Sec. 17

Ascending the steps, we reach a terrace, overlooking all the city

roofs. There are Buddhist lions of stone and stone lanterns, mossed and

chipped, on either side the torii; and the background of the terrace is

the sacred hill, covered with foliage. To the left is a balustrade of

stone, old and green, surrounding a shallow pool covered with scum

of water-weed. And on the farther bank above it, out of the bushes,

protrudes a strangely shaped stone slab, poised on edge, and covered

with Chinese characters. It is a sacred stone, and is believed to have

the form of a great frog, gama; wherefore it is called Gama-ishi, the

Frog-stone. Here and there along the edge of the terrace are other

graven monuments, one of which is the offering of certain pilgrims who

visited the shrine of the sea-goddess one hundred times. On the right

other flights of steps lead to loftier terraces; and an old man, who

sits at the foot of them, making bird-cages of bamboo, offers himself as

guide.

We follow him to the next terrace, where there is a school for the

children of Enoshima, and another sacred stone, huge and shapeless:

Fuku-ishi, the Stone of Good Fortune. In old times pilgrims who rubbed

their hands upon it believed they would thereby gain riches; and the

stone is polished and worn by the touch of innumerable palms.

More steps and more green-mossed lions and lanterns, and another terrace

with a little temple in its midst, the first shrine of Benten. Before it

a few stunted palm-trees are growing. There is nothing in the shrine of

interest, only Shinto emblems. But there is another well beside it with

other votive towels, and there is another mysterious monument, a stone

shrine brought from China six hundred years ago. Perhaps it contained

some far-famed statue before this place of pilgrimage was given over

to the priests of Shinto. There is nothing in it now; the monolith slab

forming the back of it has been fractured by the falling of rocks from

the cliff above; and the inscription cut therein has been

almost effaced by some kind of scum. Akira reads

'Dai-Nippongoku-Enoshima-no-reiseki-ken . . .'; the rest is

undecipherable. He says there is a statue in the neighbouring temple,

but it is exhibited only once a year, on the fifteenth day of the

seventh month.

Leaving the court by a rising path to the left, we proceed along the

verge of a cliff overlooking the sea. Perched upon this verge are pretty

tea-houses, all widely open to the sea wind, so that, looking through

them, over their matted floors and lacquered balconies one sees the

ocean as in a picture-frame, and the pale clear horizon specked with

snowy sails, and a faint blue-peaked shape also, like a phantom island,

the far vapoury silhouette of Oshima. Then we find another torii, and

other steps leading to a terrace almost black with shade of enormous

evergreen trees, and surrounded on the sea side by another stone

balustrade, velveted with moss. On the right more steps, another torii,

another terrace; and more mossed green lions and stone lamps; and a

monument inscribed with the record of the change whereby Enoshima passed

away from Buddhism to become Shino. Beyond, in the centre of another

plateau, the second shrine of Benten.

But there is no Benten! Benten has been hidden away by Shinto hands. The

second shrine is void as the first. Nevertheless, in a building to the

left of the temple, strange relics are exhibited. Feudal armour; suits

of plate and chain-mail; helmets with visors which are demoniac masks of

iron; helmets crested with dragons of gold; two-handed swords worthy

of giants; and enormous arrows, more than five feet long, with shafts

nearly an inch in diameter. One has a crescent head about nine inches

from horn to horn, the interior edge of the crescent being sharp as a

knife. Such a missile would take off a man's head; and I can scarcely

believe Akira's assurance that such ponderous arrows were shot from a

bow by hand only. There is a specimen of the writing of Nichiren, the

great Buddhist priest--gold characters on a blue ground; and there is,

in a lacquered shrine, a gilded dragon said to have been made by that

still greater priest and writer and master-wizard, Kobodaishi.

A path shaded by overarching trees leads from this plateau to the third

shrine. We pass a torii and beyond it come to a stone monument covered

with figures of monkeys chiselled in relief. What the signification of

this monument is, even our guide cannot explain. Then another torii. It

is of wood; but I am told it replaces one of metal, stolen in the night

by thieves. Wonderful thieves! that torii must have weighed at least a

ton! More stone lanterns; then an immense count, on the very summit of

the mountain, and there, in its midst, the third and chief temple of

Benten. And before the temple is a large vacant space surrounded by

a fence in such manner as to render the shrine totally inaccessible.

Vanity and vexation of spirit!

There is, however, a little haiden, or place of prayer, with nothing in

it but a money-box and a bell, before the fence, and facing the temple

steps. Here the pilgrims make their offerings and pray. Only a small

raised platform covered with a Chinese roof supported upon four plain

posts, the back of the structure being closed by a lattice about breast

high. From this praying-station we can look into the temple of Benten,

and see that Benten is not there.

But I perceive that the ceiling is arranged in caissons; and in a

central caisson I discover a very curious painting--a foreshortened

Tortoise, gazing down at me. And while I am looking at it I hear Akira

and the guide laughing; and the latter exclaims, 'Benten-Sama!'

A beautiful little damask snake is undulating up the lattice-work,

poking its head through betimes to look at us. It does not seem in the

least afraid, nor has it much reason to be, seeing that its kind are

deemed the servants and confidants of Benten. Sometimes the great

goddess herself assumes the serpent form; perhaps she has come to see

us.

Near by is a singular stone, set on a pedestal in the court. It has

the form of the body of a tortoise, and markings like those of the

creature's shell; and it is held a sacred thing, and is called the

Tortoise-stone. But I fear exceedingly that in all this place we shall

find nothing save stones and serpents!

Glimpses of Unfamiliar Japan: First Series · 第 51 / 222 题