III. HISTORICAL DIRECTORY OF THE PICTURES OF THIS COLLECTION.

_Portrait frontispiece._ Probably the portrait mentioned by Vasari as

painted in 1502. In the Prado Gallery, Madrid. Size: 2 ft. 10 in. by 2

ft. 1-1/2 in.

1. _The Physician Parma._ It appears that there is no direct testimony

to prove the authorship of this picture, the attribution to Titian

having been made by an early director of the gallery, following certain

evidence from Rudolfi. Herr Wickhoff claims the picture for Domenico

Campagnola, and the recent biographer of Giorgione (Herbert Cook)

includes it among the works of that painter. The attribution to Titian

is, however, not disputed by the two severest of modern critics, Morelli

and Berenson. In the Vienna Gallery. Size: 3 ft. 6 in. by 2 ft. 7 in.

2. _The Presentation of the Virgin (Detail)._ Painted for the

brotherhood of S. Maria della Carità, and now in the Venice Academy.

Date assigned by Berenson 1540. Size of entire picture: 11 ft. 5 in. by

25 ft. 6-1/2 in.

3. _The Empress Isabella._ Probably one of the two pictures referred to

in a letter of 1544 from Titian to Charles V. In the Prado Gallery,

Madrid. Size: 3 ft. 10 in. by 3 ft. 2-1/2 in.

4. _Madonna and Child with Saints._ An early work in the Vienna Gallery,

similar to a picture in the Louvre, to which it is considered superior

by Crowe and Cavalcaselle. Called an "atelier repetition" by Claude

Phillips. Size: 3 ft. 5 in. by 4 ft. 3 in.

5. _Philip II._ Painted 1550, and now in the Prado Gallery, Madrid.

Size: 6 ft. 4 in. by 3 ft. 7-3/4 in.

6. _St. Christopher._ Painted in fresco on the wall of the Doge's

Palace, Venice, in honor of the arrival of the French army at San

Cristoforo (near Milan), 1523. Ordered by the doge Andrea Gritti, who

was a partisan of the French.

7. _Lavinia._ Painted about 1550, and now in the Berlin Gallery. Size: 3

ft. 3-1/2 in. by 2 ft. 7-1/2 in.

8. _Christ of the Tribute Money._ According to Vasari, painted for Duke

Alfonso of Ferrara in 1514 for door of a press. Assigned by Crowe and

Cavalcaselle to the year 1518, the date accepted by Morelli. In the

Dresden Gallery. Size: 2 ft. 5-1/2 in. by 1 ft. 10 in.

9. _The Bella._ Painted about 1535. In the Pitti Gallery, Florence.

Size: 3 ft. 3-1/2 in. by 2 ft. 6 in.

10. _Medea and Venus._ Date unknown, but fixed approximately by Morelli

between 1510 and 1512. In the Borghese Gallery, Rome. Size: 3 ft. 5 in.

by 8 ft. 8 in.

11. _The Man with the Glove._ Assigned to Titian's middle period. In the

Louvre, Paris. Size: 3 ft. 3-1/3 in. by 2 ft. 11 in.

12. _The Assumption of the Virgin (Detail)._ Ordered 1516 for high altar

of S. Maria Gloriosa de' Frari, Venice. Shown to public, March 20, 1518.

Now in the Venice Academy. Size: 22 ft. 9 in. by 11 ft. 10-1/2 in.

13. _Flora._ Painted after 1523. In the Uffizi Gallery, Florence. Size:

3 ft. 8-1/2 in. by 3 ft. 1-1/2 in.

14. _The Pesaro Madonna._ Finished in 1526 after being seven years in

process. Still in original place in the Church of the Frari, Venice.

15. _St. John the Baptist._ Painted in 1556. In the Venice Academy.

Size: 6 ft. 5 in. by 4 ft. 5 in.

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