Sec. 4

A more beautiful sea-cave could scarcely be imagined. The sea,

tunnelling the tall promontory through and through, has also, like a

great architect, ribbed and groined and polished its mighty work. The

arch of the entrance is certainly twenty feet above the deep water, and

fifteen wide; and trillions of wave tongues have licked the vault and

walls into wondrous smoothness. As we proceed, the rock-roof steadily

heightens and the way widens. Then we unexpectedly glide under a heavy

shower of fresh water, dripping from overhead. This spring is called the

o-chozubachi or mitarashi [1] of Shin-Kukedo-San.. From the high vault

at this point it is believed that a great stone will detach itself and

fall upon any evil-hearted person who should attempt to enter the cave.

I safely pass through the ordeal!

Suddenly as we advance the boatwoman takes a stone from the bottom of

the boat, and with it begins to rap heavily on the bow; and the hollow

echoing is reiterated with thundering repercussions through all the

cave. And in another instant we pass into a great burst of light, coming

from the mouth of a magnificent and lofty archway on the left, opening

into the cavern at right angles. This explains the singular illumination

of the long vault, which at first seemed to come from beneath; for while

the opening was still invisible all the water appeared to be suffused

with light. Through this grand arch, between outlying rocks, a strip of

beautiful green undulating coast appears, over miles of azure water. We

glide on toward the third entrance to the Kukedo, opposite to that

by which we came in; and enter the dwelling-place of the Kami and the

Hotoke, for this grotto is sacred both to Shinto and to Buddhist faith.

Here the Kukedo reaches its greatest altitude and breadth. Its vault is

fully forty feet above the water, and its walls thirty feet apart. Far

up on the right, near the roof, is a projecting white rock, and above

the rock an orifice wherefrom a slow stream drips, seeming white as the

rock itself.

This is the legendary Fountain of Jizo, the fountain of milk at which

the souls of dead children drink. Sometimes it flows more swiftly,

sometimes more slowly; but it never ceases by night or day. And mothers

suffering from want of milk come hither to pray that milk may be given

unto them; and their prayer is heard. And mothers having more milk than

their infants need come hither also, and pray to Jizo that so much as

they can give may be taken for the dead children; and their prayer is

heard, and their milk diminishes.

At least thus the peasants of Izumo say.

And the echoing of the swells leaping against the rocks without, the

rushing and rippling of the tide against the walls, the heavy rain of

percolating water, sounds of lapping and gurgling and plashing, and

sounds of mysterious origin coming from no visible where, make it

difficult for us to hear each other speak. The cavern seems full

of voices, as if a host of invisible beings were holding tumultuous

converse.

Below us all the deeply lying rocks are naked to view as if seen through

glass. It seems to me that nothing could be more delightful than to swim

through this cave and let one's self drift with the sea-currents through

all its cool shadows. But as I am on the point of jumping in, all the

other occupants of the boat utter wild cries of protest. It is certain

death! men who jumped in here only six months ago were never heard of

again! this is sacred water, Kami-no-umi! And as if to conjure away

my temptation, the boatwoman again seizes her little stone and raps

fearfully upon the bow. On finding, however, that I am not sufficiently

deterred by these stories of sudden death and disappearance, she

suddenly screams into my ear the magical word, 'SAME!'

Sharks! I have no longer any desire whatever to swim through the

many-sounding halls of Shin-Kukedo-San. I have lived in the tropics!

And we start forthwith for Kyu-Kukedo-San, the Ancient Cavern.

Glimpses of Unfamiliar Japan: First Series · 第 121 / 222 题