CHAPTER II

ROBERT LOUIS STEVENSON

"As from the house your mother sees

You playing round the garden trees,

So you may see, if you will look

Through the window of this book,

Another child, far, far away,

And in another garden, play."

--"Child's Garden of Verses."

Robert Louis Balfour Stevenson was born at No. 8 Howard Place,

Edinburgh, Scotland, November 13, 1850.

In 1852 the family moved from Howard Place to Inverleith Terrace, and

two years later to No. 17 Heriot Row, which remained their home for many

years.

As a child Louis was very delicate and often ill, for years hardly a

winter passed that he did not spend many days in bed.

Edinburgh in winter is extremely damp and he tells us: "Many winters I

never crossed the threshold, but used to lie on my face on the nursery

floor, chalking or painting in water-colors the pictures in the

illustrated newspapers; or sit up in bed with a little shawl pinned

about my shoulders, to play with bricks or what not."

The diverting history of "Hop-O'-My-Thumb" and the "Seven-League Boots,"

"Little Arthur's History of England," "Peter Parley's Historical Tales,"

and "Harry's Ladder to Learning" were books which he delighted to pore

over and their pages bore many traces of his skill with the pencil and

paint-brush.

Those who have read the "Child's Garden of Verses" already know the

doings of his childish days, for although those rhymes were not written

until he was a grown man he was "one of the few who do not forget their

own lives" and "through the windows of this book" gives us a vivid and

living picture of the boy who dwelt so much in a world of his own with

his quaint thoughts.

If his body was frail his spirit was strong and his power of

imagination so great that he cheered himself through many a weary day by

playing he was "captain of a tidy little ship," a soldier, a fierce

pirate, an Indian chief, or an explorer in foreign lands. Miles he

travelled in his little bed.

"I have just to shut my eyes,

To go sailing through the skies--

To go sailing far away

To the pleasant Land of Play"

he says.

[Illustration: No. 8 Howard Place, Edinburgh, Stevenson's birthplace]

In spite of his power for amusing himself, days like these would have

gone far harder had it not been for two devoted people, his mother and

his nurse, Alison Cunningham or "Cummie" as he called her. His mother

was devoted to him in every way and encouraged his love for reading and

story-making. She kept a diary of his progress from day to day, and

treasured every picture he drew or scrap he wrote. Cummie came to him as

a Torryburn lassie when he was eighteen months old and was like a second

mother to him. She not only cared for his bodily comforts but was his

friend and comrade as well. She sang for him, danced for him, spun fine

tales of pirates and smugglers, and read to him so dramatically that his

mind was fired then and there with a longing for travel and adventure

which he never lost. When they took their walks through the streets

together Cummie had many stories to tell him of Scotland and Edinburgh

in the old days. For Edinburgh is a wonderful old city with a wonderful

history full of tales of stirring adventure and romance. "For centuries

it was a capitol thatched with heather and more than once, in the evil

days of English invasion, it has gone up in flames to Heaven, a beacon

to ships at sea.... It was the jousting-ground of jealous nobles, not

only on Greenside or by the King's Stables, where set tournaments were

fought to the sound of trumpets and under the authority of the royal

presence, but in every alley where there was room to cross swords.... In

the town, in one of those little shops plastered like so many swallows'

nests among the buttresses of the old Cathedral, that familiar autocrat

James VI. would gladly share a bottle of wine with George Heriot the

goldsmith. Up on the Pentland Hills, that so quietly look down on the

castle with the city lying in waves around it, those mad and dismal

fanatics, the Sweet Singers, haggard from long exposure on the moors,

sat day and night 'with tearful psalms.'... In the Grassmarket,

stiff-necked covenanting heroes offered up the often unnecessary, but

not less honorable, sacrifice of their lives, and bade eloquent farewell

to sun, moon and stars and earthly friendships, or died silent to the

roll of the drums. Down by yon outlet rode Grahame of Claverhouse and

his thirty dragoons, with the town beating to arms behind their horses'

tails--a sorry handful thus riding for their lives, but with a man at

their head who was to return in a different temper, make a bold dash

that staggered Scotland, and die happily in the thick of the fight....

"The palace of Holyrood is a house of many memories.... Great people of

yore, kings and queens, buffoons and grave ambassadors played their

stately farce for centuries in Holyrood. Wars have been plotted, dancing

has lasted deep into the night, murder has been done in its chambers.

There Prince Charlie held his phantom levées and in a very gallant

manner represented a fallen dynasty for some hours....

"There is an old story of the subterranean passage between the castle

and Holyrood and a bold Highland piper who volunteered to explore its

windings. He made his entrance by the upper end, playing a strathspey;

the curious footed it after him down the street, following his descent

by the sound of the chanter from below; until all of a sudden, about the

level of St. Giles the music came abruptly to an end, and the people in

the street stood at fault with hands uplifted. Whether he choked with

gases, or perished in a quag, or was removed bodily by the Evil One,

remains a point of doubt, but the piper has never again been seen or

heard of from that day to this. Perhaps he wandered down into the land

of Thomas the Rhymer, and some day, when it is least expected, may take

a thought to revisit the sunlit upper world. That will be a strange

moment for the cabmen on the stands beside St. Giles, when they hear the

crone of his pipes reascending from the earth below their horses' feet."

In Edinburgh to-day there are armed men and cannon in the castle high up

on the great rock above you: "You may see the troops marshalled on the

high parade, and at night after the early winter evenfall and in the

morning before the laggard winter dawn, the wind carries abroad over

Edinburgh the sounds of drums and bugles." (Stevenson, "Essay on

Edinburgh.")

Long before Louis could write he made up verses and stories for himself,

and Cummie wrote them down for him. "I thought they were rare nonsense

then," she said, little dreaming that these same bits of "rare

nonsense" were the beginnings of what was to make "her boy" famous

across two seas in years to come.

He writes of her when speaking of long nights he lay awake unable to

sleep because of a troublesome cough: "How well I remember her lifting

me out of bed, carrying me to the window and showing me one or two lit

windows up in Queen Street across the dark belt of garden, where also,

we told each other, there might be sick little boys and their nurses

waiting, like us, for the morning."

Her devotion to him had its reward in the love he gave her all his life.

One of his early essays written when he was twenty and published in the

_Juvenilia_ was called "Nurses." Fifteen years later came the

publication of the "Child's Garden of Verses" with a splendid tribute to

her as a dedication. He sent her copies of all his books, wrote letters

to her, and invited her to visit him. She herself tells that the last

time she ever saw him he said to her, "before a room full of people,

'It's _you_ that gave me a passion for the drama, Cummie,' 'Me, Master

Lou,' I said, 'I never put foot inside a playhouse in my life.' 'Ay,

woman,' said he, 'but it was the good dramatic way ye had of reciting

the hymns.'"

When he was six years old his Uncle David offered a Bible picture-book

as a prize to the nephews who could write the best history of Moses.

This was Louis's first real literary attempt. He was not able to write

himself, but dictated to his mother and illustrated the story and its

cover with pictures which he designed and painted himself.

He won the prize and from that time, his mother says, "it was the desire

of his heart to be an author."

During the winter of 1856-57 his favorite cousin, Robert Alan Mowbray

Stevenson, usually called Bob, visited them; a great treat for Louis,

not only because his ill health kept him from making many companions of

his own age, but because Bob loved many of the same things he did and to

"make believe" was as much a part of his life as Louis's. Many fine

games they had together; built toy theatres, the scenery and characters

for which they bought for a "penny plain and twopence colored," and were

never tired of dressing up. One of their chief delights, he says, was in

"rival kingdoms of our own invention--Nosingtonia and Encyclopædia, of

which we were perpetually drawing maps." Even the eating of porridge at

breakfast became a game. Bob ate his with sugar and said it was an

island covered with snow with here a mountain and there a valley; while

Louis's was an island flooded by milk which gradually disappeared bit by

bit.

In the spring and summer his mother took him for short trips to the

watering-places near Edinburgh. But the spot unlike all others for a

real visit was at Colinton Manse, the home of his grandfather, the

Reverend Lewis Balfour, at Colinton, on the Water of Leith, five miles

southwest of Edinburgh. Here he spent glorious days. Not only was there

the house and garden, both rare spots for one of an exploring turn of

mind, but, best of all, there were the numerous cousins of his own age

sent out from India, where their parents were, to be nursed and educated

under the loving eye of Aunt Jane Balfour, for whom he wrote:

"Chief of our aunts--not only I,

But all the dozen nurslings cry--

What did the other children do?

And what was childhood, wanting you?"

[Illustration: Colinton Manse]

If Louis lacked brothers and sisters he had no dearth of cousins, fifty

in all they numbered, many of them near his own age. Alan Stevenson,

Henrietta and Willie Traquair seem to have been his favorite chums at

Colinton.

Of his grandfather Balfour he says: "We children admired him, partly for

his beautiful face and silver hair ... partly for the solemn light in

which we beheld him once a week, the observed of all observers in the

pulpit. But his strictness and distance, the effect, I now fancy, of old

age, slow blood, and settled habits, oppressed us with a kind of terror.

When not abroad, he sat much alone writing sermons or letters to his

scattered family.... The study had a redeeming grace in many Indian

pictures gaudily colored and dear to young eyes.... When I was once sent

in to say a psalm to my grandfather, I went, quaking indeed with fear,

but at the same time glowing with hope that, if I said it well, he might

reward me with an Indian picture."

"There were two ways of entering the Manse garden," he says, "one the

two-winged gate that admitted the old phaeton and the other a door for

pedestrians on the side next the kirk.... On the left hand were the

stables, coach-houses and washing houses, clustered around a small,

paved court.... Once past the stable you were fairly within the garden.

On summer afternoons the sloping lawn was literally _steeped_ in

sunshine....

"The wall of the church faces the manse, but the church yard is on a

level with the top of the wall ... and the tombstones are visible from

the enclosure of the manse.... Under the retaining wall was a somewhat

dark pathway, extending from the stable to the far end of the garden,

and called the 'witches' walk' from a game we used to play in it....

Even out of the 'witches' walk' you saw the Manse facing toward you,

with its back to the river and the wooded bank, and the bright

flower-plots and stretches of comfortable vegetables in front and on

each side of it; flower plots and vegetable borders, by the way, on

which it was almost death to set foot, and about which we held a curious

belief,--namely, that my grandfather went round and measured any

footprints that he saw, to compare the measurement at night with the

boots put out for brushing; to avoid which we were accustomed, by a

strategic movement of the foot to make the mark longer....

"So much for the garden; now follow me into the house. On entering the

door you had before you a stone paved lobby.... There stood a case of

foreign birds, two or three marble deities from India and a lily of the

Nile in a pot, and at the far end the stairs shut in the view. With how

many games of 'tig' or brick-building in the forenoon is the long low

dining room connected in my mind! The storeroom was a most voluptuous

place, with its piles of biscuit boxes and spice tins, the rack for

buttered eggs, the little window that let in the sunshine and the

flickering shadows of leaves, and the strong sweet odor of everything

that pleaseth the taste of men....

"Opposite the study was the parlor, a small room crammed full of

furniture and covered with portraits, with a cabinet at the side full of

foreign curiosities, and a sort of anatomical trophy on the top. During

a grand cleaning of the apartment I remember all the furniture was

ranged on a circular grass plot between the churchyard and the house. It

was a lovely still summer evening, and I stayed out, climbing among the

chairs and sofas. Falling on a large bone or skull, I asked what it was.

Part of an albatross, auntie told me. 'What is an albatross?' I asked,

and then she described to me this great bird nearly as big as a house,

that you saw out miles away from any land, sleeping above the vast and

desolate ocean. She told me that the _Ancient Mariner_ was all about

one; and quoted with great _verve_ (she had a duster in her hand, I

recollect)--

'With my crossbow

I shot the albatross.'

... Willie had a crossbow, but up to this date I had never envied him

its possession. After this, however, it became one of the objects of my

life."

With many playmates, free to roam and romp as he chose, his illness

forgotten, it is no wonder he says he felt as if he led two lives, one

belonging to Edinburgh and one to the country, and that Colinton ever

remained an enchanted spot to which it was always hard to say good-by.

The Life of Robert Louis Stevenson for Boys and Girls · 第 2 / 9 章