CHAPTER XXIV

BURIAL CUSTOMS

After the interpreter difficulty had appeared as before insurmountable,

I was provided with one who acquitted himself to perfection, and

through whose good offices I came much nearer to the people than if I

had been accompanied by a foreigner. He spoke English remarkably well,

was always bright, courteous, intelligent, and good-natured; he had a

keen sense of the ludicrous, and I owe much of the pleasure, as well as

the interest, of my journey to his companionship. Mr. Hillier equipped

me with Im, a soldier of the Legation Guard, as my servant. He had

attended me on photographing expeditions on a former visit, and on the

journey I found him capable, faithful, quick, and full of “go,”--so

valuable and efficient, indeed, as to “take the shine” out of any

subsequent attendant. With these, a passport, and a _kwan-ja_ or letter

from the Korean Foreign Office commending me to official help (never

used), my journey was made under the best possible auspices.

The day before I left was spent in making acquaintance with Mr. Yi

Hak In, receiving farewell visits from many kind and helpful friends,

looking over the backs and tackle of the ponies I had engaged for

the journey, and in arranging a photographic outfit. Im was taught

to make curry, an accomplishment in which he soon excelled, and I

had no other cooking done on the journey. For the benefit of future

travellers I will mention that my equipment consisted of a camp-bed

and bedding, candles, a large, strong, doubly oiled sheet, a folding

chair, a kettle, two pots, a cup and two plates of enamelled iron,

some tea which turned out musty, some flour, curry powder, and

a tin of Edward’s “dessicated soup,” which came back unopened!

To the oft-repeated question, “Did you eat Korean food?” I reply

certainly--pheasants, fowls, potatoes, and eggs. Warm winter clothing,

a Japanese _kurumaya’s_ hat (the best of all travelling hats), and

Korean string shoes completed my outfit, and I never needed anything I

had not got!

The start on 7th November was managed in good time, without any of

the usual delays, and I may say at once that the _mapu_, the bugbear

and torment of travellers usually, never gave the slightest trouble.

Though engaged by the day, they were ready to make long day’s journeys,

were always willing and helpful, and a month later we parted excellent

friends. As this is my second favorable experience, I am inclined to

think that Korean _mapu_ are a maligned class. For each pony and man,

the food of both being included, I paid $1, about 2s., per day when

travelling, and half that sum when halting. Mr. Yi had two ponies, I

two baggage animals, on one of which Im rode, and a saddle pony, _i.e._

a pack pony equipped with my sidesaddle for the occasion.

Starting from the English Legation and the Customs’ buildings, we left

the city by the West Gate, and passing the stone stumps which up till

lately supported the carved and colored roof under which generations

of Korean kings after their accession met the Chinese envoys, who came

in great state to invest them with Korean sovereignty, and through

the narrow and rugged defile known as the Peking Pass, we left the

unique capital and its lofty clambering wall out of sight. The day was

splendid even for a Korean autumn, and the frightful black pinnacles,

serrated ridges, and flaming corrugations of Puk Han on the right

of the road were atmospherically idealized into perfect beauty. For

several miles the road was thronged with bulls loaded with faggots,

rice, and pine brush, for the supply of the daily necessities of

the city; then, except when passing through the villages, it became

solitary enough, except for an occasional group of long-sworded

Japanese travellers, or baggage ponies in charge of Japanese soldiers.

The road as far as Pa Ju lies through pretty country, small valleys

either terraced for rice, which was lying out to dry on the dykes,

or growing barley, wheat, millet, and cotton, surrounded by low but

shapely hills, denuded of everything but oak and pine scrub, but with

folds in which the _Pinus sinensis_ grew in dark clumps, lighted up

by the vanishing scarlet of the maple and the glowing crimson of the

_Ampelopsis Veitchii_.

On the lower slopes, and usually in close proximity to the timber, are

numerous villages, their groups of deep-eaved, brown-thatched roofs,

on which scarlet capsicums were laid out to dry, looking pretty enough

as adjuncts to landscapes which on the whole lack life and emphasis.

The villages through which the road passes were seen at their best, for

the roadway, serving for the village threshing floor, was daily swept

for the threshing of rice and millet, the passage of travellers being a

secondary consideration; everything was dry, and the white clothes of

the people were consequently at their cleanliest.

At noon we reached Ko-yang, a poor place of 300 hovels, with ruinous

official buildings of some size, once handsome. At this, and every

other magistracy up to Phyöng-yang, from 20 to 30 Japanese soldiers

were quartered in the _yamens_. The people hated them with a hatred

which is the legacy of three centuries, but could not allege anything

against them, admitting that they paid for all they got, molested no

one, and were seldom seen outside the _yamen_ gates. There the _mapu_

halted for two hours to give their ponies and themselves a feed.

This midday halt is one bone of contention between travellers and

themselves. No amount of hunting and worrying them shortens the halt by

more than ten minutes, and I preferred peace of spirit, only insisting

that when the road admitted of it, as it frequently did, they should

travel 12 _li_, or about three and three-quarter miles, an hour. At

Ko-yang I began the custom of giving the landlord of the inn at which

I halted 100 _cash_ for the room in which I rested, which gave great

satisfaction. I had my mattress laid upon the hot floor, and as Im,

by instinct, secured privacy for me by fastening up mats and curtains

over the paper walls and doors, these midday halts were very pleasant.

Almost every house in these roadside villages and small towns has a low

table of such food as Koreans love laid out under the eaves.

Beyond Ko-yang, standing out in endless solemnity above a pine wood on

the side of a steep hill, are two of the strangely few antiquities of

which Korea can boast. These are two _mirioks_, colossal busts, about

35 feet in height, carved out of the solid rock. They are supposed to

be relics of the very early days of Korean Buddhism, when men were

religious enough to toil at such stupendous works, and to represent the

male and female elements in nature. They are side by side. One wears

a round and the other a square hat. The Buddhistic calm, or rather

I should say apathy, rests on their huge faces, which have looked

stolidly on many a change in Korea, but on none greater than the last

year had witnessed.

During the day we saw three funerals, and I observed that a Japanese

detachment which occupied the whole road filed to the right and left

to let one of the processions pass, the men raising their caps to the

corpse as they did so. These funerals gave an impression of gaiety

rather than grief. Two men walked first, carrying silk bannerets which

designated the woman about to be interred as the wife of so and so, a

married woman having no name. Next came a man walking backwards with

many streamers of colored ribbon floating from his hat, ringing a large

bell, and accompanying its clang with a dissonance supposed to be

singing. The coffin, under a four-posted domed cover and concealed by

gay curtains, was borne on a platform by twelve men, and was followed

by a large party of male mourners, a man with a musical instrument, a

table, and a box of food. None of the faces were composed to a look of

grief. On the dome were two mythical birds resembling the phœnix. The

dome and curtains were brilliantly colored, and decorated with ribbon

streamers. Two corpses, each extended on a board and covered with white

paper pasted over small hoops, lay in the roadway at different places.

These were bodies of persons who had died far from home and were being

conveyed to their friends for burial. Later we met another funeral, the

corpse carried as before on a platform by twelve bearers, who moved

to a rhythmic chant of the most cheerful description, the whole party

being as jolly as if they were going to a marriage. There was a cross

in front of the gay hearse with an extended dragon on each arm, and

four large gaily painted birds resembling pheasants were on the dome.

Korean customs as to death and burial deserve a brief notice. When a

man or woman falls ill, the _mu-tang_ or sorceress is called in to

exorcise the spirit which has caused the illness. When this fails and

death becomes imminent, in the case of a man no women are allowed to

remain in the room but his nearest female relations, and in that of a

woman all men must withdraw except her husband, father, and brother.

After death the body, specially at the joints, is shampooed, and when

it has been made flexible it is covered with a clean sheet and laid for

three days on a board, on which seven stars are painted. This board is

eventually burned at the grave. The “Star Board,” as it is called, is

a euphemism for death, and is spoken of as we speak of “the grave.”

During these days the grave-clothes, which are of good materials in

red, blue, and yellow coloring, are prepared. Korean custom enjoins

that burial shall be delayed in the case of a poor man three days only,

in that of a middle class man nine days, of a nobleman or high official

three months, and in that of one of the Royal Family nine months, but

this period may be abridged or extended at the pleasure of the King.

Man is supposed to have three souls. After death one occupies the

tablet, one the grave, and one the Unknown. During the passing of

the spirit there is complete silence. The under garments of the dead

are taken out by a servant, who waves them in the air and calls him

by name, the relations and friends meantime wailing loudly. After

a time the clothes are thrown upon the roof. When the corpse has

been temporarily dressed, it is bound so tightly round the chest as

sometimes to break the shoulder blades, which is interpreted as a sign

of good luck. After these last offices a table is placed outside the

door, on which are three bowls of rice and a squash. Beside it are

three pair of straw sandals. The rice and sandals are for the three

_sajas_, or official servants, who come to conduct one of the souls

to the “Ten Judges.” The squash is broken, the shoes burned, and the

rice thrown away within half an hour after death. Pictures of the

_Siptai-wong_ or “Ten Judges” are to be seen in Buddhist temples in

Korea. On a man’s death one of his souls is seized by their servants

and carried to the Unknown, where these Judges, who through their spies

are kept well-informed as to human deeds, sentence it accordingly,

either to “a good place” or to one of the manifold hells. The influence

of Buddhism doubtless maintains the observance of this singular custom,

even where the idea of its significance is lost or discredited.

The coffin is oblong. Where interment is delayed, it is hermetically

sealed with several coats of lacquer. Until the funeral there is

wailing daily in the dead man’s house at the three hours of meals. Next

the geomancer is consulted about the site for the grave, and receives

a fee heavy in proportion to the means of the family. He is believed

from long study to have become acquainted with all the good and bad

influences which are said to reside in the ground. A fortunate site

brings rank, wealth, and many sons to the sons and grandsons of the

deceased, and should be, if possible, on the southerly slope of a hill.

He also chooses an auspicious day for the burial.

In the case of a rich man, the grave with a stone altar in front of it

is prepared beforehand, in that of a poor man not till the procession

arrives. The coffin is placed in a gaily decorated hearse, and with

wailing, music, singing, wine, food, and if in the evening, with many

colored lanterns, the _cortège_ proceeds to the grave. A widow may

accompany her husband’s corpse in a closed chair, though this appears

unusual, but the mourners are all men in immense hats, which conceal

their faces, and sackcloth clothing.

After the burial and the making of the circular mound over the coffin,

a libation of wine is poured out and the company proceeds to sacrifice

and to feast. Offerings of wine and dried fish are placed on the stone

altar in front of the grave if it has been erected, or on small tables.

The relatives, facing these and the grave, make five prostrations,

and a formula wishing peace to the spirit which is to dwell there is

repeated. Behind the grave similar offerings and prostrations are made

to the mountain spirit, who presides over it, and who is the host of

the soul committed to his care. The wine is thrown away, and the fish

bestowed upon the servants. It will be observed that no priest has any

part in the ceremonies connected with death and burial, and that two

souls have now been disposed of--one to the judgment of the Unknown,

and the other to the keeping of the mountain spirit.

A chair is invariably carried in a funeral procession containing the

memorial, or, as we say, the “ancestral tablet” of the deceased, a

strip of white wood, bearing the family name, set in a socket. A part

of the inscription on this is written at the house, and it is completed

at the grave. It is carried back with exactly the same style and

attendance that the dead man would have had had he been living, for the

third soul is supposed to return to the house with the mourners, and

to take up its abode in the tablet, which is placed in a vacant room

and raised on a black lacquer chair with a black lacquer table before

it, on which renewed offerings are made of bread, wine, cooked meat,

and vermicelli soup, the spirit being supposed to regale itself with

their odors. The mourners again prostrate themselves five times, after

which they eat the offerings in an adjoining room. It is customary for

friends to strew the route of the procession with paper money.

In the period between the death and the interment silence is observed

in the house of mourning, and only those visitors are received who come

to condole with the family and speak of the virtues of the departed.

It is believed that conversation on any ordinary topic will cause the

corpse to shake in the coffin and show other symptoms of unrest. For

the same reason the servants are very particular in watching the cats

of the household if there are any, but cats are not in favor in Korea.

It is terribly unlucky for a cat to jump over a corpse. It may even

cause it to stand upright. After the deceased has been carried out

of the house, two or three _mu-tangs_ or sorceresses enter it with

musical instruments and the other paraphernalia of their profession.

After a time one becomes “inspired” by the spirit of the dead man,

and accurately impersonates him, even to his small tricks of manner,

movement, and speech. She gives a narrative of his life in the first

person singular, if he were a bad man confessing his misdeeds, which

may have been unsuspected by his neighbors, and if he were a good man,

narrating his virtues with becoming modesty. At the end she bows, takes

a solemn farewell of those present, and retires.

After the tablet has been removed to the ancestral temple, and the

period of mourning is over, meals are offered in the shrine once every

month, and also on the anniversary of each death, all the descendants

assembling, and these observances extend backwards to the ancestors

of five generations. Thus it is a very costly thing to have many near

relations and a number of ancestors, the expense falling on the eldest

son and his heirs. A Korean gentleman told me that his nephew, upon

whom this duty falls, spends more upon it than upon his household

expenses.

It is not till the three years’ mourning for a father has expired that

his tablet is removed to the ancestral temple which rich men have near

their houses. During the period of mourning it is kept in a vacant

room, usually in the women’s apartments. A poor man puts it in a box on

one side of his room, and when he worships his other ancestors, strips

of paper with their names upon them are pasted on the mud wall. I have

slept in rooms in which the tablet lay smothered in dust on one of the

crossbeams. Common people only worship for their ancestors of three

generations. The anniversary of a father’s death is kept with much

ceremony for three years. On the previous night sacrifice is offered

before the tablet, and on the following day the friends pay visits of

condolence to the family, and eat varieties of food. During the day

they visit the grave and offer sacrifices to the soul and the mountain

spirit.

A widow wears mourning all her life. If she has no son she acts the

part of a son in performing the ancestral rites for her husband. It has

not been correct for widows to remarry. If, however, a widow inherits

property she occasionally marries to rid herself of importunities, in

which case she is usually robbed and deserted.

The custom of tolerating the remarriage of widows has, however, lately

been changed into the _right_ of remarriage.

Korea and her neighbors A narrative of travel, with an account of the recent vicissitudes and present position of the country · 第 24 / 37 章