[49] Though whist is reported to be an old English word meaning

silence, and though it is advisable for many reasons that it should be

played with reasonable quiet, it is not at all compulsory to conduct

yourself as if in the monastery of La Trappe; you have a perfect

right—as far as the laws of whist are concerned—to discuss at any time

the price of stocks, the latest scandal, or even the play going on,

“provided that no intimation whatever, by word or gesture, be given as

to the state of your own hand or the game.”—_Etiquette of Whist._

At bumblepuppy you had better waive this right altogether, for if under

any circumstances you open your mouth, you will infallibly put your

foot into it. Even here, the bumblepuppist is not consistent, for while

constantly laying down the extraordinary law—in a very loud voice—that

whist is silence, he considers the carrying out of that law much more

incumbent on the rest of the table than himself.

[50] “Avoid playing with those who instruct, or rather find fault while

the hand is playing. They are generally unqualified by ignorance, and

judge from consequences; but if not, advice while playing does more

harm than good.”—_Mathews._

“The empty vessel makes the greatest sound.”—_Shakespeare._

“Talking over the hand _after_ it has been played is not uncommonly

called a bad habit and an annoyance, I am firmly persuaded it is one of

the readiest ways of learning whist.”—_Clay._

[51]

“O dreary life!” we cry, “O dreary life!”

And still the generation of the birds

Sing through our sighing, and the flocks and herds

Serenely live while we are keeping strife.

“The education of the whist-player is peculiar. How he becomes a

whist-player nobody knows. He never learns his alphabet or the

catechism or anything that he ought to do. He appears full-grown,

mushroom-like. He remembers someone blowing him up for doing something

he ought not to have done, and somebody else blowing him up for

doing something else, and he is blown up to the end of the chapter.

This phase of being blown up is varied by grumbling sometimes aloud,

sometimes _sotto voce_; so that the whist-player is reared on scolding

and grumbling as other youngsters are reared on pap. Truly this is a

happy life. Some men grumble on principle because it is a national

privilege, and they avail themselves of the Englishman’s birthright.”

“A sect whose chief devotion lies

In odd perverse antipathies:

In falling out with that or this,

And finding somewhat still amiss,

More peevish, cross, and splenetic

Than dog distract, or monkey sick.”—_Hudibras._

“Some do it because they believe that if they grumble enough, it

will bring them luck. Some do it in the hope that they will excite

sympathy, and that their friends will feel for their ill-fortune,

which, by-the-bye, whist-players never do. Some grumble to annoy their

friends, and we are bound to say these succeed.”—_Westminster Papers._

“The croaking nuisance lurked in every nook;

And the land stank—so numerous was the fry.”—_Cowper._

[52] “They are intent on some wretched crotchet like the lowest but

one.”

“Every time he can lead a lowest but one, no matter what the state of

the game or the score, that lead he is sure to make, and we believe

there are some neophytes who would lose their money with pleasure if

they could only tell their partners afterwards that they had led the

lowest but one.”—_Westminster Papers._

[53] “Common sense (which in truth is very uncommon) is the best sense

I know of. Abide by it; it will counsel you best.”—_Chesterfield

Letters._

[54] This is at first sight a rather appalling proposition, but the

advice I give you I have always endeavoured to follow myself, and I am

not a solitary case, for in the _Nineteenth Century Review_ for May,

1879, I find the writer of one of the articles is in the same boat;

this thoughtful writer—he must have been thoughtful, otherwise his

lucubration would not have been accepted—says: “I have given up the

practice of thinking, or it may be I never had it.”

[Illustration]

LECTURE XI.

——

THINKING.

——

“With some unmeaning thing, that they call thought.”—_Pope._

“Think, and die.”—_Shakespeare._

NEVER think!

Unless you have some remarkably good reason for taking your own course,

do as you are told. If your partner leads a small trump, and you win

the trick, return it at once:

“Gratia ab officio, quod mora tardat, abest.”

This is a much more simple and satisfactory plan than to proceed to

think that he may have no more, or that the fourth player must hold

major tenace over him; no one will admit more readily than I do that

you are much the better player of the two, still, allow him to have

some idea of the state of his own hand.

Don’t think whenever you see a card played that it is necessarily

false.—“_Nil sapientiæ odiosius acumine nimio._”—_Seneca._

As, on the whole, true cards are in the majority, you are more likely

to be wrong than right, and the betting must be against you in the long

run.

“My business and your own is not to inquire

Into such matters, but to mind our cue—

Which is to act as we are bid to do.”—_Byron._

If you are blest with a sufficiently sharp eye to the left, you may

occasionally _know_ that a card is false, but knowledge acquired in

that way I should not describe as thinking; I should use a quite

different expression.

With the military gentleman who anathematized intellect I deeply

sympathize. Profound thought about facts which have just taken place

under your own eye is the bane of whist.

Why imitate Mark Twain’s fiery steed? Why, when it is your business to

go on, “lean your head against something, and think?”

Whether you have seen a thing or not seen it, there can be no necessity

for thought; recondite questions—such as whether the seven is the best

of a suit of which all the others but the six are out, or whether a

card is the twelfth or thirteenth—can be answered by a rational being

in one of two ways, and two only; either he knows, or he does not know,

there is no _tertium quid_; the curious practice of gazing intently at

the chandelier and looking as intelligent as nature will permit—if not

more so—though it is less confusing than going to the last trick for

information, and imposes upon some people, is no answer at all;[55]

this, in whist circles, is called, or miscalled, _thinking_. It is not

a new invention, for it has been known and practised from the earliest

times. “There is a generation, O how lofty are their eyes; and their

eyelids are lifted up.”—_Proverbs, chap._ 30, _verse_ 13, B.C. 1,000.

Pecksniff, who had an extensive acquaintance with the weaknesses of

human nature, knew it; you and all other schoolboys are adepts at it.

In Greek the very name of man—ανθρωπος—was derived from this peculiar

method of feigning intelligence, and it was by no means unknown to the

Romans.

“Pronaque cum spectent animalia cœtera terram,

Os homini sublime dedit cœlumque tueri.”

But, however ancient and venerable the practice may be, it is one

of those numerous practices more honoured in the breach than in the

observance; surely, looking on the table is more in accordance with

the dictates of common sense than attempting to eliminate unknown

quantities from a chandelier. In the one you have gas and probably

water; on the other—lying open before you—the data required. I have

now endeavoured, not to teach you either whist or bumblepuppy, but to

point out a few of the differences between them, and to start you on

the right road. The first is a game of reason and common sense, played

in combination with your partner; the second is a game of inspiration,

haphazard, and absurdity, where your partner is your deadliest enemy.

I have made a few extracts from Mathews—partly because I do not like

novelties merely because they are novelties—partly to convince the

bumblepuppist (if anything will convince him) that when he tells me

the recognised plan is a new invention, introduced by Cavendish for

his especial annoyance, he does not know what he is talking about;

and partly to show you that since that book was written—eighty years

ago—the main principles of Whist are almost unaltered.

The chapter on etiquette is since his time; but, although the game has

been cut down one-half, take away from Mathews his slight partiality

for sneakers—to be accounted for by the possibility of his partner at

that remote period being even a more dangerous lunatic than yours is at

present, and the consequent necessity for playing more on the defensive

(for leading singletons, whatever else it may do, and however it may

damage the firm, does not injure the leader)[56] take away from the

play of to-day its signal, its echo, and its penultimate of a long

suit; (all excrescences of doubtful advantage for general purposes,

and the last two more adapted to that antediluvian epoch when human

life was longer)—and the continuity of the game is clear.[57] Whether

Whist would gain anything by their omission I am unable to say; the

attention, now always on the strain in _looking_ for its accidents,

would have a spare moment or two to devote to its essentials; whether

it would do anything of the kind is another matter.

Those followers of Darwin and believers in the doctrine of evolution,

to whom it is a source of comfort that an ascidian monad and not Eve

was their first parent, must find the Whist table rather a stumbling

block: they will there see uncommonly few specimens of the survival of

the fittest. A cynic with whom I was once conversing on this subject,

remarked that they were much more likely to come across the missing

link.

The philosopher of Chelsea long since arrived at the unsatisfactory

and sweeping conclusion, that the population of these islands are

mostly fools, and he has made no exception of the votaries of Whist.

Still, it has the reputation of being a very pretty game, though this

reputation must be based to a great extent on conjecture; for apart

from its other little peculiarities—on some of which I have briefly

touched—its features are so fearfully disfigured by bumblepuppy, that

it is as difficult to give a positive opinion as to say whether a woman

suffering from malignant small-pox might or might not be good looking

under happier circumstances. The sublime self-confidence expressed in

the distich—

“When I see thee as thou art,

I’ll praise thee as I ought,”

has not been vouchsafed to me, but if ever I obtain a clear view of it,

I will undertake to report upon it to the best of my ability.

You may have heard that if you are ignorant of Whist you are preparing

for yourself a miserable old age: it is by no means certain that a

knowledge of it—as practised at this particular period—is to be classed

with the beatitudes.

[Illustration]

FOOTNOTES:

[55] Making passes in the air with your hand, as if you were about to

mesmerise the table, is another favourite stratagem.

[56] The difference here is more apparent than real; Mathews, with

considerable limitations, advocates leading singletons; now-a-days the

practice is decried, but I regret to say that as far as my experience

goes, the principal obstacle to leading a singleton is not having a

singleton to lead.

[57] “We expect that Cavendish very often must have objected to that

ancient plagiarist Mathews for stealing his ideas.”

“If their ideas are not identical, it is rather difficult to find where

one begins and the other ends.”—_Westminster Papers._

“I contend that there is no essential difference between modern and

old-fashioned whist, _i.e._, between Hoyle and Cavendish, Mathews and

J. C.”—_Mogul._

[Illustration]

LECTURE XII.

——

TEMPER.

——

“O tempora! O mores!”

“To seek to extinguish anger utterly is but a bravery of

the Stoics.”—_Bacon._

I AM afraid that you will hear at the whist table a good deal about

temper, unless you are particularly fortunate; that so-and-so is

good-tempered, or the reverse; that if we were all better tempered,

something or other might be different, and similar platitudes. Now

these mostly start on the utterly false assumption that everybody is

equally subject to the same annoyances.

“Tender and delicate persons must needs be oft angry;

they have so many things to trouble them, which more

robust natures have little sense of.”—_Ibid._

That the greatest exponent of Bumblepuppy has necessarily the longest

temper goes without saying—of course he has! He has nothing to ruffle

him, for he has everything his own way; he plays as he thinks fit

(supposing him to think at all, or ever to be fit); if his partner

makes a mistake it is any odds he never sees it; _de non existentibus

et non apparentibus eadem est ratio_; here is one cause of equanimity.

If it is any amusement to him—and I presume it is, otherwise he would

not do it—from his cradle to his grave to play a game of which he knows

absolutely nothing, and if in pursuit of that amusement he thinks it

worth his while to take a certain amount of his own and his partner’s

capital, and to throw it in the street, why should he lose his temper?

Although he has paid his money, he has had his choice—another cause of

equanimity.

Ah Sin played a game he did not understand, and remained quite calm

and unperturbed, though he was a heathen and an Asiatic; while his

antagonist disgraced our common Christianity by letting his angry

passions rise because things were going against him.

If both partners, then, are of the same mind and the same

calibre—either bad or good—to quote an American author, “all is peas,”

and like the place

“Where brothers dwell and sisters meet

Quarrels should never come.”

The difficulty begins to arise when one of the partners fails to

see things altogether in the same light as the other. He may be so

unfortunately constituted (cross-grained the other would say) that he

is unable to derive any amusement from the game unless it is played

with a modicum of intelligence; it is just possible that instead of

considering gold as dross, as an accursed thing to be got rid of at

the earliest opportunity, he may be actuated by a depraved love of

filthy lucre, and a sordid desire for gain; such conditions are to be

deplored, but they exist and must be reckoned with.

When his partner proceeds to run amuck, he misses the point of the

joke; his perverted moral sense revolts against paying half the money,

and the other man having all the choice; probably, for a time, he keeps

his mouth tightly shut, but his _collaborateur_ is not to be eluded

in that way; he demands not merely the passive, but the active assent

of his victim, and sooner or later, after the perpetration of some

particularly atrocious _coup_, inquires with the bland and childlike

smile of the heathen already referred to, “Partner, I think we could

not have done better there?” What is to be done now? Silence is not

an answer; it used to be, but has been disestablished. Are you to

agree with him? Are you to state what is false? Are you to dissent and

be informed you are always finding fault? (Shakespeare’s retort is

neat and worthy of him: “You have always been called a merciful man,

partner;” but we are not all Shakespeares.) Or is it the best course

at once to resort to active measures, and throw at him the first thing

that comes to hand?

The worm must turn some time or other; it may turn the other cheek, but

that is only temporising; no worm has more than two cheeks, and when

it has had them both slapped, what is it to do then? We come to an

_impasse_.

The copy-books used to tell us—for anything I know they may do so

yet—copy-book aphorisms have a marvellous vitality, and you have seen

them since I have—that “patience is a virtue” (I think virtue ought

to have a capital V), and, as an abstract proposition, the statement

is probably as true and more grammatical than “There’s milestones on

the Dover Road”; but what is the use of it? The question is, will it

wash? The two best known examples of this virtue are the Patriarch

Job and the patient ass. Whether the Patriarch was well advised in

enduring his friends so long, and whether he endured them on account

of his patience, or whether the bodily affliction from which he was

notoriously suffering at the time, incapacitated him from taking

energetic steps to expel them from his bed-room, are questions

difficult to decide so long after the event. I express no opinion of my

own; let the dead past bury its dead: _de mortuis nil nisi bonum_; but

the donkey is a different matter; he lives in our own times, and I know

him well; he touches me nearly; and I unhesitatingly affirm that the

only benefit—if benefit is the proper term—he has ever derived from his

long-suffering, has been to be invariably imposed upon in consequence.

Casa Bianca on the burning deck is another case in point; he did score

to a certain extent, for owing to his patience his widowed mother

escaped an undertaker’s bill, while he himself is known to this day in

the nursery as “the noble boy”; but to the more mature observer, in

whom the ambition to be called names is dead, the game is hardly worth

the candle; while you yourselves will be called quite enough names

at the whist table without being cremated; not to mention that the

majority of you probably prefer pudding to praise.

Some irritable people go so far as to apply language of a condemnatory

character to the inanimate cards; as it is impossible to arouse any

emotion either of pleasure or anger in their breasts, this seems absurd

and a waste of energy. It must be bad form to excite yourself without

causing annoyance to others, and should certainly be avoided.

Believing luck to be strictly personal, it appears to me that calling

for new cards is an unnecessary display of temper and throwing good

money after bad.

We may take it, speaking generally—for it is not always the case—that

the worse a man plays, the less visible is his bad temper; the converse

fortunately does not hold good, for many good players have really

wonderful tempers.

One curious circumstance is that want of perception and thickness of

mental cuticle are usually looked upon by the unfortunate possessors

as proofs of good temper, and boasted of as such. This is not the case

in other afflictions. I once knew a man with a Barbadoes leg, and

though its circumference much exceeded that of mine, he never made any

offensive comparisons.

In Bath I have seen scores of invalids—mostly naval and military men,

naturally warlike—they were all seated decorously in the local chairs;

and when they dismounted and hobbled into the club, they did not go

about brandishing their crutches and bragging that they had refrained

from assaulting us innocent civilians; on the contrary, I always found

them most courteous and friendly.

To sum up the matter; we are all worms of some kind, and we all turn

more or less when we are trodden upon, if we perceive it. The denser

the worm, the more slowly he turns. While some ill-conditioned ones

turn under all circumstances, some of the most highly-organised are

scarcely ever known even to wriggle. Apparently harmless ones sometimes

turn most suddenly and ferociously. Those most trodden upon—unless

quite _hors de combat_—turn most.

Finally, many congenitally mal-formed worms, and worms suffering from

amaurosis, cerebral ramollissement, myxædema, and other dreadful

diseases, are not only unaware of their critical state, but are

actually proud of it, and look upon it as a proof of their amiable

disposition.

[Illustration]

LECTURE XIII.

——

DETERIORATION OF WHIST, ITS CAUSES AND CURE.

——

“Past and to come seem best; things present worst.”—_Shakespeare._

IN my time I believe Whist has on the whole deteriorated,[58] it

mistakes means for ends, is more tricky, more difficult, more

cantankerous; with regard to common mistakes—inability to hold a few

cards without dropping them on the table, or to play them one at a

time; inability to count thirteen, to recollect the best card, or

whether it was your opponents, your partner, or yourself who first led

a suit; winning your partner’s trick, or not winning your adversary’s;

leading out of turn, revoking, and so on—there is not much difference.

As long as I can recollect, Whist has been gorged with these, and

neither the hydraulic ram nor any other of the improved mechanical

appliances of the present day can squeeze into a thing more than it

will hold. Architects of card-rooms are to blame for a good deal of

this bad Whist; it is impossible to play in a badly lighted, or a badly

ventilated room. Whist players have often told me exactly what they

require, and it is very odd they cannot have it.

With a large fire, the room hermetically sealed, and everybody smoking,

the temperature should never exceed sixty-one-and-a-half degrees, nor

be below sixty. There must be neither doors (they admit draughts)

nor windows: windows are open—allow me to withdraw that offensive

word—windows are exposed to two objections, (1) some scoundrel,

regardless of consequences, might lower or raise the sash; (2) instead

of being placed in the ceiling or the floor—where you would naturally

expect to find them—they are always at the side of the room, and no

whist player can see a card with the windows in such a position.

Candles do not give sufficient light, and gas is unbearable; a

suggestion to try an attic with a skylight fell through (not through

the skylight—I mean the suggestion failed), because no one was able to

go upstairs; a lift would overcome that objection, but the temperature

difficulty remained.

This only applies to clubs; curiously enough, in small stuffy

back-rooms in private houses, gas never causes head-ache, and neither a

mephitic atmosphere nor a temperature of 120° is at all disagreeable.

Joking apart, the _fons et origo mali_ is Law 91, and not only the

head and front of the offending, but its barrel and hind quarters as

well.[59]

Since the introduction of signalling, the subsequent petrolatry, and

all the elaborate functions of that cultus, an exaggerated importance

(increasing in geometric ratio with every additional convention) has

been attached to the last trick—the only place where, by universal

consent, anything can reasonably be “looked for”—and if you, after

seeing the cards played, informing your partner which is yours (of

course, in answer to his enquiry), gathering the trick and arranging it

neatly, should imagine you have done with it, you will be the victim of

a fond delusion—using “fond” in the old acceptation of the word. First,

your partner will ask to see it at least twice, then your opponents,

one or both, will probably grab at it without asking, and put it back

in a dishevelled condition; it is useless to specify what their mental

state must be, and unfortunately, by the time all these irritating

performances have been gone through and you have again arranged the

trick symmetrically, you will find yours is not all you could wish. You

can avoid some of these annoyances by allowing your partner to gather

the tricks, but from his slovenly mode of doing so, you will never

be able to see how many he has; and just as you are endeavouring to

concentrate your attention at a critical point, it will be distracted

by your having to make an intricate calculation how the game stands,

the data being the cards remaining in your hand, and two confused

heaps on the table; as long as this is permitted, whist is out of the

question, and you feel inclined to say with the Divine Williams,

“Let him have a table by himself.”

One of the principal uses of the new method of suspended animation

will turn out to be, that all decent whist players will have to submit

themselves to it, and remain, arranged in rows on shelves, until that

law is abrogated.

The number of shelves required will not appreciably affect the timber

trade.[60]

In the good time coming, promised by the poet to those of you who wait

a little longer, when the present inspired, convention-ridden, and

last-trick-inspecting generation is in the silent tomb or cremated, as

the case may be, and a new school—basing its play on common sense and

attention—has arisen, there may be an improvement; but as I am not an

optimist I cannot join in the aspiration of the little girl whose world

was hollow and whose doll was stuffed with sawdust; therefore, though

this improvement, like the millennium, may be looming in the more or

less remote future, I see no sign of it at present.

Whist; or, Bumblepuppy? Thirteen Lectures Addressed to Children · 第 5 / 7 段