II.

The church was profusely illumined. The torrent of light which fell

from the altars and filled the edifice sparkled on the rich jewels of

the great ladies, who, kneeling on the velvet cushions which their

pages laid at their feet, and taking their missals from the hands of

their duennas, formed a brilliant circle around the chancel grating.

Behind them, in bright gold-embroidered cloaks thrown back with

studied carelessness in order to display glittering orders of green

and red, their broad-brimmed felts in one hand, the plumes sweeping

the floor, the left hand resting on the polished hilts of their

rapiers or caressing the pommel of their chiselled daggers, stood the

Twenty-four, who with a great part of the best nobility of Seville

seemed to form a wall around their wives and daughters to protect

them from the contact of the populace. The latter, moving about in

the rear of the nave with a murmur like that of a stormy sea, burst

into a jubilant acclamation, accompanied by the discord of timbrels

and tambourines, at the appearance of the bishop. The prelate,

surrounded by his attendants, took his seat under a crimson canopy,

beside the high altar, and blessed the people three times.

It was time for Mass to begin. Several minutes elapsed, however, and

the celebrant did not appear. The crowd began to show evidences of

impatience; the knights exchanged whispers among themselves; and the

bishop sent one of his attendants to the sacristy to inquire into the

cause of the delay.

"Maese Pérez has been taken ill, very ill; and it will be impossible

for him to attend Mass to-night."

This was the word that the attendant brought back.

The news spread through the church in an instant. It produced a most

unpleasant effect. The noise was such in the temple that the chief

officer of justice rose to his feet, and the constables entered the

church to enforce silence.

At that moment an ill-looking man, ungainly, bony, and cross-eyed to

boot, stepped up to the place where the prelate sat.

"Maese Pérez is ill," said he; "the ceremony cannot begin. If you see

fit, I will play the organ in his absence, for Maese Pérez is not the

greatest organist in the world, nor will the instrument fall into

disuse after his death for the lack of a musician to take his place."

The archbishop made a movement of assent; and already some of the

faithful, who knew this individual to be an envious rival of the

organist of Santa Inés, were breaking into exclamations of disgust

when suddenly a great noise was heard in the portico.

"Maese Pérez is here! Maese Pérez is here!"

All heads were turned toward the crowded doorways from which these

shouts came.

In truth, Maese Pérez, pale and disfigured, was entering the church,

carried in an armchair, which everybody claimed the honor of bearing

upon his shoulders. Neither the doctor's commands nor his daughter's

tears had been able to keep him in bed.

"No," he had said; "this is the last--the last--I know it. I will

not die without hearing the voice of my organ again, on this solemn

night, this good-night. Come, I implore, I command you, let us go to

the church!"

His desire was gratified. The people carried him in their arms to the

organ-loft. Mass began.

The cathedral clock struck twelve. After the introit came the Gospel,

the offertory, then the solemn moment when the priest, after having

consecrated the bread, takes the Sacred Form between his fingers and

begins to elevate it. A cloud of incense in bluish waves floated

through the church. The little altar-bells began to ring in vibrating

peals, and Maese Pérez laid his aged fingers upon the keys of the

organ.

The multitudinous voices of its metal pipes resounded in a prolonged

and majestic chord, which grew gradually fainter, as though the

breath of the wind had borne away its last echoes.

The first chord, which seemed like a voice from the earth calling

out to heaven, was answered by another, that seemed to come from

a great distance, soft at first, then swelling until it became a

torrent of thundering harmony.

It was the voice of the angels, which had traversed space and reached

the earth.

Then followed what seemed like canticles sung far away by the

hierarchies of seraphim, a thousand hymns at once blending into one,

which itself was no more than an accompaniment for a strange melody

that floated upon that ocean of mysterious echoes as a mist floats

over the waves of the sea.

Then various chants dropped out of the harmony, leaving two voices

which finally melted into each other; and this last isolated voice

lingered long, sustaining a note as brilliant as a thread of light.

The priest bent his brow, and above his white head, through the

blue gauzes of the incense, he held up the Host to the eyes of the

faithful. At that moment the tremulous note that Maese Pérez held

swelled and swelled until an immense explosion of joyous harmony

filled the church. In the far-off corners of the temple the air

seemed to buzz, and the jewel-windows quivered in their tight frames.

Each one of the notes which formed the mighty chord developed a

theme of its own, some near, some far, some brilliant, some muffled.

It seemed as though the waters and the birds, the breezes and the

forests, heaven and earth, were each in its own tongue singing the

birth of the Saviour.

The crowd held its breath and listened, amazed. There were tears

in every eye, and every heart was swelled with emotion. The priest

at the altar felt his hands tremble, for that which he held in

them--that before which men and archangels bowed--was his God; and he

thought he saw the heavens opened and the Host transfigured. After

that the voices of the organ gradually grew fainter like a sound that

dies as it is blown from echo to echo.

Suddenly, the cry of a woman, a piercing, heart-rending cry, was

heard in the organ-loft. The organ exhaled a strange discord,

something like a sob, and was silent. The people rushed to the

stairs, toward which the faithful, drawn from their religious

ecstasy, had all turned their gaze.

"What has happened? What is it?" whispered they; but nobody knew what

to answer, and the confusion increased, threatening the good order

and pious stillness proper to a church.

"What has happened?" inquired the great ladies of the officer of

justice, who, preceded by the beadles, had first penetrated into the

organ-loft, and who now, pale and deeply distressed, was making his

way to where the bishop awaited him, anxious like the rest of the

congregation to learn the cause of the disturbance.

"What has happened?"

"Maese Pérez is dead!"

And so it was. Those who first reached the organ-loft, jostling

one another up the stairs, had found the poor organist, fallen

face downwards on the keys of the old instrument, which was still

vibrating; while his daughter, kneeling at his feet, was calling to

him in vain with sobs and cries.

Christmas Stories from French and Spanish Writers · 第 69 / 87 题