Fig. 204_b_. RUNIC INSCRIPTION ON SPEARHEAD. Torcello, Italy.]

[Illustration: Fig. 205. REDDING COMB WITH SWASTIKA. Scandinavia.]

A bronze sword is reported by Mr. George Stephens[207] as having been

found at Sæbo, Norway, with runes and a Swastika inlaid with silver. This

specimen (fig. 203) was the subject of discussion before the International

Congress of Anthropology and Prehistoric Archæology,[208] at Budapest,

1876. Its runes were translated by Stephens, and being read from right to

left, "OH THURMUTH," or "owns me Thurmuth." But on the same page he gives

another sign for Thu and renders [S] as Odin or (W)oden. In the discussion

before the congress it seems to have been agreed that the sign [S] stood

for "blessing," "good luck," or some beneficent charm or benediction. A

spearhead has been for years displayed in the museum at Torcello, near

Venice, Italy, with a Swastika sign (fig. 204_a_) prominent as an engraved

sign.[209] Associated with it, but not a part of it, was an inscription

(fig. 204_b_), which has always been attributed to the Etruscans. Mr. I.

Undset, an archæologist in the museum of Christiania, made an extended

visit through Italy in 1883, and on seeing this spearhead recognized the

inscription as runic and belonging to Scandinavia. The arms of the

Swastika turned to the left, and the ends were finished with three dots of

the same style as those described employed in the _Croix swasticale_ (fig.

12). Figs. 205 and 206 represent articles of dress or toilet, and bear the

Swastika. The first shows a redding comb, the Swastika on which turns to

the right. It was probably of bone or horn, as are those of modern times.

Fig. 206 shows a brooch, the interior decoration of which is a combination

of Swastikas more or less interlaced. It is of bronze and was used as a

dress ornament. Fig. 207 shows a large brooch, the bodies and bar of which

are almost covered with the tetraskelion style of Swastika. There are six

of the four-armed Swastikas, four of which turn to the left and two to the

right. Another is a triskelion, the arms of which turn to the right.

[Illustration: Fig. 206. BRONZE BROOCH OR FIBULA WITH COMBINATION OF

SWASTIKAS. Scandinavia.]

[Illustration: Fig. 207. BRONZE BROOCH WITH SWASTIKAS. Tetraskelions

(right and left), triskelion (left). Scandinavia.]

[Illustration: Fig. 208. PLACQUE FOR CEINTURE, WITH BUCKLE. Two ogee

Swastikas (tetraskelions).]

[Illustration: Fig. 209. SCANDINAVIAN SWORD SCABBARD. Two ogee Swastikas

(tetraskelions), right and left.]

[Illustration: Fig. 210. SCANDINAVIAN SWORD SCABBARD. Ogee Swastika.]

[Illustration: Fig. 211. SCANDINAVIAN SWORD SCABBARD. Two triskelions,

right and left.]

In Scandinavia more than in other countries the Swastika took the form of

a rectangular body with arms projecting from each corner and bending in a

spiral form, sometimes to the right, sometimes to the left. These are

found more frequently on fibulæ or brooches and on swords and scabbards.

In fig. 208 is shown a placque for a ceinture or belt, with a buckle to

receive the thong. It contains two ogee Swastikas (tetraskelions). In this

and fig. 207 the border and accessory decoration consist largely of ogee

curves, which, here represented separate, would, if placed together as a

cross, form the same style of Swastika as those mentioned. Figs. 209 and

210 show sword scabbards, with Swastikas turned both ways. Fig. 211 shows

two triskelions. Fig. 212 represents a gold brooch from a grave at Fyen,

reported by Worsaae and figured by Waring.[210] The brooch with ogee

Swastika bears internal evidence of Scandinavian workmanship. There are

other Swastikas of the same general form and style in distant localities,

and this specimen serves to emphasize the extent of possible communication

between distant peoples in prehistoric times. Fig. 213 represents a piece

of horse-gear of bronze, silver plated and ornamented with Swastikas. Two

of these are normal, the ends bent at right angles to the left, while the

other is fancifully made, the only specimen yet found of that

pattern.[211] It is not seen that these fanciful additions serve any

purpose other than decoration. They do not appear to have changed the

symbolic meaning of the Swastika. Fig. 214 represents a sword scabbard

belonging to the Vimose find, with a normal Swastika. Ludwig Müller

reproduces a Swastika cross from a runic stone in Sweden. In an ancient

church in Denmark, the baptismal font is decorated with Swastikas, showing

its use in early Christian times. (See p. 878 for continuation of Swastika

on Scandinavian or Danish gold bracteates.)

[Illustration: Fig. 212. GOLD BROOCH WITH OGEE SWASTIKA. Island of Fyen.

Waring, "Ceramic Art in Remote Ages," pl. 43, fig. 11.]

[Illustration: Fig. 213. SCANDINAVIAN HORSE-GEAR. Silver plated on bronze.

Waring, "Ceramic Art in Remote Ages," pl. 44, fig. 16; Du Chaillu, "Viking

Age," I, fig. 379.]

Mr. Paul du Chaillu, in his "Viking Age," mentions many specimens of

Scandinavian and Norse antiquities bearing Swastika marks of divers

styles: Bronze vessels (vol. 1, p. 100, note 1); iron spear point with

runes and Swastika inlaid with silver, discovered in a tumulus with burnt

bones, Muncheburg, fig. 336; another of the same, Volhynia, Russia, fig.

337; pottery vessel containing burnt bones, pointed iron knife, bronze

needle, and melted glass beads, Bornholm, fig. 210; iron spearhead, Vimose

bog find, (p. 207); border of finely woven silk cloth with gold and silver

threads, from a mound (vol. 2, p. 289, fig. 1150).

_Scotland and Ireland._--Specimens of the Swastika have been found on the

Ogam stones in Scotland and Ireland (p. 797). In the churchyard of Aglish,

county Kerry, Ireland, stand two stones bearing Ogam inscriptions. At the

top of one is an ancient Celtic cross inclosed in a circle similar to fig.

7; immediately under it are two Swastika marks of four arms crossing at

right angles, each arm bent to the right also at right angles. On two

corners of the stone are inscriptions of the usual Ogam characters. The

translation may be given, but seems to be unimportant and without apparent

bearing upon this question. They are somewhat obliterated and their

reading difficult. So far as made out, they are as follows: Maqimaqa and

Apiloggo.

[Illustration: Fig. 214. SCANDINAVIAN SWORD SCABBARD WITH NORMAL SWASTIKA.

Vimose bog find.]

In Scotland, the Newton stone, in the grounds of the Newton House, bears

an Ogam inscription, the meaning of which has no bearing upon the

subject. But on the upper part of one of its faces appears an inscription,

boldly and deeply incised, of forty-four characters arranged horizontally

in six lines. These are of so remarkable a type as to have puzzled every

philologist and paleographer who has attempted their decipherment. The

late Alexander Thomson, esq., of Banchory, Scotland, circulated a

photograph and description of this monument among antiquarians with a

request for their decipherment of it. Various readings have been given by

the learned gentlemen, who have reported it to be Hebrew, Phenician,

Greek, Latin, Aryan, Irish, and Anglo-Saxon respectively. Brash[212] gives

his opinion that the inscription is in debased Roman letters of a type

frequently found in ancient inscriptions, its peculiarities being much

influenced by the hardness of the stone at the time of cutting and of the

subsequent weather wear of ages. The interest of this monument to us is

that the third character in the fourth line is a Swastika. It is

indifferently made, the lines do not cross at right angles, two of the

ends are curved, and the two others bent at a wider than right angle.

There are four characters in the line closely following each other, (see

p. 797.)

[Illustration: Fig. 215. SCULPTURED STONE. Greek cross in circle, normal

Swastika in square, and ogee Swastika in quatrefoil. Ireland.]

[Illustration: Fig. 216. FRAGMENT OF THIN BRONZE REPOUSSÉ. Ogee Swastika.

Ireland. Munro, "Lake Dwellings of Europe," pl. 124, figs. 20-22.]

[Illustration: Fig. 217. FRAGMENT OF THIN BRONZE. Triskelion. Ireland.

Munro, "Lake Dwellings of Europe," p. 384, pl. 124, figs. 20-22.]

[Illustration: Fig. 218. BRONZE PIN WITH SMALL NORMAL SWASTIKA ON HEAD.

Crannog of Lochlee, Tarbolton, Scotland. Munro, "Lake Dwellings of

Europe," p. 417.]

The Logie stone, in Aberdeenshire, Scotland, bearing Ogam characters,

contains a figure or mark reported by George M. Atkinson as a

Swastika.[213]

On the Celtic crosses of Scotland certain marks appear which are elsewhere

found associated with Swastika, and consequently have some relation

therewith. The "Annam Stone" bears the mark of a Swastika (left) within

three concentric circles, around the outside of which is a circle of

dots.[214]

Ludwig Müller reports the Swastika in Scotland and Ireland on Christian

tombs, associated with Latin crosses.[215]

A sculptured stone in Ireland (fig. 215) shows on the face three varieties

of the cross, a Greek cross in a circle, a Swastika with square ends

turned to the right, within a rectangle, and an ogee (tetraskelion) turned

to the right, inclosed in a quatrefoil.[216]

[Illustration: Fig. 219. CARVED TRISKELION FOUND ON FRAGMENT OF ASH WOOD.

Crannog of Lochlee, Tarbolton, Scotland. Munro, "Lake Dwellings of

Europe," p. 415.]

An Irish bowl showed a Swastika thus [symbol]. Dr. R. Munro[217] reports

from the Crannog of Lesnacroghera country, Antrim, Ireland, two pieces or

disks of thin bronze, repoussés (fig. 216), bearing the sign of the

Swastika and having the four arms of the spirals turned to the left. The

similarity of this figure with those shown on the shields of the Pima

Indians of New Mexico and Arizona (figs. 257 and 258) is to be remarked.

Fig. 217 shows a triskelion of symmetric spirals turned to the right. In

the Crannog of Lochlee, near Tarbolton, a bronze pin was found (fig. 218),

the head of which was inclosed in a ring. On one side of the head was

engraved a Greek cross, on the other was a normal Swastika turned to the

right. The same crannog furnished a piece of ash wood five inches square,

which had been preserved, as were all the other objects, by the peat, on

which was carved a triskelion (fig. 219) after the form and style of those

on the Missouri mound pottery.

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