CHAPTER L.

DEPARTURE OF MARIA LOUISA.

On the same day, and nearly at the same hour of the 29th of March,

while the emperor was moving with his troops toward Paris, a scene

of an entirely different description took place at the rooms of the

empress, his consort, in the Tuileries. Napoleon, in his despair,

wished for wings to fly to Paris; Maria Louisa, in her anguish,

wished for wings to fly away from Paris; for the enemy was at its

gates, and it was plain that the city must either capitulate or run

the risk of an assault.

As yet Maria Louisa called the allies threatening the throne of her

husband, and the inheritance of her son, her enemies, although her

own father was among them. She deemed herself in duty bound to stand

by her husband, to brave the vicissitudes of fortune jointly with

him, and obey his will. The emperor desired that his consort and his

son should not remain in the city if any danger should menace them.

When the news reached the Tuileries that the allies had arrived at

the walls of Paris, and it became obvious that the corps of Marmont

and Mortier were not strong enough to withstand the armies of the

enemy, King Joseph, the lieutenant of the emperor, summoned the

regent, Maria Louisa, and the council of state, to deliberate on the

grave question whether or not the empress and the King of Rome

should remain, or be withdrawn to a place of safety beyond the

Loire.

The decision was left with Maria Louisa; but the regent had declared

it was not for her to settle this question; it was for the very

purpose of advising her and guiding her steps that the emperor had

associated the council of state with her. King Joseph produced a

letter from Napoleon of a nature to indicate his wishes. It was

dated Rheims, 15th of March, and read:

"In accordance with the verbal instructions which I have

given, and with the spirit of all my letters, you are in no

event to permit the empress and the King of Rome to fall into

the hands of the enemy. I am about to manoeuvre in such a

manner that you may possibly be several days without hearing

from me. Should the enemy advance upon Paris with such

forces as to render all resistance impossible, send off in the

direction of the Loire the empress, the King of Rome, the

great dignitaries, the ministers, the officers of the senate,

the president of the council of state, the great officers of

the crown, and the treasure. Never quit my son; and keep in

mind that I would rather see him in the Seine than in the

hands of the enemies of France! The fate of Astyanax, a

prisoner in the hands of the Greeks, has always appeared to

me the most deplorable in history."

"Your brother, NAPOLEON."

[Footnote: Baron de Meneval, "Marie Louise et Napoleon," vol. ii.,

p. 230.]

This, of course, put an end to all debate. The emperor's precise and

final order, providing for the very case which had occurred, could

not be disregarded, and Maria Louisa accordingly determined to leave

with her son and her suite for Rambouillet. The morning of the 29th

of March was fixed for the departure. The travelling-carriages,

loaded with baggage, stood in the court-yard of the Tuileries; but

Maria Louisa still hesitated. Her travelling-toilet was completed;

her ladies were with her in the reception-room, filled with persons

forming the cortege of the empress. All entered in mournful silence,

and to their bows the empress responded only with a nod. Her eyes,

red with weeping, were fixed on the door; she awaited in suspense

the return of King Joseph, who had left the Tuileries at daybreak,

and had gone to the gates of Paris to reconnoitre the enemy's

position. At first the departure was to have taken place at eight in

the morning; now it was past nine, and King Joseph had not yet

returned.

This unexpected delay increased the anxiety. None dared interrupt

the breathless silence reigning in the apartment; only here and

there some one whispered, and, whenever a door opened, all started

and turned anxiously toward it, as if expecting a bearer of sad

tidings. The face of the empress was pale and agitated; her form

trembled; at times she turned toward her ladies, who stood behind

her, and addressed to them some almost inaudible question, not

waiting for a reply, but looking again toward the door, or inclining

her head on her bosom.

Suddenly the door was opened, and on the threshold appeared the

little King of Rome, followed by his governess, Madame de

Montesquieu. The boy's face did not exhibit today its air of

childlike mirth, which usually beamed like sunshine from his

beautiful features. No smile was on his fresh lips, and his lustrous

eyes were dimmed. With a sullen face and without looking at any one,

the child, so intelligent for his years, stepped through the room

directly toward his mother. "Mamma empress," he said, in his silvery

voice, "my 'Quiou says that we are about to leave Paris, and shall

no longer live at the Tuileries. Is that true, mamma?"

"Yes, my son, we must leave," said the empress, in a low voice, "but

we shall return."

"We MUST leave?" inquired the little king. "But my papa once said to

me, the word 'must' is not for me, and I do not want it either, and

I pray my dear mamma not to leave Paris with me."

"But the emperor himself wishes us to leave, Napoleon," said the

empress, sighing, and with some displeasure. "Your papa has ordered

us to depart if the enemy should come."

"The enemy!" cried the boy; "I am not afraid of the enemy. If he,

comes, we do as my papa emperor always does--we beat the enemy, and

then he runs away."

But these words of the brave child, which would have delighted his

father's heart, seemed to make a disagreeable impression upon his

mother. She murmured a few inaudible words, and slightly shrugged

her shoulders.

Madame de Montesquiou took the child by the hand, "Come, sire," she

said, in a low voice, "do not disturb her majesty. Come!"

"No, no," cried the boy, violently disengaging himself, "I am sure

you want to carry me down to the carriage, and I tell you I will not

go! Let me stay here with my mother, dear 'Quiou; I do not disturb

her, for you see she is not busy, and she does not want to be alone

either, for there are a great many persons with her. Therefore, I

may stay here, too, may I not, dear mamma empress!"

"Yes, my son, stay here," said the empress, abstractedly, looking

again at the door.

"I am not afraid of the enemy," cried the little king, proudly

throwing back his head. "My papa will soon come and drive him away.

But tell me, mamma, what is the name of the enemy who wants to rob

us of our beautiful palace? What is his name?"

"Hush, Napoleon!" said the empress, almost indignantly; "what good

would it do you to hear what you do not understand?"

"Oh, dear mamma," cried the child, with a triumphant air, "I can

understand very well, for my papa has often played war on the floor

with me, and we have built fortresses. And not long ago, papa

emperor told me, too, that he was going to the army, and he spoke of

his enemies. I remember them very well; they are the Emperor of

Russia--who once kissed my papa's hand, and thanked God that papa

emperor consented to be his friend; the King of Prussia, from whom

my papa could have taken all his states; the crown prince of Sweden,

who learned the art of war from my papa, and is a faithless servant;

and last, the Emperor of Austria. But tell me, mamma, is not he your

father? And did you not tell me that I ought to pray every night for

my grandfather, the Emperor of Austria?"

"I did tell you so, Napoleon," whispered the empress, whose eyes

filled with tears.

The boy looked down for a moment musingly; and then, lifting his

large blue eyes to his mother, "Mamma," he said, "henceforth I shall

never again pray for the Emperor of Austria, for he is now my papa's

enemy, and, therefore, no longer my grandfather. No, no, I shall not

pray for him, but only as my papa likes me to do." And the boy knelt

down, lifting up his hands, and exclaiming in a loud voice, "Good

God, I pray to Thee for France and for my father!"

Expressions of deep emotion were heard in the room. The empress

covered her face with her handkerchief, and wept bitterly. The

little king was still on his knees, with his eyes raised toward

heaven. Suddenly the door at which the empress had looked so long

and anxiously, opened. It was not King Joseph who entered, but the

adjutant of General Clarke, the regent's minister of war.

Approaching the empress, he begged leave to communicate a message

from the minister.

"Speak," said Maria Louisa, hastily, "and loud enough for every one

to hear the news."

"His excellency, the minister of war, has commissioned me to implore

your majesty in his name to leave without a moment's delay. He

believes that every minute increases the danger, and that an hour

hence it might be impossible for you to get away, because your

majesty would then run the risk of falling into the hands of roving

bands of Cossacks. The Russian corps are already near, and we shall

soon hear their cannon thunder at the very gates of Paris."

[Footnote: Meneval, "Marie Louise," vol. II., p. 266.]

"Well, then," said Maria Louisa, with quivering lips, "be it so! Let

us set out."

All felt that the decisive hour was at hand. The empress quickly

advanced a few steps. "Come!" she exclaimed, in feverish agitation.

"Let us set out for Rambouillet!"

Suddenly her son grasped her hand and endeavored to draw her back.

"Dear mamma," he cried, anxiously, "do not go! Rambouillet is an

ugly old castle. Let us not go, but stay here!" [Footnote: The

little king's words. Ibid.]

"It cannot be, my son; we must go!"

But little Napoleon pushed back her hand with a gesture of

indignation. "Well, then, mamma," he said, "go! I will not go. I

will not leave my house! As papa is not here, I am the master! and I

say I WILL not go!" [Footnote: Meneval, "Marie Louise."]

The empress motioned to the equerry on service. "M. de Comisy," she

ordered, "take the prince in your arms and carry him to the

carriage."

"The prince! I am no prince, I am the King of Rome," cried the boy,

in the most violent anger. "I will not go! I will not leave my

house; I do not want you to betray my dear papa!" [Footnote: The

king's words.--Vide "Memoires du Due de Rovigo," vol. vii., p. 5.]

The empress took no longer any notice of him; M. de Comisy lifted

the crying, struggling boy into his arms. "'Quiou, dear 'Quiou!"

cried the child, "oh, come to my assistance! I will not leave my

house!"

"Sire," said Madame de Montesquieu, weeping, "we must leave: the

emperor has ordered us to do so!"

"It is false!" cried the prince, bursting into a flood of tears, and

still trying to disengage himself. "My papa never ordered any such

thing, for he says that one ought never to flee from the enemy. I

will not go, I will not flee!"

"Come, sire; come!" exclaimed M. de Comisy.

"I will not go!" said the boy, and clung to the door. But Madame de

Montesqnion, vainly trying to comfort the prince by gentle words,

disengaged his tiny hands, and M. de Comisy hurried on. The whole

court, the whole travelling cortege thronged, forward, following the

empress and the King of Rome.

Soon the brilliant apartment was empty; but the deserted rooms

echoed the distant cries of the little King of Rome. All his

struggles were in vain. M. de Comisy was not allowed to have pity on

him; the will of the empress had to be fulfilled.

At length the preparations were completed, and all had taken their

seats. The large clock on the tower of the Tuileries struck eleven

as the empress's carriage rolled slowly across the spacious court-

yard. The crying of the little king, who sat by the side of his

mother, was still heard. With them were also the mistress of

ceremonies, the Duchess de Montebello, and the governess. Nine other

carriages followed, decorated with the imperial coat-of-arms, and

numerous baggage-wagons, and the whole train of a brilliant court.

The procession filled the whole length of the court-yard of the

Tuilories.

When the carriage of the empress drove through the large iron

enclosure, a small crowd of spectators stood near, and gazed in

mournful silence. Not a hand was raised to salute the fugitives; not

a voice shouted farewell. The sad train passed along, while the

people looked after it, as if the funeral procession of the empire.

The imperial party disappeared among the trees of the Champs

Elysees, and left Paris by the "Gate of Victory."

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