As regards the disposition of limbs in movement you will have to
consider that when you wish to represent a man who, by some chance,
has to turn backwards or to one side, you must not make him move his
feet and all his limbs towards the side to which he turns his head.
Rather must you make the action proceed by degrees and through the
different joints; that is, those of the foot, the knee and the hip
and the neck. And if you set him on the right leg, you must make the
left knee bend inwards, and let his foot be slightly raised on the
outside, and the left shoulder be somewhat lower than the right,
while the nape of the neck is in a line directly over the outer
ancle of the left foot. And the left shoulder will be in a
perpendicular line above the toes of the right foot. And always set
your figures so that the side to which the head turns is not the
side to which the breast faces, since nature for our convenience has
made us with a neck which bends with ease in many directions, the
eye wishing to turn to various points, the different joints. And if
at any time you make a man sitting with his arms at work on
something which is sideways to him, make the upper part of his body
turn upon the hips.
[Footnote: Compare Pl. VII, No. 5. The original drawing at Windsor
Castle is numbered 104.]
596.
When you draw the nude always sketch the whole figure and then
finish those limbs which seem to you the best, but make them act
with the other limbs; otherwise you will get a habit of never
putting the limbs well together on the body.
Never make the head turn the same way as the torso, nor the arm and
leg move together on the same side. And if the face is turned to the
right shoulder, make all the parts lower on the left side than on
the right; and when you turn the body with the breast outwards, if
the head turns to the left side make the parts on the right side
higher than those on the left.
[Footnote: In the original MS. a much defaced sketch is to be seen
by the side of the second part of this chapter; its faded condition
has rendered reproduction impossible. In M. RAVAISSON'S facsimile
the outlines of the head have probably been touched up. This passage
however is fitly illustrated by the drawings on Pl. XXI.]
597.