Notes for Chapter Fifteen

1 Toyo-uke-bime-no-Kami, or Uka-no-mi-tana (who has also eight

other names), is a female divinity, according to the Kojiki and its

commentators. Moreover, the greatest of all Shinto scholars, Hirata,

as cited by Satow, says there is really no such god as Inari-San at

all--that the very name is an error. But the common people have created

the God Inari: therefore he must be presumed to exist--if only for

folklorists; and I speak of him as a male deity because I see him so

represented in pictures and carvings. As to his mythological existence,

his great and wealthy temple at Kyoto is impressive testimony.

2 The white fox is a favourite subject with Japanese artists. Some very

beautiful kakemono representing white foxes were on display at the

Tokyo exhibition of 1890. Phosphorescent foxes often appear in the old

coloured prints, now so rare and precious, made by artists whose names

have become world-famous. Occasionally foxes are represented wandering

about at night, with lambent tongues of dim fire--kitsune-bi--above

their heads. The end of the fox's tail, both in sculpture and drawing,

is ordinarily decorated with the symbolic jewel (tama) of old Buddhist

art. I have in my possession one kakemono representing a white fox with

a luminous jewel in its tail. I purchased it at the Matsue temple of

Inari--'O-Shiroyama-no-Inari-Sama.' The art of the kakemono is clumsy;

but the conception possesses curious interest.

3 The Japanese candle has a large hollow paper wick. It is usually

placed upon an iron point which enters into the orifice of the wick at

the flat end.

4 See Professor Chamberlain's Things Japanese, under the title

'Demoniacal Possession.'

Glimpses of Unfamiliar Japan: First Series · 第 217 / 222 题