IV.

A year had elapsed. The abbess of the convent of Santa Inés and the

daughter of Maese Pérez were speaking in a whisper, only half visible

in the shadows of the choir. The bells with loud voices were calling

to the faithful from the height of the steeple. Every now and then

one or two persons crossed the now silent and deserted portico; and

after taking holy water, they chose their place in the corner of the

nave, where a few neighbors were quietly waiting for midnight Mass to

begin.

"Do you see," the abbess was saying, "your fears are supremely

childish. There is scarcely a soul in the church. You should have

more self-confidence. All Seville is at the cathedral to-night. Play

for us, my child,--it is just as though we were alone. Why do you

sigh? What is the matter with you? Speak."

"I am afraid!" exclaimed the girl, in a shaken voice.

"Afraid? Why, what do you mean? Afraid of what?"

"I do not know,--of something supernatural. Last night--listen. I had

heard you say that you were anxious to have me play for midnight

Mass this Christmas Eve; and, proud of the distinction, I thought I

would first try the registers and practise a little, that I might

surprise you and do you honor to-day. I came to the choir alone; I

opened the door which leads to the organ-loft. The cathedral clock

just then was striking the hour; I do not know what hour, but the

strokes were many, many, and so sad! The bells went on ringing during

all the time that I stood petrified on the threshold. It seemed an

age to me! The church was empty and dark. Far away, yonder, a little

light glimmered like a star, lost in the night of the sky. It was

the dying light of the lamp which burns before the high altar. By

its faint reflection, which only added to the profound horror of the

darkness, I saw,--yes, I saw it, Mother; do not doubt me,--I saw a

man, who, sitting with his back to where I stood, was running one

hand along the keys of the organ, while he touched the stops with the

other, and the organ sounded, but in a most indescribable manner.

Every note was like a sob stifled within the metal pipes, which

vibrated, reproducing the tone, muffled, almost imperceptible, but

with wonderful accuracy.

"The cathedral clock was still striking the hour, and the man was

still trying the keys. I could even hear his breathing.

"The blood in my veins was frozen with horror. I felt a chill run

through my body; my head was hot; I tried to scream, but I could not,

for the man sitting there had turned his face and was looking at me.

No; I do not mean that; he was not looking, for he was blind. It was

my father!"

"Come, come, sister, you must try and banish these foolish fancies

with which the arch-enemy tries to disturb our weak imaginations. Say

a _Pater-noster_ and an _Ave-Maria_ to the archangel Saint Michael,

captain of the celestial hosts, that he may succor you from evil

spirits. Wear on your neck a scapular touched by the relics of San

Pacomio, the counsellor against temptations; and go, my child, go

and take your place at the organ. Mass is about to begin, and the

faithful are waiting with impatience. Your father is in heaven; and

it is far more likely that from the home of the blessed he will

inspire you on this holy night rather than appear to you to give you

a fright."

The abbess went to take her seat in the choir in the midst of the

sisterhood. The daughter of Maese Pérez opened the door of the

organ-loft with trembling hand, and sat on the stool before the

organ. Mass began.

Mass began, and nothing unusual occurred until the time of the

consecration. At that moment the organ sounded, and with the first

sound came a shriek from the organ-loft.

The abbess, the nuns, and some of the faithful ran to the organ.

"Look at him! look at him!" cried the girl, whose eyes, starting

from their sockets, were fixed upon the stool from which she had

just risen in terror. She stood clinging with convulsed hands to the

railing of the loft.

All eyes were turned upon the point which she indicated. There was no

one at the organ, and still it went on sounding, like the voices of

archangels, in a burst of mystic joy.

* * * * *

"Did I not tell you so, one and a thousand times, my good Doña

Baltasara,--did I not tell you so? There is some mystery in all this.

Listen. What! Did you not attend Mass last night? Anyway, I presume

you know what occurred. Why, it is the talk of Seville to-day. The

archbishop is furious, and with good reason. Think of his having

missed the Mass at Santa Inés,--of his not having witnessed the

miracle; and all for what, pray? That he might sit and listen to a

perfect charivari; for according to those who were present and who

told me of it, the new organist's playing was nothing else. But I

said so all the time. That squint-eye never could have played the

music we heard together last Christmas Eve at Santa Inés. It was a

lie! That music came from another soul. There is a mystery in all

this, my dear,--a mystery, believe me."

Yes, and so there was. A deep mystery, a beautiful mystery, which was

the soul of Maese Pérez.

[Illustration]

Christmas Stories from French and Spanish Writers · 第 71 / 87 题