From this point a country walk (under two miles), turning eastward, and

to the left after crossing the long intervening bridge, will lead in due

course to the main road at Chigwell. Coming into the village we pass, at

the corner on the right, Chigwell Church, surrounded by its quiet

churchyard. This locality will be remembered as having afforded a

resting-place to Barnaby and his mother after their visit to Mr. Haredale

at _The Warren_ (chapter 25). “In the churchyard they sat down to take

their frugal dinner”—Grip, the raven, being one of the party—“walking up

and down when he had dined with an air of elderly complacency, which was

strongly suggestive of his having his hands under his coat tails, and

appearing to read the tombstones with a very critical taste.” On the

other side of the main road, a very little way onward (left), stands the

old King’s Head Inn, the original “local habitation,” if not “the name,”

of the ancient hostelry so intimately associated with the central and

domestic interests of the aforesaid historical novel, and known to us

therein as The Maypole, “an old building with more gable ends than a lazy

man would care to count on a sunny day; its windows, old diamond pane

lattices; its floors sunken and uneven; its ceilings blackened by the

hand of time, and heavy with massive beams; with its overhanging storeys,

drowsy little panes of glass, and front bulging out and projecting over

the pathway.”

[Picture: The “King’s Head,” Chigwell]

This description is appropriate to the house as it stands at present, a

fine old specimen of the timbered architecture of bygone centuries; but

it may be remarked that THE ILLUSTRATION drawn by Cattermole, which forms

the frontispiece in the recent editions of “Barnaby Rudge,” is altogether

beside the mark; for the designer has furnished therein, an elaborate and

ornate picture of the old inn which does not correspond with fact, but

rather remains in evidence of the beauty and exuberance of his artistic

imagination. Here, then, we may recall the visit of Mr. and Mrs. Varden,

accompanied by their daughter, the charming Dolly, “the very pink and

pattern of good looks, in a smart little cherry-coloured mantle, with a

hood of the same drawn over her head, and, upon the top of that hood, a

little straw hat, trimmed with cherry-coloured ribbons, and worn the

merest trifle on one side—just enough, in short, to make it the wickedest

and most provoking head-dress that ever malicious milliner devised.”

In the same connection The “Bar” of the old “Maypole,” the preparation

for dinner, and the kitchen are thus described:—

“All bars are snug places, but the Maypole’s was the very snuggest,

cosiest, and completest bar that ever the wit of man devised. Such

amazing bottles in old oaken pigeon-holes; such gleaming tankards

dangling from pegs at about the same inclination as thirsty men would

hold them to their lips; such sturdy little Dutch kegs ranged in rows

on shelves; so many lemons hanging in separate nets, and forming the

fragrant grove already mentioned in this chronicle, suggestive, with

goodly loaves of snowy sugar stowed away hard by, of punch, idealised

beyond all mortal knowledge; such closets, such presses, such drawers

full of pipes, such places for putting things away in hollow window

seats, all crammed to the throat with eatables, drinkables, or

savoury condiments; lastly, and to crown all, as typical of the

immense resources of the establishment, and its defiances to all

visitors to cut and come again, such a stupendous cheese!

“It is a poor heart that never rejoices—it must have been the

poorest, weakest, and most watery heart that ever beat which would

not have warmed towards the Maypole bar. Mrs. Varden’s did directly.

She could no more have reproached John Willet among those household

gods, the kegs and bottles, lemons, pipes, and cheese, than she could

have stabbed him with his own bright carving-knife. The order for

dinner too—it might have soothed a savage. ‘A bit of fish,’ said

John to the cook, ‘and some lamb chops (breaded, with plenty of

ketchup), and a good salad, and a roast spring chicken, with a dish

of sausages and mashed potatoes, or something of that sort.’

Something of that sort! The resources of these inns! To talk

carelessly about dishes which in themselves were a first-rate holiday

kind of dinner, suitable to one’s wedding-day, as something of that

sort, meaning, if you can’t get a spring chicken, any other trifle in

the way of poultry will do—such as a peacock, perhaps! The kitchen,

too, with its great broad cavernous chimney; the kitchen, where

nothing in the way of cookery seemed impossible; where you could

believe in anything to eat they chose to tell you of. Mrs. Varden

returned from the contemplation of these wonders to the bar again,

with a head quite dizzy and bewildered. Her housekeeping capacity

was not large enough to comprehend them. She was obliged to go to

sleep. Waking was pain, in the midst of such immensity.”

The Warren, residence of Mr. Haredale and his niece, an old red-brick

house, standing in its own grounds, was situated about a mile eastward

from the Maypole, and was thence accessible by a path across the fields,

from the garden exit of the inn, to its position on the border of

Hainault Forest. (See final paragraph of chapter 19, “Barnaby Rudge.”)

From many suggestions in the book, it occupied, in all probability, the

site of _Forest House_, not a great distance from Chigwell Row; but of

this no certainty exists.

* * * * *

CHIGWELL TO IPSWICH. It will be best to return from _Buckhurst Hill_ by

rail to Stratford or Liverpool Street, in order to travel by fast main

line train, to the good old town of Ipswich, our next destination. The

journey—_viâ_ Chelmsford and Colchester—will occupy about two hours,

during which we may recall the memorable occasion of Mr. Pickwick’s

excursion per coach from the “Bull Inn,” Whitechapel, to this ancient

capital of Suffolk, attended by the faithful Sam, Mr. Weller, senior,

driving, and beguiling the tediousness of the way with conversation of

considerable interest—“possessing the inestimable charm of blending

amusement with instruction.” Full details will be found on reference to

the “Pickwick Papers,” chapter 22, together with the account of Mr. P.’s

introduction to his fellow-traveller, Mr. Peter Magnus, “a red-haired

man, with an inquisitive nose and blue spectacles.” On arrival at the

station at Ipswich, the wayfarer, crossing by bridge over the _Gipping_

river, may proceed straight onwards through _Princes Street_ (five

minutes) to _Tavern Street_. Turning to the right, along this

thoroughfare, he will soon see the Great White Horse Hotel, on the left

side of Tavern Street. Tramcars from the station pass the hotel; also

omnibus meets all trains. Telegraphic address—Pickwick, Ipswich. In the

chapter before referred to is contained the following description:—

“In the main street of Ipswich, on the left-hand side of the way, a

short distance after you have passed through the open space fronting

the Town Hall, stands an inn, known far and wide by the appellation

of the Great White Horse, rendered the more conspicuous by a stone

statue of some rapacious animal with flowing mane and tail,

distinctly resembling an insane cart-horse, which is elevated above

the principal door. The Great White Horse is famous in the

neighbourhood in the same degree as a prize ox, or county

paper-chronicled turnip, or unwieldy pig—for its enormous size.

Never were such labyrinths of uncarpeted passages, such clusters of

mouldy, ill-lighted rooms, such huge numbers of small dens for eating

or sleeping in beneath one roof, as are collected together within the

four walls of the Great White Horse at Ipswich.”

[Picture: The “Great White Horse,” Ipswich]

The Dickensian Rambler will well remember this hotel as the scene of Mr.

Pickwick’s “romantic adventure with a middle-aged lady in yellow

curl-papers,” related _in extenso_ in the same chapter as above.

Information as to the exact bedroom allotted to Mr. Pickwick on the

occasion of his visit to this place is, unfortunately, not afforded by

local tradition; but the apartment occupied by “Miss Witherfield,” whose

privacy Mr. P. inadvertently, but so unhappily, invaded, is indicated to

visitors on the second floor—No. 36, according to recent rearrangement of

enumeration, formerly known as No. 6.

Poor Mr. Pickwick, on his escape from his awkward predicament, was unable

to find his own room, but was at last rescued from his dilemma by his

faithful servitor—

“After groping his way a few paces down the passage, and, to his

infinite alarm, stumbling over several pairs of boots in so doing,

Mr. Pickwick crouched into a little recess in the wall, to wait for

morning as philosophically as he might.

“He was not destined, however, to undergo this additional trial of

patience; for he had not been long ensconced in his present

concealment when, to his unspeakable horror, a man, bearing a light,

appeared at the end of the passage. His horror was suddenly

converted into joy, however, when he recognised the form of his

faithful attendant. It was indeed Mr. Samuel Weller, who after

sitting up thus late, in conversation with the Boots, who was sitting

up for the mail, was now about to retire to rest.

“‘Sam,’ said Mr. Pickwick, suddenly appearing before him, ‘where’s my

bedroom?’

“Mr. Weller stared at his master with the most emphatic surprise; and

it was not until the question had been repeated three several times,

that he turned round, and led the way to the long-sought apartment.

“‘Sam,’ said Mr. Pickwick, as he got into bed. ‘I have made one of

the most extraordinary mistakes to-night that were ever heard of.’

“‘Wery likely, sir,’ said Mr. Weller drily.

“‘But of this I am determined, Sam,’ said Mr. Pickwick, ‘that if I

were to stop in this house for six months, I would never trust myself

about it alone again.’

“‘That’s the wery prudentest resolution as you could come to, sir,’

replied Mr. Weller. ‘You rayther want somebody to look arter you,

sir, wen your judgment goes out a wisitin’.’”

By way of _Upper Brook Street_, _Tacket Street_, and _Orwell Place_, we

come to _Fore Street_, _St. Clement’s_ (a thoroughfare in which still

remain several old houses of the sixteenth century), and soon reach the

whereabouts of St. Clement’s Church, towards which, on the morning

following the disasters of the night of their arrival, Mr. Samuel Weller

bent his steps, and

“endeavoured to dissipate his melancholy by strolling among its

ancient precincts. He had loitered about for some time, when he

found himself in a retired spot—a kind of courtyard of venerable

appearance—which he discovered had no other outlet than the turning

by which he had entered. He was about retracing his steps, when he

was suddenly transfixed to the spot by a sudden appearance; and the

mode and manner of this appearance we now proceed to relate.

“Mr. Samuel Weller had been staring up at the old brick houses now

and then, in his deep abstraction, bestowing a wink upon some

healthy-looking servant girl as she drew up a blind, or threw open a

bedroom window, when the green gate at the bottom of the yard opened,

and a man having emerged therefrom, closed the green gate very

carefully after him, and walked briskly towards the very spot where

Mr. Weller was standing.”

This personage proved to be none other than Mr. Job Trotter, whose black

hair and mulberry suit were at once recognised by Sam, though their owner

did his best to evade detection:—

“As the green gate was closed behind him, and there was no other

outlet but the one in front, however, he was not long in perceiving

that he must pass Mr. Samuel Weller to get away. He therefore

resumed his brisk pace, and advanced, staring straight before him.

The most extraordinary thing about the man was, that he was

contorting his face into the most fearful and astonishing grimaces

that ever were beheld. Nature’s handiwork never was disguised with

such extraordinary artificial carving, as the man had overlaid his

countenance with in one moment.”

The Green Gate thus alluded to may yet be seen in a passage or court at

the bottom of _Angel Lane_ (leading to Back Street). It is the last

garden gate in the churchyard, a short distance from Church Street. The

same courtyard and gate will be remembered as the official entrance to

the Residence of George Nupkins, Esq., the Worshipful Mayor of Ipswich,

before whom the Pickwickian party were arraigned, in charge of the

redoubtable chief constable of the town. We read in chapter 25 as

follows:—

“Mr. Weller’s anger quickly gave way to curiosity when the procession

turned down the identical courtyard in which he had met with the

runaway Job Trotter; and curiosity was exchanged for a feeling of the

most gleeful astonishment, when the all-important Mr. Grummer,

commanding the sedan-bearers to halt, advanced with dignified and

portentous steps to the very green gate from which Job Trotter had

emerged, and gave a mighty pull at the bell-handle which hung at the

side thereof. The ring was answered by a very smart and pretty-faced

servant-girl, who, after holding up her hands in astonishment at the

rebellious appearance of the prisoners, and the impassioned language

of Mr. Pickwick, summoned Mr. Muzzle. Mr. Muzzle opened one-half of

the carriage gate to admit the sedan, the captured ones, and the

specials, and immediately slammed it in the faces of the mob. . . .

“At the foot of a flight of steps, leading to the house door, which

was guarded on either side by an American aloe in a green tub, the

sedan-chair stopped. Mr. Pickwick and his friends were conducted

into the hall, whence, having been previously announced by Muzzle,

and ordered in by Mr. Nupkins, they were ushered into the worshipful

presence of that public-spirited officer.”

And we all recollect the resulting _exposé_ of the designs of Mr. Alfred

Jingle (_alias_ Captain Fitzmarshall), and the return by Mr. Weller of

“Job Trotter’s shuttlecock as heavily as it came.”

It should also be not forgotten that it was at this house Mr. Weller met

with his lady-elect, Mary, the Pretty Housemaid (afterwards maid to Mrs.

Winkle), and that here the first passage of first love occurred between

them. For the pleasant narration of the episode, reference should be

made to the conclusion of the foregoing chapter:—

“Now, there was nobody in the kitchen but the pretty housemaid; and

as Sam’s hat was mislaid, he had to look for it, and the pretty

housemaid lighted him. They had to look all over the place for the

hat. The pretty housemaid, in her anxiety to find it, went down on

her knees, and turned over all the things that were heaped together

in a little corner by the door. It was an awkward corner. You

couldn’t get at it without shutting the door first.

“‘Here it is,’ said the pretty housemaid. ‘This is it, ain’t it?’

“‘Let me look,’ said Sam.

“The pretty housemaid had stood the candle on the floor; as it gave a

very dim light, Sam was obliged to go down on his knees before he

could see whether it really was his own hat or not. It was a

remarkably small corner, and so—it was nobody’s fault but the man’s

who built the house—Sam and the pretty housemaid were necessarily

very close together.

“‘Yes, this is it,’ said Sam. ‘Good-bye!’

“‘Good-bye!’ said the pretty housemaid.

“‘Good-bye!’ said Sam; and as he said it, he dropped the hat that had

cost so much trouble in looking for.

“‘How awkward you are,’ said the pretty housemaid. ‘You’ll lose it

again, if you don’t take care.’

“So, just to prevent his losing it again, she put it on for him.

“Whether it was that the pretty housemaid’s face looked prettier

still, when it was raised towards Sam’s, or whether it was the

accidental consequence of their being so near to each other, is

matter of uncertainty to this day; but Sam kissed her.

“‘You don’t mean to say that you did that on purpose,’ said the

pretty housemaid, blushing.

“‘No, I didn’t then,’ said Sam; ‘but I will now.’

“So he kissed her again.

“‘Sam!’ said Mr. Pickwick, calling over the banisters.

“‘Coming, sir,’ replied Sam, running upstairs.

“‘How long you have been!’ said Mr. Pickwick.

“‘There was something behind the door, sir, which perwented our

getting it open, for ever so long, sir,’ replied Sam.”

* * * * *

Resuming the journey onwards by rail from Ipswich, the route is continued

_viâ Saxmundham Junction_, _Halesworth_, and _Beccles_, to the South Town

Station at Great Yarmouth, a well-known and favourite seaside resort, of

much interest to the Dickensian Rambler, as being intimately associated

with the personal history and experience of David Copperfield. Visitors

are recommended, for reasons hereafter to be seen, to select as their

place of sojourn either the “_Star Hotel_” on the Hall Quay, or the

“_Angel_,” near the market-place. Any thoroughfare leading eastward from

either of these will conduct to the _Marine Parade_, in full view of the

German Ocean.

Towards the southern end of this sea frontage of the town, there may be

localised the spot where once stood the Home of Little Emily, “a black

barge or some other kind of superannuated boat, high and dry on the

ground, with an iron funnel sticking out of it for a chimney. There was

a delightful door cut in the side; it was roofed in, and there were

little windows in it.”

The position of this old boat-house, as belonging to Dan’l Peggotty, was

at the upper extremity of the _South Denes_, a flat and grassy

expanse—beyond the _Wellington Pier_ and _South Battery_—in the

neighbourhood of the _Nelson Column_, facing the sea.

In chapter 22 we find a reference to the South Town ferry, crossing the

Yare, “to a flat between the river and the sea, Mr. Peggotty’s house

being on that waste place, and not a hundred yards out of the track.”

[There is a small wooden erection, more than a mile and a half distant,

on the sea-front near _Gorleston Pier_—between two well-built

houses—assuming the name of _Peggotty’s Hut_; but this is an evident

absurdity and misnomer.]

Here, then, we may recall the many interests and incidents connected with

the experiences of the Peggotty family, and the sorrowful history of

Little Emily, notably the fateful occasion of STEERFORTH’S FIRST VISIT,

concerning which David records in chapter 21 of his autobiography, to the

following effect:—

“Em’ly, indeed, said little all the evening; but she looked, and

listened, and her face got animated, and she was charming.

Steerforth told a story of a dismal shipwreck (which arose out of his

talk with Mr. Peggotty), as if he saw it all before him—and little

Em’ly’s eyes were fastened on him all the time, as if she saw it too.

He told us a merry adventure of his own, as a relief to that, with as

much gaiety as if the narrative were as fresh to him as it was to

us—and little Em’ly laughed until the boat rang with the musical

sounds, and we all laughed (Steerforth too), in irresistible sympathy

with what was so pleasant and lighthearted. He got Mr. Peggotty to

sing, or rather to roar, ‘When the stormy winds do blow, do blow, do

blow;’ and he sang a sailor’s song himself, so pathetically and

beautifully, that I could have almost fancied that the real wind

creeping sorrowfully round the house, and murmuring low through our

unbroken silence, was there to listen.”

Thus commenced the sad story of the poor girl’s fascination and

subsequent flight with Steerforth, never more to return to the old home.

In this connection we may recall the graphic and powerful description of

the great Storm at Yarmouth, as contained in chapter 55, when Ham met his

fate in the gallant attempt to rescue the last survivor of a wrecked and

perishing crew, Steerforth himself:—

“They drew him to my very feet—insensible—dead. He was carried to

the nearest house; and, no one preventing me now, I remained near

him, busy, while every means of restoration was tried; but he had

been beaten to death by the great wave, and his generous heart was

stilled for ever.

“As I sat beside the bed, when hope was abandoned and all was done, a

fisherman, who had known me when Emily and I were children, and ever

since, whispered my name at the door.

“Sir,’ said he, with tears starting to his weather-beaten face,

which, with his trembling lips, was ashy pale, ‘will you come over

yonder?’

“The old remembrance that had been recalled to me was in his look. I

asked him, terror-stricken, leaning on the arm he held out to support

me—

“‘Has a body come ashore?’

“He said, ‘Yes.’

“‘Do I know it?’ I asked then.

“He answered nothing.

“But he led me to the shore. And on that part of it where she and I

had looked for shells, two children—on that part of it where some

lighter fragments of the old boat, blown down last night, had been

scattered by the wind—among the ruins of the home he had wronged—I

saw him lying with his head upon his arm, as I had often seen him lie

at school.”

In the days of Copperfield, Two Coaches ran between Great Yarmouth and

London—“The Blue” and “The Royal Mail.” On the occasion of David’s first

journey to his school at Blackheath, he travelled by the former of these,

from The Angel Hotel, in the Market Place. We may here recall his dinner

of chops in the coffee-room, at which the “friendly waiter” assisted,

helping himself to the lion’s share.

In chapter 5 of his History, David relates the attendant circumstances of

this, his second visit to Yarmouth; and how, starting as above from the

hotel, his dinner—ordered and paid for in advance—was mainly consumed by

proxy, ale included. We read that the waiter, “a twinkling-eyed,

pimple-faced man, with his hair standing upright all over his head,”

invited himself to the meal:—

“He took a chop by the bone in one hand, and a potato in the other,

and ate away with a very good appetite, to my extreme satisfaction.

He afterwards took another chop, and another potato; and after that

another chop and another potato. When we had done, he brought me a

pudding, and having set it before me, seemed to ruminate, and to

become absent in his mind for some moments.

“‘How’s the pie?’ he said, rousing himself.

“‘It’s a pudding,’ I made answer.

“‘Pudding!’ he exclaimed. ‘Why, bless me, so it is! What!’ looking

at it nearer. ‘You don’t mean to say it’s a batter-pudding?’

“‘Yes, it is indeed.’

“‘Why, a batter-pudding,’ he said, taking up a table-spoon, ‘is my

favourite pudding. Ain’t that lucky? Come on, little ’un, and let’s

see who’ll get most.’

“The waiter certainly got most. He entreated me more than once to

come in and win, but what with his table-spoon to my tea-spoon, his

despatch to my despatch, and his appetite to my appetite, I was left

far behind at the first mouthful, and had no chance with him. I

never saw any one enjoy a pudding so much, I think; and he laughed,

when it was all gone, as if his enjoyment of it lasted still.”

On his return journey from London, we find him coming down by “The Mail,”

which stopped at The Star Hotel, on the Hall Quay, where the bedchamber,

“The Dolphin,” was assigned for his accommodation. He and his friend

Steerforth, in after visits, frequently adopted this “Royal Mail”

conveyance, making headquarters at the “Star Hotel.”

The “volatile” _Miss Mowcher_ is first introduced to us at this

establishment.

In chapter 22 we have the full account of David’s visit to Yarmouth in

company with Steerforth. They “stayed for more than a fortnight in that

part of the country,” during which time Littimer, being in attendance one

evening at this hotel during dinner, informed them that Miss Mowcher was

making one of her professional visits to the town, and desired an

opportunity of waiting on his master. David says:—

“I remained, therefore, in a state of considerable expectation until

the cloth had been removed some half-an-hour, and we were sitting

over our decanter of wine before the fire, when the door opened, and

Littimer, with his habitual serenity quite undisturbed, announced:

“‘Miss Mowcher!’

Rambles in Dickens' Land · 第 12 / 15 段