THE TRUTH ABOUT CINEMALAND.

A DISTINGUISHED neutral observer, who has just returned from a visit to

Cinemaland, has furnished our representative with the following

interesting account of his experiences and conclusions.

One of the first things (he says) that impressed me was that in the

great cities of Cinemaland there is, outwardly at least, little or no

sign of scarcity. On the contrary, at the various hotels and

restaurants, as well as several private entertainments that came under

my observation, a note of almost wanton luxury appeared to be aimed at.

Evening dress is worn whenever possible, and the costumes of the ladies

are invariably the last word in ultra-fashionable extravagance. Food is

as yet obviously plentiful; what is not consumed being frequently flung

about, especially by the humorous elements of the population, and wasted

with reckless prodigality.

In spite however of this ostentation signs are not wanting that the true

condition of the country is increasingly precarious. Crime of all sorts

is rampant. Judging even by what I myself witnessed within a short

period, the detectives of Cinemaland must all be working overtime. Quite

recently a gang, under the leadership of a ruffian who elected to be

known as The Clutching Hand, made large sums of money by working upon

the terrors of its victims.

Another significant symptom is that respect for law and authority as

such appears to be almost non-existent. The police force of Cinemaland

is a body of men who are most of them of conspicuously full habit. I can

vouch for it that the appearance of these officials is almost invariably

greeted with derision; and should they (as frequently happens) incur

physical maltreatment or other misfortune in the exercise of their

duties popular sympathy is almost always on the side of their opponents.

A notable exception to this feeling is found in the attitude of the

populace towards their chosen ruler, the Emperor, or Film-Lord,

Charlemagne-Chaplin. It is only fair to record that recent spectacular

(and carefully stage-managed) appearances of the monarch have been

greeted with every demonstration of unswerving loyalty and affection.

More significant perhaps to an outside spectator is the undeniable fact

that the Wild Western portions of Cinemaland are to-day in a state of

turbulence bordering upon anarchy. The Cowboys, who are its chief

denizens, would seem, so far as my experience goes, to spend their

entire time in exploits of murderous violence; though here (as elsewhere

among this remarkable people) the influence of sentiment is often

unexpectedly potent. It can hardly be doubted that a populace so

emotional and ill-balanced as that of Cinemaland will have little power

to withstand the strain of disaster.

Despite my apparent freedom from restraint I am persuaded that I was

kept under the observation of a number of uniformed officials during the

whole course of my stay in Cinemaland; and I am bound to confess that my

departure, which was made under cover of darkness, was not unattended

with a sense of personal relief.

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Punch, or the London Charivari, Vol. 150, March 29, 1916 · 第 18 / 36 题