BRAZIL.

The leaden idol (fig. 125) (Artemis Nana[265] of Chaldea, Sayce;

statuettes of the Cyclades, Lenormant) found by Dr. Schliemann in the

third, the burnt city of Hissarlik, Troy, was described (p. 829) with its

Swastika on the triangular shield covering the pudendum, with the

statement that it would be recalled in the chapter on Brazil.

The aboriginal women of Brazil wore a triangular shield or plaque over

their private parts. These shields are made of terra cotta, quite thin,

the edges rounded, and the whole piece rubbed smooth and polished. It is

supported in place by cords around the body, which are attached by small

holes in each angle of the triangle. The U. S. National Museum possesses

several of these plaques from Brazil, and several were shown at the

Chicago Exposition.

The consideration of the leaden idol of Hissarlik, with a Swastika, as

though for good luck, recalled to the author similar plaques in his

department from Brazil. Some are of common yellow ware, others were finer,

were colored red and rubbed smooth and hard, but were without decoration.

The specimen shown in pl. 18 (upper figure) was from Marajo, Brazil,

collected by Mr. E. M. Brigham. It is of light gray, slip washed, and

decorated with pale red or yellow paint in bands, lines, parallels,

geometric figures. The specimen shown in the lower figure of the same

plate, from the Caneotires River, Brazil, was collected by Prof. J. B.

Steere. The body color, clay, and the decoration paint are much the same

as the former. The ornamentation is principally by two light lines laid

parallel and close so as to form a single line, and is of the same

geometric character as the incised decoration ornament on other pieces

from Marajo Island. Midway from top to bottom, near the outside edges, are

two Swastikas. They are about five-eighths of an inch in size, are turned

at right angles, one to the right and the other to the left. These may

have been a charm signifying good fortune in bearing children. (See pp.

830-832.)

These specimens were submitted by the author to the Brazilian minister,

Señor Mendonça, himself an archæologist and philologist of no small

capacity, who recognized these objects as in use in ancient times among

the aborigines of his country. The name by which they are known in the

aboriginal language is _Tambeao_ or _Tamatiatang_, according to the

dialects of different provinces. The later dialect name for apron is

reported as _tunga_, and the minister makes two remarks having a possible

bearing on the migration of the race: (1) The similarity of _tunga_ with

the last syllable of the longer word, _atang_, and (2) that _tunga_ is

essentially an African word from the west coast. Whether this piece of

dress so thoroughly savage, with a possible ceremonial meaning relating to

sex or condition, with its wonderful similarity of names, might not have

migrated in time of antiquity from the west coast of Africa to the

promontory of Brazil on the east coast of America where the passage is

narrowest, is one of those conundrums which the prehistoric anthropologist

is constantly encountering and which he is usually unable to solve.

The purpose of these objects, beyond covering the private parts of the

female sex, is not known. They may have been ceremonial, relating, under

certain circumstances, to particular conditions of the sex, or they may

have been only variations of the somewhat similar covers used by the male

aborigine. They bear some resemblance to the _Ceintures de Chasteté_,

specimens of which are privately shown at the Musée de Cluny at Paris.

These are said to have been invented by Françoise de Carara, viguier

imperial (provost) of Padua, Italy, near the end of the fourteenth

century. He applied it to all the women of his seraglio. He was beheaded

A. D. 1405, by a decree of the Senate of Venice, for his many acts of

cruelty. The palace of St. Mark contained for a long time a box or case of

these ceintures with their locks attached, which were represented as

_des pieces de conviction_ of this monster.[266] Voltaire describes his

hero "_qui tient sous la clef, la vertu de sa femme_."

[Illustration: PLATE 18. FOLIUM VITUS ("FIG LEAVES"). Terra-cotta covers,

"tunga." Aborigines of Brazil. Cat. Nos. 59089 and 36542, U. S. N. M.]

[Illustration: MAP SHOWING DISTRIBUTION OF THE SWASTIKA.]

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