I took counsel of my wife.

‘Can you hesitate?’ she said. ‘Here we hardly know where to look for

to-morrow’s food, and you are offered a certain income and fifty pounds

as earnest-money.’

I closed with the offer and accepted the retaining fee; and I felt as

Dr Faustus might have done when he sold his soul to the Evil One.

Mrs Collingwood Dawson seemed pleased at my compliance, and sketched

out to me the part she wished me to take. We were to manufacture novels

solely—about three a year. The plot was to be drawn out for me with

indications of the points to be worked out. I was to fill in dialogue

and description. The ‘author’ was to be at liberty to add, cut out,

amend, and put in finishing touches.

‘I shall give you,’ she said, ‘a packet which I have left in the fly,

containing the various works of my husband. Read them over critically,

and adapt your style to his. I know you are a skilful workman, and will

have no difficulty in the matter.’

Business over, my employer joined our family dinner. She was bright and

cheerful, and her gaiety was infectious. My wife was charmed with her;

the children could not make enough of her. Her presence had all the

effect upon me of sparkling wine. When she was gone, I sat down to read

Mr Dawson’s works with as little appetite for their perusal as a grocer

has for figs. But I was surprised to find that though uneven in quality

and often carelessly written, there were abundant traces of a vivid

imagination, and an intimate knowledge of the workings of the human

heart in morbid and unhealthy developments. These qualities, I may say,

appeared only by fits and starts, and were overlaid by a good deal of

very commonplace work. The strong point of his fiction, and that which

gained, no doubt, the approval of the public, was the plot. His plots

were always ingenious and well combined, and kept the interest going to

the very fall of the curtain.

Time passed on. I got fairly to work on my new business. I had no fault

to find with my employers, and they on their part seemed well satisfied

with my services. I had as much work as I could manage; but I found

it much easier than of old, inasmuch as I had definite lines to work

upon and a distinct object in view. Then the payment was regular, and

in virtue of that, our household assumed an aspect of comfort and

tranquillity to which it had long been a stranger. As it was no longer

necessary for me to live within reach of London, I determined to carry

out a plan that had been in my head for some time, and settle for a

while in some quiet place in Normandy, where one could have good air,

repose, and tranquillity, without the appalling dullness that mantles

over an English country town.

All this time I had never seen Mr Collingwood Dawson, and the only

address I knew was at his chambers in the Temple; but all business

matters were arranged with a Mr Smith, who, I understood, was his

agent. My removal involved only a trifling extra cost in postage, and I

had work on hand that would keep me going for several months.

We settled in a pleasant picturesque little town on the banks of

the Seine, and after giving myself a few weeks’ holiday, to make

acquaintance with the neighbourhood, I began to plod on steadily at my

task.

I had just despatched a parcel of manuscript, and was strolling

homewards from the post-office along the quay, when I stopped to watch

some people fishing from the steps that lead down to the water-side.

The tide was low, the evening tranquil. The setting sun was blinking

over the edge of the wood-crowned heights behind; but all this side of

the view was in shadow, while the aspens and poplars on the further

bank were glowing in golden light. A little brook that escapes into

the river hereabouts through a conduit of stone was splashing and

bubbling merrily. In the eddy formed by the brook and the big river

were swimming the light floats of the fishermen, every now and then

pulled down, more often by some drowning weed or twig, but sometimes by

a fish, whose eager darts from side to side, and struggles as it was

hauled in by main force, afforded great amusement and excitement to

some half-dozen boys.

A more than commonly vigorous pluck at one of the floats, and a

strenuous tug at the line belonging to it, which made the rod curve

and wave under its strain, shewed that a big fish had been hooked.

The sensation among the spectators was great. It is always an awkward

matter to land a fish of any size when the river-bank is perpendicular

and there is no landing-net. Our friends here, however, were not

disposed to create unnecessary difficulties. A companion of the

successful fisherman seized the line and began to haul it in hand over

hand. It is a capital way this if everything holds and the fish is

hooked beyond possibility of release. In this case, however, although

the line was pulled in vigorously, all of a sudden the resistance

ceased and the hook came naked home. The baffled fisherman bowed

and smiled politely at his friend. It was a little _contre-temps_

inseparable from the amusement of fishing.

‘Clumsy!’ growled a voice close to my elbow in good English. I turned

round quite startled, for there were no English residents in the

town, and the accents of my native tongue were becoming unfamiliar.

A man stood by my side of somewhat strange appearance. He was short

and thick-set, and had a massive strongly marked face, with bushy

overhanging eyebrows, a heavy gray moustache, and stubbly beard of only

a few weeks’ growth. His arms were folded, the left one over the other;

but as he changed his position, I saw that he had lost his right hand,

and that its place was supplied with an iron hook. He was dressed in

a blouse made of some kind of coarse blanket-stuff of a huge cheque

pattern, trousers of dirty-white flannel, stuffed into boots that came

halfway up his calf. A Turkey-red handkerchief was twisted carelessly

round his throat, there being no sign of any shirt beneath; and a

bonnet of the Glengarry shape was cocked rather fiercely on his head.

In his hand he held a packet of whity-brown paper, made up as it seemed

for transmission by post. I could not help seeing that the packet was

addressed ‘London’ in a bold rough hand.

He seemed to wince at the look full of curiosity that I gave him. His

face, which had been lighted up with interest in watching the progress

of the fishing, now turned dull and dark. He went off at a short

shambling trot in the direction of the post-office, and I saw no more

of him just then.

I was not long, however, in finding out something about him. His name

it seemed was Houlot, and although eccentric, he was inoffensive,

and was on the whole rather respected by the townspeople. He was a

_savant_—a character, in their eyes, that excused a good deal of

moroseness and roughness of manner. He had resided in the neighbourhood

for some years, and occupied a single room in a house upon the hill

overlooking the town. Here he lived—hermit-fashion—keeping no domestic,

buying his own provisions in the market and cooking them himself. His

kitchen, however, I was given to understand, was the least important

part of his establishment; and the juice of the grape or of the apple,

or of the potato haply, distilled into strong waters, formed the

chief of his diet. For many weeks at a time he would scarcely stir

from his room, only coming out when his bottle of brandy was empty,

or on market-days to buy provisions. After this period of seclusion,

he would be seen walking about the country with a pipe in his mouth,

a thick oaken stick under his arm, and a book in his solitary hand,

still morose and unsociable. There was yet a third stage, during

which he would haunt the cafés and wine-shops, drinking a good deal,

and chatting away with all comers. At these times he was apt to get

quarrelsome, and he was known in consequence to be on bad terms with

the inspector of police.

I daresay that if I had chosen to apply to the last-named functionary,

I should have got still more ample information; but there was nothing

to justify me in pushing inquiry any further. It was generally

thought that Houlot was English in origin; but his French was not

distinguishable as that of a foreigner, and he spoke German as well as

he did English.

A week or two afterwards I met Monsieur Houlot walking on the heights

overlooking the Seine, with his pipe and stick, and with his nose in

a tattered volume. I raised my hat in passing; but he turned his head

away with a scowl, and did not return my salute. Decidedly, I said to

myself, he is English.

One morning the postman brought me a registered letter containing a

remittance from England, and placed before me his book to receive my

signature. When I had signed, he handed me a letter; but it was not for

me, it was for M. Houlot; and yet, curiously enough, the address was in

the handwriting of Mr Smith, the business agent of Collingwood Dawson,

from whom I was expecting a remittance.

‘Ah, I have given you the wrong letter,’ said the postman. ‘They are

both just alike, and I have made a mistake; pardon, Monsieur;’ and he

handed me a similar letter addressed to myself.

I noticed that from this date Houlot seemed to assume his third stage

of habits—that in which he haunted the cafés and wine-shops. Every one

agreed that he was much less inaccessible at such times, and could

even make casual acquaintanceship with strangers. I had a great desire

to know more about him, and took a little pains to throw myself in

his way. I ascertained that he usually spent his afternoons in one

particular café—the _Café Cujus_—thus called from the name of its

proprietor; and I made a point of taking coffee there every day at the

hour at which he was usually to be met with. But I did not advance my

purpose by that. He would bury his head in the _Journal de Rouen_,

turn his back persistently upon me, and leave the café at the earliest

possible moment.

‘You will come and visit us this evening?’ said Mademoiselle Cujus

graciously to me one day, as I paid my score at the counter of the

elegant little platform whence she dispensed her various tinctures. ‘We

shall have a very genteel concert tonight.’

Mademoiselle is a charming little Frenchwoman, with a piquant retroussé

nose, a full and softly rounded chin, and dark eyes with a veiled fire

about them, most attractive. She wears the prettiest little boots in

the world, and is always charmingly dressed. It is difficult to refuse

Mademoiselle Cujus anything, and I undertook to be present at the

concert. Admission was free, and thus I did not commit myself to any

great outlay.

When I entered the café that evening, I found it well filled with

a miscellaneous but respectable company. Everybody is talking,

coffee-cups and glasses are clinking, dominoes are rattling. At one

end of the room, on an extemporised platform, formed of a few rough

boards, the prima-donna, a rather bony lady in a very low dress,

stands with a roll of music in her hand, and surveys the company in a

somewhat dissatisfied way. She has cleared her throat once or twice,

and the pianist bangs out an opening chord or two. Her voice is a

little husky—perhaps with the singing of anthems; but she has plenty of

confidence and ‘go’ about her, and the wit to please her audience.

When the rattle of applause that greeted the end of the lady’s song

had ceased, there followed a comic man dressed as a peasant, carrying

a tobacco-pipe, which he was always trying, though ineffectually, to

light with a match from his trousers-pocket. He counterfeits the Norman

peasant in a state of semi-intoxication excellently well, and his song

is much applauded and called for again.

‘Yah!’ growled a voice behind me in an angry tone; and looking round I

saw M. Houlot standing by the doorway, his thick stick under his arm.

He seemed to be a little obscure in his faculties, and to have resented

the last performance as a personal insult to himself. His brows were

knitted, and his eyes gleamed angrily whilst he grasped the thin end

of his stick in a menacing way. Mademoiselle Cujus saw him at the same

moment as myself, and descended quickly from her Olympus to appease

him, laying her hand upon his arm as if to beg him to retire. He shook

it roughly off; and Mademoiselle looked imploringly at me, as being the

only one of the company who had noticed this little scene. At the sight

of beauty in distress I at once came forward. I took Houlot kindly

but firmly by the arm, and led him out into the kitchen at the back,

where, among the many brightly shining vessels of tin and copper, we

endeavoured to pacify him and explain matters.

No one could possibly withstand the winning ways of Miss Cujus. Houlot

was appeased, and went quietly out into the street. I had had enough

of the concert, and followed him. He lurched a little in his gait,

and every now and then stopped and looked fiercely round at the stars

overhead, as if he objected to their winking at him in the manner they

did. I accosted him once more, and in English, saying that I understood

that he spoke the language perfectly, and would he favour me with his

company for half an hour. He made no reply at first, but wrinkled his

brows and puckered his lips.

‘Come along!’ he said at last with a suddenness that startled me. ‘Let

me have a talk with you, then.’

I occupied a furnished house, with a little pavilion in the garden

looking out on the river, which I used as my writing and smoking room;

and to this pavilion I took my friend and called for lights and cognac.

He seemed restless and disturbed at the idea of being my guest. He

would not sit down, but as soon as he had swallowed a glass of brandy

he grasped his stick once more to take his departure.

‘If you would like any English books,’ I said, ‘I have some magazines

and so on.’

He shook his head. ‘I never read English; I have read none for ten

years,’ he said. ‘I like to get things at first-hand; so that if I want

to know anything, I go to the Germans; if I want to feel anything, to

the French. But what have you here?’ taking up a book. It was a volume

of Dawson’s last novel, which had been sent over to me.

‘Hum!’ he cried. ‘Is this a good author?’

‘A popular one,’ I replied, modestly remembering the share I had, if

not in his fame, at least in his fortunes.

‘I’ll take this, if you’ll let me have it,’ he said.

‘Take the three volumes.’

‘No; I’ll only take one. I don’t suppose I shall get through the first

chapter.’

Next day, however, he came back to borrow the second volume, and the

day after the third. I felt a little flattered that a work in which I

had taken so good a share had the power to captivate such a dour and

sullen soul.

‘What do you think of it?’ I said, when he brought back the last

volume. He was standing leaning against the doorway with his stick

under his arm. He would never sit down; he seemed to have made a vow

against it.

‘Think of it?’ he cried. ‘Why, it is my own—my own story!’

‘Yours!’ I said astonished. ‘How do you make that out?’

‘It is mine! the framework, the skeleton of it. Some fool has been at

work upon it and taken out all the beauties of it! The burning fiery

dialogue, the magnificent glowing descriptions, all are gone, and in

their stead some ass has filled it all up with pulp!’

This was pleasant for me to hear. My blood boiled with indignation,

but I was obliged to smother my rage and put on a sickly smile. ‘You

must be mistaken,’ I said. ‘How could he possibly have got hold of your

story?’

‘How? He must have got it from a man named Smith, to whom I sent it.

Write? Yes, I have written ever since I was breeched! It is a disease

with me; I can’t help it. Romances, novels, all that trash!’

‘And you send what you write to London?’

Houlot nodded. But he seemed all at once to have repented of his

freedom of speech, and took refuge in his usual taciturnity. Then once

more hugging his stick, he started off at his usual shambling trot.

Chambers's Journal of Popular Literature, Science, and Art, No. 742, March 16, 1878 · 第 15 / 22 题