion of the prophet Eukleides, to his having omitted

to sacrifice to Zeus Meilichius during the whole course of the

expedition and retreat. The next day Xenophon offered an ample

sacrifice to this God, and good fortune came upon him immediately

afterwards; he captured Asidates the Persian, receiving a large

ransom, with an ample booty, and thus enriched himself (Xenoph.

Anab. vii. 8, 4-23). Compare about [Greek: theô=n phtho/nos],

Pindar, Pyth. x. 20-44; Demosthenes cont. Timokratem, p. 738;

Nägelsbach, Die Nach-Homerische Theologie der Griechen,

pp. 330-355.]

[Side-note: Repugnance of ordinary Athenians in regard

to the criticism of Sokrates on the religious legends.]

When therefore the Platonic Sokrates in this treatise affirms

authoritatively,--and affirms without any proof--his restricted

version of the agency of the Gods, calling upon his countrymen to

reject all that large portion of their religious belief, which

rested upon the assumption of a wider agency, as being unworthy of

the real attributes of the Gods,--he would confirm, in the minds

of ordinary Athenians, the charge of culpable innovation in

religion, preferred against him by his accusers. To set up _à

priori_ a certain type (either Platonic or Epikurean) of what

the Gods _must_ be, different from what they were commonly

believed to be,--and then to disallow, as unworthy and incredible,

all that was inconsistent with this type, including a full half of

the narratives consecrated in the emotional belief of the

public--all this could not but appear as "impious rationalism," on

the part of "the Sophist Sokrates".[87] It would be not less repugnant

to the feelings of ordinary Greeks, and would appear not more

conclusive to their reason, than the arguments of rationalising

critics upon many narratives of the Old Testament appear to

orthodox readers of modern times--when these critics disallow as

untrue many acts therein ascribed to God, on the ground that such

acts are unworthy of a just and good being.

[Footnote 87: Æschines cont. Timarch. [Greek: Sôkra/tê to\n

sophistê/n].

Lucretius, i. 80.

Illud in his rebus vereor, ne forté rearis

Impia te rationis inire elementa, viamque

Indugredi sceleris--

Plato, in Leges, v. 738 B, recognises the danger of disturbing the

established and accredited religious [Greek: phê=mai], as well as

the rites and ceremonies.]

[Side-note: Aristophanes connects the idea of immorality

with the freethinkers and their wicked misinterpretations.]

Though the Platonic Sokrates, repudiating most of the

narratives believed respecting Gods and Heroes, as being

immoral and suggesting bad examples to the hearers, proposes to

construct a body of new fictions in place of them--yet, if we turn

to the Clouds of Aristophanes, we shall find that the

old-fashioned and unphilosophical Athenian took quite the opposite

view. He connected immoral conduct with the new teaching, not with

the old: he regarded the narratives respecting the Gods as

realities of an unrecorded past, not as fictions for the purposes

of the training-school: he did not imagine that the conduct of

Zeus, in chaining up his father Kronus, was a proper model to be

copied by himself or any other man: nay, he denounced all such

disposition to copy, and to seek excuse for human misconduct in

the example of the Gods, as abuse and profanation introduced by

the sophistry of the freethinkers.[88] In his eyes, the

religious traditions were part and parcel of the established

faith, customs and laws of the state; and Sokrates, in

discrediting the traditions, set himself up as a thinker above the

laws. As to this feature, the Aristophanic Sokrates in the Clouds,

and the Platonic Sokrates in the Republic, perfectly

agree--however much they differ in other respects.

[Footnote 88: Aristophan. Nubes, 358: [Greek: leptota/tôn

lê/rôn i(ereu=]. 885: [Greek: gnô/mas kaina\s e)xeuri/skôn].

1381.--

[Greek: ô(s ê(du\ kainoi=s pra/gmasin kai\ dexioi=s o(milei=n,

kai\ tô=n kathestô/tôn no/môn u(perphronei=n du/nasthai.]

894.--

[Greek: (A)/dikos Lo/gos.)--

Pô=s dê=ta di/kês ou)/sês, o( Zeu\s

ou)k a)po/lôlen, to\n pate/r' au(tou=

dê/sas?

(Di/k. Lo/gos) ai)boi=, touti\ kai\ dê\

chôrei= to\ kako/n; do/te moi leka/nên.]

1061.--

[Greek: moicho\s ga\r ê)\n tu/chê|s a(lou/s, ta/d' a)nterei=s

pro\s au)to/n,

ô(s ou)de\n ê)di/kêkas; ei)=t' e)s to\n Di/' e)panenegkei=n;

ka)kei=nos ô(s ê(/ttôn e)/rôto/s e)sti kai\ gunaikô=n.]

While Aristophanes introduces the freethinker as justifying

unlawful acts by the example of Zeus, Plato (in the dialogue

called Euthyphron) represents Euthyphron as indicting his father

for murder, and justifying himself by the analogy of Zeus;

Euthyphron being a very religious man, who believed all the divine

matters commonly received and more besides (p. 6). This exhibits

the opposition between the Platonic and the Aristophanic point of

view. In the Eumenides of Æschylus (632), these Goddesses reproach

Zeus with inconsistency, after chaining up his old father Kronus,

in estimating so highly the necessity of avenging Agamemnon's

death, as to authorise Orestes to kill Klytæmnestra.

An extract from Butler's Analogy, in reply to the objections

offered by Deists against the Old Testament, will serve to

illustrate the view which pious Athenians took of those ancient

narratives which Plato censures. Butler says: "It is the province

of Reason to judge of the morality of the Scripture; _i.e._

not whether it contains things different from what we should have

expected from a wise, just, and good Being, . . . but whether it

contains things plainly contradictory to Wisdom, Justice, or

Goodness; to what the light of Nature teaches us of God. And I

know nothing of this sort objected against Scripture, excepting

such objections as are formed upon suppositions which would

equally conclude that the constitution of Nature is contradictory

to wisdom, justice, or goodness; which most certainly it is not.

Indeed, there are some particular precepts in Scripture, given to

particular persons, requiring actions which would be immoral and

vicious, were it not for such precepts. But it is easy to see that

all these are of such a kind, as that the precept changes the

whole nature of the case and of the action, and both constitutes

and shows that not to be unjust or immoral which, prior to the

precept, must have appeared and really been so; which may well be,

since none of these precepts are contrary to immutable morality.

If it were commanded to cultivate the principles, and act from the

spirit, of treachery, ingratitude, cruelty; the command would not

alter the nature of the case or of the action, in any of these

instances. But it is quite otherwise in precepts which require

only the doing an external action; for instance, taking away the

property or life of any. For men have no right to either life or

property, but what arises solely from the grant of God; when this

grant is revoked, they cease to have any right at all in either;

and when this revocation is made known, as surely it is possible

it may be, it must cease to be unjust to deprive them of either.

And though a course of external acts which, without command, would

be immoral, must make an immoral habit; yet a few detached

commands have no such natural tendency.

"I thought proper to say thus much of the few Scripture precepts

which require, not vicious actions, but actions which would have

been vicious had it not been for such precepts; because they are

sometimes weakly urged as immoral, and great weight is laid upon

objections drawn from them. But to me there seems no difficulty at

all in these precepts, but what arises from their being

offences--_i.e._ from their being liable to be perverted, as

indeed they are, by wicked designing men, to serve the most horrid

purposes, and perhaps to mislead the weak and enthusiastic. And

objections from this head are not objections against Revelation,

but against the whole notion of Religion as a trial, and against

the whole constitution of Nature." (Butler's Analogy, Part. ii.

ch. 3.)

I do not here propose to examine the soundness of this argument

(which has been acutely discussed in a good pamphlet by Miss

Hennell--'Essay on the Sceptical Tendency of Butler's Analogy,' p.

15, John Chapman, 1859). It appeared satisfactory to an able

reasoner like Butler: and believers at Athens would have found

satisfaction in similar arguments, when the narratives in which

they believed were pronounced by Sokrates mischievous and

incredible, as imputing to the Gods unworthy acts. For

example--Zeus and Athêne instigate Pandarus to break the sworn

truce between the Greeks and Trojans: Zeus sends Oneirus, or the

Dream-God, to deceive Agamemnon (Plat. Rep. ii. pp. 379-383). Here

are acts (the orthodox reasoner would say) which would be immoral if

it were not for the special command: but Agamemnon and the Greeks

had no right to life or property, much less to any other comforts

or advantages, except what arose from the gift of the Gods. Now

the Gods, on this particular occasion, thought fit to revoke the

right which they had granted, making known such revocation to

Pandarus; who, accordingly, in that particular case, committed no

injustice in trying to kill Menelaus, and in actually wounding

him. The Gods did not give any general command "to cultivate the

spirit and act upon the principles" of perjury and faithlessness:

they merely licensed the special act of Pandarus--_hic et

nunc_--by making known to him that they had revoked the right

of the Greeks to have faith observed with them, at that particular

moment. When any man argues--"Pandarus was instigated by Zeus to

break faith: therefore faithlessness is innocent and authorised:

therefore _I_ may break faith"--this is "a perversion by

wicked and designing men for a horrid purpose, and can mislead

only the weak and enthusiastic".

Farther, If the Gods may by special mandates cause the murder or

impoverishment of particular men by other men to be innocent acts,

without sanctioning any inference by analogy--much more may the

same be said respecting the acts of the Gods among themselves,

which Sokrates censures, _viz._ their quarrels, violent

manifestations by word and deed, amorous gusts, hearty laughter,

&c. These too are particular acts, not intended to lead to

consequences in the way of example. The Gods have not issued any

general command. "Be quarrelsome, be violent," &c. If they are

quarrelsome themselves on particular occasions, they have a right

to be so; just as they have a right to take away any man's life or

property whenever they choose: but _you_ are not to follow

their example, and none but wicked men will advise you to do so.

To those believers who denounced Sokrates as a freethinker (Plat.

Euthyp. p. 6 A) such arguments would probably appear satisfactory.

"_Sunt Superis sua jura_" is a general principle, flexible

and wide in its application. Of arguments analogous to those of

Butler, really used in ancient times by advocates who defended the

poets against censures like those of Plato, we find an

illustrative specimen in the Scholia on Sophokles. At the

beginning of the Elektra (35-50), Orestes comes back with his old

attendant or tutor to Argos, bent on avenging the death of his

father. He has been stimulated to that enterprise by the Gods

(70), having consulted Apollo at Delphi, and having been directed

by him to accomplish it not by armed force but by deceits ([Greek:

do/loisi kle/psai], 36). Keeping himself concealed, he sends the

old attendant into the house of Ægisthus, with orders to

communicate a false narrative that he (Orestes) is dead, having

perished by an accident in the Pythian chariot-race: and he

directs the attendant to certify this falsehood by oath ([Greek:

a)/ggelle d' o)/rkô| prostithei/s], 47). Upon which last words

the Scholiast observes as follows:--"We must not take captious

exception to the poet, as if he were here exhorting men to perjure

themselves. For Orestes is bound to obey the God, who commands him

to accomplish the whole by deceit; so that while he appears to be

impious by swearing a false oath, he by that very act shows his

piety, since he does it in obedience to the God"--[Greek: mê\

smikrolo/gôs tis e)pila/bêtai, ô(s keleu/ontos e)piorkei=n tou=

poiêtou=; dei= ga\r au)to\n pei/thesthai tô=| theô=|, to\ pa=n

do/lô| pra/ssein parakeleuome/nô|; ô(/ste e)n oi(=s dokei=

e)piorkô=n dussebei=n, dia\ tou/tôn eu)sebei=, peitho/menos

tô=| theô=|.]]

[Side-note: Heresies ascribed to Sokrates by his own

friends--Unpopularity of his name from this circumstance.]

In reviewing the Platonic Republic, I have thought it necessary to

appreciate the theological and pædagogic doctrines, not merely

with reference to mankind in the abstract, but also as they

appeared to the contemporaries among whom they were promulgated.

[Side-note: Restrictions imposed by Plato upon musical modes

and reciters.]

To all the above mentioned restrictions imposed by Plato upon the

manifestation of the poet, both as to thoughts, words, and manner

of recital--we must add those which he provides for music in its

limited sense: the musical modes and instruments, the varieties of

rhythm. He allows only the lyre and the harp, with the panspipe

for shepherds tending their flocks. He forbids both the flute and

all complicated stringed instruments. Interdicting the lugubrious,

passionate, soft, and convivial, modes of music, he tolerates none

but the Dorian and Phrygian, suitable to a sober, resolute,

courageous, frame of mind: to which also all the rhythm and

movement of the body is to be adapted.[89] Each particular

manifestation of speech, music, poetry, and painting, having a

natural affinity with some particular emotional and volitional

state--emanating from it in the mind of the author and

suggesting it in other minds--nothing is to be tolerated except

what exhibits goodness and temperance of disposition,--grace,

proportion, and decency of external form.[90] Artisans are to

observe the like rules in their constructions: presenting to the

eye nothing but what is symmetrical. The youthful Guardians,

brought up among such representations, will have their minds

imbued with correct æsthetical sentiment; they will learn even in

their youngest years, before they are competent to give reasons,

to love what is beautiful and honourable to hate what is ugly and

mean.[91]

[Footnote 89: Plato, Repub. iii. pp. 399-400.]

[Footnote 90: Plato, Repub. iii. pp. 400 D-401 B. [Greek: o(

tro/pos tê=s le/xeôs--tô=| tê=s psuchê=s ê)/thei

e(/petai--prosanagkaste/on tê\n tou= a)gathou= ei)ko/na

ê)/thous e)mpoiei=n.]]

[Footnote 91: Plato, Repub. iii. pp. 401-402 A.]

[Side-note: All these restrictions intended for the

emotional training of the Guardians.]

All these enactments and prohibitions have for their purpose the

ethical and æsthetical training of the Guardians: to establish and

keep up in each individual Guardian, a good state of the emotions,

and a proper internal government--that is, a due subordination of

energy and appetite to Reason.[92] Their bodies will also be

trained by a good and healthy scheme of gymnastics, which will at

the same time not only impart to them strength but inspire them

with courage. The body is here considered, not (like what we read

in Phædon and Philêbus) as an inconvenient and depraving

companion to the mind: but as an indispensable co-operator, only

requiring to be duly reined.

[Footnote 92: Plato, Repub. x. p. 608 B. [Greek: peri\ tê=s e)n

au(tô=| politei/as dedio/ti--me/gas o( a)gô/n, me/gas, ou)ch

o(/sos dokei=, to\ chrêsto\n ê)\ kako\n gene/sthai.]]

[Side-note: Regulations for the life of the Guardians,

especially the prohibition of separate property and family.]

The Guardians, of both sexes, thus educated and disciplined, are

intended to pass their whole lives in the discharge of their

duties as Guardians; implicitly obeying the orders of the Few

Philosophical chiefs, and quartered in barracks under strict

regulations. Among these regulations, there are two in particular

which have always provoked more surprise and comment than any

other features in the commonwealth; first, the prohibition of

separate property--next, the prohibition of separate

family--including the respective position of the two sexes.

[Side-note: Purpose of Plato in these regulations.]

The directions of Plato on these two points not only hang

together, but are founded on the same reason and

considerations. He is resolved to prevent the growth of any

separate interest, affections, or aspirations, in the mind of any

individual Guardian. Each Guardian is to perform his military and

civil duties to the Commonwealth, and to do nothing else. He must

find his happiness in the performance of his duty: no double

functions or occupations are tolerated. This principle, important

in Plato's view as regards every one, is of supreme importance as

applying to the Guardians,[93] in whom resides the whole armed

force of the Commonwealth and by whom the orders of the Chiefs or

Elders are enforced. If the Guardians aspire to private ends of

their own, and employ their force for the attainment of such ends,

nothing but oppression and ruin of the remaining community can

ensue. A man having land of his own to cultivate, or a wife and

family of his own to provide with comforts, may be a good

economist, but he will never be a tolerable Guardian.[94] To be

competent for this latter function, he must neither covet wealth

nor be exposed to the fear of poverty: he must desire neither

enjoyments nor power, except what are common to his entire

regiment. He must indulge neither private sympathies nor private

antipathies: he must be inaccessible to all motives which could

lead him to despoil or hurt his fellow-citizens the producers.

Accordingly the hopes and fears involved in self-maintenance--the

feelings of buyer, seller, donor, or receiver--the ideas of

separate property, house, wife, or family--must never be allowed

to enter into his mind. The Guardians will receive from the

productive part of the community a constant provision, sufficient,

but not more than sufficient, for their reasonable maintenance.

Their residence will be in public barracks and their meals at a

common mess: they must be taught to regard it as a disgrace to

meddle in any way with gold and silver.[95] Men and women will

live all together, or distributed in a few fractional companies,

but always in companionship, and under perpetual drill; beginning

from the earliest years with both sexes. Boys and girls will be

placed from the beginning under the same superintendence; and

will receive the same training, as well in gymnastic as in music.

The characters of both will be exposed to the same influences and

formed in the same mould. Upon the maintenance of such early,

equal, and collective training, especially in music, under the

orders of the Elders,--Plato declares the stability of the

Commonwealth to depend.[96]

[Footnote 93: Plato, Repub. iv. pp. 421-A 423 D.]

[Footnote 94: Plato, Repub. iii. p. 417 A-B.]

[Footnote 95: Plato, Repub. iii. pp. 416-417.]

[Footnote 96: Plato, Repub. iv. pp. 423-424 D-425 A-C.]

[Side-note: Common life, education, drill, collective life,

and duties, for Guardians of both sexes. Views of Plato respecting

the female character and aptitudes.]

The purpose being, to form good and competent Guardians the same

training which will be best for the boys will also be best for the

girls. But is it true that women are competent to the function of

Guardians? Is the female nature endued with the same aptitudes for

such duties as the male? Men will ridicule the suggestion (says

Plato) and will maintain the negative. They will say that there

are some functions for which men are more competent, others for

which women are more competent than men: and that women are unfit

for any such duty as that of Guardians. Plato dissents from this

opinion altogether. There is no point on which he speaks in terms

of more decided conviction. Men and women (he says) can perform

this duty conjointly, just as dogs of both sexes take part in

guarding the flock. It is not true that the female, by reason of

the characteristic properties of sex--parturition and suckling--is

disqualified for out-door occupations and restricted to the

interior of the house.[97] As in the remaining animals generally,

so also in the human race. There is no fundamental difference

between the two sexes, other than that of the sexual attributes

themselves. From that difference no consequences flow, in respect

to aptitude for some occupations, inaptitude for others. There are

great individual differences between one woman and another, as

there are between one man and another: this woman is peculiarly

fit for one task, that woman for something else. But speaking of

women generally and collectively, there is not a single profession

for which they are peculiarly fit, or more fit than men. Men are

superior to women in every thing; in one occupation as well as in

another. Yet among both sexes, there are serious individual

differences, so that many women, individually estimated, will

be superior to many men; no women will equal the best men, but the

best women will equal the second-best men, and will be superior to

the men below them.[98] Accordingly, in order to obtain the best

Guardians, selection must be made from both sexes

indiscriminately. For ordinary duties, both will be found equally

fit: but the heaviest and most difficult duties, those which

require the maximum of competence to perform, will usually devolve

upon men.[99]

[Footnote 97: Plato, Repub. v. p. 451 D.]

Plato and the Other Companions of Sokrates, 3rd ed. Volume 4 · 第 5 / 15 章