II.

From the other end of the house, from the depths of the bedrooms,

came the moans of a man and a woman, the heart-rending lamentations

of the parents who could not be convinced of the truth of those

aphorisms about angels in heaven, administered by friends as a sort

of moral sedative on these occasions. They believed, on the contrary,

that this world is the proper and natural habitation for angels; nor

could they admit the theory that the death of a grown person is far

more lamentable and disastrous than that of a child. Mingled with

their grief was that profound pity which the death-agony of an infant

always inspires, and to them there was no sorrow in life like that

which was tearing their very vitals. A thousand memories and painful

visions struck at their hearts like so many daggers. The mother's

ears rang with Celinina's lispings,--that enchanting baby-talk that

gets everything wrong, and converts the words of our language into

delicious philological caricatures, which caricatures, flowing from

rosy mouths, are the tenderest and most affecting music to a mother's

heart.

Nothing so characterizes a child as his style,--his spontaneous

mode of expression, the art of saying everything with four letters,

his prehistoric grammar, which is like the first sobbing of the

words at the dawn of humanity, his simple rules of declension and

conjugation, innocent corrections of the languages which usage has

legitimatized. The vocabulary of a child of three, like Celinina, is

the real literary treasure of a family. How could her mother ever

forget the little pink tongue that said "wat" for hat, and called a

bean a "ween"! No matter where she turned, the good woman's eyes were

sure to fall upon some of the toys with which Celinina had cheered

the last days of her life; and as these were the days that preceded

Christmas, the floor was strewn with little clay turkeys on wire

legs, a Saint Joseph that had lost both hands, a manger in which lay

the Christ-Child, like a little pink ball, a wise man from the Orient

mounted upon a proud, headless camel. What these poor little figures

had endured during the past few days, dragged here and there, made to

assume this or that posture, was known only to God, the mother, and

the pure little spirit that had taken its flight.

All this broken statuary was imbued with Celinina's very

soul,--clothed with a peculiar sad light, which was the light from

her, as it were. The mother trembled from head to foot as she gazed

at them, and she felt that the wound had been dealt to her innermost

being. Strange association of things! How all these broken pieces

of clay seemed to weep! They seemed so grieved, so full of intense

sorrow, that the sight of them was scarcely less bitter than the

spectacle of the dying child herself, who with appealing eyes begged

her parents to take the pain away from her burning head. To the

mother nothing could have been more pathetic than that turkey with

its wire legs, which in its frequent changes of posture had lost its

crest and its bill.

Christmas Stories from French and Spanish Writers · 第 50 / 87 题