“I am not at all sure I meant anything,” said Maurice. “It was just a

suggestion.”

Marjorie had thrown down the penholder, and taken the body of Thomas in

her hand.

“Beetles might have some secrets that we know nothing about. But Miss

Dean says that all insects were sent into the world for the birds to

eat.”

Maurice was silent for a moment. He was remembering that Miss Dean had

remarked to him the day before that she considered that the birds had

been created to kill the insects. “I should like to talk the question

over with a beetle. Now I must be off and dress.”

When he had gone an old trick of Marjorie’s younger days came back to

her. She had often, in her babyhood, held conversations with voiceless

or inarticulate things, such as dolls or cats, and on one occasion,

after a stormy music lesson, she had made the piano promise to _make_

the music come out right next time. She had always to do the speaking

for them, so it was not quite convincing; but it was helpful and

consolatory in its way. And now she began to talk to the beetle aloud,

holding it on the palm of one little white hand--

“Beetle, tell me your secrets. Tell me all your secrets.”

There was silence.

“I want to know if beetles are as good as men. Are they? Are they

better than men? Are there better things than we ever think of doing,

which we might do if it was only possible to think of them? _Do_ tell

me. I won’t tell anybody, except Maurice and mamma, if she asks me, but

she won’t. You _might_ tell me--it’s quite safe.”

There was only silence; but then it has been proved already that

silence is a beetle’s method of speech. Perhaps the spirit of Thomas

was there and answered her; perhaps it was elsewhere; perhaps Thomas

never had a spirit.

Marjorie put the beetle down again on the table, with a laugh at

herself for her silliness.

In the drawing-room that night, she saw very little of Maurice. Aunt

Julia looked as perfect and sweet and gentle an old lady as ever; and

her conversation was just as poisonous as usual. Her temper must even

have been a little worse than normal. She commenced to talk about

psychology with Mr. Meyner, because she knew that he hated discussing

it with the uninitiated. She insisted that he was joking--the poor man

never joked; he was half earnestness and half apathy--and she told him

untrue stories. When he escaped, she fastened on to Miss Matthieson,

who was a sentimental and ignorant woman, with a desire to love art.

She invented an entirely fictitious picture of Turner, described it,

and gave its precise position in the National Gallery; she finally made

Miss Matthieson talk about it, become enraptured about it, and confess

what her sensations were when she first saw it. She did not enlighten

her; that would have been too crude an enjoyment for Aunt Julia. Her

smile became just a little sweeter, and she assured Miss Matthieson

that she had learned much from her. Maurice Grey had, for reasons of

his own, been playing Chopin’s Funeral March. “And is that also by

Grieg?” she asked him, looking interested.

“No, it is not,” he said shortly. He knew very well that Aunt Julia

knew very well what he had been playing; and he saw what she meant by

her question.

“Oh, please don’t be angry with me,” she said. “I’m no musician, you

know, Mr. Grey,”--her knowledge of music was, as Maurice was aware,

considerably above the average--“and I make stupid mistakes. Last night

you played a little dance which you told me was by Grieg. Now, I never

should have known it; I thought it was pretty enough, but just a little

weak and--well, almost amateurish, you know. You played it again in the

schoolroom this afternoon, and you altered the last part of it. What

_is_ that thing you played just now?”

“Chopin’s Funeral March.”

“Are you going to make any--any improvements in it, as you did in the

Grieg? And why did you play a funeral march? I suppose the sight of

an old woman like myself, among so many young people, suggested the

thought of death. Ah, yes--very natural.”

This was absolutely intolerable, but Maurice was not allowed to protest

or escape.

“It is a great mistake,” said Aunt Julia, earnestly, “to give one’s

self up to trivialities. We must all die. It is always better to think

about death, even in the drawing-room after dinner. I mean that it’s

better for the aged, like myself. To the young it might perhaps seem a

little gloomy and morbid, but I like it--I enjoy it. I shall be going

to bed directly. Won’t you play a few hymn tunes, Mr. Grey, before I

go? You might play the Dies Iræ.”

She did not go to bed until she had maddened about half the people in

the room. Even Mrs. Meyner found it difficult at times to make excuses

for Aunt Julia. Maurice Grey managed to be moderately polite to her

as a rule; he generally shammed stupidity, and refused to see the

point of any of her sarcasms. He found afterwards that this style of

treatment had impressed Miss Julia Stone. When Marjorie came round to

say good-night to Maurice, she spoke to him about the beetle.

“Do you want that dead beetle?” she asked. “Shall I keep it for you?”

“Yes, keep it.”

“Are you going on collecting again then?”

“No, I don’t think so--but it is too good a specimen to throw away just

anywhere. How would you like to be thrown away?”

“It’s not quite the same thing, you know, Maurice. I’m more important.

But we’ll treat this beetle very well--you’ve just played a funeral

march for it--and then, perhaps, its ghost will come and tell us all

about beetles, and what beetles think about men, and if they know

anything that we don’t.”

“Yes, treat it kindly,” said Maurice, smiling. “Much can always be done

by kindness.”

Marjorie went out of the room laughing; but on the following morning,

when she appeared at breakfast, she was very quiet and subdued.

A note came from Miss Dean, regretting that--“owing to a slight

indisposition”--she was unable to come to teach Marjorie that morning.

Even the prospect of a day’s holiday did not seem to cheer her up.

Maurice found her alone in the garden about an hour afterwards.

“What’s up, Marjorie?” he said. “Aren’t you well?”

“Oh, yes, I’m always well--I’ve got something to tell you though. I saw

it last night.”

“Saw what?”

“The beetle.”

Maurice was a little startled. He too had had a curious dream in which

the beetle had figured. “Look here, Marjorie,” he said; “I’ve nothing

particular to do this morning, and I believe you’d be the better for a

walk. We’ll go over to Weyford, and then go up to St. Margaret’s, if

you don’t mind climbing the hill.”

“Oh, that would be lovely! That’s just the thing. We shan’t get back to

lunch, you know.”

“That’s all right. We’ll lunch in Weyford. I’ll go in and talk to Mrs.

Meyner about it, and you go and get ready.”

The morning sunlight and the cool wind made walking pleasant. That

unkempt bird, whom we have called Magnanimity, was taking out quite a

young bird for a little exercise. They saw Maurice and Marjorie walking

together.

“Those are men,” said the young bird. “Bless your heart--I’ve seen lots

of ’em.”

“Just drop that,” said Magnanimity, sternly. “There’s nothing more

sickening than to hear a mere chick like yourself setting up to be a

complete bird of the world. Fancy taking any notice of contemptible,

ugly men!”

“That young she-man,” said the mere chick, “isn’t at all ugly. I often

wish I were a man.”

“You’d soon wish you were a bird again,” retorted Magnanimity. “Are

you aware that men can’t fly, or lay eggs, or talk our language, or do

anything really worth doing? Are you aware that we old birds lead them

the very devil of a life?”

“How do you do it?” asked the mere chick, quite unable to keep the

wonder and admiration out of the tone of its voice.

“Why, we mock at ’em--sneer at ’em till they can’t bear themselves.”

Marjorie and Maurice walked on, talking of indifferent things. They

climbed the hill, resting occasionally in the shade of the plantations

that grew on its sides. They reached the summit at last, a solitary

place where the ruined chapel of St. Margaret stood in a little

deserted grave-yard. The wind was fresh and cool. They could see far

away into the distance; they could see the river winding along down the

valley, until it was a mere thread of silver; they could see the smoke

curling up from low, red-roofed cottages and farm-buildings, scattered

here and there. Maurice stretched himself at full length on the grass,

and endeavoured to light a cigarette. There was just enough wind to

blow a match out. There always is.

“Now then, Marjorie, you had a dream last night.”

“Yes!”

“And it frightened you.”

“No--no--well, it didn’t exactly frighten me--it made me think. It was

all nonsense, you know, and yet it was the realest dream I ever had in

my life.”

“Stop a minute. You had some coffee in the drawing-room, and that kept

you awake for a long time, you turned about from side to side, and

thought about the beetle. Your bedroom seemed hot and stifling.”

“Yes, that’s all true--how did you know, Maurice?--but it has not got

anything to do with it.”

“Marjorie, if you’d never had that coffee, you’d have never had that

dream. Now, then, let’s hear it. I’ll try to keep awake, but walking

always makes me sleepy.”

“After I had said good-night to everybody, I went up into the

schoolroom and got the beetle, because I was afraid the servants might

throw it away in the morning, and you said you wanted it. I took it

into my own room, and put it down on a table. All the while I was

undressing, I kept thinking about it and wondering if beetles and other

things could really understand, or if it were only men and women who

knew about things, and if all the world were just made for us alone.

Before I got into bed I picked the beetle up, and said to it, ‘Beetle,

you’ve got to come into my dream to-night, and tell me all about it.

Don’t forget.’ Of course that was just a fancy. I didn’t really think

it could understand what I said, or that it would come. I’m not a

baby, though Aunt Julia treats me like one sometimes. Well, for a long

time I couldn’t get to sleep, but at last I did.”

“And then the beetle came and suffocated you, or threw you over a

precipice,” remarked Maurice, drowsily.

“No, that’s not a bit like it. I don’t know how long I had been asleep,

but I dreamed that I woke up suddenly, and that the moonlight was

streaming in at the window. Right in the middle of the moonlight was

the beetle, standing up on his hind legs. He had grown ever so much

bigger, and was as tall as I am. ‘Come on, now,’ he said. ‘How much

longer are you going to keep me waiting? I’m late, as it is.’

“I didn’t feel the least bit afraid of him. I just asked him where we

were going. He opened the window, and pointed upwards. ‘Well,’ I said,

‘you must wait till I’m dressed, else I shall catch cold.’ However, he

wouldn’t wait, and so I got out of bed. We climbed up on to the table

in front of the window. ‘Now then,’ he said, ‘you must keep hold of my

fore-leg, or you’ll fall.’ We didn’t fly or walk; we floated out of the

window, and then upwards, going very quickly and steadily, as if a wind

were blowing us. As we were floating up, the beetle’s head changed till

it became just like Aunt Julia’s. ‘Marjorie’s an unnatural child,’ it

said in Aunt Julia’s voice. ‘She doesn’t care for dolls--doesn’t care

for anything except music and Maurice.’”

Maurice had an unworthy and needless impression that the girl was

making some of this up. He looked at her curiously, as though he were

going to say something; but he refrained, and she continued her dream--

“I didn’t quite know what to say, but I told the beetle that he was

entirely wrong--that I liked papa and mamma very much indeed, and

rather liked almost everybody. Then I asked him how he managed to

speak, being a beetle, and how he could hear me speak. He told me that

neither of us had spoken a word: when I contradicted him, he said that

if I had gone back to my own room I should have found that my real

body was still lying asleep in bed. ‘Now,’ he pointed out, ‘you can’t

speak without your body--so that is proved.’ Then he said that beetles

never spoke, and that as a matter of fact we were not speaking, but

just understanding each other’s silence. Still, it seemed just like

speaking. We must have moved very quickly, because by this time we had

got quite beyond the moon. I could see it ever so far beneath my feet,

and the stars all scattered about the darkness; yet I didn’t remember

passing them on our way up. I didn’t feel at all cold. As the beetle

went on talking--it was just like real talking, so it doesn’t matter

whether it was real or not--he stopped being like Aunt Julia. He got

his own head back again, and his own voice--except that sometimes it

began to be rather like yours. You haven’t gone to sleep, have you?”

Maurice had not gone to sleep, and said so.

“The strangest thing was that although his body had not really

changed--except that it was so much bigger--it didn’t seem at all ugly

now. In fact, I liked to look at it, and didn’t at all mind keeping

hold of its fore-leg. I think the beetle must have known what I was

thinking about, for all of a sudden he said, as if he were sorry for

me: ‘Poor Marjorie! Poor little Marjorie! They’ve taught you all wrong,

and they taught me all wrong. But I had a glimpse of the right thing:

I always knew that human beings were not half as ugly as they seemed to

be. I said as much, but it was of no use to talk to the Dear Friend.

As for Mary--that fat-headed female had believed so many other things

that she had no capacity left for believing any more. I, however, had

got plenty of room left--oh, yes, plenty of room.’ When he said that

he chuckled in the most horrible way you ever heard. ‘Now I come to

think of it,’ he went on, ‘I believe I did _say_ that the human breed

were ugly. It was such a tame thing to believe anything that one said;

it was a thing that Mary always did, and so I didn’t. Marjorie, if the

good people hadn’t been good, I should have liked goodness.’”

“But who were Mary and the Dear Friend?” asked Maurice.

“I don’t know any more than you do. I don’t think he liked the Dear

Friend very much; sometimes he seemed to hate Mary, and sometimes he

seemed to love her and pity her. Now do you know what he told me? He

said positively that all beetles believed that they had souls which

never died, and that the sun, and stars, and everything were made for

them alone. They believed that men, and other animals, had no souls at

all. I told him how very absurd that was, and tried to explain to him

what was really the case; but he only chuckled horribly again. But as

we went up higher and higher he got more grave, and he didn’t laugh

any more; and once or twice he said to me quite sadly, ‘Poor little

Marjorie, you are very young to bother yourself about these things. You

only know part--only part--and I cannot tell you the rest--I may not!’

I began to get quite sorry for him, because it seemed to trouble him;

I think he really wanted to tell me some more things. Just then I saw

up above us a River of Light. It was flowing very swiftly and smoothly,

and looked like melted gold. I don’t know why, but I wanted to plunge

into the River. It seemed to be the only thing worth doing, or that

ever had been worth doing. I never wanted anything so much before in

my life, but the beetle would not let me go. Last of all I began to

cry; I really did, and you know, Maurice, that I hardly ever cry. But

it was of no use; he still kept tight hold of my hand. The darkness

was all grey darkness, except one black piece which stuck up like a

mountain. We stopped on the top of it, and looked down at the River. I

kept on crying--I do not know why, but I think it was because it all

seemed strange and awful. I may have been frightened a little, but it

was not quite like being frightened. There was a long pause, and then

the beetle said, ‘Ah, if you only knew now, Marjorie! And if I had only

known then!’

“Just then out of the grey darkness came a thread of light, like a

little snake, moving very quickly and curling about as if it were glad;

it hurried towards the great River of Light, and melted into it and

was gone. I was eager about it, and asked the beetle what it was. ‘I

may tell you that,’ he replied. ‘It was a soul going home!’ I stopped

crying then; I felt something the way I feel at an evening service in

a church in summer time, when they are singing one of the hymns I like

best. It was a sort of quiet happiness; I can’t explain it properly,

but I never felt so happy as I did then. ‘Beetle,’ I said, ‘you must

tell me the rest now.’

“‘I will tell you one thing,’” he said.

“What was it?” asked Maurice quickly.

For a few seconds Marjorie did not answer. There was a queer dreamy

look in her eyes. At last she said,--

“Maurice, I’m afraid you’ll think now that I have been making all this

up, but I haven’t. I can’t tell you what the beetle said, because I

_don’t know_. It was about you, and it was very important. I don’t

even know whether it was good or bad. It has gone straight out of my

memory, and I _can’t_ get it back again. I’d give anything to be able

to remember it. I’ve been thinking about it all the morning.”

“I believe you entirely,” said Maurice thoughtfully. “I have had much

the same kind of thing happen to me in a dream.”

He did not add that much the same thing had happened to him on the same

night. “How did the dream end?” he went on.

“I awoke directly after the beetle told me that thing that I have

forgotten. It was broad daylight. But when I got up, the beetle was not

on the table where I had put it. I could not find it anywhere.”

“You probably moved it in your sleep. Did you ever walk in your sleep?”

“Once, when I was quite little--almost a baby. I had got out into the

garden, and my nurse found me there.”

Maurice rose, and the two went down the hill together. “I wouldn’t

trouble about all that if I were you,” said Maurice. “These things can

generally be explained in the simplest way when one goes through them

carefully. Coffee, the action of the heart, the position of the body in

bed, the sounds that one hears while asleep, all help to explain a good

deal, you know.”

He did not tell her his own dream. He thought, perhaps rightly, that a

young girl, unacquainted with the study of mathematics, might be unduly

impressed by coincidences which were unusual but did not require a

supernatural explanation. He did not want to frighten her, or let her

grow superstitious. Yet during the day he thought a good deal about the

two dreams.

He had dreamed that he was seated on the one side of the fireplace in

his rooms at Cambridge, and that the beetle, with the same exaggerated

dimensions with which Marjorie had seen him, was seated in a lounge

chair on the other side. They were discussing Maurice’s psychological

studies, and Maurice was describing to him some of the curious

experiments which he had made in conjunction with Mr. Meyner. Every

difficulty that Maurice propounded the beetle made clear at once. He

even suggested fresh problems which had not occurred to Maurice before,

and was equally ready with their solution. His last words before

Maurice awoke were: “There are many things besides which you ought to

know, and of which you have not realised your own ignorance. You will

know them all one day.”

This was all that Maurice could remember of his dream. The difficulties

propounded and the explanations given had passed completely out of his

recollection. He was only conscious that during his dream he had felt

an exhilarating sensation of having known for certain things which he

had thought it impossible that any one, at least in this life, could

know at all.

Shortly afterwards he returned to Cambridge. By this time Marjorie

seemed to have recovered her normal spirits. She made no further

allusion to her dream. She was unaffectedly sorry at the departure of

Maurice.

Maurice had not been long at Cambridge before he received news of the

sudden death of Mr. Meyner. Apart from the friendship he had always

felt for Mr. Meyner, the death seemed to him peculiarly distressing and

pathetic. The man had worked hard at a study which fascinated him, not

from any desire for gain, or fame to be derived from it, but with the

most genuine devotion to the study itself; and he had died before his

work was done, before he had arrived at any large and definite result.

Yet Maurice felt assured that Meyner’s patience, and judgment, and

freedom from prejudice, would, if he had but lived longer, have brought

him some reward, some light. He had always distrusted and undervalued

himself; his humility was genuine, but almost irritating. He had been

at school, and subsequently at college, with Maurice’s guardian, and

had first met Maurice when he was a boy of fifteen; the friendship

between the boy and the middle-aged man had formed slowly, but surely,

since then; yet, although he gave every sign of his liking for Maurice,

he never seemed to expect Maurice to like him in return; he certainly

never realised the admiration which Maurice had for his knowledge and

attainments. So too he loved his wife and only child dearly, and he

knew that they loved him; but he had never realised how much they loved

him, and would very possibly have thought such love almost irrational.

To some extent, perhaps, his studies had spoiled him; he had been

groping in the darkness after great things, and the one result that he

seemed to have found there was a sense of his own insignificance. Yet,

illogically enough, he had never thought others insignificant; he had

never reached the cynical conclusion that nobody matters very much.

If his friends and his sympathies were so few, it was not because the

outside world did not matter to him, but because he could not believe

that he mattered to the outside world. He had died without ever having

learned his own value.

A parcel which was forwarded to Maurice from Mrs. Meyner shortly

afterwards contained the many note-books which her husband had filled

with the evidence he had collected, and the work he had done, until

death interrupted him. With them was a simple and pathetic letter that

he had written to Maurice on the day before he died. “Look through

them,” the letter said, in reference to the note-books. “You will see

and understand what I was aiming at. If you think it worth while, carry

on the investigation which I began; I own that it is some pleasure to

me to think that it is possible that you may do so; that one who was

intimate with my views, and who shared some of my opinions, which are

not generally held, may be able to give those views and opinions their

justification. But I do not want you to pledge yourself in any way, nor

do I ask you to give up your tripos or your career at college for the

purpose.”

In a Canadian Canoe; The Nine Muses Minus One, and Other Stories · 第 11 / 12 段